"The Hum is the debut opus of Sarnadas, a Portuguese transdisciplinary artist working sound, image, space and everything in between. The four hour-plus long album, set to be released in two parts, is a direct consequence of his work with the disruptive artistic collective Favela Discos. By suspending some protocols but, most importantly, by suspending time itself in a seamless never-ending loop of layered melodies, Sarnadas allows himself to focus on developing new possibilities with the manipulation of the context created, rather than relying on the false necessity of constant output. Over the 15 pieces of deeply moving, bright, but calming music, Sarnadas waives off rigid musical structures to loop, overdub, and erect layers of synth phrases which relate to each other in the enclosed environment of The Hum. The Porto-based musician prompts his search for melodic opulence in the seemingly still soundscape of organic repetitiveness, where the encounter plays as big of a role as controlled randomness and the mismatch of melodies, sounds and textures. Sarnadas's approach to music writing allows details to be generated, rather than forced into music, creating a state of conscious lethargy where dreaming plays an active role on the outcome of sound. Recorded live throughout two days, the two-part album is reflective of Sarnadas's need to suspend time and figure out a new pathos by allowing himself to work endlessly on the single output of choice: a three-oscillator homemade synth constructed by his long-time collaborator Inês Castanheira (Well). This simple instrument, paired with a mixer and pedalboard paraphernalia, freed him to work loops, textures, brightness and chance into a compelling design of organic and mutating spaces. Die-cut cover with two printed inner sleeves and sealed outer plastic sleeve." - Favela Discos.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.