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Confront Recordings

SEEN, THE - For Sake Of Joy Of Study Of Oneself Together

"The origins of this piece date back to the December 1st, 1991. I'd attended an all-day concert at the Red Rose Theatre in Finsbury Park, London -- a benefit gig for Terry Day -- featuring dozens of musicians in various groupings throughout the afternoon and evening. One of those musicians was John Stevens. This was my first exposure to John and his music and the beginning of a fascination still very much part of my every-day. John performed three times that afternoon; with his Spontaneous Music Ensemble -- comprising Nigel Coombes and Roger Smith later joined by Maggie Nicols and Phil Minton, in a trio with Larry Stabbins and Paul Rogers and in an unaccompanied role, reciting a text composed by himself. He gave no introduction or back story to the piece. It just existed as is. Gone in a few fleeting moments. A couple of years later I secured an audience recording of the concert made by Andy Isham. All of John's activity that day was on the recording and through repeated listening over the following two decades, I became very attached to the spoken word piece. Earlier this year I finally got around to transcribing the text, hoping that one day I'd be able to include it in a project. This little dream was enabled by Trestle Records and their generous offer to organize and record a session. Finally, John's inspirational words can be heard again and influence others the way they did me, as a young man, twenty-six years ago." --Mark Wastell (December 2017) The One Day Band sessions are an ongoing series of improvisations hosted by Trestle Records. Musicians, sometimes meeting for the first time, are invited to collaborate on a record made in a single day. The idea is to create a supportive studio environment to facilitate the production of new spontaneous music. Personnel: Jennifer Allum - violin; Douglas Benford - objects; Harry Broadbent - Rhodes piano; Bertrand Denzler - tenor saxophone; Phil Durrant - modular synth; Phil Julian - electronics; Dominic Lash - double bass; Stewart Lee - narration; Graham McKeachan - double bass; Mark Wastell - tam tam, harmonium.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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