"From Lawrence English: "The first time I witnessed Senyawa was in the early 2010s. We shared a bill at the MonaFoma festival in Hobart. Some memories hold strongly in your mind and Senyawa's performance that day did just that . . . This project, The Prey and the Ruler, finds its root in the unsteady months of mid-2021. As the pandemic plodded onward, and lockdowns were a thing of the everyday here in Australia, Peter Knight and I were talking about the situations unfolding in our respective states. We also got to talking about friends in the region and found ourselves pondering the situation just north of us, in Indonesia. It was around this time we thought to reach out to Rully and Wukir from Senyawa and to hear how things were first hand for them, and their communities. Following that initial conversation, we collectively decided that it was a good moment to commence a project that could cut through the geographic isolation of those long months, and also seek to create some opportunities for a community of instrument builders, friends of Senyawa, who had been significantly hit by the force of the pandemic. A few weeks after this exchange, Wukir sent a series of videos; grabs from his cellphone. The videos were of plastic molds, smoke, spray paint, and sound. In each short clip, instruments were being conceived, tested and forged. These were new instruments coming to life before our eyes, and ears. It was these instruments, and the audio possibilities they suggested, that are at the very heart of this edition. Following several more exchanges we started passing recordings to one another. The process of sharing materials back and forth quickly took on the shape of the works you hear on this album. Once all the contributions were in place, I set about forging them. On the first listen there was a deep sense of intensity to all the performances, like an outpouring or eruption. This was no doubt the result of people being largely locked away, a chance to break the looping around of their own daily routines. These sonic offerings from Senyawa, these instruments with their sounds so unfamiliar and at times unexpected, seemingly unlocked approaches from everyone in surprising ways. It was as if everyone was leaning into the sounds, applying themselves to the particular qualities of these new instruments. What you hear on this edition then is a collective effort at expanded listening..."" - Room40 .
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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