Free-rock cosmic feedback by way of acid folk explorations. This feels like a classic Westcoast styled psych version of Amon Düül II. 70 copies. - Sloow Tapes. "favored psychedelic free rock outfit makes a triumphant return to SLOOW TAPES, a most revered label around these parts, six years gone by since THE CREATOR HAS A FASTER VAN, which seems to have been a watershed moment of sorts for DW, a crucial inflection point, both stylistically and realistically as they went on an apparent hiatus thereafter til 2015s THE BERNAL CODEX [REC #79] and since then they have established themselves as one of thee preeminent purveyors of stoner psych improvisation, providing an ever crystallizing mystic moody counterpoint to the freaked out pummel of tangential free rock contemporaries BURNT HILLS and DSDV --though magnum opus THE GRAND CELESTIAL PURGE [REC #133] is certainly more parallel to DWs trajectory-- while providing an alternate "classic west coast" interpretation of old guard krautrock opposite the peculiar strain of rural kosmische rethinkers in MENDOCINO and VON HIMMEL.
DRUMBAR AND BASSPEAR is a righteous offering of two sidelong excursions, thick smoky basement jams, improvised spiritualized bliss, honed on side one like an impossible AMON DUUL II aria featuring CHRISTINA CARTER and PHAROAH SANDERS, somehow distantly yet distinctly channeling THE BEATLES "taxman" and PERE UBU "laughing", then zoned way out on side two like CANs "yoo doo right" meets COMUS meets TONY CONRAD WITH FAUST -- sweet fancy moses, look out for side two -- hot on the heels of their vinyl debut EXCURSIONS TO CLOUDLAND (or rather ahead, as the vinyl was delayed) comes this more narrowly targeted missive of supreme third eye gazing, soothing an itch scarcely scratched - like EXCURSIONS and other recent DW works, fans of BARDO POND and HERON OBLIVION ought to take note, but for best results i say consider the more immersed vibes of HERBCRAFT and MV & EE. i kinda wanna say this is their best, but i kinda wanna say that about all their albums" - PSI Lab.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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