{"title":"december 4, 2021","description":"","products":[{"product_id":"nothing-dingulator-band-the-charlie-aint-no-fascist-dingulation-1","title":"NOTHING DINGULATOR BAND, THE CHARLIE - Aint No Fascist\/Dingulation # 1","description":"\u003cp\u003e \"A single that is not new just appeared on the scene. And although it is 20 odd years old Aint No Fascist\/Dingulation Number 1 by The Charlie Nothing Dingulator Band is the sort of thing that you should jump on if it passes by your fingers. Mr Nothing may be recalled by some for his great album, The Psychedelic Saxophone Of Charlie Nothing on the Takoma label or even the more obscure self released records he cut. This single was the last of those, and it is a monster. The A side vocal slides all around the place with flutes, crazy guitar, staggering percussion and voices, like some mutant offshoot of Starship Beer crossed with David Peel And The Lower East Side. Very groovy stuff. And, lest you start to get strange ideas, the Dingulation concept has to do with the musical instruments that Mr Nothing fashioned from junk automobiles. No more, no less.\" - Byron Coley, WIRE, 2004?.\u003c\/p\u003e\n\u003cp\u003eRestocked after a decade+. Original copies of this 1980 release. Sleeves are in EX condition and the thin paper used may show minor signs of age. \u003c\/p\u003e","brand":"Beyond Omega","offers":[{"title":"7\"","offer_id":51856387271,"sku":"892-BEYOND OMEGA","price":16.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-861765-1166482867_jpeg.jpg?v=1617553207"},{"product_id":"khan-ustad-hafizullah-khalifa-kirana-gharanasarangi","title":"KHAN, USTAD HAFIZULLAH  - Khalifa Kirana Gharana-Sarangi","description":"\u003cp\u003e\"An archival performance from 2000 by North Indian classical master Ustad Hafizullah Khan is the latest release on La Monte Young and Marian Zazeela's Just Dreams label. Those who purchased the recent Pandit Pran Nath set will find much to enjoy here. Hafizullah Khan, who passed away in 2002, was a virtuoso of the sarangi. The sarangi is India's premier fiddle instrument; to most western ears it probably most resembles the violin. It is comprised of a solid wood body, three main playing strings, and 35-40 sympathetic strings. There are no frets of fingerboards, the strings hover over the body of the instrument and the performer changes the pitch by sliding his or her fingernails along the strings. It has an absolutely uncanny ability to imitate the sound of the human voice -- indeed most sarangi masters are also vocalists, as was Hafizullah Khan.\u003c\/p\u003e\n\u003cp\u003eThe sarangi is extremely difficult to play and has been in decline as a popular instrument for some time, so we are very blessed to be offered this historic recording. Hafizullah Khan was the hereditary head of the Kirana Gharana school of North Indian classical music. He began learning his craft at a young age from his renowned father and uncle, and was a staff artist for many years at the prestigious All India Radio. In a recent online interview between La Monte Young and Frank J. Oteri, Young characterizes members of the Kirana school as priding themselves on the knowledge of Raga and Feeling. He goes on to state that there is a certain extremity found in performances from the Kirana Gharana school that he finds appealing and that relates to aspects of his own compositions\" - Just Dreams. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"RE-RELEASE from the Just Dreams label--a true CD, not CD-R. First recording released by the late Sarangi Master,Khalifa and son of Ustad Abdul Wahid Khan of the Kirana Gharana. Exquisite intonation, pure tone, graceful command of the bow, effortless speed over the complete range of three octaves.\" - Just Dreams.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"Ustad Hafizullah Khan was the only child of the renowned vocalist and sarangi player, Ustad Abdul Wahid Khan Chisti-Sabri and was born in Kirana India, on June 4th, 1946. Actually, Hafizullah Khansahib was the 17th and only surviving child of Abdul Wahid Khansahib and his second wife, as all the other children died at birth or soon after. Hafizullah Khansahib's mother, Naseera Begum or Moodan, recently passed away in Delhi in February 2003. At Wahid Khan's death in 1949, Hafizullah Khansahib was sent to live and study with his uncle, Ustad Abdul Habib Khan. He received exceedingly rigorous training: during the day he was free to fly kites and play with other children, but at night he was required to do riaz (practice) from 10pm to 4am. Hafizullah Khansahib joined his Guru and uncle, Habib Khan, to every concert he performed. Hafizullah Khansahib was trained both in voice and sarangi, but since there were many vocalists, Habib Khan decided Hafizullah Khan should become a sarangi player to be assured of getting work.\" - Rik Masterson \u0026amp; Rose Okada\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Just Dreams","offers":[{"title":"CD","offer_id":51861230151,"sku":"1671-JUST DREAMS","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-1200052-1200252576_jpeg.jpg?v=1571717276"},{"product_id":"pran-nath-pandit-midnight-raga-malkauns","title":"PRAN NATH, PANDIT - Midnight \/ Raga Malkauns","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"Just Dreams is the label of La Monte Young and Marian Zazeela. This Pandit Pran Nath double CD was released in 2002 and features two long live performance ragas from 1971 and 1976 by this legendary Indian vocalist. The first version of \"Raga Malkauns\" is from 1971, and was recorded in SF with accompaniment by: Terry Riley (tabla), Ann Riley (tambura) \u0026amp; Simone Forti (tambura). The 1976 version of \"Raga Malkauns\" on disc 2 was recorded in NYT and features: K. Paramjyoti (tabla), La Monte Young (tambura) \u0026amp; Marian Zazeela (tambura). Sensational, timeless music preserved in the finest detail, at last. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThere's a lot of celestial hype in the world of music, but the music of Pandi Pran Nath travels all corridors of the universe. \"Two full-CD recordings of 'Raga Malkauns' by Pandit Pran Nath, accompanied by full texts of the vocal compositions presented in Devanagri script, phonetic English, word-by-word translation, and poetic interpretation by Sri Karunamayee, a longtime senior disciple of the Master. available again for a short time!\" - Bent Crayon Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/esuia43tJUI\" height=\"240\" width=\"292\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Just Dreams","offers":[{"title":"Double CD","offer_id":51861252807,"sku":"1672-JUST DREAMS","price":26.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-1012647-1184057992_jpeg.jpg?v=1571717276"},{"product_id":"young-la-monte-marian-zazeela-the-tamburas-of-pandit-pran-nath","title":"YOUNG, LA MONTE\/MARIAN ZAZEELA - The Tamburas of Pandit Pran Nath","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"This recording is an invaluable artifact, destined to become a cherished classic, valued for years to come by those able to appreciate the subtle vibratory qualities of this High Art. In an age of diminishing concern for the high ideals upheld by the venerated masters of the past for strict adherence to the precise pitches and shapes of Raga, Pandit Pran Nath stood alone in his fierce devotion to purity of these ancient ways in a manner that was both traditional and innovative ... His life’s work was service to the true shape and correct pitches of each individual Raga, regarding them as manifestations of a Divine Sound that could only be accurately realized when these pitches and shapes were uniquely delineated for each and every Raga.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Tambura was a lifelong companion to this work, as each frequency and shape was measured in relation to its finely tuned yardstick and he had little patience or sympathy for any elements that came between his discriminating ear and the lustrous resonance of this venerable stringed instrument.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFor his Disciples, La Monte Young and Marian Zazeela, this was also the most cherished goal. The extreme care and loving attention given to the making of this masterpiece of Tambura\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eArtistry make it a singularly rare contribution that far outshines any other attempts to capture this instrument in recorded media. I often use this recording to accompany my own practice and am delighted that now it will be available to students and connoisseurs worldwide. As has been said many times, sitting between two tamburas is Heaven.\" -Terry Riley.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eAs the tambura tuning on this CD leaves the sanctuary of Indian classical music that created it and goes out into the world, there is no way to control how it actually might be used over time. However, in the light of the extraordinary convergence of factors that have brought this tuning into physical manifestation, we now offer it to the world. Each vibration that goes out into the universe becomes a part of, and thus affects, the structure of the cosmic composite waveform. May this recording live on, not only as The Tamburas of Pandit Pran Nath Minus One for all devotees of raga to have a well-tuned, ready drone frequency constant with which to practice the śrutis, but at the same time, for all listeners, as a vehicle in the quest for spiritual attainment and for the evolution of consciousness, an introduction to the study of the universal implications of vibrational structure, and a positive force in the eternal interplay of harmony and discord, of harmonicity and inharmonicity, of good vibrations and bad.\" - Just Dreams.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Just Dreams","offers":[{"title":"CD","offer_id":51861253447,"sku":"1673-JUST DREAMS","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/a3473664172_10.jpg?v=1686082581"},{"product_id":"young-la-monte-marian-zazeela-the-welltuned-piano-in-the-magenta-lights-87-v-10-64300-pm-87-v-11-010745-am-nyc","title":"YOUNG, LA MONTE\/MARIAN ZAZEELA - The Well-Tuned Piano in The Magenta Lights (87 V 10 6:43:00 PM - 87 V 11 01:07:45 AM NYC)","description":"\u003cp\u003e\"The 6-hour 24-minute continuous performance of the Young and Zazeela collaborative masterwork videotaped on May 10, 1987 during the La Monte Young 30-Year Retrospective presented by MELA Foundation in New York City. Encoded to a single 401 minute DVD for non-stop play._Ç Following the sale of the Advanced Preview Limited Edition (now out of print) Just Dreams has made available this First Limited Edition of 240 copies, in a super jewel box\" style DVD case with a magazine-size booklet. MELA is now able to offer this DVD at a new lower price.\" -Just Dreams.\u003c\/p\u003e\n\u003cdiv class=\"section notes toggle_section    toggle_section_remember\" data-toggle-section-id=\"notes\" id=\"notes\"\u003e\n\u003cdiv class=\"section_content toggle_section_content\"\u003eThird DVD Edition Copyright La Monte Young and Marian Zazeela 2000, 2001, 2018.\u003cbr\u003e\u003cbr\u003eLimited to 500 copies, one time pressing.\u003cbr\u003e\u003cbr\u003eThis edition is housed in a standard DVD case with a 50-page booklet.\u003c\/div\u003e\n\u003cdiv class=\"section_content toggle_section_content\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"section_content toggle_section_content\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"section_content toggle_section_content\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/nU8UHQLQ0Qs\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Just Dreams","offers":[{"title":"DVD","offer_id":51861253575,"sku":"1674-JUST DREAMS","price":110.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-12226651-1531653986-8643_jpeg.jpg?v=1627402884"},{"product_id":"boombastik-mark-plastic-lieb-hoffnung","title":"BOOMBASTIK, MARK - Plastic Lieb\/ Hoffnung","description":"\u003cp\u003e\"Its been a while since we last heard a new 7 by Meeuw Muzak, but then here a brand new 7\" by Mark Boombastik, who already released I Hate Art Galleries on the same label, as well as material for other labels, such Solotempo, Lou Records, Gagarin Records, Tomlab etc. His background is in the field of hip hop, so hes probably better known in other, non Vital areas. He has worked with Patric Catani (Candie Hank), Funkstoerung, Felix Kubin and such alike. The music is not really hip hop like (as far as I can judge, not being fully known with the genre), but Boombastik uses a stomping rhythm, deep bass sound, something that sounds like a theremin and German vocals, which sing about our love for plastic. Quite biting the a-side, maybe even a political edge to it. The b-side is a looped voice duet between where is my hope and where is my fear, along with fucked up rhythm backing. Quite chilling this one. Great labels here too: based on the energy chocolate which keeps drivers awake.\" - Vital Weekly.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/yZs3UTfRzGE\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Meeuw Muzak","offers":[{"title":"7\"","offer_id":51923337735,"sku":"9697-MEEUW MUZAK","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-2216455-1270386361_jpeg.jpg?v=1628007318"},{"product_id":"entourage-music-and-theatre-ensemble-entourage","title":"ENTOURAGE MUSIC AND THEATRE ENSEMBLE - Entourage","description":"Formed in Baltimore, MD in the early 70s, The Entourage Music And Theatre Ensemble played a kind of experimental, ambient, new age, proto-world music, made to accompany multi-media performance art pieces. This is the first of two albums they released on Folkways, reissued lovingly on vinyl in an exact replica of the original jacket and booklet. - Folkways.\\r\\n\u003ciframe width=\"600\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/zAj8HPSkVv8\" frameborder=\"0\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Folkways","offers":[{"title":"LP","offer_id":51941615239,"sku":"13394-FOLKWAYS","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/FW33866LP_CU.jpg?v=1637773146"},{"product_id":"cherry-don-relativity-suite","title":"CHERRY, DON - Relativity Suite","description":"\u003cp\u003e\"Finally available again on vinyl! Don Cherrys Relativity Suite, recorded with the Jazz Composers Orchestra in 1973. At this time, Cherry was becoming increasingly interested in Middle Eastern and traditional African and Indian music, having traveled extensively and studied with Indian musician Vasant Rai. This suite of songs was particularly influenced by the Indian karnatic singing tradition, as can be heard from the very opening moments of the album. Featuring Carla Bley on piano, Charlie Haden on bass, and Ed Blackwell on drums, as well as an extended horn and string section, Cherry collaborated extensively with the Jazz Composers Orchestra throughout the early seventies. His Swedish wife, Moki Cherry, plays tambura on Trans-Love Airways.\" - Klimt.\u003c\/p\u003e","brand":"Klimt","offers":[{"title":"LP","offer_id":51943518023,"sku":"14316-KLIMT","price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-15899079-1599830964-4343_jpeg.jpg?v=1634320135"},{"product_id":"radigue-eliane-opus-17","title":"RADIGUE, ELIANE - Opus 17","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021 repress, remastered\u003c\/span\u003e. \"Alga Marghen very proudly presents Opus 17, a major turning-point in the sonic oeuvre of Eliane Radigue. Finished in 1970, it was the last work composed with feedback materials. From that experimental period, Opus 17 preserves a plastic character: a music made of rough sonic phenomena, at once harsh and granular, possessing a quality of materiality and tactility. Its vibrations structure the air surrounding the listener with densities, thicknesses, indeed with palpable movement. Her compositions are frames which let us hear these phenomena, open frameworks from the sonic installations of her Endless Musics and here reinserted in the five scenes making up Opus 17. In 1970, in her studio of very rudimentary means, she developed a completely unique body of work centered on sounds produced by feedback. Opus 17 has the quality of showing off the sum of the achieved techniques and methods. Eliane Radigues music has never been rooted in ideas but in practice, the intimate experience of things in the wild which she has known how to tame. This dialog both intense and poetic which she keeps up with the solid matter of sound finds a remarkable concretization in Opus 17. It is to be underlined that with Opus 17 Eliane Radigue inaugurates a technique of composition which will be her footprint, her trademark: imperceptible transformations. For that she has developed a technique of meticulous mixings, based on the slow passage from one section to the next. Imperceptible all during the piece, we pass, ceaselessly and without noticing the changes, from one frequency flux to another. Time is suspended, smoothed out, stretched. It is this technique which Eliane Radigue will be essentially using for all the electronic works to come and which she will never cease to refine and render always more subtle. Opus 17 is the great panoramic voyage through material sound, its electronic phenomena detailed as if in a microscope. As Rhys Chatham recalls: \"Eliane Radigue (...) had just moved to New York and had the idea of acquiring an analog modular synthesizer, which is why she worked at NYU in order to try out the possibilities of the Buchla 100 series which we had there. One day, while gossiping, she invited me to her loft, which was just on the corner. She had me listen to a piece composed in France; the piece called Opus 17. (...) What I heard changed to course of my life as a composer. (...) That piece, impressive source of inspiration, gave the impression of being in a grand cathedral, both for the sensation of immensity of being in such a large cathedral, as for the effect of being so close to God.\" Opus 17 was created at the artistic center of Verderonne on May 23, 1970, for the F_ɬ™te en blanc (i.e. White Festival) organized by the visual artists Antoni Miralda, Joan Rabascall, Doroth_ɬ©e Selz and Jaume Xifra. Previously unreleased, Opus 17 is now issued on Alga Marghen in a first edition of 400 copies in a gatefold sleeve.\" - Alga Marghen.\u003c\/p\u003e","brand":"Alga Marghen","offers":[{"title":"Double LP","offer_id":51947736071,"sku":"15223-ALGA MARGHEN","price":47.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-5217583-1387787331-8926_jpeg.jpg?v=1571718143"},{"product_id":"bebey-francis-psychedelic-sanza-19821984","title":"BEBEY, FRANCIS - Psychedelic Sanza 1982-1984","description":"\u003cp\u003e2021 repress. With printed inner sleeve. \"Born Bad Records presents the music of Cameroonian musician Francis Bebey, circa 1982-1984. The first time I saw a sanza (a type of African thumb piano), it was just sitting there on a piece of furniture in my familys living room\/dining room -- a space that our father also transformed into a recording studio every day. It seemed more like a box than a musical instrument: a mysterious instrument, which arrived at our house, like many things, in a somewhat miraculous way. The sounds it produced seemed particularly bizarre; to my young musicians ears, trained in Western classical music, it sounded out of tune. Thats because, like my brothers and sisters, I had been trained on the piano. I had trouble understanding how anyone could endure these tones and, honestly, our fathers passion for unusual sounds did not interest me. I was in secondary school at the time (the very late 1970s) and was not at all oriented toward musical projects. I planned to graduate, and then become a chef. In the early 1980s, my interest in music picked up. I was still undecided about my career. I was content to pursue my serious English studies while hanging out at jazz clubs at les Halles in Paris, where I sometimes joined jam sessions. Next, I put together my first band with professional musicians; I had hidden my age and lack of experience from them. France was just beginning to accept world music. Musicians of every nationality were performing in Paris. It was a wonderful period. My father asked my brother Toups and me to accompany him for a few concerts. In particular, we toured Tunisia together at the time of the 1983 Carthage International Festival. Back then, my father was renowned across the French-speaking world. Everyone looked forward to hearing his humorous songs, like Agatha and La condition masculine. But, behind the scenes, he continued his research concerning electronic music, the sansa, pygmy polyphony, etc. One day he put a sansa in my hands, without saying a word. He was sending me a message: Lets see what you can do with it! Thats when I really discovered something. Exploring the instrument and playing, I transcended the imperfect aspect of its sound and began to discover its fascinating potential. Playing the sansa, you enter a world that enraptures you in a very serene and mesmerizing way. I think its sounds evoke a rainbow, with rain falling while the sun shines. A very peaceful feeling. It allows you to make music that truly sounds like life. The sansa is also the instrument that my father and I shared the most because I am a pianist and he was a guitarist. I also share this eminently African instrument with my musician brother, Toups. Our father loved to tell us one of the legends of the sansa: how it even managed to dispel the boredom felt by... the Creator himself! This instrument gives life to the world, to beings and things. I did not participate in the production of the various records that my father devoted to the sansa. He did it himself, you might say, in his laboratory. Yet today, I cannot imagine playing a concert without using a sansa. The piano remains present so that listeners dont become disoriented and wonder about the weird sounds invading their ears! However, I find the eccentric and disturbing side of sansa interesting. And the sansa always affects the audience: in reality, it excites them. The secrets of this instrument are surely its beneficial powers and... its magic!\" -Patrick Bebey.\u003c\/p\u003e","brand":"Born Bad","offers":[{"title":"Double LP","offer_id":52000423559,"sku":"15972-BORN BAD","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-6129395-1411806308-3339_jpeg.jpg?v=1571718192"},{"product_id":"barbieri-caterina-vertical","title":"BARBIERI, CATERINA - Vertical","description":"\u003cp\u003e \"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021 reprint. Norelco plastic case. \u003c\/span\u003eVertical is Caterina Barbieris debut album and it was composed for vocals and Buchla 200 modular synthesizer. Vertical takes a meditative approach to primary waveforms and the polyrhythm of harmonics, stretching the boundaries between drone, minimalism and techno in multichannel systems. This minimalistic focus arises from the polyrhythmic and stratigraphic potential of voltage-controlled sequencers. Synthesis, drone and immersive listening are three fundamental conditions to enhance an advanced auditory art, not based on extrinsic links but solely built on the experience of the spectrum, able to develop our very limited ability of perceiving the vertical domain of music, involving us in a holistic way. Caterina Barbieri (1990) is a composer and performer of electro-acoustic music. Mostly interested in modular synthesis, three-dimensional spatialization and psychoacoustic aural sculpture, her music arises from a meditative approach to primary waveforms and the polyrhythm of harmonics. She received a degree in classical guitar and electro-acoustic music at the conservatory of Bologna, Italy (plus an exchange program at the Royal College of Music in Stockholm, Sweden) with a thesis about time, space and spectrum in vertical music. Shes currently attending a Bachelor in Literature and shes active as an audiovisual artist, acousmatic composer and guitarist. Her work has been commissioned and performed in festivals and venues of experimental music.\" - Cassauna.\u003c\/p\u003e","brand":"Cassauna","offers":[{"title":"Cass","offer_id":52000706951,"sku":"16043-CASSAUNA","price":11.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-6251555-1414859267-5120_jpeg.jpg?v=1571718194"},{"product_id":"russell-arthur-tower-of-meaning","title":"RUSSELL, ARTHUR - Tower Of Meaning","description":"\"Arthurs epic minimalist orchestral composition conducted by the late Julius Eastman. Stunningly beautiful, mercurial, and moving. The transcendental, ephemeral soundscape originally intended for theatrical performance. First released in 1983 on Chatham Square. The Audika release replicates the original artwork with remastered audio. Almost medievally pure music in which tone combinations of two or three notes tuned to modal\/raga scales are played by various instrumental groups. There is a love of listening to the pure combinations per se, as they are delivered at a regular, moderate pace...then, unpredictably, rich or dissonant chords will be held that open your mind's ear, and take your breath away....the sudden ceasing of the music at certain points also has a similar effect.\" -Gene Tyranny.","brand":"Audika","offers":[{"title":"LP","offer_id":52009029895,"sku":"18117-AUDIKA","price":28.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-1918919-1252767215_jpeg.jpg?v=1571718301"},{"product_id":"hennix-catherine-christer-central-palace-music-from-100-model-subjects-for-hegikan-roku","title":"HENNIX, CATHERINE CHRISTER - Central Palace Music from 100 Model Subjects For Hegikan Roku","description":"\"Central Palace Music, performed by Catherine Christer Hennixs just-intonation ensemble The Deontic Miracle, is the first in a series of archival Hennix releases to be issued via Important Records. This previously unheard piece was taken from an eight-day festival organized in the spring of 1976 at the Museum of Modern Art in Stockholm. The group features Catherine Christer Hennix on Renaissance oboe and custom sinewave generators, Peter Hennix on Renaissance oboe, and Hans Isgren on sheng. Central Palace Music is packaged in a deluxe letterpressed sleeve.\u003cbr\u003eShe has created a sound that reliably taps into our subconscious and frees us from linear time\" --The Quietus. Catherine Christer Hennix (born 1948 in Stockholm) is an artist, poet, composer, and philosopher with a strong interest in logic and formal music theory. In late-1960s Sweden, she was a pioneer of experimenting with mainframe computer-generated composite soundwave forms, and in the 1970s she was a key protagonist of the Downtown School along with La Monte Young and Henry Flynt, with whom she has collaborated on numerous occasions. She pursued studies with master vocalist Pandit Pran Nath and led the just-intonation live electronic ensembles Hilbert Hotel and The Deontic Miracle (featured on this recording). She was a professor of mathematics and computer science and assistant to and coauthor with A. S. Esenin-Volpin, for which she received the Centenary Prize-fellow Award from the Clay Mathematics Institute in 2000. Hennixs interest in drone music and the meditative, trance-like state it induces is apparent in her exploration of similar music in many other cultures and traditions, including, for example, Japanese gagaku music and the 13th-century vocal music of Pérotin and Léonin.\" - Important.","brand":"Important","offers":[{"title":"CD","offer_id":52009036935,"sku":"18132-IMPORTANT","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/IMPREC398CD_CU.jpg?v=1638054369"},{"product_id":"novaga-alessandra-movimenti-lunari","title":"NOVAGA, ALESSANDRA - Movimenti Lunari","description":"\u003cp\u003e\"Alessandra Novaga delivers a stunning LP, a compelling investigation of her resonantly spacious guitar playing that dismantles the instruments unique properties through relentlessness. Movimenti Lunari speaks of the relentlessness of natural forces. Something that seems to have no development, but instead advances inexorably. A form developing out of a memory progressively coming into focus; never still, constantly pulsating and vibrating with new elements. Beyond any rational, analytic thought, a sound that belongs to remembrance. Sandro Mussidas \"In Memoria\" questions this relationship between movement and stillness in the form of a piece of music. The piece is a meditation on memory, technology, and sound; the repeating theme recalls bells chiming over and over, drawn out into lines as long as the horizon. Francesco Gagliardis \"Untitled, January\" speaks of a sound evoked by an image. A photograph. A foggy landscape seen from a train. Accompanied by a single instruction: \"A drone, or drones. Any duration.\" Simultaneously timely and timeless, Movimenti Lunari has the feel of artistic invention, a canvas of delicacy melding into intense streams of sound. Includes obi strip.\" - Blume.\u003c\/p\u003e","brand":"Blume","offers":[{"title":"LP","offer_id":52009181639,"sku":"18245-BLUME","price":32.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-8346451-1459804396-3240_jpeg.jpg?v=1571718305"},{"product_id":"cherry-don-music-wisdom-love-1969","title":"CHERRY, DON - Music, Wisdom, Love 1969","description":"\u003cp\u003eRepressed. \"Reaching a near-mythical status amongst fans of free jazzs most worldly intrepid explorer, these seldom heard Paris soundtrack sessions known as Music, Wisdom, Love have evaded collectors grasps and confused historians for exactly 50 years. Instigated in Paris in 1967 and filmed during Don Cherrys downtime on a visit to the Chat qui P_ɬ™che nightclub in March 1967, where he played with Karl Berger, Henri Texier, and Jacques Thollot, the bulk of this cinematic portrait was filmed on the streets of Paris under the direction of creative all-rounders Jean-No_ɬ´l Delamarre and Nathalie Perrey, who, as their careers bloomed, would become pivotal figures in underground French cinema - straddling La Nouvelle Vague, adult entertainment, and cinema fantastique in what can only be described as speedball cinema. As the supportive creative family that primarily played home to French vampire\/horrortica director Jean Rollin, both Nathalie and Jean-No_ɬ´l, his brother Jean-Philippe Delamarre and a small team of other fans of oblique media would be responsible for a vibrant micro-culture that awkwardly flourished on the outskirts on the Parisian new wave - combining comic book culture, Lettrism, sexual liberation, psychedelic rock, graphic design, and, with this record as prime example, free jazz and avant-garde music. What previously might have been regarded as an unlikely coupling, with the benefit of half a century of archival hindsight, this release documents the essential cosmic collision of two fantastic planets. Available here for the first time ever and licensed from producer and director Jean-No_ɬ´l Delamarre himself.\" - Cacophonic.\u003c\/p\u003e","brand":"Cacophonic","offers":[{"title":"LP","offer_id":52010338951,"sku":"19579-CACOPHONIC","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-10104765-1491684818-2593_jpeg.jpg?v=1571718340"},{"product_id":"pran-nath-pandit-ragas-of-morning-night","title":"PRAN NATH, PANDIT - Ragas Of Morning \u0026 Night","description":"\u003cp\u003e\"At long last, La Monte Young and Marian Zazeela reissue this seminal, hugely influential album on their Just Dream imprint, the legendary recording from 1968 India of Pandit Pran Nath titled Ragas Of Morning \u0026amp; Night. The original studio session was produced in New Delhi, February 1968, by Jimi Hendrix associate Alan Douglas, it features recordings of 'Raga Todi' and 'Darbari', which showcase Pran Nath at his prime. Pran Naths exquisite control between microscopically fine degrees of pitch can be easily heard in the former. The first two thirds of the piece is performed slowly and delicately, each sinuous line being given careful weight and consideration. When, in the final few minutes, the pace quickens there is a startling sense of unfolding possibilities, almost an embarrassment of riches after the earlier rigour. The second raga follows a similar structure but the tonal center is entirely different; instead of the plaintive almost keening quality of the morning raga, we hear a calmer, more accepting feeling, as though the singer has graciously acceded to what has occurred that day. This time when the tempo picks up its as if the singer has gotten a second wind late in the day and is suddenly full of joyous energy. The effect of Pran Naths quivering lines and immensely complicated vocal arabesques is liberating enough. When he goes head to head with the tabla player for some intricate sparring, ones jaw tends to drop. Ragas of Morning and Night is a wonderful recording and would serve as a fine introduction both to this musician and to this particular style of singing as well.\u003cbr\u003e\u003cbr\u003e'He was a living encyclopedia of the ancient traditional compositions,' La Monte Young once said. 'And he had an extraordinary knowledge of the proper delineation of each raga.' Ragas are connected to certain times of day, seasons and other natural and personal associations, and Pandit Pran Nath insisted on performing them at the appropriate times.A living repository of thousands of obscure ragas, many of which have probably become extinct with his death in 1996, Pran Nath devoted much of his later years to teaching. He numbered La Monte Young, Terry Riley and Jon Hassell among his long time students, who were fascinated by pure intonation and microtones and who were pioneers of Minimalism, and through them his unique phrasing and melodic sensibility have filtered into contemporary composition. Additionally, excellent and detailed liners notes by La Monte Young are included.\u003cbr\u003e\u003cbr\u003eFor a decade and a half, Pran Nath lived in Young and Zazeelas loft for a good part of each year, and the New York night owls were typically required to rise at 3am each day to prepare tea for their teacher, who slept at the other end of the loft. He would then perform his riaz (practice) and give them a lesson - if he chose to.\u003cbr\u003e\u003cbr\u003eHe was the head of the household recalls La Monte Young. We were not allowed to have friends. We had to give up everything - rare ly did we even get to vis i t our parents. He was very protective of us and extremely possessive of us. But we got the reward. The reward is, if you make the guru happy, then you get the lessons.\" - Just Dreams.\u003c\/p\u003e\n\u003cp\u003eRemastered CD edition, reissue from 2017. Published by \u003cem\u003ePrana Nada Music\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eComposed By [All Compositions], Arranged By [All Compositions] – Pandit Pran Nath\u003cbr\u003e Engineer [Processed And Sub-mastered By] – Bob Bielecki\u003cbr\u003e Mastered By – Bob Ludwig\u003cbr\u003e Producer – La Monte Young, Marian Zazeela\u003cbr\u003e Producer [Associate Producers] – David Farneth, Jung Hee Choi\u003cbr\u003e Producer [Production Assistance] – Terry Youk\u003cbr\u003e Recorded By [Original Studio Session] – Alan Douglas\u003cbr\u003e Sarangi – Mohammed Ahmed Bane\u003cbr\u003e Tabla – Prem Waleb\u003cbr\u003e Tambura – Lalita Gupta, Sheila Dhar\u003cbr\u003e Voice – Pandit Pran Nath\u003cbr\u003eFrom the back cover:\u003cbr\u003eA historic recording from the Kirana Archive of Indian Classical Music. Notes enclosed. Original studio session recorded in New Delhi, February 1968 [...].\u003cbr\u003eMastered [...] at Masterdisk, New York. Cover photo: Moonrise at the Court of Akbar, Fetapursikri.\u003cbr\u003eCover, package design and booklet © 1986 La Monte Young Marian Zazeela.\u003c\/p\u003e","brand":"Just Dreams","offers":[{"title":"CD","offer_id":52015183815,"sku":"19208-JUST DREAMS","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-1243461-1229398935_jpeg.jpg?v=1571718399"},{"product_id":"luke-wendy-tony-conrad","title":"LUKE \u0026 WENDY - Tony Conrad","description":"\u003cp\u003e\"Wendy Gondeln is one of the operating handles of the great German sound\/visual artist Albert Oehlen. Luke Calzonetti aka Run Dust is a New York based musician who has been living in Germany lately, although Im not sure where hes based at the moment. This wonderful instrumental single, seemingly dedicated to the late great Tony C, features one side of drums, hard-sawed violin, electronics and lots of compressed atmosphere. The flip is like a wild dub version of some television cop show theme. Not as nutty as some Meeuw releases, but really good nonetheless.\" - Byron Coley, The Wire. \u003cbr\u003e\u003cbr\u003e\"2 brand new smash hits of horror percussion topped with eerie voices and a violin, broken under a bridge over sparkling water\" - Dennis Tyfus.\u003c\/p\u003e","brand":"Meeuw Muzak","offers":[{"title":"7\"","offer_id":893330227207,"sku":"20208-MEEUW MUZAK","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-11237612-1512483678-9220_png.jpg?v=1628007595"},{"product_id":"tryad-if-only-you-believe-in-lovin","title":"TRYAD - If Only You Believe In Lovin'","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"description\"\u003e\"Del Val Records present a reissue of Tryad's \u003ci\u003eIf Only You Believe In Lovin'\u003c\/i\u003e, originally released in 1971 as a private press. Ultra-deluxe LP reissue on the newly resurrected Del Val label -- obscure but legendary label previously responsible for early editions by The Brigade, The Bachs, Bent Wind, D.R. Hooker, Fifty Foot Hose, etc. Long overdue and much delayed reissue of this 1971 NYC private press few have heard and less have seen. Comparable to the best UK folk-fusion LPs of the era, this is like a Yankee version of Hunter Muskett's great \u003ci\u003eEvery Time You Move\u003c\/i\u003e (1970) with co-ed vocals plus bass\/drums\/pedal steel\/flute\/keys accompaniment and East Coast haunted not West Coast hip, though you'll be reminded of a certain revered private from out there that wouldn't exist for another five years: Relatively Clean Rivers. Comes with a four page lyric insert and the cover is what they were made like fifty years ago.\" - Del Val.\u003cbr\u003e\u003cbr\u003e\"Low key but really cool. Hard to believe it's an NYC piece from '72 from a sonic aspect. There's a kind of innocence to overall heft that puts me in mind of very early Bay Area stuff, like the second We Five LP (1967). That same sort of psych-is-hanging-unnamed-in-the-background vibe. The only thing that really places it in the '70s is that pedal steel which has a definite post-Sneaky-Pete feel. Very cool.\" - Byron Coley.\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/0dh0jj6oQ2I\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003c\/div\u003e","brand":"Del Val","offers":[{"title":"LP","offer_id":12867507388479,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/DV012LP_CU.jpg?v=1571718505"},{"product_id":"shepp-archie-meets-kahil-elzabars-ritual-trio-conversations","title":"SHEPP, ARCHIE MEETS KAHIL EL'ZABAR'S RITUAL TRIO - Conversations","description":"\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIf \u003c\/span\u003e\u003ci\u003eConversations\u003c\/i\u003e\u003cspan\u003e celebrates the memory, the artistic and spiritual heritage of bassist \u003c\/span\u003e\u003cb\u003eFred Hopkins\u003c\/b\u003e\u003cspan\u003e -- a historical member of the revolutionary \u003c\/span\u003e\u003cb\u003eAssociation for the Advancement of Creative Musicians\u003c\/b\u003e\u003cspan\u003e of Chicago -- who died in January 1999, it also marks the amazing collaboration between the \u003c\/span\u003e\u003cb\u003eRitual Trio\u003c\/b\u003e\u003cspan\u003e of \u003c\/span\u003e\u003cb\u003eKahil El'Zabar\u003c\/b\u003e\u003cspan\u003e (with \u003c\/span\u003e\u003cb\u003eAri Brown\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eMalachi Favors\u003c\/b\u003e\u003cspan\u003e) and the intrepid veteran \u003c\/span\u003e\u003cb\u003eArchie Shepp\u003c\/b\u003e\u003cspan\u003e, the great voice of the '70s Afro-free-jazz. Being a tribute that invites to an intimate memory, almost an antidote to exorcise the loss of a brother, the music is a spiritual hymn to life. Between ballads, hard-bop, and free-improvised accents, blow winds of vibrant pianistic chiaroscuros, which are reminiscent of the best \u003c\/span\u003e\u003cb\u003eMcCoy Tyner\u003c\/b\u003e\u003cspan\u003e in the great blinding quartet of \u003c\/span\u003e\u003cb\u003eJohn Coltrane\u003c\/b\u003e\u003cspan\u003e in the '60s. Furthermore, when an angular rhythmic base decisively follows the typical hypnotic ostinato of the ancient tribal rituals, the voice is expressed in the purest black spirituals (\u003c\/span\u003e\u003cb\u003eBig Fred\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eBrother Malcolm\u003c\/b\u003e\u003cspan\u003e), pervading some moments of that \"Holiness\" culture dear to the dawn of Afro-American identity. Here, Shepp brings back the flaming shivers of the golden age, when his message of freedom resonated the true spirits of primordial Africa.\" - Black Sweat.\u003c\/span\u003e","brand":"Black Sweat","offers":[{"title":"Double LP","offer_id":13056286097471,"sku":"","price":39.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/BS038LP_CU.jpg?v=1571718519"},{"product_id":"bailey-derek-lot-74","title":"BAILEY, DEREK - Lot 74","description":"\"Honest Jons Records present a reissue of Derek Baileys Lot 74, originally released by Incus in 1974. Recorded at a private house in West London, the side-long title track is a masterwork: a twenty-two-minute, starkly personal, freely expressive, itchily searching re-casting of orders of rhythm and sound into a new, quicksilver kind of affective and musical polyphony. Never mind the guitarists championing of non-idiomatic improvisation\", the poet Peter Riley gets the ball rolling in his identification of the various hauntings of Baileys playing at this time: \"mandolins \u0026amp; balalaikas strumming in the distance, George Forbys banjo, Leadbellys steel 12-string, koto, lute, classical guitar... and others quite outside the field of the plucked string.\" The five pieces on side two were recorded back home in Hackney around the same time -- with the exception of \"Improvisation 104(b)\", from the year before (and issued by Incus in its TAPS series of mini reel-to-reel tapes) -- opening with ventriloquized guitar feedback, and taking in some cod banter about colleagues like Mervyn Parker, Siegfried Brotzmann, and Harry Bentink. Crucial.\" - Honest Jons.\u003cbr\u003e\u003ciframe width=\"600\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/qgfIzoWEKuw\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e","brand":"Honest Jon's","offers":[{"title":"LP","offer_id":13354252992575,"sku":"20832-HONEST JONS","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-807204-1258215403_jpeg.jpg?v=1571718551"},{"product_id":"montgomery-roy-ocean","title":"MONTGOMERY, ROY - Ocean","description":"\u003cp\u003e\u003cspan\u003e\"Joint release from Roy Montgomery and I.W.R in honor of the ongoing good work of Peter “The Godfather of Lathe Cuts” King. \u003c\/span\u003e\u003cspan\u003eEdition of 100 in screen printed laser cut envelopes with screen printed insert.\" - Independent Woman\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Peter King Fundraiser, all profit goes to helping Peter King clear his debts. Edition of 100 in laser cut screen printed envelopes.\" - Independent Woman\u003c\/p\u003e","brand":"Independent Woman","offers":[{"title":"Lathe Cut 8\"","offer_id":13354254499903,"sku":"20874-INDEPENDENT WOMAN","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-10669670-1511214688-1453_jpeg.jpg?v=1571718552"},{"product_id":"baczkowski-steve-chris-corsano-bill-nace-mystic-beings","title":"BACZKOWSKI, STEVE\/CHRIS CORSANO\/BILL NACE - Mystic Beings","description":"\"'My first listen to these four extraordinary pieces by Chris Corsano, Bill Nace, and Steve Baczkowski was over a very rough ferry crossing from Cairnryan to Belfast. It's hard not to think of the ghosts of impossible crossings, victories, loses, harbors in such rough waters. Why would anyone venture out here? Finding something new or an overdue visit? Ending all of the wars? For me, for my first listen to Mystic Beings instantly cured all motion sickness. It was probably just the very welcome adrenalin shots from their performance, but all the crashing and pitching over the waves became a joy. I was braver from listening in. Sometimes they hovered like a three-headed beacon -- a soaring vision to follow out on the horizon. Sometimes they seemed pulled into action and attack. Detonations and radio calls. Sometimes the spines of their own instruments cried out on the power of their own cores, their bodies having been left elsewhere. They drifted apart like a search party, skies clouded over, a spreading landscape streaked with transparent layers over layers. Or they joined together in quiet and unsparing ceremony, the kind usually reserved passing back through the place by which you've entered. All the while there was no scratching or banging at hard enclosed corners. These three players created a world of open space and flexible membrane, where any violence would only come from an outside imposition. Each of the songs read like movements in a larger work. As an eavesdropper, I added my own abstract, personal story over the whole album. I could repopulate new stories over and over again over this framework. The arc is that strong, and the conversation is that good. And even if just overheard, Mystic Beings generously called me out to where I needed to be. The shallows and the shores are where the worst dangers can find us, and our best chance of survival is sometimes out in the rolling depths. Deafen out the sirens and stay onward in the deep waters. Thank you, Bill and Chris and Steve, for sharing this kind of wild captain's safety with us.' - Meg Baird, Cairnryan and San Francisco, Nov 2018","brand":"Open Mouth","offers":[{"title":"LP","offer_id":13840775381055,"sku":"","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/OM057LP_CU.jpg?v=1571718579"},{"product_id":"colley-joe-solo-for-chair-and-feedback-circuit","title":"COLLEY, JOE - Solo for Chair and Feedback Circuit","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\"Joe Colley\u003cspan data-mce-fragment=\"1\"\u003e is a visual artist and composer based in Sacramento, CA. He investigates audio phenomena, using field recordings and electronics. He also records under the name \u003c\/span\u003eCrawl Unit\u003cspan data-mce-fragment=\"1\"\u003e and he is the founder of the label Povertech Industries. The self-explanatory '\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eSolo For Chair and Feedback Circuit\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e' was recorded live at SOMArts San Francisco, California, in 2016.\" L\u003c\/span\u003eive recordings from an SF show in 2006. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMastered and cut by\u003c\/span\u003e Frédéric Alstadt.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"Meeuw Muzak","offers":[{"title":"7\"","offer_id":15974438567999,"sku":"","price":7.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/mm051_1.jpg?v=1571718648"},{"product_id":"ilta-hamara-velloa","title":"ILTA HÄMÄRÄ - Velloa","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"Timo Van Luijk and Bart De Paepe \u003c\/span\u003e\u003cspan\u003ein troubled water.\" - Meeuw Muzak.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/RnSQGH7YjaE\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Meeuw Muzak","offers":[{"title":"7\"","offer_id":15974451052607,"sku":"","price":8.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/mm049_1.jpg?v=1571718648"},{"product_id":"sato-minoru-asuna-tottering-steps","title":"SATO, MINORU \u0026 ASUNA - Tottering Steps","description":"\"Experimental drone w\/ keyboards, glass tubes and homemade electronics. Slengteng version on the flip.\" - Meeuw Muzak.","brand":"Meeuw Muzak","offers":[{"title":"7\"","offer_id":15974463733823,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/MM050.jpg?v=1571718663"},{"product_id":"kallista-kult-s-t","title":"KALLISTA KULT - s\/t","description":"\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=528863761\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/acolourfulstorm.com\/album\/kallista-kult\"\u003eKallista Kult by Kallista Kult\u003c\/a\u003e\u003c\/iframe\u003eA Colourful Storm presents a mini-album by Kallista Kult, the newest and most shadowy members to join the label's eclectic roster. Rumored to be comprised of a core group of modern Oz improv and DIY luminaries with ties to Brandenburg and Black Rock, the sprawling, deeply evocative tracks draw comparisons with the Ghost Box axis, that Michael O'Shea record, Inga Copeland and, quite possibly those rare-as-hens-teeth Threshold Houseboys Choir CDR's. Edition of 150 with printed lyric sheet and insert. - A Colourful Storm.\u003c\/p\u003e","brand":"A Colourful Storm","offers":[{"title":"12\"","offer_id":16021730721855,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/ACOLOUR016EP_CU.jpg?v=1571718665"},{"product_id":"nurse-with-wound-soliloquy-for-lilith-3-cd-19","title":"NURSE WITH WOUND - Soliloquy For Lilith","description":"\u003cp\u003e\"2022 reprint; a new iridescent foil blocked cover insert makes this one of Dirter Promotion's most elegant and desirable releases to date. Originally recorded and released in 1988, Nurse With Wound's ambient opus was years ahead of its time, a ground-breaking set of atmospheric sound patterns designed for ritual ceremonies. Hailed as a masterpiece on release, it soon became a firm favorite of NWW fans and topped the world ambient chart for over three months. Originally a limited-edition, three-album set housed in a handsome 12-inch gold and black foil embossed box, this new edition, a CD facsimile of the original vinyl set, contains the entire album, plus 40 minutes of superb quality, previously unreleased music from the original sessions that did not appear on the vinyl.\" - United Dirter.\u003c\/p\u003e","brand":"United Dirter","offers":[{"title":"Triple CD","offer_id":44233024569563,"sku":"","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/NjktODE3MC5qcGVn.jpg?v=1693333580"},{"product_id":"malaria-compiled-2-0-moabit-music-germany-double-lp","title":"MALARIA! - Compiled 2.0","description":"\u003cp\u003e\"January 1981 found Gudrun Gut and Bettina Koster in Christopher Franke's Berlin-Spandau Studio recording their first Malaria! EP (Zensor Records). Christine Hahn of The Static with Glenn Branca and Barbara Ess, joined in from New York, and Manon P. Duursma fresh from Nina Hagen's O.U.T. project, and Susanne Kuhnke completed the line-up. Malaria! started touring intensively soon after the release of their 12\", commencing with a concert with New Order at Brussel's Ancienne Belgique, and going on from there to concerts with Siouxsie and the Banshees, Birthday Party, The Slits, The AuPairs, Raincoats, Nina Hagen, John Cale, and Einstürzende Neubauten. They played venues as diverse as the Mudd Club, Peppermint Lounge and Studio 54 in New York, the Documenta in Kassel, the Bat Cave in London, Les Bains Douche in Paris, Milky Way and Paradiso in Amsterdam, ICA in London, the Piazza Santa Maria Novella in Florence, and Markthalle in Hamburg and naturally, again and again, at the SO36 in Berlin. While touring, Malaria! used their time off to record in Studios in New York, London, Brussels, New Orleans, and in Berlin -- How Do You Like My New Dog? 7\" (1981), Weisses Wasser 12\" (1982), New York Passage 12\" (1982), Revisited cassette (1983), and the Emotion album (1982). At the BBC studios in London, Maida Vale, Malaria! recorded a John Peel Session. Malaria! took a break in 1984 -- Bettina and Christine re-located to New York, and Gudrun and Manon stayed in Berlin to form Matador with Beate Bartel, but not before they recorded their mini-album, Beat The Distance (1985). In 1992 Gudrun, Bettina, Christine, and Manon met up in New Orleans with Jim Thirlwell (Foetus) to record Elation 12\". Elation was followed by Cheerio (1993), which again was recorded in Berlin. Chicks on Speed did their own version of Malaria!'s song, \"Kaltes Klares Wasser\" in 2001, and the remix went into the German Top 10. Malaria! has been an instrumental part of Berlin music history, as recently presented at the \"Zurück zum Beton\" at Düsseldorf's Kunstakademie, Kunsthalle Wien \"Punk!\", \"Geniale Dilletanten\" Goethe Institut, and in B-Movie.\" - Moabit Music\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1934224069\/size=large\/bgcol=ffffff\/linkcol=de270f\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Moabit Music","offers":[{"title":"Double LP","offer_id":30309038948415,"sku":"","price":33.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/MOABIT022LP_CU.jpg?v=1571718668"},{"product_id":"kelley-bill-nace-greg-live-at-disjecta-open-mouth-lp","title":"KELLEY\/BILL NACE, GREG - Live At Disjecta","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/557504181\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" scrolling=\"no\" allow=\"autoplay\" width=\"100%\" height=\"300\" frameborder=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\"Fourth in Open Mouths's Live At ... series. Greg Kelley on trumpet; Bill Nace on electric guitar. Recorded March 9, 2016 by Daniel Menche. Cover art by Bill Nace. Covers screened by Alan Sherry. Edition of 300.\"\" - Open Mouth.\u003c\/p\u003e","brand":"Open Mouth","offers":[{"title":"LP","offer_id":30874533855295,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/OM048LP_CU_32f57d55-8920-460e-95ab-f9a536d5466e.jpg?v=1571718669"},{"product_id":"wada-yoshi-lament-for-the-rise-and-fall-of-the-elephantine-crocodile-etats-unis-lp","title":"WADA, YOSHI - Lament For The Rise And Fall Of The Elephantine Crocodile","description":"\"2021 restock. \"Yoshi Wada's Lament For The Rise And Fall Of The Elephantine Crocodile, originally released in 1982 on India Navigation, remains one of the most remarkable flowers to grow in the rarefied air of American minimalism -- akin to Terry Riley's Reed Streams and Pauline Oliveros' Accordion \u0026amp; Voice, yet with a wild, liberated energy all of its own. After graduating from Kyoto University of Fine Arts with a degree in sculpture, Wada moved to New York City in 1967 and quickly fell in with the community of artists known as Fluxus. In the early '70s, he began building his own instruments and writing musical compositions, studying with La Monte Young and Hindustani singer Pandit Pran Nath. Recorded during an epic three-day session in an empty swimming pool in upstate New York, Wada's first album brings together two of the oldest drone instruments -- the human voice and bagpipes -- to simple and glorious effect. A visit to the Scottish Highlands spurred Wada's interest in bagpipes, which the composer integrated into these sparse, otherworldly sounds heard on Lament. 'That swimming pool was quite hallucinatory,' recalls Wada. 'It was another world. I felt it in terms of resonance. I slept in the pool, and whenever I moved, I woke up because of the reverberations... The piece itself is an experiment with reeds and improvisational singing within the modal structure.' This first-time vinyl reissue is limited to 750 numbered copies. Comes with poster.\" - Etats-Unis.","brand":"Etats-Unis","offers":[{"title":"LP","offer_id":31168081723455,"sku":"","price":31.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/ETAT013LP_CU_83c25c13-35aa-4c28-af75-6a7ca0edef18.jpg?v=1632271961"},{"product_id":"taj-mahal-travellers-july-15-1972-etats-unis-lp","title":"TAJ MAHAL TRAVELLERS - July 15, 1972","description":"\"For over half a century, Takehisa Kosugi was one of the most unique and enduring figures in the Japanese underground. As an art student in Tokyo in the early 1960s, he joined the Fluxus-styled performance unit Hi Re Centre and founded the improvisational ensemble Group Ongaku, but his most legendary project was The Taj-Mahal Travelers -- a multicellular organism that included Kosugi, Ryo Koike, Yukio Tsuchiya, Seiji Nagai, Michihiro Kimura, Tokio Hasegawa and sound engineer Kinji Hayashi. With a penchant for long psychedelic jams (some lasting 12 hours or more) The Taj-Mahal Travelers lived up to their name. Touring in a Volkswagen van across Europe and Asia in the early '70s, they eventually reached the actual Taj Mahal in India. Upon their return to Japan, they held a concert to raise more touring funds and released their very first recordings. Their debut album, July 15, 1972, would extend the band's matter-of-fact titling: all the tracks were named precisely for the times they began and ended. With a grab bag of instrumentation (electric violin, double bass, santoor, vibraphone, harmonica, radio oscillators, sheet iron, etc.), The Taj-Mahal Travelers weave together mesmerizing waves of sonic texture. Featuring long tone concepts that Kosugi discovered while working with sound generators in New York in the mid-'60s, July 15, 1972 remains just as much a collective tone poem as psych workout. These leader-less sounds coalesce into a unified whole that feels both subconscious and sublime, as if the waveforms bypass the listener's ears and land directly inside one's synapses. This first-time vinyl reissue is limited to 750 numbered copies. Comes with poster.\" - Etats-Unis.","brand":"Etats-Unis","offers":[{"title":"LP","offer_id":31168082083903,"sku":"","price":33.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/ETAT011LP_CU.jpg?v=1573226793"},{"product_id":"skin-crime-traveller-on-the-road-hospital-productions-lp","title":"SKIN CRIME - Traveller on the Road","description":"\"Regarded by Dominik Fernow as the \"best US noise project in terms of texture and composition\", Skin Crime return to Hospital Productions with an immanent inversion of noise convention exploring ideas of tense, slow-burn patience instead of aggressive intensity. Brutally active between the early '90s and mid '00s, Skin Crime took a 12-year hiatus until 2016 and the bloodshed of their instantly sold-out, 20CD boxset of archival material. That same year they also issued Ghosts I Have Been, a crushingly bleak album inspired by Japanese mythology and ghost stories which have paved the way for this new one, where the band's Patrick O'Neil and Mark Jameson continue to refine their instincts into the dankest brand of organic ambient noise. In key with their ghostly Japanese muse, specifically the Bakaneko (1968) or Ghost Cat movies of the '50s and '60s, as well as the writing of Lafcadio Hearn, aka Koizumi Yakumo, the author of Kwaidan: Stories and Studies of Strange Things (1904) -- Skin Crime's music in Traveller on the Road is all about presence and the suggestibility of hypnagogic and half-awake states. Their cold-fingered sleight of hand is applied to exceedingly fine layers of textural enigma in long, unbroken tracts that hold the listener's gaze with frightening power. \"Avoid Large Places At Night\" takes hold with intravenous potency, very subtly drawing eyes to half-mast with its mechanical womb-like ambience, and stealthily introducing subharmonic rumbles and peripheral rustles that suggest unseen spectres lurking in a thicket of ghosts. A lack of sudden movement only ratchets the threat levels to seat-edge. Likewise, with its deeply soporific subs and texturhythms, the B-side's \"Black Cat From The Grove\" continues to numb the senses in a noise style, but eviscerated of all open aggression, preferring a dense mode of suggestion that only emphasizes the unheimlich nature of their music. It's a masterclass in saying it without saying it, and effectively amounts to a missing link between Kevin Drumm, Painjerk, and Mika Vainio, or even Rainforest Spiritual Enslavement and Meitei, that should not be missed by any fans of the above. Clear vinyl; mastered and cut at Dubplates \u0026amp; Mastering, Berlin.\" - Hospital Productions.","brand":"Hospital Productions","offers":[{"title":"LP","offer_id":31313493000255,"sku":"","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/HOS648LP_CU.jpg?v=1574436488"},{"product_id":"lane-and-his-disheveled-monkeybiters-fred-icepick-to-the-moon-feeding-tube-records-lp","title":"LANE AND HIS DISHEVELED MONKEYBITERS, FRED - Icepick to the Moon","description":"\"Amazingly, here is the glorious (long-delayed) follow-up to Fred Lane's 1988 Shimmy Disc LP, Car Radio Jerome. In the wake of that surreal masterpiece, Shimmy announced an LP called Icepick to the Moon, but it took 31 years to wrestle this slab of bacon to the mat. And you'll be glad we did. Icepick takes up where Jerome left off. As inhabited by visual artist, Tim Reed, 'Fred Lane' (I'll drop the quote marks after this) is a lounge crooner with smoothly classic vocal chops and a taste for lyrics shaped by Alfred Jarry's proto-Dada writings. Fred Lane is a creature of the 'Pataphysical South, inhabiting the same pocket universe as Bruce Hampton and Eugene Chadbourne. And we guarantee his music is as deeply fried as anything you've ever heard. Or eaten. The roots of Lane have been explored in Skizz Cyzyk's great documentary, Icepick to the Moon (to which this is not a soundtrack LP), and are traceable back as far as high school in the late '60s, where Lane and the late guitarist Davey Williams had a weird-o cover band. A couple years later, they both ended up in the Tuscaloosa Alabama student\/hippie ghetto (near the University), where some older artists -- Craig Nutt (aka \"Ron 'Pate\") and a few odd others -- had formed an art collective, Raudelunas, to do all the whacked out stuff interesting people like to do... This was the beginning of a long Alabama Surrealist tradition that includes LaDonna Smith, Anne LeBaron, Wally Shoup, and many others. Anyway, at some point, Reed brought his Fred Lane persona to the party -- an accretion of totally insane lyrics and performance tropes, set to what almost sounds like swinging cocktail music until you start noticing the bizarre detailing and avant-garde highlighting. Coming at the same early '70s moment that lounge retro was functionally hip (Manhattan Transfer, Asleep at the Wheel, Capt. Matchbox, etc.) the results were a complete mindfuck... The music, penned by Reed with Roger Hagerty (aka Dick Foote), played by a band with Williams (aka Cyd Cherise) on guitar, is unbelievably fine. Sadly, this was Williams' last recording session, but the instrumental inventions are a wonderful extension of Jerome (which was notably more sophisticated, sonically, than earlier recordings)...\" - Bryon Coley, 2019.","brand":"Feeding Tube","offers":[{"title":"LP","offer_id":31411547045951,"sku":"","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/FTR453LP_CU.jpg?v=1635516906"},{"product_id":"beresford-steve-the-bath-of-surprise-piano-uk-lp","title":"BERESFORD, STEVE - The Bath Of Surprise","description":"\u003cp\u003eOriginal copies. Released in 1980. \"Recorded by Steve Beresford and David Cunningham. Instruments used include: acoustic guitar (with microphone and battery amplifier), percussion, piano, synthesizer (toy), euphonium, trumpet, toy piano, drums, whistling, bass, cymbal, drums, ukulele, cymbal, tape (previous performance), electronics, piano (with toy piano inside), and performer (with whirled bee, whirled tube, clarinet mouthpiece, footclickers, blechtrommel, giggle stick, musicbox, bath water, nailbrush, body, tubes, reeds, balloons, cowbox, musical toothbrush, duck call, electronic bird, squeaky chops, chicken box, toy record player, plastic horn, talking telephone, astro-phaser.\" - Piano \u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/nArA9OvoxSQ?start=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Piano","offers":[{"title":"LP","offer_id":31503147434047,"sku":"","price":35.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/PIANO003LP_CU.jpg?v=1576686634"},{"product_id":"parmegiani-bernard-violostries-recollection-grm-austria","title":"PARMEGIANI, BERNARD - Violostries","description":"\u003cp\u003e\"Violostries\" (1963\/64): Premiered and recorded in April 1965 at the Royan Festival -- France, by Devy Erlih (violin) and Bernard Parmegiani (sound projection). \"Violostries\" represents the intersection of several musical research directions, presented as two simultaneous dialogues: composer\/performer and instrument\/orchestra. After a short introduction tutti very spatialized: \"1. Pulsion\/Miroirs\": multiplied by itself, the violin is projected into the four corners of the sound space. \"2. Jeu de cellules\": concertante piece for violin and audio medium, the latter being made up of very tightly woven microsounds. \"3. Végétal\": slow and invisible development following a continuous time, resulting from an internal and permanent processing of the matter. \"Capture éphémère\" (1967, 1988 version): \"This work was composed in four tracks in 1967 for quadraphonic diffusion. Remixed in stereo in 1988. Premiered at the Studio 105 of the Maison de la Radio, Paris, May 1967. Sounds -- noises that circulate as time unfolds -- continue to exist despite our recording them. Breaths, fluttering wings: ephemeral microsonic sounds streaking space, sound scratches, landslides, bounces, vertigo of solid objects falling into an abyssal void, multiple snapshots forever frozen in their fall. As many symbols leave inside us the permanent trace of their ephemeral brushing against our ear. Someday, a desert, a sound, then never again... Somewhere, in my head and body something still resonates... resonance, what could be more ephemeral.\" \"La Roue Ferris\" (1971): Premiered at the Festival des chantiers navals, Menton, on August 26, 1971. Sound projection: Bernard Parmegiani. \"La Roue Ferris\" (Ferris wheel) spins, merging with its own resonance, stubbornly perpetuating its variations. It only sketches a regularly evolving movement around a constant axis. Each of its towers generates thick sonic layers that penetrate each other, producing a very fluid interweaving. The crackling of the origin eventually metamorphoses into sonic threads whose lightness recalls high-altitude clouds, cirrus clouds, haunted by the cries of swifts twirling in the warm air. The wondrous arises and dies off, leaving the listener with an illusion of duration. Cut by Rashad Becker at Dubplates \u0026amp; Mastering, Berlin, November 2019. Translations: Valérie Vivancos; Layout: Stephen O'Malley; Photos: Lasklo Ruszka © INA; Coordination GRM: François Bonnet, Jules Négrier; Executive Production: Peter Rehberg.\" - Recollection Grm .\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/XNwnAIwHglI\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Recollection Grm","offers":[{"title":"LP","offer_id":32363097751615,"sku":"","price":24.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/REGRM023LP_CU.jpg?v=1589742549"},{"product_id":"leary-timohy-oh-pleasant-hope","title":"LEARY, TIMOTHY - Oh, Pleasant Hope!","description":"“Do not believe anything I say’, Timothy Leary warns the audience during his lecture in Kenfield, California in 1977. And rightly so. For most of the ideas expressed in this lecture may be entertaining and thought-provoking but have hardly any serious scientific value. Leary had been released from Folsom Prison the previous year after having shortened a 15-year sentence by becoming an FBI informant on the radical Weather Underground. Leary’s credibility and reputation as one of the spearheads of the counterculture had been severely damaged when he delivered his speech in Kenfield, which has now been released on cassette by Counter Culture Chronicles as Oh, Pleasant Hope!, a title which must have been borrowed from the final Blue Cheer album from 1971.” - Sea Urchin Editions.","brand":"Counter Culture Chronicles","offers":[{"title":"Cass","offer_id":37754561298621,"sku":"","price":9.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/timothy-leary-pleasant-hope-1-180x280.jpg?v=1608239138"},{"product_id":"jada-fair-wonderfully-wonderful-yayaya","title":"FAIR, JAD - Wonderfully Wonderful\/Yayaya","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eEdition of 20 in screen printed sleeves.\u003c\/p\u003e","brand":"Independent Woman","offers":[{"title":"7\"","offer_id":38004886601917,"sku":"","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/0022467839_10.jpg?v=1611950179"},{"product_id":"pelt-self-titled","title":"PELT - S\/T","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e“Absolutely stunning pair of tracks recorded during their Cafe Oto residency in 2017. Edition of 50 in screen printed sleeves.” - Independent Woman.\u003c\/p\u003e","brand":"Independent Woman","offers":[{"title":"Lathe Cut 10\"","offer_id":38004893417661,"sku":"","price":34.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/0021186121_10.jpg?v=1611950312"},{"product_id":"aesthetics-go-to-hell","title":"THE AESTHETICS - Go To Hell","description":"\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"readmore uncropped\" id=\"profile\"\u003eNZ band, now based in Melbourne. “Reissue of the exceedingly scarce Go To Hell Car bonus disc from Ugly Ambition. \u003cstrong\u003eEdition of 50.”\u003c\/strong\u003e - Independent Woman\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Independent Woman","offers":[{"title":"Cass","offer_id":38004906164413,"sku":"","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/0020576829_36.jpg?v=1611950506"},{"product_id":"v-a-inviolable-music","title":"V\/A - Inviolable Music","description":"\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cspan lang=\"EN-US\"\u003e\"A collection of Japanese artists who express themselves at the boundary between visual arts and music. Including: \u003c\/span\u003eAkaishi Takumi, San Zen Men, Auto Ogawa, Kasahara Wataru, Narita Yuzuru, Hatori Tomo, Amenonuvoco, Embudagonn108.“ - Kodanuki Press.\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Kodanuki Press","offers":[{"title":"Cass","offer_id":38005012267197,"sku":"","price":32.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/156475382_o3.jpg?v=1611951860"},{"product_id":"bill-nace-a-1238","title":"BILL NACE - A-1238","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Evading language, the words are an outline to whatever smeared address is written on the back of your hand.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUnfurling a riddle, fiddling with the knob, the key is the guitar, bent out of shape, copied at a Home Depot kiosk. It never works on the first try anyways and to recreate the experience from before - is useless, always different.\"\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“A-1238” pushes and pulls between out-of-focus underwater vision to a snap of crystal clarity, pin pointing the light. Finally, becoming looped in when the key clicks and the door opens.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBill Nace is an artist and musician based in Philadelphia PA. A frequent collaborator to many musicians, some including Michael Morley, Graham Lambkin, Samara Lubelski, Joe McPhee, Chris Corsano, Jooklo Duo, Chris Cooper, John Truscinski, Greg Kelley, Jake Meginsky, Jessica Rylan, Paul Flaherty, Wally Shoup, and Kim Gordon, with whom he regularly plays as one half of the duo Body\/Head.\" - Dove Cove.\u003c\/span\u003e","brand":"Dove Cove","offers":[{"title":"Cass","offer_id":38172864807101,"sku":"","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/a2412028636_10.jpg?v=1614116822"},{"product_id":"what-lies-beneath-1","title":"WHAT LIES BENEATH - #1","description":"New zine from New Zealand featuring articles\/interviews from Epic Sweep Records, Cookie Brooklyn and the Crumbs, The Trendees, Mrytu, Nova Scotia, and IDDB Records.","brand":"What Lies Beneath","offers":[{"title":"Mag","offer_id":38172885909693,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/whatliesbeneath.jpg?v=1674766564"},{"product_id":"noise-tenno","title":"NOISE - Tenno","description":"\u003cspan data-mce-fragment=\"1\"\u003e\"For over four decades, Reiko Omura and Tori Kudo have endlessly woven themselves throughout the avant-garde and underground scene of Japan. While internationally appreciated in countless incarnations and contexts (Maher Shalal Hash Baz, Guys \u0026amp; Dolls), if one were to seek out an early moment in which the two artists created something truly awe inspiring, 1980's \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eTenno\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003ewould be it. As Noise, the duo experimented with the juxtaposition of Kudo's extended organ-based dirges (be they eerie and\/or harmonious) and fragile, meditative harmonies found in Omura's voice and more abstract moments of minimal trumpet, sparse drum and atonal guitar. Simultaneously tense and beautiful, echoes of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eTenno\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e can be found resonating in the work of their contemporaries and countless others spanning the past 40 years and an infinite amount more to come. The LP was originally released by ALM and subsequently reissued in 1997 on CD (Pataphysique) and LP (Org), and on CD again in 2005 (Alchemy). Just past it's 40 year anniversary, Moone Records is elated to announce the first edition of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eTenno\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003ereleased outside of Japan as a LP in a limited first run of 500 copies -- bringing the monumental release back into print on vinyl for the first time in 23 years.\" - Moone.\u003c\/span\u003e","brand":"Moone","offers":[{"title":"LP","offer_id":39274873159869,"sku":"","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/MOONE046LP_CU.jpg?v=1614532547"},{"product_id":"vluba-effervescing-castles-ufoz","title":"(((VLUBA))) - Effervescing Castles UFOz","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"Vlubä is an Argentinian \"paranormal art project\" founded by Müriscia Divinorum and Aphra Cadabra. Since their initiation in 2001, Vlubä have appeared at several festivals throughout South and Central America: Festival Integraciones - Perú (2011), Festival los Lenguajes Alienígenas - México (2014), Hyperlocal Festival - Buenos Aires (2017) (with Sun Araw), and at the Drone Celebration Vol. 2 - Buenos Aires (2019) (with Stephen O' Malley). In 2016, Vlubä joined the visual artist Fernando \"Huanchaco\" Gutierrez in the Peruvian desert of Chilca for a hypnagogic UFO show and radio transmission to space. Their entire oeuvre focuses on extraterrestrial themes, sci-fi, and most importantly the essence of strong psyche-shamanistic soundscapes. 'Vlubä is an Entheogen\" \u003c\/span\u003e","brand":"Whistle Along","offers":[{"title":"CDR","offer_id":39274938597565,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/a3714547206_2.jpg?v=1623775619"},{"product_id":"ruigoord-fiery-tongues","title":"V\/A - Ruigoord Fiery Tongues","description":"\u003cp\u003eLimited edition of 55. \u003cspan data-mce-fragment=\"1\"\u003eBox set with a C60 cassette and 6 inserts.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"The village of Ruigoord was evacuated in the 1960s by the municipality of Amsterdam, which intended to expand its harbour and industrial territory westward. However, in 1972 the abandoned village was squatted by a group of artists headed by former Provo Hans Plomp and Gerben Hellinga. While the industrial area steadily encroached upon the squatted village, the artist’s colony developed into a cultural freetown which, surprisingly, has managed to survive until this day. Among the many events that have been organised at Ruigoord, the annual poetry and music festival \u003cem data-mce-fragment=\"1\"\u003eFiery Tongues\u003c\/em\u003e has become the best-known. The name of the festival, which is co-organised by Hans Plomp and Yvonne van Doorn-Mousset, refers to the descent of the Holy Spirit at Whitsun, during which the two-day festival takes place. Established and upcoming poets, artists, performers and musicians have been on the festival’s bill and each year one of Ruigoord’s champions is awarded the valued Ruigoord trophy.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe \u003ca href=\"https:\/\/www.sea-urchin.net\/audio-video\/counter-culture-chronicles\/\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.sea-urchin.net\/audio-video\/counter-culture-chronicles\/\"\u003eCounter Culture Chronicles\u003c\/a\u003e \u003cem data-mce-fragment=\"1\"\u003eRuigoord Fiery Tongues\u003c\/em\u003e box set contains a cassette with readings by five of those awardees: \u003cstrong\u003eArmand, Ira Cohen, Louis Lehmann, Hans Verhagen \u003c\/strong\u003eand\u003cstrong\u003e Simon Vinkenoog\u003c\/strong\u003e, all of whom have sadly passed away since. Furthermore the box set contains colourful laser printed photographs of each of the awardees, a xeroxed colophon and a laser printed motto for Ruigoord by Simon Vinkenoog.\" - Counter Culture Chronicles.\u003c\/p\u003e","brand":"Counter Culture Chronicles","offers":[{"title":"Cass Box Set","offer_id":39274969006269,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/ruigoord-fiery-tongues-1.jpg?v=1614533774"},{"product_id":"v-a-from-the-archives-vol-6","title":"V\/A - From The Archives Vol. 6","description":"\u003cp data-mce-fragment=\"1\"\u003e\"Sixth in a series of compiled recordings dug up from CCC’s and other archives\" - Counter Culture Chronicles.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eVol. 6 contains: Julian Beck – co-founder of The Living Theatre – with an inspired rant recorded in 1983, probably in New York., Hans Plomp reads one of his India travel stories, recorded in Ruigoord in 201, G.J. de Rook with a selection from his \u003cem data-mce-fragment=\"1\"\u003eA \u0026amp; Bla\u003c\/em\u003e cassette, released on No Basement Is Deep Enough, 2015, Timothy Leary with psychedelic teachings and advertising, courtesy of the Joyful Wisdom Program, 1977, K Salvatore (No-Neck Blues Band offshoot) with the track \u003cem data-mce-fragment=\"1\"\u003eFollower’s Teeth, \u003c\/em\u003eG.J. de Rook with a selection from his \u003cem data-mce-fragment=\"1\"\u003eA \u0026amp; Bla\u003c\/em\u003e cassette, released on No Basement Is Deep Enough, 2015.\u003c\/p\u003e","brand":"Counter Culture Chronicles","offers":[{"title":"Cass","offer_id":39274986045629,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/archives6-1.jpg?v=1614534085"},{"product_id":"snyder-gary-melbourne-poetry-festival-17-10-1981","title":"SNYDER, GARY - Melbourne Poetry Festival 17\/10\/1981","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\"\u003c\/strong\u003eGary Snyder (1930) is an American poet, author, translator and environmental activist. Snyder was born in San Francisco but raised in Washington state and Oregon, where he developed his love for literature and nature and his interest in Native American peoples. Snyder entered Reed College, Portland in 1947 and published his first poems there the next year. He graduated with degrees in anthropology and literature in 1951. After having worked as a timber scaler at Warm Springs Indian reservation and having become interested in Zen Buddhism, Snyder returned to his native San Francisco to immerse himself in poetry but would continue to do odd jobs in the rural parts of Oregon and Washington each summer. In 1953 Snyder enrolled at the University of California, Berkeley to study Asian culture and languages and won a scholarship for a year of Zen training in Japan in 1955. Once there, Snyder studied Japanese and officially became a Buddhist. The following decade Snyder divided his time between California and Japan, becoming a prominent exponent of the San Francisco Renaissance and hooking up with the burgeoning Beat scene on one side of the Pacific and steeping himself deeper in Zen on the other. In 1986 Snyder became a professor in the writing program of the University of California, Davis, but in his own work shifted focus from poetry to environmental issues the following decades. Snyder was awarded the Levinson Prize from the journal Poetry, the American Poetry Society Shelley Memorial Award (1986), was inducted into the American Academy of Arts and Letters (1987), and won the 1997 Bollingen Prize for Poetry and, that same year, the John Hay Award for Nature Writing.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe cassette released by Counter Culture Chronicles in 2020 contains a recording of Gary Snyder in Melbourne, 1981. Snyder is not so much heard reading his poems as giving them breath and soul. They come alive by means of his warm voice, sense of rhythm and personal experience that underly his poetry. The poems range from \u003cem data-mce-fragment=\"1\"\u003eChanging Diapers\u003c\/em\u003e to fragments of Snyder’s epic poem \u003cem data-mce-fragment=\"1\"\u003eMountains and Rivers without End\u003c\/em\u003e, which took forty years to finish and wasn’t completed until 1996.\" - Counter Culture Chronicles.\u003c\/p\u003e","brand":"Counter Culture Chronicles","offers":[{"title":"Cass","offer_id":39274992599229,"sku":"","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/gaty-snyder-melbourne-1.jpg?v=1614534236"},{"product_id":"coolidge-clark-words","title":"COOLIDGE, CLARK - Words","description":"\"\u003cstrong data-mce-fragment=\"1\"\u003eClark Coolidge\u003c\/strong\u003e (1939) grew up in Providence, Rhode Island and attended Brown University before moving to New York in the early 1960s. In New York he befriended Ted Berrigan and saw his first book \u003cem data-mce-fragment=\"1\"\u003eFlag Flutter \u0026amp; U.S. Electric\u003c\/em\u003e published in 1966. Coolidge moved to San Francisco the next year, where he joined the psych-folk band The Serpent Power as a jazz drummer. His poetry has been published extensively since. Among his many publications are collaborations with Philip Guston, Ron Padgett, Keith Waldrop and others. Coolidge currently lives in Petaluma, California.\n\u003cp data-mce-fragment=\"1\"\u003eTwo of finest the labels of The Netherlands, \u003ca href=\"https:\/\/www.sea-urchin.net\/audio-video\/slowscan\/\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.sea-urchin.net\/audio-video\/slowscan\/\"\u003eSlowscan\u003c\/a\u003e and \u003ca href=\"https:\/\/www.sea-urchin.net\/audio-video\/counter-culture-chronicles\/\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.sea-urchin.net\/audio-video\/counter-culture-chronicles\/\"\u003eCounter Culture Chronicles\u003c\/a\u003e, have now released on cassette rare Coolidge recordings from 1969. The cassette, with good quality recordings, comes with an insert recounting the history of Slowscan by its founder Jan van Toorn and the following liner notes:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eClark Coolidge, the poet perhaps most responsible for inspiring the entire experimental field of Language Poetry, produced in 1969 programs of audio pieces by himself and others for KPFS Radio in Berkeley, California. This is one of these programs, from 9\/1\/1969, comprising two Coolidge works read in his own voice. The pieces are built on various combinations of repeated words. The rhythmic interplay and unexpected juxtapositions of these looped sounds create a hypnotic patterning, magnified in part by the writer’s flat effect that serves to focus attention on the strangeness of the sounds of these quotidan syllables.\" - \u003c\/em\u003eCounter Culture Chronicles\u003cem data-mce-fragment=\"1\"\u003e.\u003c\/em\u003e\u003c\/p\u003e","brand":"Counter Culture Chronicles","offers":[{"title":"Cass","offer_id":39275006656701,"sku":"","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/clark-coolidge-words-1.jpg?v=1614534527"},{"product_id":"drop-zone-two-things","title":"DROP ZONE - Two Things","description":"\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv dir=\"ltr\" data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e\"Drop Zone is Garry West and Indira Neville who make enigmatic unsettling fuzzy electro lo-fi pop songs in Garry's\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan class=\"peekaboo-text\" data-mce-fragment=\"1\"\u003egarage.\"\u003c\/span\u003e\u003c\/span\u003e \u003cmeta charset=\"utf-8\"\u003e7\" lathe cut. Edition of 30.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2013604599\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u0026amp;amp;lt;a href=\"https:\/\/dropzonenz.bandcamp.com\/album\/two-things\"\u0026amp;amp;gt;Two Things by Drop Zone\u0026amp;amp;lt;\/a\u0026amp;amp;gt;\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Independent Woman","offers":[{"title":"Lathe Cut 7\"","offer_id":39516605251773,"sku":"","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/0023889254_10.jpg?v=1617546443"},{"product_id":"licht-alan-8-lathe","title":"LICHT, ALAN - Major Air \/ Havens","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSolo guitar recorded live with no overdubs. 8\" \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eLathe Cut edition of 50. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMajor Air recorded 1996 in NYC, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eHavens (excerpt) recorded 2018 in Lyon. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMastered by Lasse Marhaug.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Independent Woman","offers":[{"title":"Lathe Cut 8\"","offer_id":39516683600061,"sku":"","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/0024012686_10.jpg?v=1617547395"}],"url":"https:\/\/www.fusetronsound.com\/collections\/december-4-2021.oembed?page=22","provider":"fusetron","version":"1.0","type":"link"}