"2016 release. Originally released in 1985. "Urban Sax's third LP was recorded in 1982 & 1985, and released in 1985 on Celluloid, and it is an absolute diamond -- sharing Julian Cope words 'Everything starts with this massive (and I mean it... we're basically talking about something the size of an orchestra here) wash of sound, like something dropped wholesale out of the trippier parts of Ligeti's material in the 2001 soundtrack. Then we get swept into the primal repetition of a simple motif... very Magma-like, save for the obvious difference in forces. As the proceedings go on, it gets more complex; another wash, and then into another primal minimalist cycling with strange, otherworldly drones and choral voices in the background, chuffing percussion... and then a drift off into Ligeti-land again, with chanting vocals following, and huge gusts of wind from the sax players breathing thru their horns as some sort of Saturnian Sun Ra lullabye starts to course through the group. And that's just the first half. This is some potent stuff. It's very much 'ritual music', as one would expect with it being composed for Urban Sax's ritualistic performances. And it's quite trippy, especially for something largely acoustic (although there are four presumably electric guitars in the forces) with little electronic tinkerage to enhance the strangeness.' Urban Sax was created in 1973. Gilbert Artman, the mastermind behind Lard Free -who has also participated in dozens of recordings by other artists of the French experimental scene that included Delired Chameleon Family, Clear Light, Komintern, etc. -- developed an interest in the relation between space and sound. He organised a first experiment that took place in the town of Menton, in the South of France. Artman strategically placed 18 saxophonists, and their sound reverberated through all the village. As time went by the band increased and currently their performances count with up to 34 saxophonists, 1 bass player, 3 percussionists, 2 dancers and 8 vocalists, with a line-up that varies depending on each particular project. You can find saxophonists playing over rooftops, or climbing down buildings or arriving in helicopters. It is a fascinating experience that can be hardly translated to vinyl, but through the years they have recorded some of their music and here we are proud to offer vinyl reissues of those works, including one previously released on vinyl format!" - Wah Wah Records .
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.