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Sub Rosa

OISEAUX-TEMPETE - What On Earth (Que Diable)

"With their sixth studio album, Oiseaux-Tempête unveils a new facet of its mythology through a dense work that carries darkness towards the light of day, that rumbles, calms down and warms up again. Like the silhouette of a lighthouse that reveals itself as its torch rises and shines, the powerful beauty of What On Earth (Que Diable) radiates into an expanding musical cosmos. From the mammoth riffs of "Partout Le Feu", progressively thickened by explosive sound textures and sirens ringing the alarm, you levitate on "Terminal Velocity", a minimalist interlude with a crepuscular feel that is jostled by the hypnotic pulsations of "Voodoo Spinning" and then the call of the dungeon "The Crying Eye - I Forget", an electro mystical trance that deploys its philters in a troubled moat haunted by the psalmodies of Radwan Ghazi Moumneh. The tempo speeds up in "A Man Alone in a One Man Poem", a meeting of body and mind, of mechanical energy and burning breath where the spoken word of G.W.Sok sneaks in, before the pastoral crossing of "Waldgänger" and its forest of electronic chimeras. "... At the center of this project, which blurs lines and genres, the duo turned trio of multi-instrumentalists Frédéric D. Oberland, Stéphane Pigneul, and Mondkopf have been building dialogues between their own reality, their vocabulary, and those of fellow travelers met all around the surface of the world. From their Mediterranean trilogy to their foray into Canada with the explosive From Somewhere Invisible, deeply instinctive albums shrouded in mystery take shape, in parallel with feverish and incendiary live performances, punk in their urgency to tell the world by blasting the boundaries of space and time. After having signed the soundtrack of the bewitching Tunisian film Tlamess (Sortilège) by Ala Eddine Slim in 2020, Oiseaux-Tempête immerses us with What On Earth (Que Diable) in a collapsed future. A psychedelic/psychological roadmap, the album gathers around Frédéric D. Oberland, Stéphane Pigneul, Mondkopf and Jean-Michel Pirès (Bruit Noir), the voices of Ben Shemie (SUUNS), G.W.Sok, Radwan Ghazi Moumneh (Jerusalem In My Heart) or the electric strings of Jessica Moss (Thee Silver Mt. Zion). If the planetary reality of 2022 looks like a bad spin-off of a pre/post-apocalyptic series, this new record invites us to another kind of anticipative present where the only weapons are poems chanted against the wind. Ben Shemie opens the projection on 'Black Elephant' and sets the tone for this magnetic dance . . . Drum machines, analog synths, percussions, guitars, mellotron, flute, saxophone, vocals, rhodes, piano, violin and electric buzuk come to life in a sort of disaster aesthetic, pushing back the walls of the decor, against the current of any calibrated music." --Alice Butterlin" - Sub Rosa .
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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