Fragment Factory


The Icy Echoer constitutes a premiere in many respects, for both, the label and the artists. After countless collaborations with the likes of Leif Elggren, CM von Hausswolff, Bryan Lewis Saunders and others (mostly released on CD), this 7 marks the first time that Espositos works are published on vinyl, while the same applies to the Fragment Factory. Likewise, believe it or not, its the very first appearance of Drumm on a 7 platter.\r\nMichael Esposito is an experimental artist and long-time researcher in Electronic Voice Phenomena (EVP), currently located in Chicago, IL. The EVPs which form the basis for The Icy Echoer were taken at St. John - St. Joseph cemetery in Hammond, IL, which has the reputation of being one of the most haunted places in the US. \r\nKevin Drumm, based in Chicago as well, was certainly among the very first names that sunk deep into my memory when I became interested in experimental music back in the day. After a vast number of remarkable outputs on such labels as Nihilist, Hospital, Pica Disk, Editions Mego and several more during the past 13+ years, Im eminently happy to bring this one into the light of day. A document which I personally consider not only as the perfect interaction between two of the most exciting contemporary sound artists, but also as a significant point in the development of the Fragment Factory. 300 copies. - FF.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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