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Open Mouth

BODY/HEAD - S/T

"Bill Nace (Guitar) and Kim Gordon (Guitar, voice). So much more than a likely pairing, this is a group which manages to illuminate the best of both players while simultaneously pushing them into fresh territory. Live shows have been accompanied by slowed films, and the pairs obsession with cinema comes across in the music itself. The pieces exist as vignettes in and of themselves, all the while presenting a full-bodied emotional narrative over the course of the records 20 minutes. Its fascinating to hear Nace and Gordon develop these ideas, to hear relatively simple pulses, stabs, moans, and calls take shape as something almost like songs. There is a strange terror to this music. Electric shards punch through and shatter the air. There is agonizing pain living in the guitars and genuine anguish in Gordons voice. It is some of the most courageous and emotive singing of her career. This is some of the most fantastically elastic music currently being produced, shifting form and formlessness without batting an eye. Like the best art, it exists out beyond the limits of what we can easily define. Its as pained as it is curious, as free as it is claustrophobic, full of spellbinding tension throughout, from the sparse opening of Turn Me On to the intensely moving and breathtakingly sad closer, Where Did You Go?, a track thats as good as anything either player has ever put to tape. Its so scary and so sad, so tender and so angry, a consummate example of what both musicians are capable of, the capstone to a sequence so satisfying one wants to just play it again. The music changes shape with each listen, behind each shadow lives another melting perspective. Beautifully pressed at 45rpm, the fullness and depth of sound and feeling come through loud and clear. This record is a complete picture, a blurry pool at night, a short story to revisit over and over again. -Matt Krefting.

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  • Regular price $20.00


After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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