"Lamin Fofanais an electronic producer and artist. His instrumental electronic music contrasts the reality of our world with what's beyond and explores questions of movement, migration, alienation, and belonging. He is from Sierra Leone, lived in Guinea, United States, and currently located in Berlin." - Hundebiss. "Fofana, who was born and raised in Sierra Leone and Guinea, runs the Sci-Fi & Fantasy label -- home to, among other things,Lotic's first releases. His own work is part of a dialogue between techno, as it's broadly understood, and more abstracted forms. With theAnother World EP,he attempts to link techno back to the real world, to bridge aesthetics with socio-economics, with ocean currents, with stale bread and dirty water. It's right there in the subtitle of the third track: '(Realist Mix)'." --Pitchfork "Fofana paired techno beats and nebulous pads to create instrumentals that seek to contrast the reality of our world with what's beyond." --The Fader
Lamin Fofana onBrancusi Sculpting Beyonce: "In the face of devastating violence, how are you responding? I think deeply about the moment we're in and am searching for a response that's not blatant or overt, but more-so inviting the listener to contemplate their own mindset. The music here is an expression, my response to surviving these traumatic, unpredictable times. Most of the new sounds came out of the experience of living in Berlin and traveling around Europe. 'Brâncuși sculpting Beyoncé in gold lamé' is a line fromMike Ladd's song 'Blonde Negress' from the albumNegrophilia(2005). The album was inspired byPetrine Archer-Straw's book of the same name (with the subtitle 'Avant-Garde Paris and Black Culture in the 1920s'). The book explores the Paris art world's embrace of black American and African culture -- and its co-option of black art and culture, which played heavily into Art Deco, Cubism, jazz, etc. I read the book some years back, but I love how Mike Ladd warps it, drawing a long line betweenBeyonceandBrancusi, whose 'Sleeping Muse' was inspired by African masks."
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.