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Room40

FOX, ROBIN - Threnody To Now

"Robin Fox's work with frequency is a thing of wonder. Between his renowned pieces for laser and his extensive dance commissions, he has been responsible for creating a series of powerful electronic music works that exist equally between digital and analog realms. On Threnody To Now, Fox uses sound to meditate on affect and its manifestations in modern living. Deeply intuitive and iterative pieces, both these compositions dwell in harmony, folding and unfolding across a mesh of slow-release envelopes and low frequency oscillation. They both set up a self-contained spectrum, contoured in a sonic language that is personal and ultimately summarizes what comes in the wake one of the most curious moments of our age. A note from Robin Fox: "Everybody, it seems, lives their own personal apocalypse. It's inevitable. Built into the arc of our mortal time on earth is the inescapable feeling that we live right on the edge of the end of the world as we know it. It is all part and parcel of each unit of human consciousness assuming it is the center of everything. Try as I might to avoid catastrophic thinking there is a creeping sense of dread and unease making its way into my mind right now and it made its way into these pieces too. Both tracks on this release are linear takes recorded on my studio Eurorack modular system. They are different patches on different days -- but they feel related. Both sessions started with a desire to explore the harmonic series with patience and make something vast. What emerged where two epic pieces that seemed to tap into a sadness and disconnection that was gripping the city and my mind at that time. Listen to these tracks at a time when the light is changing. The liminal times of dawn and dusk or that moment when the sun emerges from behind a bank of dark clouds. While a threnody is a lament there is hope in the rising harmonic phrases too. A sense that we may yet emerge from this period better than we were. We must be better than we were. Always." - Room40.
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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