{"title":"february 6, 2022","description":"","products":[{"product_id":"jacks-live-jacks","title":"JACKS - Live Jacks","description":"\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/i-1cxZvo1Os\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\"Originally released in an edition of 200 fan club only copies in Japan in 1968. Very limited, numbered edition. Housed in an eye-popping, four-paneled sleeve, which unfolds into a giant poster. Limited to 500 copies, most going to Japan. More need not be said, right? Originals: $1500+.\" - Orange Doubledome. Last copies at a MUCH cheaper price. Minor storage wear.\u003c\/p\u003e","brand":"Orange Doubledome","offers":[{"title":"LP","offer_id":51854133063,"sku":"381-ORANGE DOUBLEDOME","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/image_4df983e4-407a-49f3-8431-62722ef9648c.jpg?v=1642702461"},{"product_id":"stockhausen-karlheinz-betonstudie-zeitmass-fr-fnf-holzblser-klavierstuck-xi","title":"STOCKHAUSEN, KARLHEINZ - Beton-Studie \/ Zeitmass für fünf Holzbläser \/ Klavierstuck XI","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"Modern Silence presents \u003c\/span\u003e\u003ci\u003eBeton-Studie \/ Zeitmass für fünf Holzbläser \/ Klavierstuck XI\u003c\/i\u003e\u003cspan\u003e compositions written by \u003cmeta charset=\"utf-8\"\u003eKarlheinz Stockhausen\u003c\/span\u003e\u003cspan\u003e. A collection of some of Karlheinz Stockhausen's earliest work, including his earliest piece of musique concrète \"Beton-Studie\" (aka \"Étude\") written by Stockhausen in 1952-53 at Pierre Schaeffer's studio at the RTF in Paris. Until 1992 this piece was believed to have been lost. The LP also includes the celebrated \"Zeitmass\" (1955), and \"Klavierstück XI, parts I-IV\" (1956), both of which helped to cement Stockhausen's role as one of the leading German composers of the 20th century. 180 gram vinyl. Edition of 500.\" - Modern Silence.\u003c\/span\u003e\u003c\/p\u003e","brand":"Modern Silence","offers":[{"title":"LP","offer_id":51938914247,"sku":"12257-DOXY","price":9.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/OI009LP_CU.jpg?v=1640800334"},{"product_id":"eastley-derek-bailey-coum-feminist-improvising-group-max-another-evening-at-logos-1974-79-81","title":"EASTLEY\/DEREK BAILEY\/COUM\/FEMINIST IMPROVISING GROUP, MAX - Another Evening at Logos 1974\/79\/81","description":"\u003cp\u003e:Previously-unreleased recordings from live sessions at the Logos Foundation, Ghent, Belgium, recorded in 1974, 1979, and 1981. This double LP, the first release in a vinyl-only series, includes the following recordings: a 1979 performance by Max Eastley and Logos Ensemble (Max Eastley, Godfried-Willem Raes, Moniek Darge, and Rob Keymeulen playing xylophone bars, Aeolian flutes, springboard, sanzas); a 1974 performance by Feminist Improvising Group (Georgie Born: cello, bass guitar; Lindsay Cooper: bassoon, oboe, sax, flute; Maggie Nichols: voice, piano; Sally Potter: voice, sax; Ir_ɬ®ne Schweizer: piano, drums); a 1974 performance by COUM (Genesis P-Orridge, Paul Woodrow, Cosey Fanni Tutti, Joseph L\/R Rose) and Logos Ensemble (Godfried-Willem Raes, Moniek Darge, Luc Houtkamp, and others); and a 1981 performance of guitar improvisations by Derek Bailey. Logos Foundation, founded in 1968 by Godfried-Willem Raes and based in Ghent, Flanders, Belgium, is a unique professional organization for the promotion of new music and audio-related arts by means of new music production, concerts, performances, composition, technological research, and other activities related to contemporary music.\" - Sub Rosa.\u003c\/p\u003e","brand":"Sub Rosa","offers":[{"title":"Double LP","offer_id":52004014535,"sku":"17158-SUB ROSA","price":23.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-7410676-1440941938-1425_jpeg.jpg?v=1571718255"},{"product_id":"schaeffer-pierre-pierre-henry-symphone-pour-un-homme-seul-concerto-des-ambiguites","title":"SCHAEFFER, PIERRE \u0026 PIERRE HENRY - Symphone Pour Un Homme Seul - Concerto Des Ambiguites","description":"\"Electronic\/avant-garde music pioneer and founder of the French musique concrete movement, Pierre Schaeffer, a radio engineer, believed that any sound could be music, and was one of the first to experiment with tape looping, splicing and sampling. He was also one of the first to record music on magnetic tape. Drawing inspiration from the Italian Futurists, he emphasized the double meaning of the word play\", meaning to play an instrument, but also to have fun and enjoy oneself. Pierre Henry, a classically trained musician, was one of Schaeffers disciples and together they co-wrote the revolutionary \"Symphonie Pour Un Homme Seul\", recorded in 1950. Despite its title, it is not a symphony in the classical sense, but a kind of suite divided into 12 movements. It is a musical collage featuring vocal fragments, that are at times recorded backwards, accelerated or repeated, and other sounds like whistles, footsteps, doors slamming, metallic sounds, and a prepared piano. However, what is important about this piece is not merely its intrinsic musical value, but its influence on so many future generations of musicians in so many genres. \"Symphonie Pour Un Homme Seul\", over half a century later, remains a pioneering experiment in the search for new aural horizons. The Concerto side reveals Henrys personal approach to dissonance, with a strong impact of illogical sequences in the piano \"duel\": the two instruments seem to collide in a furious rejection of the traditional idea of music, generating a clash of noises that reproduce the sonic pollution of the modern times. \u003cbr\u003e\"Symphonie Pour Un Homme Seul\" (1949-1950 - First concert performance on March 18, 1950, at the Auditorium of the Ecole Normale de Musique in Paris. First performance as a ballet by Maurice Béjart on July 26, 1955, at the \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThéâtre de l'Etoile \u003c\/span\u003ein Paris. \"Concerto des \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eambiguïtés \u003c\/span\u003efor piano and piano\" (1950) - First performance on August 7, 1950, over the French National Radio. Coreographic version by Maurice Béjart under the title \"Voyage au cur dun enfant (Trip Into The Heart Of A Child)\", first performed on September 6, 1955, with Patrick Benda, at the \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThéâtre de l'Etoile\u003c\/span\u003e in Paris.\" - Modern Silence.","brand":"Modern Silence","offers":[{"title":"LP","offer_id":52009119367,"sku":"18198-MODERN SILENCE","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/OI005LP_PROD.jpg?v=1580735341"},{"product_id":"floating-di-morel-ulf-fdm","title":"FLOATING DI MOREL - ULF\/FDM","description":"\u003cp\u003e\"Play Loud! present the new album from Floating Di Morel and ULF. The band members in their own words: The new (fifth) Floatin LP is divided in two parts. On one side you hear the last works together with Thorsten Neu, which you know from the records Said My Said (PL 006LP, 2009) and Goal Less Play (PL 034LP, 2013). The other side is a new more electronic experience with ULF.\"\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e39 Clocks member \u003cmeta charset=\"utf-8\"\u003eJürgen Gleue about Floating DJ Morel: \" (...) sound like Sky Saxon \u0026amp; The Seeds did float, effortless, its just there as it pops into your head like a thumb into your mouth.\"Jake Austen of Roctober Magazine writes: \"Like a classy Suicide (the band, not the act of desperation) these cats present minimal, chilling music, but wear ties and sweep the warehouse before inviting you over for a bizarre ultra-underground concert.\"\u003c\/p\u003e\n\u003cp\u003eGerman critic Robert Miessner states: \"If Velvet Underground had not disintegrated in 1973 and instead had met with Neu! or Mutes Daniel Miller, they would have sounded like Floating di Morel.\" - Play Loud!\u003c\/p\u003e","brand":"Play Loud!","offers":[{"title":"LP","offer_id":52010407367,"sku":"19596-PLAY LOUD!","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-9905338-1488292806-6500_jpeg.jpg?v=1571718341"},{"product_id":"v-a-sounds-of-new-music","title":"V\/A - Sounds of New Music","description":"\"The compositions on Side I of this record represent attempts at new means of musical expression. Some utilize conventional musical instruments and sounds in startlingly new ways, giving an impression of an actual new sound being created; some use instruments new to music (electrical, mechanical and natural) adding to the composers palette of timbres and tonalities. . . . SIDE II of this record is meant as a tool for those using new sounds and techniques in composing. There are basic sounds (some of which are hard to come by) and basic sound patterns, together with examples of how these sounds and patterns may be utilized.\" - original liner notes by Eugene Bruck.\u003cbr\u003e\u003cbr\u003e\"Sounds of New Music is a legendary collection of 18 compositions from the 1920s to the mid-1950s; composers include Edgard Var_ɬ®se, Henry Cowell, Vladimir Ussachevsky, Otto Luening, Julius Meytuss, Alexander Mossolov, Halim El-Dabh, and John Cage, whose \"Dance\" is performed on a transformed Steinway piano that gives the music an almost primitive quality. Side B (The Experiments) includes works by Ussachevsky, Henry Jacobs, and Roger Marin \u0026amp; Frederic Ramsey, Jr. Originally released by Folkways Records in 1957.\" - Modern Silence.","brand":"Modern Silence","offers":[{"title":"LP","offer_id":52010618759,"sku":"19650-MODERN SILENCE","price":9.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/OI023LP_CU.jpg?v=1640797093"},{"product_id":"v-a-la-musica-futurista-nellitalia-e-nel-mondo","title":"V\/A - La Musica Futurista Nellitalia E Nel Mondo","description":"\u003cp\u003e\"The Manifesto Of Futurism by Italian poet Filippo Marinetti, published in 1909, still has an intoxicating force. We want to glorify war . . . to destroy museums, libraries, and academies of all kinds,\" wrote Marinetti. \"We shall sing to the great crowds excited by work, pleasure or rioting, the multicoloured, many-voiced tides of revolution in modern capitals.\" Color was as important as force to the movement, and it was a search for new sound colors that fired the ambitions of artist and instrument builder Luigi Russolo, who, though quieter than Marinetti, is now seen as the \"father of noise\". Russolos work and ideas anticipated the shape of music to come: the early percussion scores of Edgard Var_ɬ®se and John Cage; electroacoustic music; recording; graphic scores -- not to mention the inevitable sonic onslaught of effects and sound design in movies, TV, and computer games. In his 1913 manifesto, LArte Dei Rumori (\"The Art Of Noises\"), Russolo argued that the history of music, from primitive races through to 19th-century harmonic sophistication, was a progression that went naturally from ancient silence to modern noise: \"The limited circle of pure sounds must be broken, and the infinite variety of noise-sound conquered.\" La Musica Futurista Nellitalia E Nel Mondo is a stunning anthology of true pioneers of electronic\/noise music. Features works by Filippo Tommaso Marinetti, Antonio Russolo, Rodolfo De Angelis, Alexandr Mossolov Eiar Orchestra Victor De Sabata, Arthur Honegger, Dixon Cowell, Julius Ehrlich, Paul Whiteman, Walter Ruttmann, and George Antheil. Comes in a special \"flap\" deluxe gatefold sleeve, an Italian futurist newspaper replica.\" - Modern Silence.\u003c\/p\u003e","brand":"Modern Silence","offers":[{"title":"Double LP","offer_id":52013169543,"sku":"19871-MODERN SILENCE","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/OI026LP_CU.jpg?v=1640796854"},{"product_id":"young-la-monte-ii","title":"YOUNG, LA MONTE - II","description":"\u003cp\u003eReissue of 3 legendary La Monte Young pieces, \u003cem\u003ePoem for Chairs, Tables, Benches, Etc\u003c\/em\u003e (1960), \u003cem\u003eTwo Sounds\u003c\/em\u003e (1961) and\u003cem\u003e Piano Study\u003c\/em\u003e (1961), previously documented on the Velvet Underground Appreciation Society cassette series. Edition of 300?\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"600\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/t1ZF7jMK00w\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"No Label","offers":[{"title":"LP","offer_id":52013389383,"sku":"18048-NO LABEL","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/lmycover.png?v=1571718369"},{"product_id":"v-a-musique-concrete","title":"V\/A - Musique Concrete","description":"\u003cp\u003e\"Le Groupe de Recherches Musicales (The Group of Musical Research) of the O.R.T.F. (Office of the French Radio-Television) is known in the world principally as the promoter of an original technique of realization as well as reflection: Musique c\u003cspan data-mce-fragment=\"1\"\u003eoncrète\u003c\/span\u003e. For more than fifty years, Le Groupe de Recherches Musicales has founded its experience, its methods of research and particular techniques, upon a confrontation between the musical act, reflection upon its elements, experimentation on sound sources, and the electro-acoustical means. Grouped around Pierre Schaeffer and \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrançois\u003c\/span\u003e Bayle, composers and researchers try to give new direction to musical activity through the conjugated action of a program of Fundamental Research\" on the languages of music (concrete, electronic, but also instrumental and oriental) and a program of \"Expression\", resulting in original compositions as well as essays for the ballet, theater, cinema, or television. In this LP, there are some great examples of the incredible production of many of the most celebrated composers of the movement: Pierre Boulez, Karlheinz Stockhausen, Bernard Parmegiani, Ernst Krenek, Luc Ferrari and Ivo Malec along with Pierre Schaeffer and \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrançois\u003c\/span\u003e Bayle.\" - Modern Silence.\u003c\/p\u003e","brand":"Modern Silence","offers":[{"title":"LP","offer_id":52019459463,"sku":"18820-MODERN SILENCE","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/OI019LP_CU.jpg?v=1640797823"},{"product_id":"gilson-jef-jean-luc-ponty-jean-louis-chautemps-oeil-vision","title":"GILSON, JEF\/JEAN LUC PONTY\/JEAN LOUIS CHAUTEMPS - Oeil Vision","description":"\u003cp\u003e\"Modern Silence present a reissue of Oeil Vision, originally released in 1964. One of the best albums by legendary French pianist Jef Gilson, recorded in 1963 with Jean-Luc Ponty on violin, Daniel Humair on drums, Jean-Louis Chautemps and Pierre Caron on tenor sax, Guy Pedersen and Henri Texier on bass. A superb line up for this beautiful album including two splendid versions of Chant-Inca\" (a hidden cover of Pharoah Sanders \"Creator Has A Masterplan\"). Essential French spirit\/avant jazz. Gilson was the brilliant mind behind a number of incredible, yet over-looked recordings during the late sixties and early seventies. His music spanned from big band and large led ensemble work to his later explorations with African influenced spiritual jazz. Pressed on 180 gram vinyl. Edition of 500.\" - Modern Silence.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"600\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/L6CvHUmNjds\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Modern Silence","offers":[{"title":"LP","offer_id":52019532167,"sku":"18870-MODERN SILENCE","price":9.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-3800750-1344942078-3699_jpeg.jpg?v=1571718452"},{"product_id":"artemiev-edward-yuri-bogdanov-vladimir-martynov-metamorphoses-electronic-interpretations-of-classic-and-modern-musical-works","title":"ARTEMIEV, EDWARD, YURI BOGDANOV, VLADIMIR MARTYNOV - Metamorphoses: Electronic Interpretations Of Classic And Modern Musical Works","description":"\u003cp\u003e\"Modern Silence present a reissue of Metamorphoses, originally released in 1980. A Russian album of electronic interpretations of classical\" pieces by Claude Debussy, Claudio Monteverdi along with John Bull, Vladimir Martynov, Sergei Prokofiev, J. S. Bach, Edward Artemiev and Yuri Bogdanov. Yuri Bogdanov is featured on every track, on some tracks together with Edward Artemiev, composer for Andrei Tarkovsky, and others. Other tracks feature Vladimir Martynov. From the original liner notes: \"The record is made on the basis of a kaleidoscope: it is interspersed with pieces of various styles, genres and eras. For example, with these pieces, the authors wanted to show a variety of ways to use a synthesizer, starting with the direct simulation of now or once existing instruments, to the establishment of new not yet known sound systems. Thus, the record is like a small musical walk through time (...)\" - Modern Silence.\u003c\/p\u003e","brand":"Modern Silence","offers":[{"title":"LP","offer_id":52023387015,"sku":"","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/OI015LP_CU.jpg?v=1640863336"},{"product_id":"schnittke-alfred-edison-denisov-sofia-gubaidulina-oleg-buloshkin-edward-artemiev-musical-offering","title":"SCHNITTKE, ALFRED\/EDISON DENISOV\/SOFIA GUBAIDULINA\/OLEG BULOSHKIN\/EDWARD ARTEMIEV - Musical Offering","description":"\u003cp\u003e\"Modern Silence present a reissue of Musical Offering, originally released in 1990. Features works by Oleg Buloshkin, Sofia Gubaidulina, Edward Artemiev, Edison Denisov and Alfred Schnittke. From the original liner notes: \"(...) Please, try to imagine a score sounding by itself without a conductor, an orchestra even without musical instruments. This magic is possible by using the musical synthesizer, ANS. ANS is an instrument with which a composer can not only create but even draw his music without notes and orchestra. A Soviet scientist Evgeny Murzin spent about 20 years creating this apparatus which can join together three processes: music creation, recording and performing. All these processes are rather complicated. You can see the twinkling of different lamps, the rotation of grooved discs made of glass - notes are cut on a glass disc covered with a special layer; The drawings on the glass are sounding notes. To listen to the drawn picture you should press the button and a wonderful transformation will begin. Murzin dedicated his apparatus to Alexander Nikolayevich Scriabin, thats why he called it ANS. Scriabin, the creator of the Poem of Ecstasy, used in his works a highly chromatic, new type of harmonic style designed to express his beliefs, views and wishes. Soviet music lovers already know some recordings made on ANS from the films Into Space, Solaris (1972), Mirror (1975), Siberiade (1979) and others. Works of well-known Soviet composers E. Artemiev, O. Buloshkin, E. Denisov, S. Gubaidulina, A. Schnittke featured on this LP were recorded at the Electronic Music Studio (...)\" - Modern Silence.\u003c\/p\u003e","brand":"Modern Silence","offers":[{"title":"LP","offer_id":52023391047,"sku":"18968-MODERN SILENCE","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/OI016LP_PROD.jpg?v=1589764346"},{"product_id":"laraaji-ambient-3-day-of-radiance","title":"LARAAJI - Ambient 3: Day of Radiance","description":"\u003cp\u003e180-gram vinyl. Gatefold sleeve. Includes CD. 2015 remastered reissue. Includes lengthy interview with Laraaji. \"Laraajis glistening 1980 debut Ambient 3: Day of Radiance has from the beginning been considered an outlier. Though widely celebrated at that the time of its original release (as the third installment in Brian Enos emerging ambient music series), the album also brought with it an aura of mystification. Where did it fit in? An uncharted synthesis of resonating zither textures, interlocking hammered rhythms, and 3-D sound treatments (courtesy of Eno), Day of Radiance seemed to push open many doors at once, ambient music being only one of them. Though there are certainly aspects of the album that find sonic common ground with other Eno-related \"ambient\" projects (on the tracks \"Meditation #1\" and \"Meditation #2\" in particular), the album is not easily boxed into a singular genre. Day of Radiance also mines the ethereal spiritualism of late-70s new age music (of which Laraaji is considered a pioneer), the harmonic and rhythmic repetitions of American minimalists Terry Riley and Steve Reich, and traditional global sounds from India and Java (particularly gamelan music). And while Laraaji never explicitly embraced the \"Fourth World\" theories of fellow visionary and Eno collaborator Jon Hassell, Day of Radiance echoes a kindred exploratory exoticism. In the late 70s Brian Eno had relocated to New York City from London and had begun a period of fertile intersections with musicians in his adopted home. Laraaji recounts how he and Eno first crossed paths: \"I was playing [zither] in Washington Square Park and I usually play with my eyes closed because I get into meditative trance states that way, and opening my eyes and collecting my little financial reward from that evening, there was a note, on notebook paper -- it looked like it had been ripped from somebodys expensive notebook -- there was a note that says Dear sir, kindly excuse this impromptu piece of message, I was wondering if you would be interested in talking about participating in a recording project I am doing, signed: Brian Eno.\" The album was completed in two sessions; the first one produced the faster, pulsing \"Dance\" compositions (on the A-side) and the second session yielded something closer to Enos own ambient constructs -- slow zither washes and waves with more pronounced sound enhancements (on the B-side). While the album is deceptively simple in its construction, closer listening reveals its extraordinary depth of field and its polymath influences.\" - Glitterbeat.\u003c\/p\u003e","brand":"Glitterbeat","offers":[{"title":"LP\/CD","offer_id":893333733383,"sku":"20216-GLITTERBEAT","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-96017-1303472299_jpeg.jpg?v=1571718478"},{"product_id":"mine-quintet-kosuke-mine","title":"MINE QUINTET, KOSUKE - Mine","description":"\u003cp\u003e\"Le Tres Jazz Club present a reissue of Kosuke Mine Quintets first release, Mine, originally released on Three Blind Mice in 1970. Fuzati (Klub Des Loosers), producer and die-hard crate digger, has teamed up with Modulor to launch the Le Très Jazz Club label, dedicated to jazz vinyl reissues. For the first two releases, Mine, presented here, and Green Caterpillar (LTJC 002LP), Le Tres Jazz Club has chosen to celebrate Japan. Japanese jazz is sadly one of the best-kept secrets in music. But, it would be a huge loss to miss Mine, the sublime first album from Kosuke Mine Quintet, released in 1970 on the legendary Three Blind Mice label. The record, made of a four long pieces where Kosuke Mines sax (alto and soprano) and Hideo Ichikawas Fender Rhodes never stop to respond to each other is a monument of dense and spiritual jazz.\" - Le Tres Jazz Club.\u003c\/p\u003e","brand":"Le Tres Jazz Club","offers":[{"title":"LP","offer_id":893337206791,"sku":"20251-LE TRES JAZZ CLUB","price":27.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-1577822-1273591682_jpeg.jpg?v=1571718479"},{"product_id":"skin-crime-x-wilt-the-horror-of-fang-rock","title":"SKIN CRIME X WILT - The Horror of Fang Rock","description":"\"\u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eThe Horror of Fang Rock\u003c\/i\u003e\u003cspan\u003e is a continuation of \u003c\/span\u003e\u003cb\u003eSkin Crime\u003c\/b\u003e\u003cspan\u003e's fascination with the theme of gothic horror as it relates to 18th and 19th century lighthouses. An audible soundtrack to a tale of terror for an unreleased lighthouse keeper's memoir. Dark drones, scarecrow electronics, and nightmare ambience ebb-and-flow over the entire opus. There are no track titles just a wall of sound to let the listener's own experience fill in the voids of the nightmare of, \u003c\/span\u003e\u003ci\u003eThe Horror of Fang Rock\u003c\/i\u003e\u003cspan\u003e. The recording process involved Skin Crime sending \u003c\/span\u003e\u003cb\u003eWilt\u003c\/b\u003e\u003cspan\u003e sound sources through the mail. Wilt would then add sounds and send back for review. This process extended over several months. Once completed Wilt did the final mix and mastering and final art. 180 gram vinyl; black inner sleeve and deluxe silver silkscreen on black cardboard outer sleeve; Edition of 199 (hand-numbered).\" - Urashima.\u003c\/span\u003e","brand":"Urashima","offers":[{"title":"LP+CD","offer_id":13056223871039,"sku":"","price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/UMA126LP_CU.jpg?v=1571718518"},{"product_id":"masonna-bursting-absolute-moods-the-lost-first-album-1989","title":"MASONNA - Bursting Absolute Moods: The Lost First Album 1989","description":"\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCascades of electronic noise, a psychedelic touch, and vocal belching mixed together constitute the ingredients of \u003c\/span\u003e\u003cb\u003eMademoiselle Anne Sanglante Ou Notre Nymphomanie Auréolé\u003c\/b\u003e\u003cspan\u003e, the double-barreled name for \u003c\/span\u003e\u003cb\u003eMasonna\u003c\/b\u003e\u003cspan\u003e. \u003c\/span\u003e\u003cb\u003eMaso Yamazaki\u003c\/b\u003e\u003cspan\u003e founded his project in 1987, with a charismatic and glamorous personality who become a cult figure in \"Japanoise\" scene. Predating the era of digital domination, there was a time where artist-run labels putting out primarily, if not exclusively, tapes were legion: \u003c\/span\u003e\u003cb\u003eToshiji Mikawa\u003c\/b\u003e\u003cspan\u003e's own Pariah Tapes, \u003c\/span\u003e\u003cb\u003eMasami Akita\u003c\/b\u003e\u003cspan\u003e's ZSF Produkt, \u003c\/span\u003e\u003cb\u003eKoji Tano\u003c\/b\u003e\u003cspan\u003e's MSBR Records, \u003c\/span\u003e\u003cb\u003eMasaya Nakahara\u003c\/b\u003e\u003cspan\u003e's My Fiance's Lifework Productions, \u003c\/span\u003e\u003cb\u003eAkifumi Nakajima\u003c\/b\u003e\u003cspan\u003e's G.R.O.S.S., \u003c\/span\u003e\u003cb\u003eKimihide Kusafuka\u003c\/b\u003e\u003cspan\u003e's Kinky Musik Institute, \u003c\/span\u003e\u003cb\u003eHiroshi Hasegawa\u003c\/b\u003e\u003cspan\u003e's Endorphine Factory, \u003c\/span\u003e\u003cb\u003eHiroshi Hashimoto\u003c\/b\u003e\u003cspan\u003e's SSSM, and \u003c\/span\u003e\u003cb\u003eMaso Yamazaki\u003c\/b\u003e\u003cspan\u003e's Coquette are just a few examples from Japan alone. Masonna's abundant productions on his own legendary and astonishing label were presented in very limited edition, sometime totally confidential (one sole copy), and reflect his predilection for '60s psychedelic music revisited in its own very peculiar way. Maso Yamazaki transforms his voice into noise, feeding the microphone back through a process of extreme distortion. His shouts became clipped bursts of overloaded sound, doubled and extended by a delay that displaced the sounds into stuttered blasts of static. These vocal sounds fuse into a rattling background of harsh metallic fuzz, which was created by frantically shaking a highly amplified box filled with coins. \u003c\/span\u003e\u003ci\u003eBursting Absolute Moods\u003c\/i\u003e\u003cspan\u003e should have been the 1989 debut LP album on Vis a Vis Audio Arts, the legendary label run by \u003c\/span\u003e\u003cb\u003eJuntaro Yamanouchi\u003c\/b\u003e\u003cspan\u003e, but it's never been released. All tracks were recorded live, at home, with no mixing and no overdubs. Album is full of very rough harsh noise that's mostly made up of lots of distorted screaming. This early work is very loud, noisy, and has lots of angry energy. The distortion and effects on the vocals are top notch, they in combination with his awesome screaming create a complete audio assault. Divided into two parts of twenty minutes each that focuses an electrically overcharged universe, punctuating the electric and vocal sonorous power with some quite moments and brief interruptions, conferring a very particular dynamic to these tracks. 140 gram vinyl; comes in a deluxe silver silkscreen on black cardboard sleeve; Includes full-color postcard in 300gr, foldable in A4 size and business card with art cover replica of Coquette tape \u003c\/span\u003e\u003ci\u003eAll Live Recording At My Room\u003c\/i\u003e\u003cspan\u003e (1989); Edition of 300.\" - Urashima.\u003c\/span\u003e","brand":"Urashima","offers":[{"title":"LP","offer_id":15554281832511,"sku":"","price":26.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/UMA132LP_PROD.jpg?v=1571718645"},{"product_id":"mikawa-toshiji-radio-code","title":"MIKAWA, TOSHIJI - Radio Code","description":"\u003cp\u003e\"Urashima present a reissue of Toshiji Mikawa's Radio Code, originally released on cassette in 1989. Toshiji Mikawa started his musical activities in the late 1970s and joined the legendary and notorious Japanese noise legend Hijokaidan. In 1981 he formed Incapacitants to pursue his interest in pure noise, in contrast to the more performance art oriented Hijokaidan at that time. Initially a solo project, later he was joined by Fumio Kosakai to make Incapacitants a duo that has been widely acknowledged for their extreme sound and intense live performances. Still active member with both groups nowadays, Mikawa has only made very few solo works without the participation of other parties. Radio Code is one of the rare opportunities to hear in his own personal element. Performed on black box electronics designed and built by Mikawa and destroyed in use. Recorded in 1988 and released the follow year in C60 cassette on AQM, label started in 1978 and run by John Duncan, at first in Los Angeles, then later in Japan, finally ending when Duncan moved to Holland. Comes in special hand-made package made by plate of black foam laser engraved, black tissue paper and string; includes an insert in special paper that replicates the original credits. Edition of 199.\" - Urashima.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/650518583\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Urashima\" href=\"https:\/\/soundcloud.com\/urashima-1\" target=\"_blank\"\u003eUrashima\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Toshiji Mikawa - Untitled Extract (from Radio Code)\" href=\"https:\/\/soundcloud.com\/urashima-1\/toshiji-mikawa-untitled-extract-from-radio-code\" target=\"_blank\"\u003eToshiji Mikawa - Untitled Extract (from Radio Code)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Urashima","offers":[{"title":"CD","offer_id":16021729378367,"sku":"","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/USHI011CD_CU.jpg?v=1571718664"},{"product_id":"nine-circles-early-days-onderstroom-belgium-2lp","title":"NINE CIRCLES - Early Days","description":"\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/pf1bI5kjP4c\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\"Early Days maps out Nine Circles interpretation of cold wave and minimal synth. Unbelievably the tracks are mostly from a brief time period, '80-82. Alienation and uncertainty course through the double-LP, with heavy Yamaha chords, metallic machine beats, and brittle vocals. Nine Circles was formed in the early '80s by Peter van Garderen and Lidia Fiala. In 1980, there was band called Genetic Factor. This band split up when the three members got girlfriends and they started to make music together with their girls. So, at that time there were three bands living together in one house. One of the couples were Peter van Garderen and Lidia Fiala. Lidia had been writing lyrics since she was 15 years old. Nine Circles was born. Within two years they wrote about 60 songs. Also living in the house was Richard Zeilstra, who had a job at the VPRO radio, hosting a show called \"Spleen\" where he gave new wave bands a chance to play. He asked bands to send tapes to him and the best band would have the opportunity to play live at the radio and also got the chance to be on the Radio Nome compilation (1982). Peter and Lidia sent their tape to him and were the only ones of this house to be on the show. Richard knew their music was special. Nine Circles never played a live show, only this one concert live at the radio which is also featured on the LP. Two years later Peter and Lidia split up and Nine Circles subsequently disappeared. In 2009, Lidia's son googled her name just for fun and found a lot about the band Nine Circles. Lidia was surprised, she never knew how popular Nine Circles have been over the years. She got herself on Facebook and since then she got in touch with many people and decided Nine Circles should come back! Peter was not able to join the band these days, he has a different life and he is happy but he is supporting Lidia and likes that she enjoyed doing music again. Peter still had all the old recordings and sent Lidia a lot of the music they made back in the days. The best tracks are collected on this double-LP. Together with Per-Anders Kurenbach, Lidia continues Nine Circles. Together with Per-Anders Kurenbach, Lidia revived Nine Circles. They recorded new material (released on the album Alice) and played live until Lidia had to stop playing live for health reasons in 2016. Nevertheless, they're working on a follow-up album called Emerge which is planned to be released in 2020 and hopefully Lidia will be able to go on stage again soon.\" - Onderstroom .\u003cbr\u003e\u003c\/p\u003e","brand":"Onderstroom","offers":[{"title":"Double LP","offer_id":31411547504703,"sku":"","price":40.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/OS044LP_CU.jpg?v=1575386577"},{"product_id":"controlled-death-ritualistic-mutilation-in-the-bloody-darkness-urashima-italy-double-lp","title":"CONTROLLED DEATH - Ritualistic Mutilation in the Bloody Darkness","description":"\"Controlled Death is the dark side project by the Japanese noise legend Maso Yamazaki, aka Masonna. In April 2018 he decided to make a shudder debut with first album Symphony For The Black Murder (UMA 125CD) then followed at the beginning of 2019 from second work in an astonishing black wooden box that included Journey Through A Dead Body on vinyl and Deathwish Tapes 1-3 on CD and double-tape (UMA 130LP). Now there's yet another mind-boggling work on double-LP recorded during 2019, Ritualistic Mutilation in the Bloody Darkness. Wild and amazing, this one is absolutely essential for any fan of synth and dark ambient music. Cracked minimal electronic sound by Korg MS-20, unclear and disturbing voice with the influence of primitive black metal and dark ritual in this new double-album which developed a moisturized doom world while wearing a raw material texture. While listening to the records, each long track does meander their way slowly through proceedings with silent pauses, but they nonetheless generate a respectably dense assemblage of sounds. The smell of death is soaked in every groove produced by the four vinyl sides. The activities of Controlled Death are like archaic revival to the music experience before Masonna. You can also find the pathology image of the early industrial period and the shadows of Vienna activism such as Hermann Nitsch as well as loose bits of seminal black metal. The existence and art that pierces through conspicuous consciousness and dives to areas of unconsciousness due to death and pleasure. 140 gram vinyl; deluxe gatefold sleeve with impressive photography (of a cave church with the remains of the people who were massacred by the Saracens in 999 A.D. during the invasion of southern Italy) by Aldo Volpe. Edition of 299.\" - Urashima .","brand":"Urashima","offers":[{"title":"Double LP","offer_id":31694116356159,"sku":"","price":41.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/UMA135LP_CU_6c1f2b48-35c3-4d75-9c40-57f783fef063.jpg?v=1584646131"},{"product_id":"flood-mark-protest-signs-from-1992","title":"FLOOD, MARK - Protest Signs From 1992","description":"\u003cp\u003eHardcover of painted protest signs by Mark Flood of Houston, TX's  \u003cstrong\u003eCulturcide \u003c\/strong\u003e\u003cspan\u003e— see their 1981 split LP with Hiroshima Chair on Australia's Dogfood Production System (who released the first Severed Heads LP, Slugfuckers \u003cem\u003eTransformational Salt, \u003c\/em\u003eand Negative Reaction s\/t LP that same year), 1982's \u003cem\u003eYear One\u003c\/em\u003e on Houston's canonical  C.I.A. label, the classic \u003cem\u003eTacky Souvenirs of Pre-Revolutionary America \u003c\/em\u003eLP (self-released in 1986), the split 7\" with Caroliner….etc.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLarge-format, 56 pages, full color, edition of 950. Essays by Bob Nickas and Clark Flood. Catalogue for the January 2020 show at Karma Gallery in New York.\u003c\/p\u003e\n\u003cp\u003e\"Karma is pleased to present a solo exhibition of paintings from 1992 by Mark Flood. This will be Flood’s first exhibition with the gallery. On the occasion of the exhibition Karma will publish a catalog with essays by Clark Flood and Bob Nickas.\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv id=\"holdingPen\" class=\"section-exhibitions\"\u003e\n\u003cdiv class=\"ca-static\"\u003e\n\u003cdiv class=\"content-wrap single-container single-exhibition content-wrap-wings cf\" data-title=\"Mark Flood, Protest Signs from 1992\" data-section=\"exhibitions\" data-pid=\"17926\"\u003e\n\u003cdiv class=\"sections-wrap wing-pad\"\u003e\n\u003cdiv class=\"partial-target\"\u003e\n\u003cdiv class=\"partial-content partial-current\"\u003e\n\u003csection class=\"section-press-release section-text\" data-section=\"press-release\"\u003e\n\u003cp\u003e‘The 1992 Republican Convention was held in the Houston Astrodome in August 1992, and would nominate President Bush and Dan Quayle for another term. Sometime beforehand, George Hixson suggested Mark make silkscreened protest signs for the various demonstrations and marches that would be held against the convention. Hixson was frequently an instigator. Surprisingly, the usually apolitical Mark agreed, and these protest signs would be the second major productions in the Daily Court Review studio.\u003c\/p\u003e\nMark bought about fifty pieces of cardboard, mostly 48 by 36 inches, and some 36 by 36 inches. He painted both sides with white, pale green, yellow, or gray house paint, so they would not warp.\n\u003cp\u003eAround this time, the DCR studio got its own silkscreen room, a darkened chamber made of black plastic hanging from the rafters. Within, screens could be coated with light-sensitive emulsion and stored till they were burned. I think Sean Flournoy, a professional silk-screener and friend of Mark’s, set all this up, and did his own work there, too.\u003c\/p\u003e\n\u003cp\u003eI think Flournoy must have burned Mark’s screens in this period, because they look good, much better than his Art Management screens.\u003c\/p\u003e\n\u003cp\u003eMark was acquainted with Ellen Pollock, reputedly descended from one of Jackson Pollock’s brothers, and she had given him a large vintage set of cutout sign letters that could be used as stencils. Most were eight inches tall, but there were a few letters in smaller sizes. There were also numerals and punctuation marks.\u003c\/p\u003e\n\u003cp\u003eMark had used these letters occasionally, for example, in 1989’s Wait for Tone painting, and in a few years they became his dominant resource for making text paintings. But at this point he preferred silkscreening found texts in their original fonts, or hand-painting texts.\u003c\/p\u003e\n\u003cp\u003eNow, he developed a technical novelty with the stencil letters, to deal with the challenge of mass-producing protest signs. He laid the letters down on silkscreens ready to be burned, spelling out his texts for the signs, and had them burned that way. It spared the expense of buying film positives, and produced screens that could be used repeatedly. (Of course, repeated use is what silkscreens are normally made for, but Mark’s use of silkscreen had been anything but normal.)\u003c\/p\u003e\n\u003cp\u003eMark had screens made of these texts:\u003c\/p\u003e\n\u003cp\u003eVOTE FOR LAW AND ORDER\u003cbr\u003eBUSH IS GOD\u003cbr\u003eFREE THE RICH\u003cbr\u003eGET A JOB\u003cbr\u003eFOUR MORE YEARS\u003cbr\u003eBE A NARC\u003c\/p\u003e\n\u003cp\u003eI can’t bring myself to italicize their irrational crudeness.\u003c\/p\u003e\n\u003cp\u003eTo this group, he added some new screens, pictures of George Bush Senior, Richard Nixon, Arnold Schwarzenegger, and a still from the video of the Rodney King beating. The large American flag from his collaborations with Randy Cole would get reused.\u003c\/p\u003e\n\u003cp\u003eMark’s protest signs were not straightforward. They seem to be intended to disrupt the thinking of the viewer, rather than to instruct or inform. Some of his slogans are clearly sarcastic; others are oblique, more difficult to interpret.\u003c\/p\u003e\n\u003cp\u003eSome signs combined BE A NARC with pictures of Bush and that US flag. Two combine GET A JOB with Bush. At least one said BUSH IS GOD combined with the picture of Arnold Schwarzenegger.\u003c\/p\u003e\n\u003cp\u003eOthers combined the flag with the slogan FREE THE RICH, or BE A NARC.\u003c\/p\u003e\n\u003cp\u003eThe only FOUR MORE YEARS I’ve ever seen is combined with pics of Bush and Nixon. That one is printed on raw cardboard.\u003c\/p\u003e\n\u003cp\u003eMost of the signs Mark made featured the image of the Rodney King beating. The trial of the LAPD and the resulting riots had occurred just a few months earlier. Mark screened the image on the upper portion of maybe half the signs. Underneath he printed VOTE FOR LAW \u0026amp; ORDER. This was clearly sarcasm.\u003c\/p\u003e\n\u003cp\u003eMark, a habitué of various underworlds of drugs, gay sex, and punk rock, was no friend of the cops; rather, he feared them greatly. He had friends and acquaintances who had been victimized by cops, and one friend went to prison. In 1986 he had written, recorded, and released the mocking “Houston Lawman” on Culturcide’s Tacky Souvenirs LP, in response to another police scandal, the murder of Ida Lee Delaney by the HPD.\u003c\/p\u003e\n\u003cp\u003eThere’s a pattern here. Survival-oriented Mark, who likes to keep a low profile and avoid trouble, occasionally sticks his neck out when he gets sufficiently pissed off.\u003c\/p\u003e\n\u003cp\u003eSarcastic and oblique they may have been, but the signs were used enthusiastically by protesters, probably ones drawn from the art underground. Hixson documented numerous uses of the signs on the streets in marches and rallies. They were originally outfitted with thin six-foot sticks for carrying, but the police made the protesters tear these off.\u003c\/p\u003e\n\u003cp\u003eMark tried to recover these works after demonstrations, after they had been “baptized by reality.” They were often discarded on the ground. He saved a handful, and a few others are in private collections. No systematic documentation of the group was made.\u003c\/p\u003e\n\u003cp\u003eMark has always been concerned about the problem of making art meaningful, either by adjusting it to the ever-changing reality of the art world, or placing it in certain contexts where it has a function. These signs were a case of the latter. It’s because he was dismayed by the meaninglessness of the art one finds in the “art bureaucracy” that Mark would go so out of his way to insert his work into this fleeting, and ultimately unresponsive, social situation.\u003c\/p\u003e\n\u003cp\u003eOne more story, one more piece: Mark also made a 4-by-8-foot sign for these events, on a battered piece of foamcore which he had doubtless salvaged from the Menil. Also sarcastic, also oblique, it said DESTROY THE ENVIRONMENT\/CREATE NEW JOBS.\u003c\/p\u003e\n\u003cp\u003eTwo protesters were preparing to carry it in a march that was organizing. One of the leaders inspected it, and said, “I don’t like this one . . . it makes you think.” — Clark Flood, excerpt from\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMark Flood in the Nineties.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Karma","offers":[{"title":"Book","offer_id":31758239072319,"sku":"","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/protest-signs-copy.jpg?v=1581015526"},{"product_id":"k2-burst-after-burst-urashima-italy","title":"K2 - Burst After Burst","description":"\"K2 is the personal noise project by Kimihide Kusafuka, originally came onto the scene in 1981, in order to explore the possibility of noise. Along with Hijokaidan, Merzbow, and Incapacitants is one of the most notorious and seminal Japanese noise artists. Widely known in the community as the king of metal junk his work consists in amazing assemblage of crashing, creaking, and scraping sounds made with pieces of junk metal plus concrete music and voice, edited in a jarring, unpredictable style and often accompanied by the sounds of MTR, Monotron, and other analog electronics. On the other hand, he is also a surgical pathologist and has been writing many medical papers, especially about salivary gland tumors. K2 perceives no alteration between the act of making noise and the act of science and he practices a kind of alchemy through his noise. He sets one's sights of metamorphosize himself with both the awareness he gets from his scientific experiments and the emotional strength he obtains from performing and listening to noise. Kusafuka also ran his own record label from initial period of his activity and released a lot of amazing and terrific tapes. Burst After Burst collects the recordings of six cassettes made over six years and all released during the first part of '90s on Kinky Music Institute label, apart from Destruction For Model Citizens released on Self Abuse Records (1996). The tapes reissued are Materia Informis (1998), Autopsy Soundtrakks (1993), Souls Are Kontroled By Molekules (1993), De Novo (1994), Rusty Tongue (1996), and the previously revealed Destruction For Model Citizens. All audio was taken directly from the original DAT masters held by the artist and released in six CD wallet, with artwork got from original tapes cover and tailored for wallet, enclosed in an elegant blue wooden box with laser engraving on the top (with artist and title lettering) and inside (with Kinky Music Institute pussycat logo). Box include an A4 size foldable from original '90s era made by K2 and a numbered certificate in 300 copies.\" - Urashima .","brand":"Urashima","offers":[{"title":"6 CD Box Set","offer_id":33001799581759,"sku":"","price":70.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/USHI012CD_CU.jpg?v=1599675673"},{"product_id":"atrax-morgue-esthetik-of-a-corpse-urashima-italy","title":"ATRAX MORGUE - Esthetik Of A Corpse","description":"\"The sadistic industrial spurts of Atrax Morgue, are secretions of body fluids converted into noise stinging and nauseous and his work is an unhealthy, stinking container, with most depraved delusions that the human brain can give birth. The fourteen splinters of Esthetik Of A Corpse were recorded in spring 1995 and released on tape by Slaughter Productions. A quick overview of the 50-minute tape: harsh electronics, sounds from obsessions and visions, death as sex, madness, pleasure, orgasm, cadavers, and plastic bags. Of course, the canvass is freshly skinned off the body of one of the victims, and Marco makes much use of the entrails in his creation. New mastering in 2020 by Andrea Marutti. 140 gram vinyl with inside-out printing sleeve; Edition of 199.\" - Urashima .","brand":"Urashima","offers":[{"title":"LP","offer_id":33001801416767,"sku":"","price":28.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/UMA141LP_CU.jpg?v=1599675690"},{"product_id":"atrax-morgue-overcome-urashima-italy","title":"ATRAX MORGUE - Overcome","description":"\"Atrax Morgue has been one of the very few names to inherit the sound and annihilating effect of the power electronics school of the early 1980s. He remains faithful to visceral (anti)sounds, no structural enrichment, no attempt to improve: the skeleton of nothing, the absolute point of no return, the representation of non-being, the apology of learning, the most total desert. Overcome comes out for the first time on vinyl by Slaughter Productions in 1999. A raw album that reflects the most total cancellation not only in theoretical purposes, but is also a global clean slate in repeated, obsessive, distorted, monolithic sounds; Atrax Morgue's music curves in on itself, becoming non-sound and denying any possibility of its own existence. Disturbing and minimal, the album flows with total resignation for all seven tracks, without granting minimum penalty discounts to those who approach it. Mastered in 2020 by Andrea Marutti. 140 gram vinyl with inside-out printing; gatefold sleeve; edition of 199.\" - Urashima .","brand":"Urashima","offers":[{"title":"LP","offer_id":33001801908287,"sku":"","price":27.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/UMA142LP_CU.jpg?v=1599675695"},{"product_id":"thu20-nijmegen","title":"THU20 - Nijmegen","description":"\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"s1\"\u003e“\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"s2\"\u003eThis is a 60 minute edit of a 124 minute live improvisation performed in 5 seperate parts\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"s3\"\u003e. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"s2\"\u003eRecorded at the THU20 \"Open Recording Sessie\" at Extrapool Nijmegen NL on sunday afternoon September the 1st 2013.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"s2\"\u003e\"Nijmegen 1\" and remixes of this recording session appeared on the \"Nijmegen (Bewerkingen)\" tape released by Lage Landen Lawaai.\u003c\/span\u003eHand-stamped edition of 80 copies.” - Midas Music. THU20 is  Frans De Waard, Sjak van Bussel*, Jos Smolders, Peter Duimelinks, and Roel Meelkop. 2014 release. \u003ciframe src=\"https:\/\/www.youtube.com\/embed\/tuOXBAZTcFs\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Midas","offers":[{"title":"Cass","offer_id":37928688615613,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-5487507-1397062303-5885_jpeg.jpg?v=1611000240"},{"product_id":"meelkop-roel-siak-van-bussel-meelkop-van-bussel","title":"MEELKOP, ROEL \u0026 SJAK VAN BUSSEL - Meelkop Van Bussel","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e“\u003c\/span\u003e\u003cspan class=\"s2\" data-mce-fragment=\"1\"\u003eSide B was recorded 03.11.2006 at \u003ca href=\"https:\/\/www.discogs.com\/label\/305001-013\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.discogs.com\/label\/305001-013\"\u003e\u003cspan class=\"s3\" data-mce-fragment=\"1\"\u003e013\u003c\/span\u003e\u003c\/a\u003e Tilburg NL and contains locked grooves made by other artists. \u003c\/span\u003eLimited and numbered edition of 50 copies.” - Midas Music. 2016 release. Sjak van Bussel = DMDN (See early 90s G.R.O.S.S cass and Pure CD).\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/PiDfTY-EqKU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Midas","offers":[{"title":"Cass","offer_id":37928694382781,"sku":"","price":11.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-8392722-1476977037-5632_jpeg.jpg?v=1611744775"},{"product_id":"dmdn-agonistes-1-2","title":"DMDN - Agonistes 1 \u0026 2","description":"\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/M1JcnHCrtr0\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e“Handnumbered edition of 260 copies with silkscreened covers. Originally released on cassette in 1994 by G.R.O.S.S. Tapes (AUBE) in Japan.” - Supreme Tool Supplies, founded by Sjak van Bussel. Features Akihiro Shimizu from THIRD ORGAN.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"Supreme Tool Supplies","offers":[{"title":"LP","offer_id":37928697921725,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-2650406-1309528165_jpeg.jpg?v=1611745367"},{"product_id":"jacinthebox-incomplete-1984-86","title":"JACINTHEBOX - Incomplete 1984\/86","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\"Jacinthebox is right in your face DIY as you no longer hear it today. Recorded in 1984-1986 and at the time self-released on cassette by Jac van Bussel (later known as DMDN and member of groups like Thu20, Lewd and Bunkur).\u003cbr\u003eArmed with a tape deck, a simple pulsating rhythm box, whining out of tune feedback guitars and distorted voice, he serves a large portion of roughly recorded guitar noise, including malfunctioning cables and stacks of noise. Unpolished, primitive, hard and foul.\u003cbr\u003eJacinthebox recently came into the spotlight with a reissue of a track on the “80s Underground Cassette Culture” compilation LP, released by Contort Yourself.\u003cbr\u003eOn the “Incomplete 84\/86” LP is a selection of 10 of his most extreme tracks, released in a hand-numbered edition of only 150 copies by Supreme Tool Supplies.\u003cbr\u003eA must for those who love Brainbombs, Harry Pussy and early Sutcliffe Jugend.\"\u003c\/p\u003e","brand":"Supreme Tool Supplies","offers":[{"title":"LP","offer_id":37928708407485,"sku":"","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-11649545-1537277812-9410_jpeg.jpg?v=1611000802"},{"product_id":"dmdn-kapotte-muziek-by-dmdn","title":"DMDN - Kapotte Muziek by DMDN","description":"\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"s1\"\u003e“\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"s2\"\u003eLimited edition of 100 copies. \u003c\/span\u003eEdits from a live DJ mix with multiple decks @ Extrapool Nijmegen NL on February the 26th 2010. This event was a celebration of 25 years of Kapotte Muziek.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e'Kapotte Muziek by ‘DMDN is a series of records with reworked recordings of Kapotte Muziek by specific composers | These composers have a specific relation to the given material | This is no. 5 in a series - orginally to be released in 1998.” - Korm Plastics. 2012 release.\u003c\/p\u003e","brand":"Korm Plastics","offers":[{"title":"7\"","offer_id":37928711651517,"sku":"","price":11.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-3300183-1325083672_jpeg.jpg?v=1611000918"},{"product_id":"various-dutch-fidelity","title":"VARIOUS - Dutch Fidelity","description":"Limited Dutch comp from 2002. Features Roel Meelkop, Surge, Boca Raton, DMDN, Freiband, Ad Van Buuren\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eNestkast, slo-fi, Peter Duimelinks, Jos Smolders, Goem, Beequeen, Shifts, THU20, and Radboud Mens.","brand":"Antenne","offers":[{"title":"7\"","offer_id":37928723677373,"sku":"","price":6.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-91060-1519328591-4671_jpeg.jpg?v=1611746074"},{"product_id":"hurley-michael-blue-navigator-feeding-tube-records-lp","title":"HURLEY, MICHAEL - Blue Navigator","description":"\"Pleased as punch are we to be reissuing Michael Hurley's long-lost 1984 album, Blue Navigator. Admittedly, Secret Seven and Mississippi collaborated on a dandy 8-track version a decade ago, but the record has mostly been available as an obscure import CD -- if at all -- for many a year. The reason for this is that the Rooster HQ burned down in 1987, taking master tapes, extra covers and whatever else there was with it. This was a general bummer, but especially so for us Hurley fans, since his final LP with Rounder was Snockgrass in 1980, and he didn't hook up with Fundamental to do Watertower until 1987. The disappearance of Blue Navigator from this earth left a sizable hole. Which we'd now like to think has been plugged. Recorded with a cast of Northern Vermont hepcats including guitarist Jon Weber (of Dan Hicks' original Hot Licks), head Rooster William Wright on guitar and mandolin, Nancy Beavan on vocals, Gordon Stone on pedal steel and various other goners, all playing some sweet rural swing displaying exactly how Hurley became the toast of the snowmobile club circuit during his days in the North Country. A mix of old favorites -- 'Werewolf,' 'Open Up (Eternal Lips)' -- new favorites -- 'Code of the Mountains,' 'Ghost Woman Blues' -- and even a re-write -- 'Blue Navigator' -- it's a great, very casual sounding session, revealing more layers the more you listen. The instrumentation varies a lot between tunes, but the music always flows with Snocky grace and assurance. For this reissue, Michael has written a set of illustrated liner notes that scoot around just the way his conversation does on a long car ride. Which makes me miss the open road as much as anything else today. Just close your eyes, sink back into the music on Blue Navigator and pretend you're drifting through the hills and valleys of the Green Mountain State on your way to a cold growler of beer. You'll soon feel like a million bucks. Promise!\" - Byron Coley, 2020.","brand":"Feeding Tube","offers":[{"title":"LP","offer_id":38086268223677,"sku":"","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/FTR539LP_CU.jpg?v=1613165392"},{"product_id":"michael-mantler-silence","title":"MICHAEL MANTLER - Silence","description":"\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"s1\" mce-data-marked=\"1\"\u003eSealed original WATT label stock from 1977.  US gatefold version.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s2\"\u003eAn adaptation of the play by Harold Pinter. Carla Bley and Ron McClure recorded during January 1976 at Grog Kill Studio, Willow, New York. Robert Wyatt and Chris Spedding recorded during February with the Manor Mobile at Delfina's farm, Little Bedwin, Wiltshire, England. Kevin Coyne recorded during April with the Virgin Mobile at the Gong farm, Whitney, Oxfordshire, England. Additional strings recorded during June and mixed during November at Grog Kill Studio.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s3\"\u003e“\u003c\/span\u003e\u003cspan class=\"s4\"\u003eThe music is a mixture of rock, funk, downtown cool, and European art song. Without it, there might be nothing to hold on to. Guitarist Chris Spedding is remarkable, gaining deepest traction in “She Was Looking Down,” and Bley lays on a thick layer of expressiveness, both as pianist and as vocalist (note, especially, “After My Work Each Day”). But while this is as luscious and engaging as any Bley\/Mantler collaboration from the 70s could be, the play itself is lackluster to say the least. Its theme of lost souls is as fatigued as the characters it threads like beads on a necklace far too big for its own neck. As the drama develops, memory overlaps and all sense of time stops, unravels, and expands. But any pretentions Pinter might have of making an existential statement fall flat for me, especially when compared to the stripped-down brilliances of Samuel Beckett and Edward Gorey that preceded it. That said, in relatively short bursts—as in “When I Run” and “A Long Way”—the dialogue is somewhat tangible. The best example is “Sometimes I See People,” which creates a charmingly metaphysical atmosphere for being so much about music, sensory experience, and sense of belonging. But really it’s Mantler’s stage, rather than the people ambulating across it, that keeps me from walking out.” - Tyran Grillo, ECM.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ciframe width=\"560\" height=\"115\" src=\"http:\/\/www.mantlermusic.com\/Listen\/audio\/Sometimes%20I%20See%20People%20excerpt.mp3\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"WATT","offers":[{"title":"LP","offer_id":38173013508285,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-2022710-1468515630-1703_jpeg.jpg?v=1614538768"},{"product_id":"michael-mantler-movies","title":"MICHAEL MANTLER - Movies","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eSealed original WATT label stock from 1978. \u003cmeta charset=\"utf-8\"\u003eUS pressing. Some copies have minor storage wear - the best go first. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eRecorded and mixed November 1977 at Grog Kill Studio, Willow, New York. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003eBass - Steve Swallow\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003eComposed By, Trumpet, Engineer – Michael Mantler\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"Apple-converted-space\"\u003eD\u003c\/span\u003erums – Tony Williams*\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003eGuitar – Larry Coryell\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProducer, Piano, Synthesizer, Tenor Saxophone – Carla Bley\u003c\/p\u003e\n\u003cp class=\"p3\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e“Michael Mantler... makes action audible, laying out eight narrative sketches for a silvery quintet consisting of himself on trumpet, Carla Bley on piano (as well as synth and tenor saxophone), Larry Coryell on guitar, Steve Swallow on electric bass, and Tony Williams on drums....'Movie One' establishes an orchestral sound from this small group of musicians, planting feet firmly in a crisp, mineral-rich soil. Coryell makes a welcome cameo in the WATT roster, fleeting though it may be, in that he brings to the fore a depth of philosophy that transcends its own historical moment (be sure to check out his character role in 'Movie Seven' as well). Williams and Swallow are a fluid rhythm section, while Bley rocks the keyboards in harmony with Mantler, whose trumpet sharpens a leading blade that cuts through 'Movie Three' (which would seem to move across the same whetstone as Steve Kuhn’s \u003ca href=\"https:\/\/ecmreviews.com\/2010\/11\/11\/trance\/\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/ecmreviews.com\/2010\/11\/11\/trance\/\"\u003e\u003cspan class=\"s2\" data-mce-fragment=\"1\"\u003eTrance\u003c\/span\u003e\u003c\/a\u003e) and 'Movie Six.'” - Tyran Grillo, ECM.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eMP3 Link:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\" data-mce-fragment=\"1\"\u003e\u003ciframe width=\"560\" height=\"100\" src=\"http:\/\/www.mantlermusic.com\/Listen\/audio\/Movie%20Six%20excerpt.mp3\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"WATT","offers":[{"title":"LP","offer_id":38173018652861,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/ScreenShot2021-02-23at5.35.37PM_a87c78b9-7965-47b4-ac03-1e5b23a10c2d.png?v=1614120095"},{"product_id":"microfilm-centrefold","title":"MICROFILM - Centrefold","description":"Repro 12\" of rare Australian post-punk 7\" originally released in 1980 on Unforgettable Music\/Missing Link, featuring Lisa Gerrard from Dead Can Dance on vocals.","brand":"No Label","offers":[{"title":"12\"","offer_id":39516828762301,"sku":"","price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-8896486-1471012246-8725_jpeg.jpg?v=1617549950"},{"product_id":"velvet-underground-the-live-at-the-2nd-fret-january-1970","title":"VELVET UNDERGROUND, THE - Live At The 2nd Fret, January 1970","description":"\u003cspan data-mce-fragment=\"1\"\u003eFrom a run of shows at the 2nd Fret in Philadelphia, January 1970. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eScreenprinted cover with brown or green ink on white (first pressing) and hand-stamped back cover.\u003c\/span\u003e","brand":"No Label","offers":[{"title":"LP","offer_id":39516844228797,"sku":"","price":36.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-15956389-1600882640-6630_jpeg.jpg?v=1617550556"},{"product_id":"slang-king-m-e-s-on-stage-1977-2013","title":"SLANG KING - M.E.S. On Stage 1977-2013","description":"\"\u003cem data-mce-fragment=\"1\"\u003e‘Slang King’\u003c\/em\u003e brings together nearly 40 years of Mark E Smith on stage with The Fall. From the start he warned us, \u003cem data-mce-fragment=\"1\"\u003eWe are Northern white crap that talks back\u003c\/em\u003e, and he would rarely disappoint. This compilation of his intros—\u003cem data-mce-fragment=\"1\"\u003eGood evening, we are the British Royal Navy and this is the art ass bandit section\u003c\/em\u003e—outros—\u003cem data-mce-fragment=\"1\"\u003eThank you for allowing us in your … security area. We’re off to civilization. Good night\u003c\/em\u003e—socio-political commentary, his heckling of the audience, holding other bands up to ridicule, and berating his own, the joking (always at someone’s expense), all a reminder of the degree to which he performed and wrote in real time, \u003cem data-mce-fragment=\"1\"\u003elive\u003c\/em\u003e. For Smith, content, and to a large degree discontent, was at the heart of it all, words and lyrics its very expression. His brain: his instrument. The steady, at times brave backing of the mighty Fall, his anchor and his launching pad. \u003cem data-mce-fragment=\"1\"\u003eFrom the long, long days.\u003c\/em\u003e \n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eEdited and with an introduction by critic and curator Bob Nickas, a Fall fan of rare vintage (first show: December 1, 1979, opening for the Buzzcocks at the Palladium in New York), the book is accompanied by more than 30 of Nikholis Planck’s drawings, created especially for publication herein.\" - At Last Books.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eWe're going to knock you down, we're going to come inside your head. Thank you and good afternoon ... right, Psycho Mafia take one.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/em\u003e—22 July 1978, Deeply Vale People's Free Festival.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eWe are The Fall. Rule One: no-one gets on stage. Rule Two: no spitting. Rule Three: no requests.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/em\u003e—28 March 1979, Hazel Grove Youth Club, Stockport.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eRight, the keyboards have broke down so you're getting something unique. Anyone who wants a fifty cents refund send an airmail letter to the Outer Hebrides. Good evening, we are The Fall anyway.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/em\u003e—16 July 1981, Tut's, Chicago.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e[to heckler] \u003cem data-mce-fragment=\"1\"\u003eGo and form a group then, go on. Are you fucking Siouxsie Banshee or somebody? Eh! It's Siouxsie! It's Siouxsie out of The Banshees! Oh, lovely! Fucking eh! Fucking comb yer hair the next time you come out!\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/em\u003e—4 September 1981, Sheffield Polytechnic.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eIf we carry on like this, we're gonna end up like King Crimson ... Echo And The Bunnymen ... I'm a head wrangler ... Joy Division ... Crass ...\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/em\u003e—1 February 1983, Biel, Switzerland.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eThere is nothing so insipid as the Devil in disarray.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/em\u003e—21 March 1986, Lone Star Cafe, New York City.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eThe thinking person's Duran Duran! We are The Fall!\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/em\u003e—20 August 1991, Ritz, Manchester.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eFirst Edition of 400 copies, 16 cm x 22,5 cm, 184 pages,\u003cbr data-mce-fragment=\"1\"\u003eSoftcover otabind with flaps.  Published February 2021.\u003c\/p\u003e","brand":"At Last Books","offers":[{"title":"Book","offer_id":39516929753277,"sku":"","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/BN-NP-MES-1.jpg?v=1617552547"},{"product_id":"cop-tears-theodor-adorno-piano-works","title":"COP TEARS - Theodor Adorno: Piano Works","description":"\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/918722905\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Reading Group\" href=\"https:\/\/soundcloud.com\/user-473004601\" target=\"_blank\"\u003eReading Group\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Cop Tears - Theodor Adorno Piano Works: Side A (Excerpt)\" href=\"https:\/\/soundcloud.com\/user-473004601\/cop-tears-theodor-adorno-piano-works-side-a-excerpt\" target=\"_blank\"\u003eCop Tears - Theodor Adorno Piano Works: Side A (Excerpt)\u003c\/a\u003e\n\u003c\/div\u003e\n\"Cop Tears recorded selections from Theodor Adorno's piano works in an apartment in New York during the winter of 2018. Cop Tears is John Andrew Wilhite-Hannisdal (double bass), Derek Baron (flute), Cameron Kapoor (guitar), and John Welsh (guitar). This is Cop Tears second album, following their recording of John Cage's Thirteen Harmonies (2016) , re-issued by Recital in 2018. Andrew flew in from Norway and stayed at the apartment in New York where Derek and John were living. Cameron came over each day for a few days and we figured out arrangements of these piano pieces mostly on the fly. Mastered by Matt Bachmann, with a liner note essay on the LP jacket by Kylie and Coop. Published by Reading Group in 2020. RG18.\" - Reading Group.\u003cbr data-mce-fragment=\"1\"\u003e","brand":"Reading Group","offers":[{"title":"LP","offer_id":39944383692989,"sku":"","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/CopTearsAdorno460.jpg?v=1622735557"},{"product_id":"blanche-blanche-blanche-seashells","title":"BLANCHE BLANCHE BLANCHE - Seashells","description":"\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/918725452\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/user-473004601\" title=\"Reading Group\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eReading Group\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/user-473004601\/blanche-blanche-blanche-seashells\" title='Blanche Blanche Blanche - \"Seashells\"' style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eBlanche Blanche Blanche - \"Seashells\"\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"It’s a bit of a cliché in experimental music circles to compliment music for being confusing (as when people refer to a record as a “head-scratcher”), but this almost always designates a very specific kind of aesthetic confusion: an opaqueness of process combined with a dearth of legible expressivity. I eagerly listen to a lot of music with those qualities, but I’m rarely actually confused by it. I find Seashells, on the other hand, to be genuinely pretty confusing. The form and instrumentation are clear enough – poppy songs with keyboards and vocals. But the electric piano is often dashing through so many thick chords that they barely sound melodic, and it’s difficult to tell whether the singer is blurting out insular jokes or divulging slices of hard-won poetic wisdom.\u003cbr data-mce-fragment=\"1\"\u003eAnd that’s what’s head-scratching about Seashells: the tone is really hard to read. It’s both embarrassingly earnest and defensively coy. The social commentary is both spot-on and murky, perhaps a bit dodgy at moments. The production sounds both fussily overcooked and rushed, unfinished. That’s all to say: it’s terrific. I love this record. I find its contradictions rejuvenating. And, at a basic level, I’m simply delighted by what I hear as its perverse and slightly juvenile joyfulness, which is the least confusing part of it; joy is always perverse and slightly (or more than slightly) juvenile.\" - Steven Zultanski.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"Their first album in over six years, 'Seashells' is the 10th full-length record by Blanche Blanche Blanche (Zach Phillips and Sarah Smith). As \"Blue\" Gene Tyranny once wrote to BBB, 'I really, really have been enjoying your albums. To me they are a pure modern bop style, but don't let me characterize your writing in any way. They are just quite wonderful. The ever-evolving disjunctive bop stimulates in my mind thoughts of hearing Lambert Hendrix and Ross with a tiny bit of disjunctive Zappa. It is truly thrilling music and I am very privileged to hear it.'\u003cbr data-mce-fragment=\"1\"\u003eWritten \u0026amp; recorded to Tascam 424 in short sessions by Sarah Smith \u0026amp; Zach Phillips 2017-2019 in Brooklyn NY. Cover painting and all melodies by Sarah. Ryan Power: guitar on \"Before My Circle\" + mastering.\" - Reading Group\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/lQ69QI_q0z4\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Reading Group","offers":[{"title":"LP","offer_id":39944445362365,"sku":"","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/Seashells_20FRONT_20460.jpg?v=1622736185"},{"product_id":"masonna-filled-with-unquestionable-feelings-urashima-italy-lp","title":"MASONNA - Filled With Unquestionable Feelings","description":"\u003cp\u003e\"Urashima present a reissue of Masonna's Filled With Unquestionable Feelings, originally released in 1995. Cascades of electronic noise, a psychedelic touch and vocal belching mixed together constitute the ingredients of Mademoiselle Anne Sanglante Ou Notre Nymphomanie Auréolé, the double-barreled name for Masonna. Maso Yamazaki founded his project in 1987, with a charismatic and glamorous personality who become a cult figure in \"Japanoise\" scene. Masonna's abundant productions on his own legendary and astonishing label Coquette were presented in very limited edition, sometime totally confidential (one sole copy), and reflect his predilection for '60s psychedelic music revisited in its own very peculiar way. Filled With Unquestionable Feelings along with Freak is an ultra-rare cassette originally released in 1995 by Coquette in an edition of only 36 copies. The two sides of the album are completely different from each other. Side A can be considered a classic Masonna piece, where it reaches its full artistic maturity here. This side is very brash, earsplitting and mad. The distortion and effects on the vocals are top notch, they in combination with his awesome screaming create a complete audio assault. Remind also to his first period as Open Your Cunt and Like A Vagina tapes. Everything is scraped, fast and beautiful and focuses an electrically overcharged universe, punctuating the thrilling and vocal sonorous power with some quite moments and brief interruptions, conferring a very particular dynamic to work. Side B is completely different. The voice disappears (or is no longer heard because it is covered or transformed by feedback). The structure is more compact and organized but eventually becomes far wilder, building up to pointillistic bleeps and dense layers of electronic fizz that unexpectedly cut to near-silence; these bear many uncanny resemblances to the simple melodic improvs and incessant ostinatos of Terry Riley. At once beautiful and remarkably challenging, Filled With Unquestionable Feelings, is an absolutely revelation in the wide discography of Masonna and easily one of the early contenders for the best artist release. Original tape copies are virtually unobtainable, skirting well into the three figure realm. First time vinyl issued, fully remastered. Edition of 299.\" - Urashima.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1031330959\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Urashima\" href=\"https:\/\/soundcloud.com\/urashima-1\" target=\"_blank\"\u003eUrashima\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Masonna - Part 1 Excerpt (from Filled with unquestionable feelings)\" href=\"https:\/\/soundcloud.com\/urashima-1\/masonna-part-1-excerpt-from-filled-with-unquestionable-feelings\" target=\"_blank\"\u003eMasonna - Part 1 Excerpt (from Filled with unquestionable feelings)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Urashima","offers":[{"title":"LP","offer_id":40146636374205,"sku":"","price":27.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/UMA148LP_CU.jpg?v=1625239053"},{"product_id":"v-a-聖みろくさんぶ","title":"V\/A – 聖みろくさんぶ (Saint Mirokusanbu)","description":"\u003cp\u003e\"Design  – Harutaka Mochizuki. Recorded at Miroku Studio, Shizuoka, Japan. Limited to 300 numbered copies.\u003c\/p\u003e\n\u003cp\u003eCompilation LP featuring numerous performances by Harutaka Mochizuki playing in various groups. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHarutaka Mochizuki is a multi-instrumentalist, mostly known for saxophone improvisations recalling the same other lonely satellites and solo thinkers like Masayoshi Urabe, Arthur Doyle, Anthony Braxton and Kaoru Abe.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eAlso featuring Japanese poet, critic, and translator, Nobuo Ayukawa. Konori Suzuki, a member of Konori SP and Magick Lantern Cycle who sang and played on Nurse With Wound's \"Thunder Perfect Mind\" and \"Bar Maldoror.\"\u003c\/p\u003e\n\u003cp\u003eNishimura Hiroyuki, who also performed in Magick Lantern Cycle (releases on David Tibets Durtro label ), appears on the record as well.\"\u003c\/p\u003e\n\u003cp\u003e\"A compilation LP of the Shizuoka underground scene by \"Mirokusanbu\", a special oden shop in Shizuoka that has a studio and a used record shop and also serves as a private lodging, has been released!\u003c\/p\u003e\n\u003cp\u003eThis is the final edition following the flow of Multiplex Magazine \"MilkyWay\" * (edited by Harutaka Mochizuki), which was published and suspended by the store.\u003cbr data-mce-fragment=\"1\"\u003eThe store owner is constantly transforming into a multi-business studio that rents music when it was founded → Oden shop → Live space → Minpaku → Used record shop\u003cbr data-mce-fragment=\"1\"\u003eIt is also the final chapter that has been squeezed. In the Shizuoka indie rock scene, the musicians participating in this album\u003cbr data-mce-fragment=\"1\"\u003eSince the owner, Atsushi Noda, has influenced each other, he is also a slightly eccentric and rare artist.\u003cbr data-mce-fragment=\"1\"\u003eIn each spiritual world of musicians of this label color, if you lean forward even a little\u003cbr data-mce-fragment=\"1\"\u003eYou will be amazed at the supple, gentle and powerful real music.\u003cbr data-mce-fragment=\"1\"\u003e(*Subculture free paper issued by the store from the winter of 2012. The third issue in the summer of 2013 was suspended at the end)\"- Sone Records.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/i2ki0font1s\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/d6A5NhN94G0\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/uo3ZXTg7SsI\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Sumbient Cafe","offers":[{"title":"LP","offer_id":40732861563069,"sku":"","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-15929998-1600396567-5953_jpeg.jpg?v=1632238738"},{"product_id":"サヨ族-サヨ族誕生","title":"SAYOZOKU -Sayo Group Birth (サヨ族 – サヨ族誕生)","description":"\u003cp\u003e\"The duo \"Sayo-Zoku\" by \u003cmeta charset=\"utf-8\"\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/www.discogs.com\/artist\/6281413-Yonju-Miyaoka\" data-mce-href=\"https:\/\/www.discogs.com\/artist\/6281413-Yonju-Miyaoka\"\u003eYonju Miyaoka\u003c\/a\u003e (of SHUKO NO OMIT - see recent LP on ANnArchives) and Sayaka Tenjin. Small independent folk music played using voices, guitars, keyboards, percussion instruments, various sounds, folk crafts, toys, etc... Harutaka Mochizuki (alto saxophone) participated as a guest.\" - Forever Records. 3\" CDR in an edition of 100 copies. 2021 Release\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Tall Grass","offers":[{"title":"3\" CDR","offer_id":40733241376957,"sku":"","price":11.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-17567119-1614181275-4692_jpeg.jpg?v=1632242555"},{"product_id":"mochizuki-harutaka-flageolet-ni-tokeru-chocolate","title":"HARUTAKA, MOCHIZUKI – Flageolet Ni Tokeru Chocolate","description":"\u003cp\u003e\"Limited to 150 copies, 2020 CD from Harutaka Mochizuki, \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ea multi-instrumentalist, mostly known his saxophone improvisations recalling like the same other lonely satellites and solo thinkers like Masayoshi Urabe, Arthur Doyle, Anthony Braxton and Kaoru Abe. \u003c\/span\u003eRecorded at Mochizuki's home and azarea music room in \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShizuoka, Japan with all instruments- alto sax, voice, electronic piano and synthesizer- being played by Mochizuki.\" - E-klageto. \u003c\/span\u003e\u003c\/p\u003e","brand":"E-klageto","offers":[{"title":"CD","offer_id":40733291217085,"sku":"","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-15239807-1588524237-1073_jpeg.jpg?v=1632243303"},{"product_id":"arkham-arkham","title":"ARKHAM - Arkham","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Historic Belgian prog-fusion outfit of the early 1970s. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eArkham\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e played eclectic jazz and rock mixtures in the \"Canterbury\" vein, inspired by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eSoft Machine\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eEgg\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Never released before on vinyl, the recordings reproduced on this album come from magnetic tapes of some of Arkham's concerts and rehearsals, recorded at various times. Arkham are an early '70s prog band that featured keyboard player \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJean-Luc Manderlier\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e who would later join \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMagma\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, drummer \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDaniel Denis\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e who would also move on to Magma as well as \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eUnivers Zero\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and drummer \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003ePatrick Cogneaux\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Arkham aren't nearly as dark as Magma or Univers Zero, their jazzy overtones placing them a little closer to Soft Machine. The three musicians, who show some maturity, are obviously pouring their hearts out throughout the album, which exudes an intensity that can't be ignored.\" - Sub Rosa\u003c\/span\u003e","brand":"Sub Rosa","offers":[{"title":"LP","offer_id":42174066032859,"sku":"","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/SR475LP_CU.jpg?v=1639250023"},{"product_id":"gotou-gotou","title":"GOTOU - Gotou","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\"Gotou, named after the Taiwanese restaurant the trio frequent in Sapporo, capital of Japan’s northern island Hokkaido, is made up of Otaco Gotou, Nanae Bndy Gotou, and Chika Gotou, some of the most exciting artists from the city’s experimental music scene (Cup \u0026amp; Saucers, Aoi Swimming). Gotou uses the guitar, bass, drums format and creates goth post-punk in homage to early 1980s groups (Mania D, Malaria!). It's your turn to run.\" - Inu Wan Wan.\u003c\/div\u003e","brand":"Inu Wan Wan","offers":[{"title":"LP","offer_id":42174355079387,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/a1416461412_10.jpg?v=1639258091"},{"product_id":"eric-arn-higher-order","title":"ARN, ERIC - Higher Order","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Virtuosity isn't always bad. In the hands of most, it leads to complete schlock. Don't believe me? Just walk into any guitar shop. But in the case of Eric Arn, it provides all the tools he needs to create compelling and in-depth guitar music. This release, his third solo effort, consists of 8 tracks of both improvised and composed acoustic guitar work, and finishes with a lush, perfectly titled (Greets the Dawn) electric guitar drone-space.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAt times, Eric sounds like a cross between Django Reinhardt and Derek Bailey, and at other times, he's forging his own brand of Americana (via Austria), with Eastern, psych, and experimental influences, echoing the sounds of John Fahey, John Martyn, and Popol Vuh. Ranking right up there with releases by contemporaries such as Richard Bishop, Jack Rose (RIP), David Grubbs, Daniel Bachman, and Rob Noyes, High Order is an amazing mix of frenetic fingering and strumming, along with pieces that use space, tempo shifts, and melody to build super-descriptive narratives and landscapes; notes cascading like ice water running down a mountainside; dragging your ears thru a thorny thicket of sharp sonics; exploring ancient wooden churches with rotting floorboards.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEric Arn has mined the nether regions of avant-rock, free improv, drone and psychedelia beginning with the Crystalized Movements in the 1980s, and continuing with Primordial Undermind for over three decades.\" - Carbon.\u003c\/span\u003e","brand":"Carbon","offers":[{"title":"LP","offer_id":42238806327515,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/a0041446824_10.jpg?v=1640793936"},{"product_id":"cia-debutante-dust","title":"CIA DEBUTANTE - Dust","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Dust is the second vinyl outing from Nathan Roche \u0026amp; Paul Bonnet (aka, CIA Debutante) for Siltbreeze (aka, their label) following the estimable huff of The Landlord (aka, the 1st lp) after countless cassette releases (aka, too much backstory). Dust finds our heroes at the top of their game; the captivating je ne sais quoi formed around vocal recitation \u0026amp; percolating electronics has been honed to perfection, moving them beyond whatever references were made in the past into a catagorization where they are known as ‘Themselves’. If I were compare it to anything it would be that giant Zardoz head, flying around the French countryside, drolly enunciating-in English no less!-dystopian affirmations, predicting the future, rewriting the past, ordering off menu, all the while spitting forth a rain of Aperol, Pernod \u0026amp; Gitanes to their brutish followers below. Basically free drinks \u0026amp; smokes. What’s not to follow? You can Cabaret Voltaire this or Shadow Ring that all you want, but Dust puts CIA Debutante in the cat bird seat. And I don’t care what you say, the air really is more exalted at the top. Listen \u0026amp; find out. Edition of 225. First 100 orders come w\/free \"found\" insert(s).\" - Siltbreeze.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2710235991\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u0026lt;\u0026gt;\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Siltbreeze","offers":[{"title":"LP","offer_id":42238800920795,"sku":"","price":22.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/a2821456562_10.jpg?v=1640794645"},{"product_id":"gilson-jeff-enfin","title":"GILSON, JEFF - Enfin!","description":"\"Reduced price, last copies... Modern Silence present a reissue of Jef Gilson's Enfin!, originally released in 1963. French pianist Jef Gilson came up in the '60s and played in a straight-ahead hard bop style and also made forays into Afro-jazz and free jazz, including a noteworthy version of Pharoah Sanders's \"The Creator Has a Master Plan\". He featured the young violinist Jean Luc Ponty on some early recordings, and also appeared on Magma drummer Christian Vander's Vander Et Les Trois Jeffs (1973). The pianist led numerous ensembles ranging from trios to creative big bands during his career, including the Jef Gilson Nonet, Jef Gilson et Malagasy, and the Jef Gilson Orchestra. Enfin! is a French modal jazz classic featuring some of the best musicians at the time: Portal, Pontu, Tholot, Jean Claude Petit, Francois Jeanneau, Bernard Vitet, Henri Texier, Jean Louis Chautemps.\" - Modern Silence.","brand":"Modern Silence","offers":[{"title":"LP","offer_id":42238904500443,"sku":"","price":9.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/OI020LP_CU.jpg?v=1640797653"},{"product_id":"varese-edgar-music-of-edgar-varese-vol-2","title":"VARESE, EDGAR - Music of Edgar Varèse Vol. 2","description":"\"'Arcana' - Requires an orchestra of 120 musicians: 70 strings, 8 percussionists playing some 40 percussion instruments, 8 horns, 5 each of the standard woodwinds, 5 trumpets, 3 trombones, 2 tubas, 2 sarrusophones, heckelphone, contrabass clarinet, contrabass trombone. First performed April 8, 1927 by The Philadelphia Orchestra, Leopold Stokowski conducting. 'Déserts' - 2 flutes (sometimes piccolos), 2 clarinets (sometimes small clarinet and bass clarinet), 2 horns, 3 trumpets, 3 trombones, bass tuba, contrabass tuba, piano, percussion, 2 magnetic tapes of electronically organized sounds transmitted on two channels by means of a stereophonic system. First performed in Paris in 1954 by the Orchestre National, Hermann Scherchen conducting. 'Déserts' was conceived for two different media: instrumental sounds and sounds electronically produced. After planning the work as a whole, Edgar Varèse wrote the instrumental score, always keeping in mind its relation to the organized sound sequence on tape to be interpolated at three different points in the score. The title 'Déserts' should not lead the listener to expect descriptive music. 'Déserts' has said that there is no program, no literal reference. For him but not, he insists, necessarily for anyone else, the word, desert, suggests not only 'all physical deserts (of sand, sea, snow, of outer space, of empty city streets) but also the deserts in the mind of man; not only those stripped aspects of nature that suggest bareness, aloofness, timelessness,-but also that remote inner space no telescope can reach, where man is alone, a world of mystery and essential loneliness.' 'Offrandes' - Soprano voice, piccolo, flute, oboe, clarinet, bassoon, horn, trumpet, trombone, harp, solo strings, percussion. First performed in New York in 1922 by the International Composers Guild conducted by Carlos Salzedo with Nina Koshetz, soprano.\" - Modern Silence.","brand":"Modern Silence","offers":[{"title":"LP","offer_id":42239007129819,"sku":"","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/OI003LP_CU.jpg?v=1640801423"},{"product_id":"hijokaidan-modern","title":"HIJOKAIDAN - Modern","description":"\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrashima present the first ever vinyl reissue of Kansai based noise band \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eHijokaidan\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e's \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eModern\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, originally released in 1989 on CD. Resting at a fascinating juncture between space-harsh progressive, impro and noise, it was years ahead of its time when it first appeared becoming one of the great holy grails of Japan noise. Creatively thrilling -- filled with emotive highs and lows -- it's a crucial piece in the puzzle of Japan's wild and wonderful history of noise music. The core of the band revolves around the trio \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJojo Hiroshighe\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJunko\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eToshiji Mikawa\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e with sporadically the participation of various artists both for live performances and for studio recordings. On this vinyl shows up in the classic three-person line-up leading the way to one of the best reissues among offerings of their incredible discography. Modern double-vinyl LP, carving out uncharted territory between \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eFaust\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and mid-70s \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eSoft Machine\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, pushed improvisation into a near undefinable realm. The sound of Hijokaidan subverts and deconstructs; hits you, not like an avalanche, but like a prolonged electrical discharge on neuromuscular receptors: the most visceral and buried side of the noise is hidden in Jojo's pick-ups, in Junko's voice and in the extraordinary as well as exceptional object of Toshiji called \"the Mikawa\". Across the four sides of vinyl, comprising a sole one works, Hijokaidan stretches out, laying down cycling fuzz rhythms and guitar feedback lines that channel the modalism of \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJohn Coltrane\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and hypnotic psychedelia, before embarking upon scream excursions into the outer realms. Incorporating a playful, pop sensibility, without sacrificing its temperaments of violence and extremism, takes on a terrific vision of organized sound; a notion of the avant-garde which falls far closer to its inception as a structured music, than were it has often historically strayed. Fully remastered for vinyl by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eNobuki Nishiyama\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Gatefold sleeve with photos formerly featured on the CD, with the iconic group photo reprinted inside the gatefold; edition of 299.\" - Urashima.\u003c\/span\u003e","brand":"Urashima","offers":[{"title":"Double LP","offer_id":42262396764379,"sku":"","price":44.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/UMA155LP_CU.jpg?v=1641494797"},{"product_id":"violent-onsen-geisha-shocks-shocks-shocks","title":"VIOLENT ONSEN GEISHA - Shocks! Shocks! Shocks!","description":"\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrashima present a first time vinyl reissue of \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eViolent Onsen Geisha\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e's \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eShocks! Shocks! Shocks!\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, originally released on legendary Vanilla Records in 1989. The Tokyo-based Japanese experimental musician \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMasaya Nakahara\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e known as Violent Onsen Geisha has been dazzling listeners with his entirely singular approach to sound since 1989. Harnessing his unique natural approach to mixier by combining techno, pop samples and hip-hop, as well as his sister's karaoke singing or his parent quarreling, screams and glass or ceramic bowls broken, he incredibly built a body of work in recorded contexts that has almost no parallel, producing arrangements where all the style and the sonic atmosphere meet in a happy junk room and elaborating his delirious patchwork studio from magneto-phone tapes. His amazing cut-up proved interesting to major band such as \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eSonic Youth\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBeck\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, who invited him on a US tour in 1995. At the height of his music career as Violent Onsen Geisha in 1998, Nakahara published \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eMari \u0026amp; Fifi No Gyakusatsu Songu Bukku (Mari \u0026amp; Fifi's Massacre Songbook)\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e and made his debut as a novelist. In 2001, he received the 14th Yukio Mishima Award for \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eArayuru Basho Ni Hanataba Ga\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (\"Bouquets of Flowers Everywhere\"), and became increasingly active as a writer and movie critic. Despite the density of its structures, that combine the most disparate musical genres with deafening shouts and crashes, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eShock! Shock! Shock!\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e feels like a breath of fresh air, fearlessly skirting the line between creative rigor and focused interplay and a playful irreverence in ways that leave you wondering where the hell you are. A truly thrilling exchange of collages, vacillating between kitsch, the austere, and boundary pushing structures, all played against and pushed onto the next level by Nakahara incredible talent. Unflinchingly beautiful and creatively challenging, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eShock! Shock! Shock!\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e completely defies genre and definition, rising as a wonderful reminder of what noise music is all about. A justly radical zone of creative patchwork sound. \"For someone who has no musical talent like me, the only thing that I could naturally create was noise.\" --Masaya Nakahara. Mastered by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAndrea Marutti\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Edition of 299.\" - Urashima.\u003c\/span\u003e","brand":"Urashima","offers":[{"title":"LP","offer_id":42262404923611,"sku":"","price":29.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/UMA156LP_CU.jpg?v=1641495000"},{"product_id":"stone-harbour-emerges-1","title":"STONE HARBOUR - Emerges","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021 repress in hard cardboard sleeve; OBI; resealable outer sleeve. \"Out-Sider present a reissue of \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eStone Harbour\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e's \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eEmerges\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, originally released in 1974. The absolute king of lo-fi basement psychedelia, originally released as a private pressing in 1974 by this duo from Ohio. From dreamy melancholic tracks to insane fuzzed-out heavy psych ones. Remastered sound; insert with photos and liner notes by band member \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eRic Ballas\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e; digital download coupon.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"... It's 1974, you're young and have a head full of \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eHawkwind\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003eand \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eRoky and the Elevators\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, old brutalist blues in the \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eHound Dog Taylor\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\/\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eFred McDowell\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e backwoods whisky-fucked mode, freak folk and LSD; you're stuck in Hicksville, USA -- that's Youngstown, Ohio to you lot; the music scene sucks; glam's dead or dying slowly; punk a good year or so from even starting to get itself born. Town's too damn small to even muster up a band in. It's just and your buddy and that's it, man. So you grows your hair and wear satin, wander wide-eyed and tripping across small town railway tracks and hang loose at the weekend in your basement. You gather a bunch if cheapo instruments on the never-never and you start cutting low-fi bedroom demos... Stone Harbour were Ric Ballas (electric, acoustic and slide guitars; organ; piano; synthesizers; bass guitar, percussion, voice) and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDave McCarty\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (lead vocals, drums, and percussion), and out of nowhere and nothing, at entirely the wrong time, they cut an LP that will blow your head clean off. This is a trip into the true dark heart of psychedelia . . . Dave McCarty's vocals emerge from some subterranean cave and the keyboards flicker, flicker, flash across the periphery of the song; 'Rock \u0026amp; Roll Puzzle' is dark, twisted fried garage punk blues brutality in the same mold as 'White Faces' or 'Cold Night For Alligators', pre-empting \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Gories\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003ePussy Galore\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e by a good ten years!! . . . Songs fade in and out; finger-picking blurs into screaming squelching synths; guitars melt in the mid-summer heat. 'Grains Of Sand' frazzles like \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Stooges\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e through a fucked-up amp and filtered through a transistor radio with the valves burning out. 'Thanitos' is the freak-out ending of 'Julia's Dream' lost in suburban downtown US of A with the taillights cutting on the freeway... whilst 'Summer Magic Is Gone' is the most haunted, haunting song I've heard in many a long strange moon . . . Best record I've heard all year.\" --\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eHugh Dellar\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (Shindig!)\" - \u003cmeta charset=\"UTF-8\"\u003eOut-Sider \u003c\/span\u003e","brand":"Out-Sider","offers":[{"title":"LP","offer_id":42271665946843,"sku":"","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/OSR087LP_CU.jpg?v=1641653952"}],"url":"https:\/\/www.fusetronsound.com\/collections\/february-06-2022.oembed?page=3","provider":"fusetron","version":"1.0","type":"link"}