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They emerged in Lima, in the context of the hardcore punk movement known as rock subterráneo. They distinguished themselves by their sound experimentation and their unconventional song structures, which led them from the stridency of noise rock to the use of Andean sonorities. In this sense, they were able to assimilate the innovative spirit of post-punk and became the most representative saga of this sound in Peru. And although they did not leave official recordings, the cult around them has been increasing over time. Lo Que No Existe, Existe: Registros De Una Saga Post Punk En El Peru (1986-1990) compiles a series of recordings from various sources, including rehearsals and live takes, presented for the first time in vinyl format, with substantial visual documentation, and extensive liner notes telling the story of the group. This release allows one to approach the sound and universe of what was one of the most beloved, respected, and innovative groups of rock subterráneo, one of the best-kept secrets of the Peruvian scene. This project is part of the Essential Sounds collection, with which Buh Records presents a series of fundamental works of the Peruvian musical avant-garde.\" - Buh Records .","brand":"Buh","offers":[{"title":"LP","offer_id":31694109114431,"sku":"","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/BR116LP_CU.jpg?v=1579976808"},{"product_id":"ferrari-luc-dialogue-ordinaire-avec-le-machine-sexolidad-elica-italy-lp","title":"FERRARI, LUC - Dialogue Ordinaire Avec le Machine \/ Sexolidad","description":"\"An LP comprised of two stunning works composed by Luc Ferrari during the early 1980s, \"Dialogue Ordinaire Avec la Machine\" and \"Sexolidad\", released by the long standing Italian experimental imprint, Elica. Wild and wonderful, this one is absolutely essential for any fan of electronic avant-garde. Needing little introduction, Luc Ferrari is one the great figures in 20th century avant-garde and experimental music. Ferrari was a pioneer, who, for roughly half a century, continuously revolutionized the field of electronic and electroacoustic creative process. Leaving such a sprawling body of work in his wake, much remained unreleased at the time of his death in 2005. Labels and fans have been scrambling to catch up over the years since. Part of their long-standing dedication to Ferrari, dating back to the 1990s, Elica's latest LP, Dialogue Ordinaire Avec la Machine \/ Sexolidad, takes great strides toward illuminating the composer's remarkable range of diverse approaches to sound. Composed between 1982 and 1984, the first piece showcases Ferrari's interest in tape collage work and sampling, whereas the second piece is one of his less than traditional compositions for a traditional ensemble. \"Dialogue Ordinaire Avec la Machine\" describes the not so chance meeting between the artists (Ferrari helped by Yannick Gornet) and the mysteriously working machine (a sampler), between the curiosity, amusement, surprise, ineptitude and excitement of the musicians and the machine with its appeal, complexity, stubbornness and synthetic eruptions. 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Success came easy to him in the 1960s, his winning smile flickering on TV screens across America, his songs recorded by The Monkees, Andy Williams, and Glen Campbell, and his band, The Penny Arkade (produced and mentored by Michael Nesmith) poised for the big time. But in 1968, after revelatory experiences with LSD and meditation, he walked away from the music business and set out along the Hippie Trail from Istanbul to India. Then tragedy struck. A horrific attack in Kandahar, Afghanistan triggered a complete mental breakdown, and when Craig returned to California he was not the same person. Craig Smith became Maitreya Kali, a self-professed psychedelic guru with a serious Messiah complex and black widow spider tattooed on his Third Eye. Maitreya laid out his bizarre vision on two brilliant albums, Apache and Inca, pressed up in tiny quantities in 1972 and now among the most sought-after psychedelic artifacts in the world. 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The slightly more vigorous Take 1 is being released for the first time here.\"\" - Munster Records .","brand":"Munster","offers":[{"title":"7\"","offer_id":31694109835327,"sku":"","price":11.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/MR7319EP_CU.jpg?v=1579976812"},{"product_id":"moslang-norbert-burst-log-for-four-ears-switzerland-cd","title":"MOSLANG, NORBERT - Burst_Log","description":"\"Norbert Möslang: cracked everyday_electronics processed. \"Norbert Möslang, ex Voice Crack, took the first three tracks from his CD lat_nc_, processed them extensively, and built six new tracks out of these files in the studio. 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Lucier didn't want to violate the flow of the words of the poem by fragmentation or any other cut-up method. The stanzas seemed musical enough just as they were and he wanted the audience to hear the poem more or less in its pristine state, so, working intuitively and by ear, he wrote out the poem for four readers in the order it was written, repeating words and phrases, overlapping and superimposing them in various ways. To \"set\" the poem, he inserted microphones into the mouths of various vessels, including a small milk bottle, a sea shell, a vase and an empty ostrich egg, to pick up the words as they were sounding inside the vessels. Theme is performed by: Sam Ashley, Thomas Buckner, Jacqueline Humbert, and Joan La Barbara. For Music for Gamelan Instruments, Microphones, Amplifiers and Loudspeakers, Lucier wanted to make a work for Javanese gamelan, but was wary of using someone else's music in his own work. 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Switzerland-based Luigi Archetti and Bo Wiget began collaborating in 1998, the fruits of which initially emerged as the critically heralded, three-part Low Tide Digitals series, released by Rune Grammofon between 2001 and 2009. Weltformat, like its predecessors, builds on decades of solo and collaborative efforts by its creators -- Archetti with famed Krautrock pioneers, Guru Guru, among many others, and Wiget with Werner Lüdi, Taku Sugimoto, Tetuzi Akiyama, and others. Sculpted from the intricate tonal interventions and responses of Archetti on guitar, mandolin, and electronics, and Wiget on cello, electronics, and vocals, across the album the duo constructs a remarkably diverse landscape in sound, folding touchstones of modern classical, free improvisation, minimalism, harsh noise, and ambient music, into a seamless, singular expanse. Clusters of tone and dissonance merge, collide, and abrade against drones, textures, and pulsing electronics, each element a representative voice of its creator, caught in an imagistic conversation beyond words, which feels as immediate and intuitive, as it does perfectly balanced and thoughtful. Weltformat, encountering Archetti and Wiget just past the 20 year mark of their collaborative partnership, bears the fruit of rigorous experiments in sound - an immersive, effortless form of sonic realism, built from the optimism and hope which lays at the root of the avant-garde. As beautiful, inviting, immersive, and slow moving, as it is challenging, destabilizing, and thought provoking.\" - Die Schachtel .","brand":"Die Schachtel","offers":[{"title":"Double LP","offer_id":31694110523455,"sku":"","price":33.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/ZEIT015LP_CU.jpg?v=1579976817"},{"product_id":"lucier-alvin-wind-shadows-new-world-records-double-cd","title":"LUCIER, ALVIN - Wind Shadows","description":"\"\"The music on these CDs takes us into a new realm of music making, one that Alvin Lucier (b. 1931) has defined for us and one that demands that we start to listen anew. His work has been more often described in terms of science than of art as if it were a series of quasi-scientific experiments, but to put the emphasis here is to miss the point, for its purpose is never 'explanatory' (the goal of science) but, like all art, 'revelatory.' This is not to suggest that the composer has some spiritual agenda in the usual sense of this term. On the contrary, it is the physical behavior of sound itself that he so elegantly reveals, each work unveiling an otherwise hidden or ephemeral aspect of aural phenomena and allowing us time to witness its beauty. He achieves this by ruthlessly excluding any trace of self-expression, or indeed anything extraneous to the phenomenon itself. The Barton Workshop has been the only group to really work closely with Lucier in terms of doing 'portraits' of his work (the first in 1995), commissioning new works (40 Rooms, Bar Lazy J, and Q) and performing older\/extant pieces. This 2CD set is the fruit of this long collaborative process. In Memoriam Stuart Marshall [bass clarinet and pure wave oscillator] (1993\/rev. 2003), 40 Rooms [quintet and digital reverberation system] (1996), In Memoriam Jon Higgins [clarinet and slow sweep pure wave oscillator] (1984), Letters [clarinet, violin, cello, piano] (1992), Q [quintet and pure wave oscillators] (1996), A Tribute to James Tenney [double bass and pure wave oscillators] (1986), Bar Lazy J [clarinet, trombone] (2003), Fideliotrio [viola, cello, piano] (1987), Wind Shadows [trombone and closely tuned oscillators](1994).\"\" - New World Records.","brand":"New World","offers":[{"title":"Double CD","offer_id":31694110621759,"sku":"","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/NW80628CD_CU.jpg?v=1579976819"},{"product_id":"lucier-alvin-crossings-lovely-music-cd","title":"LUCIER, ALVIN - Crossings","description":"\"1990 release. Three works for classical instruments and oscillators (1982-85). Alvin Lucier explains the process: \"The three works on this compact disk explore interference phenomena between sound waves. When two or more closely tuned tones are sounded, their oscillations periodically coincide to produce audible beats of sound. The speed of the beating depends upon the distances between the pitches of the sounds. The further apart, the faster the beating; at unison, no beating occurs. Furthermore, under certain conditions, the beats may be heard to spin around the room.....\" Personnel: Alvin Lucier - electronics; Thomas Ridenour - clarinet; The New World Consort of Wesleyan University.\" - Lovely Music.","brand":"Lovely Music","offers":[{"title":"CD","offer_id":31694110720063,"sku":"","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/LCD1018CD_CU.jpg?v=1579976820"},{"product_id":"ima-the-flowers-die-in-burning-fire-buh-records-peru-lp","title":"IMA - The Flowers Die In Burning Fire","description":"\"IMA is percussionist and improviser Nava Dunkelman (Japan) and electroacoustic composer and sound artist Amma Ateria (Hong Kong). IMA depicts expressionistic noise music of Japanese poetry by deconstructing and dissolving heavy music through restraint and release. The Flowers Die In Burning Fire, the debut album of IMA, tells an anecdote of the inevitable notion of time, change, decay, the vanished, and rebirth. With meticulous, industrial, and filmic instrumentation, IMA marches forth with starkness and surrender into the aftermath of destruction, and attempt for transformative regeneration of beauty through catalysts of pleasure.\" - Buh Records .","brand":"Buh","offers":[{"title":"LP","offer_id":31694110785599,"sku":"","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/BR119LP_CU.jpg?v=1579976821"},{"product_id":"k2-hepatopolitika-urashima-italy-lp","title":"K2 - Hepatopolitika","description":"\"Japanese sound artist Kimihide Kusafuka, better known as K2, originally came onto the scene in 1981, in order to explore the possibility of noise. The activities at that time were only the creation of cassette works and actions in the world of mail art with no live performance. A few years later, he suspended his music activities to concentrate on his studies and returned in 1993 after having just graduated as a pathologist. K2 perceives no alteration between the act of making noise and the act of science and he practices a kind of alchemy through his noise. Hepatopolitika, an ultra-rare work released in 1994 on transparent vinyl by German label Praxis Dr. Bearmann in only 125 numbered copies, represents in an exemplary way the idea just expressed. He sets one's sights of metamorphosize himself with both the awareness he gets from his scientific experiments and the emotional strength he obtains from performing and listening to noise. The work is essentially a cut-ups noise oriented in its most exhausting form and in its rawest form. The sound is exceptionally lo-fi; the actual aggression of sound deconstruction in both sides leaves you astonished and consists in amazing assemblage of crashing, creaking, and scraping sounds made with pieces of junk metal plus concrete music and voice, edited in a jarring, unpredictable style. 140 gram black vinyl; black inner sleeve in a deluxe black cardboard sleeve with logo in silver silk screen plus obi that include art collage from original vinyl label; Edition of 199. \"Noise cannot be refused by either ears and heads!\"\" - Urashima .","brand":"Urashima","offers":[{"title":"LP","offer_id":31694110851135,"sku":"","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/UMA133LP_CU.jpg?v=1579976822"},{"product_id":"lucier-alvin-old-school-zeitkratzer-germany-cd","title":"LUCIER, ALVIN - Old School","description":"\"Alvin Lucier is one of the most outstanding American minimalists -- he could be called a sound physician and his compositions regarded as acoustic research settings. Often, his pieces turn inside-out the inner properties of the room they are played in and the instrument that they are played on. Zeitkratzer had the chance to work with the composer in Dijon, France in 2008, and continued to work on and to program his music in different places. The Philharmonie in Luxembourg turned out to be the ideal space for recording. On this CD, you can hear how Lucier enables Zeitkratzer to create sounds most people have never heard before. Ringing overtones, a singing piano, a thrilling concert triangle, pencils on little objects, and how irritating a violoncello, a viola and a piano can sound together, creating sonic interferences. This music is not only a physical phenomenology, but becomes inherently a sensual listening experience. Directed by Reinhold Friedl. Musicians include: Burkhard Schlothauer (violin, viola, objects), Anton Lukoszevieze (violoncello, objects), Uli Phillipp (objects), Reinhold Friedl (piano, objects), Maurice de Martin (triangle, objects), Frank Gratkowski (objects), Hayden Chisholm (objects), Matt Davis (objects), Hilary Jeffery (objects) and Ralf Meinz (sound).\" - Zeitkratzer .","brand":"Zeitkratzer","offers":[{"title":"CD","offer_id":31694110982207,"sku":"","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/ZKR011CD_CU.jpg?v=1579976824"},{"product_id":"luciani-antonino-riccardo-elettroencefalogramma-dead-cert-uk-lp","title":"LUCIANI, ANTONINO RICCARDO - Elettroencefalogramma","description":"\"Elettroencefalogramma scans the full breadth of electronic composition by Italian musical mastermind Antonino Riccardo Luciani, who's perhaps best known for his library records, but on the showing here had a strong, prescient line in mind-bending, fathoms-deep experimental and academic work with tape and early, pre-synth devices. Awarded unprecedented access to polymath composer \"Tony\" Luciani's archive of inter-disciplinary work, Finders Keepers' Andy Votel follows his pressing of Maria Teresa Luciani's Sounds Of The City (FKR 093LP) with a first compilation survey of her sibling's vast catalog, newly issued via the Dead-Cert label he curates alongside Sean Canty and Doug Shipton. The set falls deep within the label's remit of reissued and previously unreleased work by overlooked and undocumented pioneers of 20th century sound, revealing a distinctive mix of material that nods to contemporary, tape music, neo-classical, jazz, electro-acoustic, and counterpoint composition. Drawn from original tapes recorded during the 1970s, Elettroencefalogramma spans the heyday of Luciani's work, before synth music was popularized. In this sense, it's worth noting Luciani's links with Teresa Rampazzi and the pioneering electroacoustic group NPS -- and namely Serenella \"Serena\" Marega -- with whom he shares a strong affiliation toward embracing the possibilities of new music at the dawn of an unprecedented sonic epoch. There's a sense of being in transition between worlds and eras in the opening blend of melancholy strings and bubbling electronic rhythm \"Battery Farm\", and likewise the cranky mixture of bestial growls and dissonance in \"The Zoo\", while the rattle-y rhythm of \"Offices\" uncannily recalls Trunk's recent issue of Mechanical Keyboard Sounds (JBH 084LP, 2019) from the modern day. But Luciani excels at quieter, introspective styles, as with the flute-led vision of \"Desol 2\", and most remarkably in the stygian, primitive drum machine pulse and clammy string drones of \"Forest Of Chimneys\", which is surely crying out for imagery of Satanic mills, while the rupturing tape of \"Bombardment\" sets him firmly in a lane of advanced Italian noise that connects him to Gruppo's Roland Kayn and Maurizio Bianchi. RIYL: Dapne Oram, Teresa Rampazzi, Daniela Casa, Roland Kayn, Maurizio Bianchi. Edition of 300.\" - Dead-Cert .","brand":"Dead-Cert","offers":[{"title":"LP","offer_id":31694111047743,"sku":"","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/VCR014LP_CU.jpg?v=1579976825"},{"product_id":"art-bears-hopes-and-fears-rer-vinyl-italy-lp","title":"ART BEARS - Hopes And Fears","description":"\u003cp\u003eRestocked, last copies of this 2010 release. \"The first Art Bears LP, mostly made by the band formerly known as Henry Cow and completed by Fred Frith, Chris Cutler and Dagmar Krause who went on, as 'Art Bears', to investigate this short song format further over the next two years, once Henry Cow had ceased to exist. Experimenting with the song form and the productive possibilities of the recording studio, this was hailed in its time (1978) as a landmark recording, and has been constantly in demand ever since. Therefore this new version, re-mastered by Bob Drake, sounds for the first time like the original tapes. Repackaged with lyrics printed on inner sleeve. Limited audiophile edition of 1000 copies on 180 gram virgin vinyl. - Rer Vinyl .\u003c\/p\u003e","brand":"Rer Vinyl","offers":[{"title":"LP","offer_id":31694111113279,"sku":"","price":26.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/RERVAB1_CU.jpg?v=1579976826"},{"product_id":"skeleton-crew-learn-to-talk-rer-vinyl-italy-lp","title":"SKELETON CREW - Learn to Talk","description":"\"ReR Vinyl present a reissue of Skeleton Crew's Learn to Talk, originally released in 1984. A true avant-rock classic. Skeleton Crew were the maverick duo of Ex-Henry Cow guitarist Fred Frith and the great late cellist Tom Cora. Formed during one of Frith's early American residencies, Skeleton Crew was a legendary two-man crew who somehow -- in real time, managed to play all their instruments, cello, bass, electric guitar, violin, vocals -- as well as, drum parts dislocated between the two of them. No one sounded like Skeleton Crew, ever. An unprecedented and tight duo coalition that produced some of the best music of the decade. Originally released in 1984, Learn to Talk consists of a highly integrated mixture of art-rock, punk energy, tape manipulation, and re-imagined folk elements. A catalog of invention that remains breathtaking today. Fully re-mastered and including a printed inner sleeve with previously unpublished text by Fred Frith in memory of Tom Cora on the 20th anniversary of his premature passing.\" - Rer Vinyl .","brand":"Rer Vinyl","offers":[{"title":"LP","offer_id":31694111211583,"sku":"","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/RERFROV8_CU.jpg?v=1579976827"},{"product_id":"picchio-dal-pozzo-abbiamo-tutti-i-suoi-problemi-rer-vinyl-italy-lp","title":"PICCHIO DAL POZZO - Abbiamo Tutti I Suoi Problemi","description":"\"ReR Vinyl present a reissue of Picchio dal Pozzo's Abbiamo Tutti I Suoi Problemi, originally released in 1980. One of the most original, impressive and highly respected of all the experimental groups to have come out of Italy in the 1970s, Picchio dal Pozzo were also one of the early invitees to the canonical Recommended Sampler, and would have been in RIO, had RIO lasted another year -- and had the group not folded up and disappeared before anyone had realized it was there. In the last decade the record was reissued briefly in Japan, then It disappeared again. Here is is, remastered and back into the public domain where it belongs. Copying no one, though, there is some Zappa influence, Picchio had a unique and highly developed style of composition that was not only out of step with its own time but which sounds contemporary still. Highly composed and devoid of jazz phrasing and riffs with solos, this record achieves maximum musical effect with minimum instrumental means through close attention to timbre, dynamics, and expressed tempi and a kind of deep complexity that sounds simple but changes with each listening. A lot of ideas subtly developed -- rather than experimented with; a one-off classic. 180 gram vinyl.\" - Rer Vinyl .","brand":"Rer Vinyl","offers":[{"title":"LP","offer_id":31694111342655,"sku":"","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/RERPDPV_CU.jpg?v=1579976829"},{"product_id":"archetti-bo-wiget-luigi-weltformat-die-schachtel-italy-cd","title":"ARCHETTI\/BO WIGET, LUIGI - Weltformat","description":"\"Ending the decade of silence which followed more than ten years of remarkable, critically-acclaimed activity by the partnership of veteran experimentalists, Luigi Archetti and Bo Wiget, the duo returns with what may be their most ambitious effort to date, Weltformat, issued by Die Schachtel. Switzerland-based Luigi Archetti and Bo Wiget began collaborating in 1998, the fruits of which initially emerged as the critically heralded, three-part Low Tide Digitals series, released by Rune Grammofon between 2001 and 2009. Weltformat, like its predecessors, builds on decades of solo and collaborative efforts by its creators -- Archetti with famed Krautrock pioneers, Guru Guru, among many others, and Wiget with Werner Lüdi, Taku Sugimoto, Tetuzi Akiyama, and others. Sculpted from the intricate tonal interventions and responses of Archetti on guitar, mandolin, and electronics, and Wiget on cello, electronics, and vocals, across the album the duo constructs a remarkably diverse landscape in sound, folding touchstones of modern classical, free improvisation, minimalism, harsh noise, and ambient music, into a seamless, singular expanse. Clusters of tone and dissonance merge, collide, and abrade against drones, textures, and pulsing electronics, each element a representative voice of its creator, caught in an imagistic conversation beyond words, which feels as immediate and intuitive, as it does perfectly balanced and thoughtful. Weltformat, encountering Archetti and Wiget just past the 20 year mark of their collaborative partnership, bears the fruit of rigorous experiments in sound - an immersive, effortless form of sonic realism, built from the optimism and hope which lays at the root of the avant-garde. As beautiful, inviting, immersive, and slow moving, as it is challenging, destabilizing, and thought provoking.\" - Die Schachtel .","brand":"Die Schachtel","offers":[{"title":"CD","offer_id":31694111408191,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/ZEIT015CD_CU.jpg?v=1579976831"},{"product_id":"eielson-jorge-eduardo-audiopinturas-estructuras-verbales-para-voz-1972-buh-records-peru-lp","title":"EIELSON, JORGE EDUARDO - Audiopinturas: Estructuras Verbales Para Voz (1972)","description":"\"The work of Jorge Eduardo Eielson (Lima 1924 - Milán 2006) in the fields of visual and sound poetry has been conspicuously absent from the international anthologies pertaining to these disciplines. One of the reasons of this absence may be the limited circulation of this side of his broad and complex output as a poet and visual artist. In the past few years, though, this aspect of his work has become better known, and can now be seen, in its own right, as a valuable contribution to the development of experimental poetry. Jorge Eduardo Eielson called \"vocal structures\" or \"audiopaintings\" his experiments in vocal poetry, which were all based on combinatorial analysis and permutations. Of these experiments carried out over a period of five years (1972-1977), only one has remained, and its author has presented it on several public and private occasions, both in its recorded form as well as in live performances. It is the piece called Colores [Colors], which is based on the repetition of words that name colors: red, yellow, green, blue; each word has a different tonality. Colores is derived from the permutation of four word-tones, a work inspired by both serialist composition and conceptualism. Audiopaintings: Verbal Structures for Voice (1972) presents for the first time on vinyl the full version of Colores and adds a live recording of the piece performed in 1998. This album is published by Buh Records with the support of Proyecto AMIL, who have joined efforts to develop a collection dedicated to presenting fundamental Peruvian works that operate at the borders of visual arts and sound. The publication also includes a booklet with extensive liner notes by Luis Alvarado, with information on several dimensions of Eielson's relationship with sound poetry, thus becoming a reference album for scholars and collections on the art of voice and sound poetry.\" - Buh Records .","brand":"Buh","offers":[{"title":"LP","offer_id":31694111539263,"sku":"","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/BR117LP_CU.jpg?v=1579976833"},{"product_id":"foxx-john-concrete-and-organised-noise-metamatic-uk-lp","title":"FOXX, JOHN - Concrete And Organised Noise","description":"\"Alongside the raw, icy aggression of vocal-led \"Burning Car\" and \"Miss Machinery\", this collection of instrumental music from 1980 initially appeared on the 2018 Metamatic box set (META 063CD). Now on vinyl for the first time to celebrate Metamatic's 40th anniversary in January 2020, this is a haunted, at times beautiful electronic soundtrack which stands as a sister album to the main work. Photo by C.P. Gabrin. Artwork by Jonathan Barnbrook.\" - Metamatic .","brand":"Metamatic","offers":[{"title":"LP","offer_id":31694111604799,"sku":"","price":28.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/META064LP_CU.jpg?v=1579976834"},{"product_id":"piotrowicz-robert-euzebio-musica-genera-poland-lp","title":"PIOTROWICZ, ROBERT - Euzebio","description":"\"Euzebio by Robert Piotrowicz does not fit any category. What this multi-colored electronic instrumentation aims to channel is the acoustic experience and energy of the performing musician. As a result of a wide range of creative means used, the narrative language of the compositions bursts with tension and mystery. The album includes slow hypnotic passages of stone electronics (\"To Fleh\"), vigorous tempos and circular repetitions (\"Euzo Found Gitar\"), sprawling artificial soundscapes, back-to-origins ethnicity (ethnical subsoil and elements) liberated from any geographical identity (\"Ocarina Wars\"), as well as dreamlike minimalism with unpretentious cinematographic traits (\"Flares Et Wasser Hole\"). Some of these unusual melodic patterns may resemble the corporality of the animal throat rather than any human-created instrument (\"Electros Spong\"). Although Euzebio was recorded with synths, the final shape of individual tracks and the album's overall acoustic image go far beyond any electronic genre. The instruments have not become a goal in itself. They were merely a building block, a tool that helped achieve the album's extended structure -- a diverse whole with rich spatial features.\" - Musica Genera .","brand":"Musica Genera","offers":[{"title":"LP","offer_id":31694111703103,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/MGV009LP_CU.jpg?v=1579976836"},{"product_id":"nurse-with-wound-spiral-insana-rotorelief-france-double-cd-book","title":"NURSE WITH WOUND - Spiral Insana","description":"\"Rotorelief inaugurates its Silver Collection with this deluxe expanded reissue of Nurse With Wound's 1986 masterpiece Spiral Insana. Two-CD version includes 30-page metallic hardcover book (15 x 20 x 2 cm) containing color and black-and-white art by Babs Santini (Steven Stapleton). One of Nurse With Wound's most deep and mysterious recordings, Spiral Insana is more ambient and user-friendly than many other NWW outings, without losing any of its surreal edge. Stapleton and guests Robert Haigh and David Jackman mix prepared piano, percussion, loops, and various bric-à-brac into an hour-long collage of mashed-up sound, jarring juxtapositions, buzz-saw distortion, and even a pipe organ. If that sounds disorienting, that's because it is. This edition marks the definitive release of the complete Spiral Insana sessions, with the contents of the original 1986 LP augmented by three recordings from the same period: \"Mourning Smile\" (originally released on the 1987 LP Drunk With The Old Man Of The Mountains and later included on the 1997 United Dairies CD reissue of Spiral Insana), \"Nihil\" (first released on the 1997 Spiral Insana CD reissue), and \"A Missing Sense,\" a 25-minute tribute to Robert Ashley's Automatic Writing originally released as the NWW half of a 1986 LP split with Organum. Steven Stapleton: drums, cello, radio, guitar, bowed piano, percussion, loops, voice, tuba, organ, electronics; Robert Haigh: guitar; David Jackman: banjo, splutter, voice; Chris Wallis: acoustic guitar; David Tibet: trumpet; Diana Rogerson: voice; Andrew McKenzie: voice. Mastered by Denis Blackham. Cover art and pictures by Babs Santini. \"Still stands as one of the clear highlights of Stephen Stapleton's singularly daunting and mountainous discography. . . . Many of the varied interludes are noisy, fragmented, and somewhat abrasive, but there is always a playful sense of mischief lurking in the shadows, ready to blunder into the steadily darkening fever dream at any second. . . . a brilliantly skewed and excellent album that has not faded with age one bit.\" --Anthony D'Amico, Brainwashed\" - Rotorelief .","brand":"Rotorelief","offers":[{"title":"Double CD \u0026 Book","offer_id":31694111768639,"sku":"","price":37.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/ROTOR050BK_CU.jpg?v=1579976837"},{"product_id":"moslang-norbert-lat-nc-for-four-ears-switzerland-cd","title":"MOSLANG, NORBERT - lat_nc_","description":"\"\"Long expected, finally it's here: the first entire solo-CD ever done by the one half of former Voice Crack Norbert Möslang. Recorded in studio and afterwards processed by himself, Möslang offers here beautiful and hypnotic soundscapes.\"\" - For Four Ears .","brand":"For Four Ears","offers":[{"title":"CD","offer_id":31694112096319,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/FOR1549_CU.jpg?v=1579976840"},{"product_id":"amm-two-london-concerts-matchless-recordings-uk-cd","title":"AMM - Two London Concerts","description":"\"John Tilbury (piano) and Eddie Prévost (percussion). \"E1 was recorded at The Rag Factory, Spitalfields, London on Sunday 6th March 2011 at 'As Alike as Trees' festival of improvised music. SE1 was recorded at a concert given at The Purcell Room, London, on Sunday 27 November 2011. It was part of 'The Engine Room,' Morley College's Festival and Conference celebrating the life, works and legacy of Cornelius Cardew.\"\" - Matchless Recordings .","brand":"Matchless","offers":[{"title":"CD","offer_id":31694112161855,"sku":"","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/MRCD85_CU.jpg?v=1579976841"},{"product_id":"henry-cow-in-praise-of-learning-rer-vinyl-italy-lp","title":"HENRY COW - In Praise Of Learning","description":"2020 repress. \"ReR Vinyl present a reissue of Henry Cow's In Praise Of Learning, originally released in 1975. A landmark in the history of European experimental rock, the third \"Cow\" work, originally released on Virgin in 1975, represents the second act of joined forces between Henry Cow and Slapp Happy, and the first fully integrated appearance of Dagmar Krause. In Praise Of Learning is a unique piece of art, showing perfect unity of political content, with rock complexity, extended song form and free noise explorations. An impressive array of new compositions, including Tim Hodgkinson's masterwork \"Living In The Heart Of The Beast\" and Fred Frith's \"Beautiful As The Moon, Terrible As An Army With Banners\". An extraordinary set of music, performed by an amazingly rich line up: Dagmar Krause, Lindsay Cooper, Fred Frith, Tim Hodgkinson, John Greaves, Chris Cutler, Peter Blegvad, Anthony Moore, and guests: the great Mongezi Feza, Geoff Leigh, and Phil Becque. A timeless classic.\" - Rer Vinyl .","brand":"Rer Vinyl","offers":[{"title":"LP","offer_id":31694112227391,"sku":"","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/RERVHC3_CU.jpg?v=1579976842"},{"product_id":"vaccina-untitled-noise-lino-capra-perpetual-possibility-dark-companion-italy-lp","title":"VACCINA \u0026 UNTITLED NOISE, LINO CAPRA - Perpetual Possibility","description":"\"Bronze vinyl; edition of 500 (hand-numbered). Perpetual Possibility is an album that bears witness to the collaboration between Lino Capra Vaccina, living legend of Italian minimalism and the avant-noise duo Untitled Noise with an interesting album on the label Dark Companion. Perpetual Possibility is the faithful transcription of the concert held by the trio at the MA*GA Museum in Gallarate, Italy and is the first recorded live album by Lino Capra Vaccina. Untitled Noise weaves delicate electronic warps on which the gongs, vibraphone, piano and bells of Capra Vaccina, true semantic trademark of the founder of Aktuala. A mystical and nocturnal album recorded live at the Maga di Gallarate, mixed, and mastered by Alberto Callegari at the Elfo Studios in Tavernago. Recorded live on March 3, 2018 at MA*GA Museum, Gallarate, Italy; Mixed in January 2019 at Big Muff Studios, Piacenza by Max Marchini. Personnel: Lino Capra Vaccina - vibraphone, piano, glockenspiel, gongs, wind chimes, percussions, tablas, bowed instruments, cymbals; Untitled Noise comprising: Michele Lombardelli - analog devices, oscillators, mixer; Luca Scarabelli - microphones, springs, metals, marbles.\" - Dark Companion .","brand":"Dark Companion","offers":[{"title":"LP","offer_id":31694112358463,"sku":"","price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/DCLP011LP_CU.jpg?v=1579976844"},{"product_id":"henry-cow-unrest-rer-vinyl-italy-lp","title":"HENRY COW - Unrest","description":"2020 repress. \"2ReR Vinyl present a reissue of Henry Cow's Unrest, originally released in 1974. Dating from 1974, and following on from the re-release of Leg End, this is the second in the label's series of vinyl reissues of the original Virgin albums. Geoff Leigh had left the group and Lindsay Cooper joined on bassoon, oboe, flute, and soprano sax. The mix was more \"live\" than Leg End, with the drums much more up front. The first half is highly composed material, with some of the Cow's best loved tunes, like \"Half Asleep Half Awake\" and \"Bittern Storm Over Ulm\". For the second half the material was all written in the studio, using loops, varispeed tapes and electronics, and superimposing live improvisation and composed passages.\" - Rer Vinyl .","brand":"Rer Vinyl","offers":[{"title":"LP","offer_id":31694112423999,"sku":"","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/RERVHC2_CU.jpg?v=1579976845"},{"product_id":"gruppo-di-improvvisazione-nuova-consonanza-nuova-consonanza-cinevox-italy-lp","title":"GRUPPO DI IMPROVVISAZIONE NUOVA CONSONANZA - Nuova Consonanza","description":"\"When gazing over the expanse of 20th century avant-garde music, few European projects can claim the seminal importance of the Gruppo di Improvvisazione Nuova Consonanza. Formed in Rome in 1964 and considered to be the first experimental composers collective, its membership included many of the most remarkable voices of its day: Franco Evangelisti, Ennio Morricone, Egisto Macchi, Roland Kayn, Frederic Rzewski, and many others. Creatively radical, rawing on jazz, serialism, musique concrète, and extended techniques -- breaking with the divisions that largely defined the global avant-garde scene, the Group sculpted a body of sound like nothing before or since. Over the last few years, numerous reissues and archival releases have brought their crucial contributions back into the center of the contemporary consciousness. Cinevox highlight the emergence of yet another crucial piece in the puzzle, the reissue of what is arguably the rarest artifact in their catalog: 1975's Gruppo d'Improvvisazione Nuova Consonanza. The collective's fifth full-length release, encounters the project at its sublime best. This incarnation features Macchi, Morricone, Evangelisti, Mario Bertoncini, Walter Branchi, Giovanni Piazza, and Jesus Villa Rojo, each masterfully responding and intervening within an expanse of sound where no one voice takes center stage. Delicate acoustic textures sculpt an endlessly surprising sense of tactile space, penetrated by percussive interventions and atonal squeals, each in their own way defying a concise image of source. Wildly intelligent, and yet feeling so natural that these interactions of sound might have simply always been or appeared, the album captures an archetypal vision of one of the most important groups in the history of the avant-garde -- a singular, and entirely new vision of improvisation and collaboration which laid the groundwork for a countless number of artists who followed in their wake. Fully remastered from the original tapes, which revealed a different sequence than the original Cinevox album. Moreover, \"Settimino\", the long track that opens the first side, has a completely different structure which can be listened here for the first time. Includes an exclusive 30x30cm, 12-page booklet with never seen before pictures and essays\/texts which delve deep into the album. 180 gram vinyl; Edition of 400.\" - Cinevox .","brand":"Cinevox","offers":[{"title":"LP","offer_id":31694112522303,"sku":"","price":33.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/LPOST015LP_CU.jpg?v=1579976847"},{"product_id":"musci-giovanni-venosta-roberto-water-messages-on-desert-sand-rer-vinyl-italy-lp","title":"MUSCI\/GIOVANNI VENOSTA, ROBERTO - Water Messages On Desert Sand","description":"\"ReR Vinyl present a reissue of Roberto Musci and Giovanni Venosta's Water Messages On Desert Sand, originally released in 1987. Water Messages On Desert Sand was the very first sound creation from the Italian avant-garde duo of Roberto Musci and Giovanni Venosta. A classic work in the genre, released by Chris Cutler's Recommended Records in 1987. Back in the mid-eighties, Musci and Venosta, both on sampler, synthesizer, guitar, piano, effects, and tapes were masters in overlaying and constructing rhythmic and harmonic pictures of transparent sound from electronic, acoustic, and documentary source, taking ethnic field recordings (from Africa, Indonesia, Asia, India) as their thematic center. Water Messages finds place in the realm of Eno and Byrne's My Life in the Bush of Ghosts (1981) but far more accomplished and developed. A rich moving and still very stimulating work and an essential purchase for anyone interested in adventurous modern art informed by ethnic music and sound explorations. In two words: highly recommended.\" - Rer Vinyl .","brand":"Rer Vinyl","offers":[{"title":"LP","offer_id":31694112653375,"sku":"","price":23.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/RERVRRC28_CU.jpg?v=1579976849"},{"product_id":"muller-moslang-boom-box-grob-germany-cd","title":"MULLER\/MOSLANG - Boom_Box","description":"\"Günter Müller: selected percussion, MD's, iPOD, electronics. Norbert Möslang: cracked everyday-electronics. Recorded 21.10.2001 at the Loft, Köln. \"Boom Box is one of the first recordings of Norbert Möslang after the break up of Voice Crack, his legendary Duo with Andi Gühl which lasted a good 30 years. On Boom-Box, Möslang also plays his cracked everyday-electronics, but their tonal surroundings is a different one. It is a wide, ethereal tonal ambience, the structures are lucid, the music is transparent. Again and again there are foregrounds and backgrounds, individual tonal configurations stand out clearly and distinctly, specific sounds are repeated, thus creating a scaffold through which other sounds are elegantly woven.\"\" - Grob .","brand":"Grob","offers":[{"title":"CD","offer_id":31694112718911,"sku":"","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/GROB649CD_CU.jpg?v=1579976850"},{"product_id":"lucier-alvin-sferics-music-for-solo-performer-lovely-music-cd","title":"LUCIER, ALVIN - Sferics\/Music For Solo Performer","description":"2009 release. \"Alvin Lucier on Sferics and Music For Solo Performer: \"Sferics is the shortened term for atmospherics, natural radio-frequency emissions in the ionosphere, caused by electromagnetic energy radiated from nearby or distant lightning. . . . My interest in sferics goes back to 1967, when I discovered in the Brandeis University Library a disc recording of ionospheric sounds by astrophysicist Millett Morgan of Dartmouth College. I experimented with this material, processing it in various ways -- filtering, narrow band amplifying and phase-shifting -- but I was unhappy with the idea of altering natural sounds and uneasy about using someone else's material for my own purposes. I wanted to have the experience of listening to these sounds in real time and collecting them for myself. When Pauline Oliveros invited me to visit the music department at the University of California at San Diego a year later, I proposed a whistler recording project. Despite two weeks of extending antenna wire across most of the La Jolla landscape and wrestling with homemade battery-operated radio receivers, Pauline and I had nothing to show for our efforts. . . . Sferics was recorded by the composer on August 27, 1981, in Church Park, Colorado. The sound material was collected continuously from midnight to dawn with a pair of homemade antennas and a stereo cassette tape recorder. At regular intervals the antennas were repositioned in order to explore the directivity of the propagated signals and to shift the stereo field.\" \"Music For Solo Performer was first performed on May 5, 1965 at the Rose Art Museum, Brandeis University, with the encouragement and participation of John Cage. I sat on a landing between the two floors of the museum, electrodes attached to my scalp. The mono output of the alpha amplifiers was routed to the inputs of eight home stereo amplifiers, the outputs of which were sent to 16 loudspeaker-percussion pairs deployed around the museum. During the course of the 40-minute performance Cage randomly raised and lowered the stereo amplifiers' volume controls channeling the alpha signal to various instruments around the room. . . . This recording of Music For Solo Performer was produced under the supervision of Wesleyan professor of music Ron Kuivila with the assistance of graduate students Ivan Naranjo and Phillip Schulze and undergraduate Forrest Leslie, at the Wesleyan University Experimental Music Studio, on December 8 and 9, 2007.\"\" - Lovely Music.","brand":"Lovely Music","offers":[{"title":"CD","offer_id":31694112751679,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/LCD5013CD_CU.jpg?v=1579976851"},{"product_id":"faust-71-minutes-rer-vinyl-italy-double-lp","title":"FAUST - 71 Minutes","description":"2020 repress. \"With Magma, Faust was one of the most important of all the European groups of the '70s. Compiled from \"lost\" and unreleased material, originally released as Munich \u0026amp; Elsewhere on the tenth anniversary of their disbandment (including prophetic pre-dub mixing) as well as most of the unreleased Faust Party 3 LP. Intense, eccentric, hypnotic, a true timeless classic. 71 Minutes marked the second in ReR Vinyl's series of Faust reissues. 180 gram vinyl.\" - Rer Vinyl .","brand":"Rer Vinyl","offers":[{"title":"Double LP","offer_id":31694112849983,"sku":"","price":28.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/RERVF1_CU.jpg?v=1579976853"},{"product_id":"carter-octet-john-dauwhe-black-saint-italy-lp","title":"CARTER OCTET, JOHN - Dauwhe","description":"\"Black Saint present a reissue of John Carter Octet's Dauwhe, originally released in 1982. Dawhe is the first chapter in John Carter's Roots and Folklore saga. A five-part epic journey through the African American heritage conceived by the great clarinetist-composer and performed by a stellar line-up featuring Carter himself, Bobby Bradford (cornet), James Newton (flute), Charles Owens (soprano sax, oboe, clarinet), Red Callender (tuba), Roberto Miranda (bass), William Jeffrey (drums), and Luis Peralta (percussion). This is a highly integrated form of jazz, based on the processing of different musical forms and related topics. From the ancient African mythology through the Blues experience towards the open land of creative jazz. A strong musical and cultural statement from one of the greatest west coast modern jazz composers.\n\n\"Highly recommended for open-eared listeners\" --Scott Yanow, All Music Guide.\" - Black Saint .","brand":"Black Saint","offers":[{"title":"LP","offer_id":31694112948287,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/BSR057LP_CU.jpg?v=1579976854"},{"product_id":"slapp-happy-henry-cow-desperate-straights-rer-vinyl-italy-lp","title":"SLAPP HAPPY\/HENRY COW - Desperate Straights","description":"\"ReR Vinyl present a reissue of Slapp Happy and Henry Cow's Desperate Straights, originally released in 1975. Another great chapter in the Henry Cow vinyl reissue series! Desperate Straights was the first result of the historical meeting between Slapp Happy, the German\/English avant-pop band, and the apparently incompatible Henry Cow. Recorded at Virgin Record's Manor Studios in 1974 and properly remastered by Bob Drake, Desperate Straights stands as a real piece of art from another time. A full set of great songs, including gems like \"Bad Alchemy\" and \"Apes in Capes\", arranged and performed by an amazing collective featuring Dagmar Krause's unique voice, Peter Blegvad and Anthony Moore's eccentric pop genius and the core quartet of Cow: Fred Frith, Tim Hodgkinson, John Greaves, and Chris Cutler, plus a bunch of very special guests, among them Nick Evans and Mongezi Feza (Brotherhood of Breath), Mont Campbell (Egg), and Pierre Moerlen (Gong). Desperate Straights can be recognized as one of the definitive avant-pop albums of the seventies. Housed in a beautiful reproduction of the original jacket designed by Peter Blegvad.\" - Rer Vinyl .","brand":"Rer Vinyl","offers":[{"title":"LP","offer_id":31694113046591,"sku":"","price":23.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/RERVHCSH1_CU.jpg?v=1579976856"},{"product_id":"esplendor-geometrico-cinetica-geometrik-spain-lp","title":"ESPLENDOR GEOMETRICO - Cinetica","description":"Edition of 600. \"Esplendor Geométrico, the influential \"industrial\" pioneers of the pulsating, hypnotic, and mechanical rhythms, returns with a new album Cinëtica, after their previous Fluida Mekaniko (GR 2140CD\/LP, 2016). Based now in Shanghai and Rome, they have not stopped their live performances all over the world in the last two years (Germany, Spain, Russia, UK, France, Italy, and recently Chile) with great success. The material was recorded between 2018- 2019. Cinética gives a twist to the line that the group has followed in their last albums, highlighted by a more elaborate sound. A less raw sound, but without losing the essence of EG: hypnotic rhythms and innovative industrial music, danceable and tribal sometimes. Certain songs like \"Acoplamiento Internacional\" and \"Modulaciones\", with Eastern and African voices, remember the classic LP Mekano Turbo (1988) that is considered as one of the best albums of EG. In Cinética, there are filtered and natural voices, broken, mechanical and industrial rhythms, synthesizers layers, percussion, noise, distortion, Mongolian chants... Esplendor Geométrico celebrates its 40th anniversary in 2020 and prepares special editions for that year. They have developed a unique style since 1980 that influenced many \"industrial\" musicians around the world, including the new trends of industrial techno.\" - Geometrik .","brand":"Geometrik","offers":[{"title":"LP","offer_id":31694113112127,"sku":"","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/GR2148LP_CU.jpg?v=1579976857"},{"product_id":"emerald-web-sound-trek-trading-places-uk-lp","title":"EMERALD WEB - Sound Trek","description":"\"Trading Places present a reissue of Emerald Web's Sound Trek, originally released in 1980. Pioneering space music duo Emerald Web, comprised of Bob Stohl and soulmate Kat Epple, made some of the most ethereal, divine, and healing sounds between 1979 and 1990. Crafting their debut album in a haunted mansion in northwest Connecticut, their second disc was created in a small log cabin. A subsequent move to the San Francisco Bay Area brought an extended stay at an Indonesian martial arts ashram, which led to the Valley of the Birds, a remote avian haven in which the duo produced Sound Trek, an incredible space rock long-player drawing on their immersion in fantasy realms, sci-fi, martial arts, and UFOs. Created mostly with monophonic synths and an Oberheim DS-2 sequencer, it also features Shakahachi flutes, electronic flutes, and more standard acoustic instruments. Licensed by Kat Epple.\" - Trading Places .","brand":"Trading Places","offers":[{"title":"LP","offer_id":31694113636415,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/TDP54014LP_CU_bc97614a-fdca-4f26-97e1-4b0b16c83b9c.jpg?v=1584646127"},{"product_id":"moslang-muller-wild-suzuki-for-four-ears-switzerland-cd","title":"MOSLANG\/MULLER - Wild_Suzuki","description":"\"Norbert Möslang: cracked everyday_electronics; Günter Müller: ipod, electronics. \"Wild_Suzuki is the result of Möslang and Müller's extensive Japan tour in 2004, right after their release of boom_box on Grob. On this second CD of the duo you can smell the different places of this culinary tour.\"\" - For Four Ears .","brand":"For Four Ears","offers":[{"title":"CD","offer_id":31694113865791,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/FOR1760_CU_db28a5d2-393c-438f-8d8b-d963ec01ddcf.jpg?v=1584646089"},{"product_id":"henry-cow-leg-end-rer-vinyl-italy-lp","title":"HENRY COW - Leg End","description":"2020 repress. \"ReR Vinyl present a reissue of Henry Cow's Leg End, originally released in 1979. This was the first time together on record for Fred Frith, Tim Hodgkinson, Chris Cutler, John Greaves, and Geoff Leigh. An extension and fusion of the key influences of Soft Machine and Frank Zappa, the album is packed full of extraordinary tunes, complex but never pompous arrangements, and great improvisations. It defines a whole new world of European music. Indispensable really.\" - Rer Vinyl .","brand":"Rer Vinyl","offers":[{"title":"LP","offer_id":31694115766335,"sku":"","price":23.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/RERVHC1_CU_789a5d62-62ab-455f-aae7-51f61ea16cb9.jpg?v=1584646113"},{"product_id":"lucier-alvin-still-and-moving-lines-of-silence-in-families-of-hyperbolas-lovely-music-double-cd","title":"LUCIER, ALVIN - Still and Moving Lines of Silence in Families of Hyperbolas","description":"2002 release. \"Double CD release of Alvin Lucier's four-part work, initiated in 1972 and recorded as presented here in 1983-84 and 2001. This reissues two long-out-of-print LPs on Lovely Music, released in 1983 and 1984, with four added parts (the strings) released for the first time. A series of mostly solo instrument works for the likes of: clarinet, marimba, viola, voice, xylophone, violin, flute, glockenspiel, cello, horn, and vibraphone. Performed by: Thomas Ridenour, William Winant, Dan Panner, Rebecca Armstrong, Conrad Harris, Susan Palma, Gregory Hesslink, and James de Corsey. An absolute masterpiece of \"interference sound\".\" - Lovely Music.","brand":"Lovely Music","offers":[{"title":"Double CD","offer_id":31694116487231,"sku":"","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/LCD1015CD_CU_5087e418-113f-4847-a9a4-c8818f4de3ca.jpg?v=1584646100"},{"product_id":"vaccina-untitled-noise-lino-capra-perpetual-possibility-dark-companion-italy-cd","title":"VACCINA \u0026 UNTITLED NOISE, LINO CAPRA - Perpetual Possibility","description":"\"Perpetual Possibility is an album that bears witness to the collaboration between Lino Capra Vaccina, living legend of Italian minimalism and the avant-noise duo Untitled Noise with an interesting album on the label Dark Companion. Perpetual Possibility is the faithful transcription of the concert held by the trio at the MA*GA Museum in Gallarate, Italy and is the first recorded live album by Lino Capra Vaccina. Untitled Noise weaves delicate electronic warps on which the gongs, vibraphone, piano and bells of Capra Vaccina, true semantic trademark of the founder of Aktuala. A mystical and nocturnal album recorded live at the Maga di Gallarate, mixed, and mastered by Alberto Callegari at the Elfo Studios in Tavernago. Recorded live on March 3, 2018 at MA*GA Museum, Gallarate, Italy; Mixed in January 2019 at Big Muff Studios, Piacenza by Max Marchini. Personnel: Lino Capra Vaccina - vibraphone, piano, glockenspiel, gongs, wind chimes, percussions, tablas, bowed instruments, cymbals; Untitled Noise comprising: Michele Lombardelli - analog devices, oscillators, mixer; Luca Scarabelli - microphones, springs, metals, marbles. CD version comes in an edition of 500..\" - Dark Companion .","brand":"Dark Companion","offers":[{"title":"CD","offer_id":31694117044287,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/DCLP011CD_CU_54ae2510-2cd6-4f44-9c01-096d4e1ac183.jpg?v=1584646085"},{"product_id":"atrax-morgue-autoerotic-death-urashima-italy-lp","title":"ATRAX MORGUE - Autoerotic Death","description":"\"Marco Corbelli's artistic journey began in the early '90s. Under the pseudonym of Marco Rotula, he started to release a series of fanzines in A5 format. The first was The Pleasure Agony, followed by Sick and Murders. The aesthetics of these first fanzines were very sophisticated and the content deals with topics that will follow Marco Corbelli throughout his artistic career: sadism, schizophrenia, insanity, murder, psychosis, necrophilia, diseases, and most importantly death. In 1993, heavily influenced by his obsessions, he began his musical activities creating the Slaughter Productions label and the Atrax Morgue project. Greatly inspired by Italian power electronics act The Sodality, with their 1987 LP Beyond Unknown Pleasures and from projects as Whitehouse and Brighter Death Now, pioneers of a minimal, evil and visceral electronic, Atrax Morgue released his first tape In search of death which will be followed by a series of amazing cassettes in the following years. In 1996, with the only help of his analog synthesizer Sequential Circuits Six-Trak, Marco Corbelli recorded four tracks of pure improvisation for the legendary noise label BloodLust! run by Mark Solotroff. The tracks are released in cassette with the title of Autoerotic Death and limited to 50 copies. The putrescence is palpable, and one could almost smell and taste the miasma of decay that pervades the entire work. The psychopathological sound is white, painful and horrific. Crosses terrifying rooms lit by neon lights, corridors filled with gruesome tools, machines of blood and bits of human tissue floating in jars of formalin. The hum of the synth is often repeated loops, where each track has a compact structure, following the main theme (of autoerotic death). 140 gram vinyl; black inner sleeve and comes in a deluxe black cardboard sleeve with logo in silver silk screen plus double side pictures (from original tape cover art) fixed on front cover LP and a small insert; Edition of 199.\" - Urashima .","brand":"Urashima","offers":[{"title":"LP","offer_id":31694118256703,"sku":"","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/UMA134LP_CU_033aa78a-6794-4909-9d52-22b95cee5f25.jpg?v=1584646132"},{"product_id":"harutaka-mochizuki-aoki-tomoyuki-2","title":"HARUTAKA, MOCHIZUKI \u0026 AOKI TOMOYUKI - 2","description":"\u003cp\u003eEdition of 200. Second self-released collaboration by Aoki (Up-Tight) and Harutaka.\u003c\/p\u003e\n\u003cp\u003e\"Aoki Tomoyuki is mostly known with as the guitarist \u0026amp; vocalist of Up-Tight (Alchemy records, 8mm) and for more than 2 decades he has been behind some albums which mix plaintive echo-drenched imprecations, love of bitter-sweet folk and blissfully nihilistic guitar noise reminiscent of Les  Rallizes Denudes and Mizutani’s velvetian ballads.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eHarutaka Mochizuki is a multi-instrumentalist, mostly known his saxophone improvisations recalling like the same other lonely satellites and solo thinkers like Masayoshi Urabe, Arthur Doyle, Anthony Braxton and Kaoru Abe.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAoki and Harutaka recorded together for a couple of years and this is their first new collaboration after a remarkable self-released CD that saw the light in 2014.\u003cbr\u003eAnd they recorded \"Enka Mood Collection\" for AN'ARCHIVES label in 2016\u003cbr\u003eTerribly human, passionate and intense, their association is just one of the most inspiring and burning free unit since the apex of the P.S.F era.\" - Cafe Oto.\u003c\/p\u003e","brand":"Mochizuki Harutaka","offers":[{"title":"CD","offer_id":31703165993023,"sku":"","price":18.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-14578428-1577505623-5939_jpeg.jpg?v=1580140023"},{"product_id":"black-leather-jesus-the-andrew-liles-members-only-mixes","title":"BLACK LEATHER JESUS - The Andrew Liles Members Only Mixes","description":"Edition of 300. \"Two radical remixes of the Texas band Black Leather Jesus\" by Andrew Liles.","brand":"Next Halloween","offers":[{"title":"7\"","offer_id":31703204790335,"sku":"","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/0010651642_10.jpg?v=1580140610"},{"product_id":"ka-spel-edward-the-patriot","title":"KA-SPEL, EDWARD - The Patriot","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"section notes toggle_section    toggle_section_remember\" data-toggle-section-id=\"notes\" id=\"notes\"\u003e\n\u003cdiv class=\"section_content toggle_section_content\"\u003eEdition of 320. Co-release between \u003cmeta charset=\"utf-8\"\u003eUnlimited Drift and Next Halloween. \"\"The Patriot\/Last Man Standing\" are two intense, all new sides of the masterful experimentalism Edward Ka-Spel has spent the past three decades crafting. The tracks are a perfect blend of his songwriting and his more abstract sonic adventures. A classic, and an essential piece of the ever-evolving Ka-Spel picture.\" - \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eUnlimited Drift\/\u003c\/span\u003e\u003cspan\u003eNext Halloween.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Unlimited Drift","offers":[{"title":"7\"","offer_id":31703222517823,"sku":"","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/a3057691183_10.jpg?v=1580140874"},{"product_id":"ka-spel-edward-nuits-rouges-midnight-pharmacy","title":"KA-SPEL, EDWARD \u0026 NUITS ROUGES - Midnight Pharmacy","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cspan\u003eEdition of 300 with hand silkscreen covers. \"A delightful and spontaneous collaboration between Houston's Nuits Rouges and Edward Ka-Spel, celebrating a friendship spanning several years. The vinyl edition of this album features a beautiful silk-screen print for the cover. Nuits Rouges is Richard Ramirez and Sean Matzus of Black Leather Jesus.\" - Next Halloween.\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e","brand":"Next Halloween","offers":[{"title":"LP","offer_id":31703235788863,"sku":"","price":16.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/a4008676109_10.jpg?v=1580141097"},{"product_id":"tiers-wharton-ensemble-kaboom","title":"TIERS, WHARTON ENSEMBLE - Kaboom!","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003e\"Wharton Tiers has been part of the nyc music scene since 1977 when he answered an ad in the Village Voice and became the drummer for Theoretical Girls, a no wave group distinguished by the fact that all four members were composers. Flash forward to the Wharton Tiers Ensemble’s new release “Kaboom” seven vital instrumental explosions rooted in the vast language of a nearly in nite music, a rich tapestry of a long journey, powered by drums, guitars and sax!\" - Lost Treasures of the Underworld.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e","brand":"Lost Treasures of the Underworld","offers":[{"title":"LP","offer_id":31703254138943,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/ka_B.jpg?v=1580141341"},{"product_id":"curtis-chaos-magic-dreams","title":"CURTIS CHAOS - Magic Dreams","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis is a limited numbered-edition of only 150 copies w\/ hand-stamped covers and pro-printed inner sleeve.\u003c\/span\u003e","brand":"Lost Treasures Of The Underworld","offers":[{"title":"LP","offer_id":31703269113919,"sku":"","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/curtis_chaos_magic-dreams.jpg?v=1580141534"},{"product_id":"roach-steve-quiet-music-2-telephone-explosion-canada-lp","title":"ROACH, STEVE - Quiet Music 2","description":"\"\"Quiet Music is a collection of pieces created by Steve Roach between 1983 and 1986 in respect for silence. The gentle electronics of Roach's synthesizers mix with flute, electric piano and nature sounds flow like breath, enveloping the listener in a sustained, delicate and translucent atmosphere. Quiet Music was originally released as a three tape cassette series in 1986 on Fortuna Records and is now being issued as a complete series on vinyl for the first time ever. After Structures From Silence was released, Steve was receiving invitations to create music for the emerging meditation yoga and healing arts community in Los Angeles. Quiet Music 2 was inspired by Steve spending a lot of time in deserts and was created as a natural progression from Structures From Silence, and the more nocturnal feeling of Quiet Music 3 were pieces designed for Steve's personal healing practices. The Quiet Music series was released in a timeline that is often seen as linear but this music was created directly alongside the dynamic fully electronic albums like Now, Traveler, and Empetus. In the early '80s Steve would be shifting between the invigorating sequencer-percussive driven music and then move directly into weightless drifts and contemplative spaces. This way of creating grew naturally out of a desire to not settle into one place sonically and to nourish himself with a space that could be creative and fine-tuned, creating a calm and renewing zone while living within the hectic pace of urban life in Los Angeles.\"\" - Telephone Explosion .","brand":"Telephone Explosion","offers":[{"title":"LP","offer_id":31703593484351,"sku":"","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/TER063LP_CU.jpg?v=1580147597"},{"product_id":"heldon-6-interface-bureau-b-germany-cd","title":"HELDON - 6 - Interface","description":"\"Bureau B present a reissue of Heldon's 6 - Interface, originally released in 1977. A brilliant moment occurs right at the end of Heldon's sixth album, Interface. The album's final song, its side-long title track, builds up slowly into a roaring tornado of fiercely mutating drum patterns, effervescent synth work, and guitar licks that wail into the atmosphere like an abandoned astronaut. Then, after nearly 19 minutes of highly futuristic avant-garde space rock, this ultramodern music fades out and is replaced by a concluding few seconds of traditional blues-rock guitar. \"We were finishing the track, the tape was rolling, and I started to play a normal boogie or whatever,\" remembers Heldon leader Richard Pinhas. \"I think it was a good idea to keep it. It just came naturally, at the end.\" This event acts as a reminder of just how far rock n' roll had been transformed since its earliest incarnations. This blueprint had been jolted and nudged down all kinds of unexpected avenues after players like Chuck Berry and Bill Haley first found fame. The genre had branched out into every manner of mutated form. It had given rise to misshapen clones and had shifted into unrecognizable shapes, like a beautiful alien creature from one of the science fiction tales that were fondly admired by so many experimental rock musicians, Pinhas included. Heldon, surely, represented one of rock n' roll's most distant relatives; an innovative fusion of avant-garde rock sounds and synthesizer pulsations. At the same time, Interface's unexpected ending also tells us that such music, however improvisatory or fused with electronic elements, will forever have its roots in those early rock n' roll records that are responsible for so many varieties of aural exploration. Thanks to the increased presence of drummer François Auger and synth\/Moog man Patrick Gauthier, Pinhas's project had solidified into a harder and heavier unit. Around the time of the album's release, the musician and composer Jean-Philippe Goude told Pinhas that because of its merging of synthesizer sounds with \"real\" instrumentation. Despite its often warm and near-funky feel, Interface has been cited as an influence on key industrial and noise musicians including Wolf Eyes and Merzbow.\" - Bureau B .","brand":"Bureau B","offers":[{"title":"CD","offer_id":31703593517119,"sku":"","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/BB330CD_CU.jpg?v=1580147598"}],"url":"https:\/\/www.fusetronsound.com\/collections\/february-14-2020.oembed?page=4","provider":"fusetron","version":"1.0","type":"link"}