{"title":"february 28, 2023","description":"","products":[{"product_id":"pere-ubu-live-at-the-longhorn-april-1-1978","title":"PERE UBU - Live at the Longhorn -- April 1, 1978","description":"\u003cp\u003e\"The three vinyl sides of Pere Ubu Live at the Longhorn are as much an indispensable live rock album as Modern Dance is an indispensable studio album. The show consists mainly of material from the Modern Dance album, only rocked out and swinging, more raw-nerved yet seasoned than their studio counterparts. What becomes apparent, especially on repeated listens, is how well-made this music is, how the drama and comedy flows within the modules of each song, how the songs fit together to give an audience an experience that -- while sharpened to paranoia and sensitive to harsh realities -- is as ineffable as it is concrete.\" - Neros Neptune.\u003c\/p\u003e","brand":"Neros Neptune","offers":[{"title":"Double LP","offer_id":51861354183,"sku":"14101-NEROS NEPTUNE","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-4507580-1390982582-5189_jpeg.jpg?v=1571717289"},{"product_id":"bailey-derek-music-and-dance","title":"BAILEY, DEREK\/MIN TANAKA - Music and Dance","description":"\u003cp\u003eSealed copies of this classic 1997 release from Table Of The Elements. \"British guitarist Derek Bailey has plied his wholly original brand of free improvisation for over three decades. These live recordings of Baileys 1980 accompaniment to Japanese dancer Min Tanaka, previously available only on a privately-released cassette, amply document Baileys command of a highly individualized atonal language. Rain Dance is the work of a remarkable ensemble: Baileys ringing tones, Tanakas percussive movements, rumbling thunder, a downpour, and the patter of rain dripping from a leaky roof. Saturday Dance chimes and burns; a concentrated assault equaling the incendiary Incus Taps.\" - Revenant.\u003c\/p\u003e","brand":"Table Of The Elements","offers":[{"title":"LP","offer_id":51861523847,"sku":"1766-REVENANT","price":32.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/LmpwZWc_c529a389-be46-419c-88e4-d7708df98e89.jpg?v=1670800086"},{"product_id":"maher-shalal-hash-baz-live-aoiheya-january-2003","title":"MAHER SHALAL HASH BAZ - Live Aoiheya January 2003","description":"\u003cp\u003eMaher Shalal Hash Baz is the oddly-named band for Japanese cult figure Tori Kudo and his wife Reiko (the name is apparently a Hebrew biblical phrase that Tori translates as -¢??be quick if you mean to steal something-¢?¬ù). Since the late 1970s, Tori has been a pioneering figure in Japanese punk, post-punk and avant-garde circles, beginning with bands such as GuysnDolls, Cock CNell, Noise and Tokyo Suicide (a cover band dedicated to New York synth-punk pioneers Suicide).Tori formed Maher Shalal Hash Baz in the mid 80s with neighbours who could not play any instruments, and for the better part of 20 years has been pursuing a single-minded vision of music as simple, spontaneous and unpredictable. The bands always changing lineup of anywhere from three to thirty people features mostly untrained musicians playing music often shown to them on the day of its performance, expressing the innate beauty of failure as much as of success. The band began releasing records in 1989, but did not come to worldwide attention until a decade later, when their marvelously ambitious triple album Return Visit To Rock Mass was released. MSHB were invited to tour outside of Japan for the first time. In 1999, when UK label Geographic released From A Summer To Another Summer, a compilation of Maher recordings. Soon the band were touring the US and Europe regularly, and Geographic released their most recent album Blues Du Jour in 2003.Live Aoiheya January 2003 documents an entire brief performance by this unique band, incidentally the first Maher show that Chapter boss Guy Blackman saw after moving to live in Japan in 2002 (he returned to Melbourne in 2004). It captures the band in a variety of guises unusual even for them, including an extended abstract instrumental, songs based on conversations between band members, passages by Japanese composers, vocal relays and a Brahms Waltz. In the EPs 26 minutes Maher Shalal Hash Baz manage to cover more ground than most bands do in their whole career, all the while maintaining a spirit and idiosyncracy that is idenitifiably their own. - Chapter Music.\u003c\/p\u003e","brand":"Chapter Music","offers":[{"title":"CD EP","offer_id":51864270023,"sku":"3380-CHAPTER MUSIC","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-706234-1287737204_jpeg.jpg?v=1571717405"},{"product_id":"mike-gunn-the-durban-poison","title":"MIKE GUNN, THE - Durban Poison","description":"\u003cp\u003eSealed copies of this 1992 \"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePsychedelic Rock, Experimental\u003c\/span\u003e\" release featuring Tom and Christina Carter (Charalambides).\u003c\/p\u003e","brand":"Double Naught","offers":[{"title":"LP","offer_id":51865722695,"sku":"3885-DOUBLE NAUGHT","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-978754-1180148208_jpeg.jpg?v=1571717424"},{"product_id":"xno-bbqx-s-t","title":"XNOBBQX - s\/t","description":"\u003cp\u003e\"hangin with the local cops?? xnobbqx throw a few snags on the barbie for this prime slab of high art. Your stomach may be rumbling at first glance of this delectable picture disc...but dont be fooled.. xnobbqx tear the place apart like 100 rookie cops high on sugar and caffeine having mistaken your bbq block party for the meth lab down the street, by the time they realize (end of the first side) its pork buns \u0026amp; sausage sandwiches all round. but wheres the cheese? after the second half cooked curried sausage you wont even care that you cant score any more, cuffed against the wall begging them to turn it over for another blast xNoBBQx summed by their fans on YouTube... Fuck! Turn it off, turn it off. Morons. this is shit..\" - Pulled Out.\u003c\/p\u003e","brand":"Pulled Out","offers":[{"title":"Picture Disc LP","offer_id":51876635143,"sku":"6273-PULLED OUT","price":6.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-1745414-1240648777_gif.jpg?v=1571717582"},{"product_id":"pigeons-virgin-spectacle","title":"PIGEONS - Virgin Spectacle","description":"\u003cp\u003e\"Beautiful dream-dementia pop from a couple tangentially related to the Sea Donkeys\/Sublime Frequencies camp in Seattle. -S@1. \"Pigeons and doves are so closely related, they are practically interchangeable in the minds of the people who classify such fowl. But in the eyes of the general public, the dove is a beautiful bird symbolizing freedom and peace while the pigeon is a dirty rat with wings that eats our citys garbage and craps on our cars. But maybe the pigeon is a crafty bird, content with its own beauty and happy to obscure it to avoid the glare of our ever intrusive public eye. Virgin Spectacle is a distorted, hungover, and elusive statement. And its in French. Except one word at the end. Or more, if you are to believe those responsible. Regardless, amongst all the fog and feathers is a collection of comely pop and sonic excursions guaranteed to lodge itself in your waking subconscious. Hell, you might even dream of a few of these songs. The fine people who constitute the band named Pigeons would like you to believe that they have stumbled incidentally upon such charm, like a diamond in the mine. Dont believe it. Take yourself out of your particular urban situation. Look toward the skies, and see the besmirched bird for what it really is. They have laid out a sonic journey meant to disorient on the surface, but if you follow their flight youll find yourself cruising along and singing in a language you may not understand. Edition of 500 Recorded at Black Dirt Studio\"- Black Dirt. Black Dirt is the new in-house label from Jason Meaghers (NNCK, K Salvatore, Coach Fingers, D Charles Speer and the Helix, etc...) Black Dirt Studios in upstate New York.\u003c\/p\u003e","brand":"Black Dirt","offers":[{"title":"LP","offer_id":51877923143,"sku":"6661-BLACK DIRT","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/Ni04MTAzLmpwZWc.jpg?v=1671137990"},{"product_id":"mikami-kan-nishiogi-no-tsuki","title":"MIKAMI, KAN - Nishiogi No Tsuki","description":"2009 release. \"New solo studio recording by Japans reigning surrealist blues poet. Forty plus minutes of all new material recorded in France during Mikamis 2008 European tour. Numbered heavy weight vinyl only edition of 333 in handpulled screen printed sleeves. Includes lyrics in Japanese and English (title track alone is a trip through painted omelets and the moon to a rusty French bicycle). While Mikami is building up a massive body of work through his long running association with PSF records this is the first of his studio dates to be committed to vinyl in decades. Singular and essential.\" -Siwa.","brand":"Siwa","offers":[{"title":"LP","offer_id":51920846663,"sku":"9020-SIWA","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-1974057-1319340783_jpeg.jpg?v=1571717779"},{"product_id":"floating-di-morel-said-my-say","title":"FLOATING DI MOREL - Said My Say","description":"\"2009 release. Floating di Morel is probably the best rock n roll band to come out of Germany since 39 Clocks. This might sound like overblown hype, but its not; the few critics who attended the bands rare live performances were all flabbergasted. Here are a few reference-points: Suicide, free jazz, Throbbing Gristle, The Jesus and Mary Chain, Big Star, White-Light-hysteria -- stuff Floating di Morel likes but doesnt copy at all. Get ready for one of the strangest and most exciting acts from Berlin. \"Third album by Berlin rock n rollers Floating di Morel. Kai Drewitz (ex PLO), Sabine Bl_ɬ_dorn and Thorsten Neu (former Kissin Cousins) \"sound like Sky Saxon \u0026amp; the Seeds did float, uneffortless, it_Ǭ¥s just there as it pops into yr head like a thumb stuck in the mouth.\"(39 Clocks J_ɬºrgen Gleue about FdM).\" - Play Loud. \u003ciframe width=\"100%\" height=\"450\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/106328143\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;visual=true\" scrolling=\"no\" frameborder=\"no\"\u003e\u003c\/iframe\u003e","brand":"Play Loud!","offers":[{"title":"LP","offer_id":51922639239,"sku":"9472-PLAY LOUD!","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-1902699-1251289098_jpeg.jpg?v=1571717826"},{"product_id":"shardja-ravi-tuneless-monoland","title":"SHARDJA, RAVI - Tuneless Monoland","description":"\u003cp\u003eLimited edition of 500 copies. Shardja is a member of the GOL Orchestra, with releases on Alga Marghen in collaboration with Charlemagne Palestine, Iancu Dumitrescu, and Ana-Maria Avram. Concrete-style works of electronically manipulated acoustic recordings.\u003c\/p\u003e","brand":"Suara","offers":[{"title":"LP","offer_id":51933164615,"sku":"11263-SUARA","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-1215468-1201319356_jpeg_201663a5-d201-45d0-bb47-10b2c5545cce.jpg?v=1571717937"},{"product_id":"taj-mahal-travellers-live-in-tokyo-19th-august-1974-part-two","title":"TAJ MAHAL TRAVELLERS - Live In Tokyo, 19th August 1974, Part Two","description":"\u003cp\u003e\"Part two, on clear vinyl in clear plastic sleeve with blue lettering. Limited edition 500 copies.\" \u003c\/p\u003e","brand":"B13","offers":[{"title":"LP","offer_id":51935187719,"sku":"11717-B13","price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-2973468-1309882385_png.jpg?v=1571717975"},{"product_id":"king-george-discovery-peace-of-mind","title":"KING GEORGE DISCOVERY - Peace of Mind","description":"\u003cdiv style=\"text-align: center;\"\u003e\"King George Discovery Peace Of Mind was recorded in Sweden in 1968 with the US musician King George Clemens on guitar \u0026amp; vocals. A close friendship to Jimi Hendrix, who toured also Sweden in 1968, dropped many tracks from the release plan when the band was recording an album which also came out that year. All tracks who where competing with the music of Jimi Hendrix was not released, until now. A collector from England found the unknown tracks who were pressed only as a demo LP for the band. What a great find. Some tracks where placed on YouTube and collectors where starting raving about this album. It is so good, the guitar work is amazing, as psychedelic as it can get. We could release this album in cooperation with King George Clemens and we are proud to have this treasure released on vinyl. Its just great! One of the most important release this year for sure! Numbered edition of 500 copies in a heavy sleeve; 180 gram pressing; includes double-sided insert\". -Shadoks.\u003c\/div\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/B-nI3QNkjFU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Shadoks","offers":[{"title":"LP","offer_id":51935695687,"sku":"11919-SHADOKS","price":36.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-3094949-1315487370_gif.jpg?v=1571717981"},{"product_id":"copeland-inga-s-t","title":"COPELAND, INGA - s\/t","description":"\u003cp\u003e\"Very limited repress. Hype Williams member (along with Dean Blunt) Inga Copeland takes it solo on this lush 4 track EP. As poppy\" as it is \"trippy\" -- youll love it.\"\u003c\/p\u003e","brand":"Unknown","offers":[{"title":"LP","offer_id":51935806087,"sku":"11983-UNKNOWN","price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-5609969-1400167224-8278_jpeg.jpg?v=1571717983"},{"product_id":"inner-tube-mark-mcguire-and-charles-berlitz-present","title":"INNER TUBE - Mark McGuire and Charles Berlitz Present...","description":"\"Inner Tube is about the inner emotional reverie of a world where life has been seen through the tube of a wave. Its a new band from Mark McGuire of Emeralds and Spencer Clark of The Skaters and Monopoly Child Star Searchers. Spencer has this to say about the experience: The bliss and ecstatic power of Australian beach music has kept me in this positive mental attitude that I wanted to communicate to everyone around me. Mark and I began to be in touch, and started to really connect in our exotic fascination with Australia and its surf culture. We decided to record an album together with impressions from these private movies and their tunes. Mark travelled numerous times to Pacific City Studios so that we could make this album together(and eventually moved here). At one point, a woman visiting Hotel California who I hadnt met before, mentioned she thought it was strange that I played so much Australian music. I told her about my fascination with Storm Riders, the sickest Australian movie of all time. She immediately told me that her Uncle had a big part in the movie. The guys name is Rabbit Bartholomew. He is a magical person in this Storm Riders movie and has been an inspirational to surfers everywhere. He wrote this letter to Mark and I:\u003cbr\u003e\u003cbr\u003eHey Spencer,\u003cbr\u003eGreat to get ya letter. Christel gave me a bit of insight. Really cool how you guys were talking about Storm Riders and our family connection, thats meant to be bra. For sure, send me a demo, Ill give ya some feedback. Thats really cool about inner tube and the beloved zone, thats it mate, right on the money.\u003cbr\u003e\u003cbr\u003eBest\u003cbr\u003eRab\u003cbr\u003eWe then realized that we were to travel to the Gold Coast in Australia to record Inner Tube Part Deux, and play a Surf Festival put on by Rabbit Bartholomews sister. The story just keeps on going, so Mark and I are really stoked to have you guys check this out with us...\" - Pacific City Sound Visions\/Wagon.","brand":"Pacific City Sound Visions\/Wagon","offers":[{"title":"LP","offer_id":51939730503,"sku":"12545-PACIFIC CITY SOUND VISIONS\/WAGON","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-3393591-1329456367_jpeg.jpg?v=1571718013"},{"product_id":"parmegiani-bernard-de-natura-sonorum","title":"PARMEGIANI, BERNARD - De Natura Sonorum","description":"\u003cp\u003e\"De Natura Sonorum (1975): Premiered at the Salle Wagram in Paris on June 3rd 1975. A suite of 12 movements, divided into two series of six. The first series comprises six related movements, usually organized in pairs, electronic sounds with instrumental and more rarely, concrete sounds: Incidences\/resonances bring into play controlled resonances akin to sounds of concrete origin in a process that helps to expand the variable electronic sound sources. Here, incidents are opposed to one-off accidents in the second movement: Accidents\/Harmoniques (Accidents\/Harmonics). In the second movement, very short events of instrumental origin change the harmonic tone of the continuum they interrupt or overlap. Moreover, the high notes are underplayed, which stimulates the attention given to other phenomena generally hidden by the melodic form applied to the instrumental play. G_ɬ©ologie sonore (Sound Geology) is similar to a flight over an area where different sound layers come to the surface one after the other. When seen from high above, instrumental and electronic sounds seem to fuse. Dynamique de la resonance (Dynamics of Resonance) is a microphonic exploration of a single sound resonating through different forms of percussion. LEtude _ɬ©lastique (Elastic Study) places together various sounds produced by touching elastic or instrumental skins (balloons, doumbeks) or vibrating strings and a number of instrumental gestures close to this touch, using electronic processes to generate white noise. Conjugaison du timbre (Conjugated Tone), the last movement in the series, uses the same substance to apply rhythmic forms onto a perpetually varying tone continuum. The second series of movements draws its inspiration from concrete and electronic sources rather than instrumental ones. Incidences\/battements (Incidences\/ Beatings) is a reminder of the first movement in the first series, which then quickly moves into Natures _ɬ©ph_ɬ©m_ɬ®res (Ephemeral Natures): an ephemeral play on instrumental and electronic sounds, singled out by their internal trajectory rather than by the material itself. Mati_ɬ®res induites (Induced Matters): just as molecular effervescence triggers changes of state, it seems that the different states of these sound materials can be generated by each other or through induction processes. In Ondes crois_ɬ©es (Crossed Waves), the pizz vibrations interfere with somehow visible water drops on the surface of a similar material. Pleins et d_ɬ©li_ɬ©s (Downstrokes and Upstrokes) can be listened to as the energies absorbed in the motion of bouncing bodies, while hollow bubbles and points bring together some peoples gravity and others downwards movements. The work finishes with Points contre champs (Reverse Angle Points). Here, the notion of perspective of the different sound threads weaving a kind of network, or field, traps the occasional iterative elements in the foreground and progressively absorbs them, giving more space for the angle -- and the chanted sound -- to grow. --Bernard Parmigiani; De Natura Sonorum whose title echoes Lucretius De rerum natura, similarly explores the multiplicity of sound possibilities. This profuse work, with countless discoveries and dazzling intuitions, has influenced several generations of composers and remains a truly seminal piece in the experimental music soundscape. De Natura Sonorum, one of Parmegianis masterpieces, has left an indelible mark on the classical period of electroacoustic music. At last, it is being reissued on vinyl and for the first time this includes the whole of its 12 movements.\" - Christian Zanzsi \u0026amp; Francois Bonnet. Housed in a gatefold sleeve.\u003c\/p\u003e","brand":"Recollection GRM","offers":[{"title":"Double LP","offer_id":51943859143,"sku":"14487-RECOLLECTION GRM","price":31.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-4782974-1375371265-8618_jpeg.jpg?v=1571718109"},{"product_id":"stevens-mick-this-morning","title":"STEVENS, MICK - This Morning","description":"\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMick Stevens (1953–1987) was born in Chelmsford, England. He was a musician, guitar player, singer, and songwriter. Mainly a solo artist, he also played in a number of bands and toured in the late 1970s with Richard and Linda Thompson, The Albion Band and June Tabor\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRecorded in 1971-73, released in April 2009. Handmade paste-on jackets.\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/98405558\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;show_artwork=true\" scrolling=\"no\" frameborder=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Branco Label","offers":[{"title":"LP","offer_id":51948133447,"sku":"15266-BRANCO LABEL","price":42.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-3825971-1345920019-8425_jpeg.jpg?v=1571718144"},{"product_id":"fadensonnen-badlands","title":"FADENSONNEN - Badlands","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eEdition of 150 numbered copies. Hand-drawn\/collaged\/assembled, silk-screened jacket with hype sticker. 2014 release.\u003c\/p\u003e\n\u003cp\u003e\"Fadensonnen are a Brooklyn\/Vermont duo consisting of PD and RD. They have a full-length and a few EPs to their name, all self released, and have played a couple gigs a year. But theyve stayed under most radars cept for the more sophisticated ones (hello FMU). \"Badlands\" is their second full length, and their vinyl debut, and it strikes with the menace of IIIrd Gatekeeper-era Skullflower and the wasted sprawl of some of the PSF catalogs more punishing moments. The guitars are feral and upfront, the rhythm section is a murky brew of rumbling and pounding that fights to be heard above the squeal. This is a massive blast of dark psych amp-destruction. Play these 3 tracks loud at 45 RPM. For fans of Skullflower, Urthona, Fushitsusha, Les Rallizes and Celan. \" - One Hand.\u003c\/p\u003e","brand":"One Hand","offers":[{"title":"LP","offer_id":51949814471,"sku":"15624-ONE HAND","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-5748119-1401733093-9822_jpeg.jpg?v=1571718169"},{"product_id":"geodesium-double-eclipse","title":"GEODESIUM - Double Eclipse","description":"\u003cp\u003eSealed original copies of this 1981 release.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"Double Eclipse, the second Geodesium album, was produced in 1981. NASA used some of the selections during its TV coverage of the Voyager Encounters at Saturn and Uranus. It consists of nine electronically-realized musical compositions. Of the five original works, one is a clever bouncy tune featuring two electronic \"dancers\" and a synthesizer rock drummer. Two space-music-style pieces musically explore the inter-galactic reaches. Another work is a driving and intense rocker, and one is the worlds first electronic-disco-bluegrass combination _¢‚Ǩ‚Äù a real toe-tapper! There are four transcriptions: J. S. Bach and Johannes Pachelbel for the classical music enthusiast, and two contemporary works by Wilke Renwick and W. Francis McBeth.\"\u003cbr\u003e\u003cbr\u003e\u003ciframe width=\"600\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/qxpmeeVPAIA\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Loch Ness","offers":[{"title":"LP","offer_id":51950570695,"sku":"15776-LOCH NESS","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-660749-1405169417-4995_jpeg.jpg?v=1571718187"},{"product_id":"curgenven-robert-they-tore-the-earth-and-like-a-scar-it-swallowed-them","title":"CURGENVEN, ROBERT - They Tore the Earth and, Like a Scar, It Swallowed Them","description":"\"It is with regret I have had to record the existence of such large areas of desert land encountered in my travels in Australia. --Australia Twice Traversed (1889), Ernest Giles (1835-1897). They Tore the Earth and, Like a Scar, It Swallowed Them is a very physical negotiation of territories voided by history. Forged from the historical dynamics of the settler colonial trope, the album plays out across four scenes, through the eyes not of the invaded but of the invaders of a harsh and unforgiving land. Visceral psychogeography of settler colonialism rendered via field recordings gathered over 12 years in over 30 remote locations across Australia, mixed and expanded within immense, shimmering harmonics wrought via pipe organ, guitar feedback, dubplates, turntables, and low frequency oscillators. Amidst the heat and the dust, in a landscape populated only by the insinuation of characters, settler colonialists blind enactment of will and violence against and into an unforgiving, arid interior is a manifestation of a mortal struggle -- a starkness dwelling within an unfillable horizon. Mastered and cut by Rashad Becker at Dubplates \u0026amp; Mastering. Released on red transparent vinyl.\" - Recorded FIeld Editions.\u003ciframe width=\"600\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/Qm2b8AlU_0I\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e","brand":"Recorded Fields Editions","offers":[{"title":"LP","offer_id":52001265863,"sku":"16289-RECORDED FIELDS EDITIONS","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-6328910-1416598084-8240_jpeg.jpg?v=1571718214"},{"product_id":"emmanuel-jd-electronic-minimal-music-197983","title":"EMMANUEL, JD - Electronic Minimal Music 1979-83","description":"\"The rediscovery of J D Emmanuel by critics and audience in the early 2010s and Emmanuels comeback to underground scene were crucial in reweaving the development of electronic music in the early 80s. This deluxe three-LP set casts new light on Emmanuels first activity of composing and performing electronic music in 1979-83, collecting experiments never before released on vinyl, some of which are previously unreleased in any form. Certainly seminal minimal works such as Four Organs (1970) and Violin Phase (1967) by Steve Reich and A Rainbow in Curved Air by Terry Riley (1969) -- as well as Cluster, Harmonia, and Peter Michael Hamels early-70s work -- had a decisive impact on Emmanuels debut. However, since his beginnings he has reshaped and reformulated his sources of inspiration with unparalleled maturity and accuracy of vision. His poetry is closely tied to the will to expand consciousness and explore altered states, but more than a cosmic traveler, he appears as a courier of soul and heart -- a self-described \"student of the metaphysical nature of the Universe.\" Magician of an incredible variety of analog keyboards, Emmanuel conceives sound as dynamic translation of forces and organic, expanding flows of energy. The cyclicity of patterns and phrases refers to minimalist traditions, but his music has little in common with something purely mathematical; using an approach to improvisation colored by his interests in jazz and the temporal expansion of rock jams, he charges harmonic sections with an intimate spontaneity and freedom without boundaries. These 14 \"vaporous drawings,\" presented with photos and writings, evoke a primordial state of grace in the listener, in parallel to Emmanuels contemporary ancestral work Wizards from 1982 (IMPREC 305CD). (This set contains two tracks that were initially included on the original Wizards release, but replaced by other tracks just before the final master.)- Black Sweat","brand":"Black Sweat","offers":[{"title":"Triple LP","offer_id":52009040519,"sku":"18242-BLACK SWEAT","price":60.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/electronicminimal.jpg?v=1675796006"},{"product_id":"little-skull-ubique","title":"LITTLE SKULL - Ubique","description":"\u003cp\u003e\"One more top mysterious trace from the Little Skull legacy: Dean Browns album Ubique (i.e. everywhere\" in Latin) marks the passing of time and people. This sense of loss is very present though the whole record; not getting around to saying the things we meant to say and making sense of the leftovers. Screaming calmly, Dean Browns Little Skull has shrunk, even more, until his head is almost just sore meat - this music sounds like it was made to soothe that inflammation. Currently living in the UK, Little Skull is Deans long running solo project. He plays all of instruments, even if it sounds like he is barely touching them and yet, his obscure personal fingerprints are all over the place. His instinctive spontaneous playing finds ways to make them glow and fizz and ripple. The very complicated hand-made cover is astonishing. It incorporates religious imagery and patron saints expanding in space and creating a three-dimensional architecture filled with mysterious presences. Dean Brown is a New Zealander from Hamilton. A joke city to much of the rest of New Zealand, but its feral mongrel out-of-it-ness is well known to those that have lived there. Dean coped with Hamilton through his bands Negative Eh and Nova Scotia and then buggered off to other cities and other countries. After several privately produced lathe-cut editions and a sold-out LP on Elica, Ubique is reissued here on LP in a one-time-only pressing limited to 250 copies.\" - Planam.\u003c\/p\u003e","brand":"Planam","offers":[{"title":"LP","offer_id":52015021255,"sku":"19119-PLANAM","price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-9493362-1481534255-8096_jpeg.jpg?v=1571718396"},{"product_id":"parker-jeff-slight-freedom","title":"PARKER, JEFF - Slight Freedom","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\"2022 repress. The long awaited repress of \u003ci data-mce-fragment=\"1\"\u003eSlight Freedom\u003c\/i\u003e, acclaimed guitarist \u0026amp; composer \u003cb data-mce-fragment=\"1\"\u003eJeff Parker\u003c\/b\u003e's first solo album \u0026amp; a New York Times' best albums of 2016 selection, is here. Pressed on premium 120-gram audiophile-quality vinyl by RTI from lacquers cut at sterling sound by \u003cb data-mce-fragment=\"1\"\u003eSteve Fallone\u003c\/b\u003e, presented in a retro flipback jacket. Second edition of 1,399 copies. What we said in 2016:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e \" \u003c\/span\u003eSlight Freedom, Jeff Parkers first ever solo record, presents the first opportunity to hear the guitarist in fully self-revealed circumstances. Recorded in 2013 and 2014 in the Hollywood Hills as he relocated from Chicago to Los Angeles, Parker combines the dark tonal palette and percussive attack hes known for with real-time processing elements and field recordings, deftly crafting a unique world of solo guitar music - multi-lingual, mysterious, alive with extraordinary sonic events, with a sturdy intelligence in charge and a raw home-style vibe. Jeff Parker is a longtime member of Tortoise. He creates works that explore the contrary relationships between tradition and technology, and improvisation and composition. Slight Freedom is yet another defining moment for Parker in 2016, a year that already includes a brilliant ensemble album (The New Breed) and Tortoises 25th anniversary tour and record (The Catastrophist). Parkers title composition sets the albums cavernous mood. Terse lines and ricocheting loops morph into a gnarly ambient section that resembles Neil Young droning out over a copy of Discreet Music (1975). Parker creates a different sort of ambient space in his take on Frank Oceans Super Rich Kids\", bending the melody around a bossa nova rhythm into a Moodsville tone poem. Parker makes an extraordinary long-form statement out of Chad Taylors \"Mainz\", a piece he first recorded with Taylor and bassist Chris Lopes on the album Bright Light In Winter (2011). Twice the length of the trio recording, the multi-layered soliloquy finds Parker leaping from the high rung to damn near orchestral heights, pushing his techniques and concepts to their breaking points. Its one of the great solo performances youll hear from a musician this year. To say \"Lush Life\" comes with formidable baggage is an understatement. Parker achieves instant classic status with a rendition that sounds beamed-in from a decommissioned satellite - burned out, covered in space grit, yet still formally nuanced and beautifully reflective of Strayhorns world-weary lyrics.\" - Eremite.\u003c\/p\u003e","brand":"Eremite","offers":[{"title":"LP","offer_id":52023792007,"sku":"19083-EREMITE","price":38.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-9581844-1483120666-8420_jpeg.jpg?v=1571718468"},{"product_id":"rental-robert-different-voices-for-you-different-colours-for-me-demos-1980","title":"RENTAL, ROBERT - Different Voices For You. Different Colours For Me. Demos 1980","description":"\u003cp\u003e\"On an unassuming cassette, just labelled \u003ci\u003eRobert Rental\u003c\/i\u003e in green Dymo tape, these demos have lain unheard for years amongst his family's treasured possessions, cared-for artefacts of a life cut short far too soon. These songs, which Robert recorded in his council flat in Battersea in 1980, provide an enticing glimpse into his all-too-infrequent solo work. On most occasions, Robert worked with Thomas Leer, Daniel Miller, or other collaborators. These are rough recordings, tape hiss still in evidence, but his creativity shines through the murk, like uncut diamonds. With these recordings Robert appears to be moving towards more recognizable song structures than most of his earlier work, which could be wildly experimental and would often involve found recordings taped directly off television. We know two of these tracks from their later re-recording for the Mute Records single 'Double Heart' late in 1980. Robert spoke to friends of his frustration at being unable to replicate his sound in a commercial studio -- it was these demos' sound that he wanted to recreate. Sometimes having only access to the most rudimentary of equipment can hone the creative talent into something sharper and more focused -- necessity is the mother of invention, indeed.\" - Simon Dell, 2018.\u003cbr\u003e\u003cbr\u003e\"I am humbled and ecstatic to be entrusted with this music and able to aid getting these songs out into the world. I have now listened to them countless times and feel they are so, so much more than just an interesting archival release, but rather a small, fully formed body of wondrous songs that deserve to be heard and enjoyed by as many people as possible. In this current era where so much music is so completely focused on the production, with the result that often the soul is sucked out of it, it's a pleasant shock to discover that a forgotten tape from nearly 40 years ago can be the freshest and most refreshing sounding thing ever.\" - JD Twitch, 2018.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ZxzQVl641kA\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Optimo Music","offers":[{"title":"LP","offer_id":13055986270271,"sku":"","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/OMRENTAL001LP_CU.jpg?v=1571718517"},{"product_id":"christiansen-henning-satie-i-hj-s","title":"CHRISTIANSEN, HENNING - Satie i høj sø","description":"\"The most enigmatic and rare of Danish artist and composer Henning Christiansens albums Satie i høj sø is now re-issued by Institute for Danish Sound Archeology and the Museum of Contemporary Art in Roskilde, Denmark. The album collects five central works from Christiansens neo-romantic period in the 1970s. This completely overlooked and virtually unheard period in Henning Christiansens oevre contains perhaps his most fascinating and beautiful works.\u003cbr\u003e\u003cbr\u003eFor 10 years from 1969-79 Christiansen turned his back to the art scene and made a very unorthodox artistic decision: To leave behind art for arts sake\", Fluxus and the concretist art music, that he had invented in the 1960s. Instead he created a music that was a positive vision for the future. A music that would make it \"sing\" inside the listeners – and by changing them would change the world. A convinced communist, Christiansen created wonderful joyous waltzes and dancing melodies that set to bring about a revolution – both an inner and an outer revolution – by believing in the good in the world and by having hope for a bright future. Now, with the re-release of Satie i høj sø the music can make it sing inside us again.\" - Institut for Dansk Lydarkaeologi.\u003cbr\u003e\u003cimg src=\"http:\/\/www.lydarkaeologi.dk\/wp-content\/uploads\/2018\/02\/DSC_1357-1024x1024.jpg\" height=\"600\" width=\"600\"\u003e","brand":"Institut for Dansk Lydarkaeologi","offers":[{"title":"LP","offer_id":13354248667199,"sku":"20726-INSTITUT FOR DANSK LYDARKAEOLOGI","price":33.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-11045493-1508844090-5551_jpeg.jpg?v=1571718529"},{"product_id":"spiegel-laurie-donnie-laurie","title":"SPIEGEL, LAURIE - Donnie \u0026 Laurie","description":"\"A limited-edition 12” (300 copies and long out of print) and download featuring an unearthed, late-‘70s collaboration between Laurie Spiegel, ElectroComp 101 synthesizer, and Don Christensen (ImpLOG, The Contortions), drums, on the A-side and an alternate version of Spiegel’s classic The Expanding Universe track “Patchwork” on the B-side.\" - Unseen Worlds.\u003cbr\u003e","brand":"Unseen Worlds","offers":[{"title":"12\"","offer_id":13354266689599,"sku":"21125-UNSEEN WORLDS","price":34.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-11775384-1522169569-1563_jpeg.jpg?v=1571718570"},{"product_id":"corsano-chris-bill-orcutt-brace-up","title":"CORSANO, CHRIS \u0026 BILL ORCUTT - Brace Up!","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci\u003e\"Brace Up!\u003c\/i\u003e\u003cspan\u003e is the first ever studio release from the duo of \u003c\/span\u003e\u003cb\u003eChris Corsano\u003c\/b\u003e\u003cspan\u003e(drums) and \u003c\/span\u003e\u003cb\u003eBill Orcutt\u003c\/b\u003e\u003cspan\u003e (guitar). Recorded in Brussels at Les Ateliers Claus by \u003c\/span\u003e\u003cb\u003eChristophe Albertijn\u003c\/b\u003e\u003cspan\u003e on March 19th and 20th, 2018. Stage dive photograph by \u003c\/span\u003e\u003cb\u003eJason Penner\u003c\/b\u003e\u003cspan\u003e. \"Over the past six years or so, drummer Chris Corsano has proven to be one of Bill Orcutt's most reliably flexible collusionists. Regardless of whether Bill is cluster-busting electric guitar strings, weaseling around with cracked electronics, or playing relatively spacious free-rock, Corsano is able to provide the proper base for his aural sculpting. A lot of Orcutt's instrumental work has traditionally felt hermetic even though he's exploring caverns of explosive ecstasy. One often got the impression Bill was operating in the way \u003c\/span\u003e\u003cb\u003eJohn Travolta\u003c\/b\u003e\u003cspan\u003e did in the classic 1976 ABC television drama, \u003c\/span\u003e\u003ci\u003eThe Boy in the Plastic Bubble\u003c\/i\u003e\u003cspan\u003e. Orcutt's actual interaction with collaborators emerged not from communication so much as pure observation. While he was fully cognizant of his musical surroundings, his reactions to it were walled off. This approach did not encourage sonic dialogue so much as parallel streams of discourse. These streams could interact with each other, but not in particularly standard ways. On \u003c\/span\u003e\u003ci\u003eBrace Up!\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, their first ever studio release, this precept has changed considerably. Whether it's a function of emotional familiarity or an intellectual choice I dunno, but there's a whole new kind of duo exchange going down on this record. Bill and Chris are clearly playing off each other's moves throughout the album. And it really raises the level of the music to an all-time high. From the cop car see-saw of 'Poundland Frenzy' to the mutual pummeling of 'Paranoid Time' (possibly a \u003c\/span\u003e\u003cb\u003eMinutemen\u003c\/b\u003e\u003cspan\u003e tribute?) to the lazychicken- gets-stung-prog of 'She Punched a Hole in the Moon for Me,' the sounds on \u003c\/span\u003e\u003ci\u003eBrace Up!\u003c\/i\u003e\u003cspan\u003e display a constant flow of ideas and instantaneous conjugation of newly forged verbs. As great as Bill and Chris's previous duo records have been, this one's greater.\" - \u003c\/span\u003e\u003cb\u003eByron Coley\u003c\/b\u003e","brand":"Palilalia","offers":[{"title":"LP","offer_id":13729897447487,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/PAL053LP_CU.jpg?v=1571718576"},{"product_id":"losoncy-gabi-i-can-be-convinced","title":"LOSONCY, GABI - I Can Be Convinced","description":"2019 release restocked.","brand":"Gabi Losoncy","offers":[{"title":"CD","offer_id":15418507886655,"sku":"","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/gabicd.jpg?v=1675194799"},{"product_id":"bassett-marcia-margarida-garcia-manuel-mota-here-they-rest-immobile","title":"BASSETT, MARCIA\/MARGARIDA GARCIA\/MANUEL MOTA - Here They Rest Immobile","description":"\u003cp\u003eEdition of 100, silk-screened jackets. \u003c\/p\u003e\n\u003cp\u003e\"November 2017 found Marcia Bassett, Margarida Garcia and Manuel Mota converging in Antwerp. This LP is the premiere recording of the trio configuration. Extraordinary passages of immersive improvisation interactions combine abstract transcendental chemistry that soars through dark hallucinatory passageways. If fragmentary thought is recurrent it converges here in mutual inspiration. Here They Rest Immobile refers to the ghost of place, the shadows that slowly shift with the light, the skeletal frame work of half built \/partially torn down structures and the resonating hum of the activity that once defined Diamantkwartier. The trio recorded the three new improvisational suites found on this record at Sound in Motion Studio, Antwerp. Identifying streaks from each of the players, all respectively known for their own solo explorations and improvisational techniques, interweave and take flight into otherworldly soundscapes. Beautifully screened blue tinted metallic ink on heavy black card stock.\" - Yew.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=158025058\/size=large\/bgcol=ffffff\/linkcol=de270f\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/yewrecordings.bandcamp.com\/album\/here-they-rest-immobile\"\u003eHere They Rest Immobile by Marcia Bassett, Manuel Mota,  Margarida Garcia\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\"It feels cliché to refer to any music as dreamy, but when you encounter music that actually feels and breathes like a dream, it's another matter altogether. Sometimes you open your mouth to speak and hear the voice of a complete stranger. Or you see a flower of a color that doesn't exist. This is that kind of record -- elusive and intoxicating. Two guitars and a bass, barely recognizable as such, coming together to conjure a startling world of shadow and reflection. The music can seem almost disembodied on the one hand, while on the other the careful listening and responsiveness of the musicians behind the sounds is evident at every turn -- human and inhuman at once. The three pieces feel both narrative and wholly abstract, a story somehow unmoored from events. It's an album of transfixing paradoxes. The first side is occupied by 'The Unfortunate Traveler'. Tones moan and echo, resonating against themselves like enormous insects. Sounds emerge and retreat into caves. Ominous howls, eerie rhythmic washes, and deep rumbles all ebb and flow outside any ability to predict what will happen next. Every path seems altered the moment you start down it. An unfortunate traveler indeed. On 'Tympanie Of Tears', the first track on the second side, Garcia's bass pulses with timpani-like resonance, pulsing as Bassett and Mota's guitars swirl like serpents, weaving and winding, forming imaginary pathways. We encounter moments of more recognizable string work, which only expands the sense of disorienting stupor. 'Durational Dust Construction' rounds out the set, with its subterranean glimmers of breath, airs rolling over one another, gliding and scraping down hills of their imaginary landscape, oars rowing slowly out to sea. Across all the terrible conditions, unexpected attempts at life, a magnetic dance around poles that will never touch. It's a record that arouses the senses through obfuscation, a dense riddle constructed from its own speculative geometry. Maybe I thought I'd seen a ghost, and in those days, I found ghosts extremely unpleasant. Not anymore. Now, on the contrary, they brighten up my afternoons.\" - Matt Krefting, Holyoke, MA 2019.\u003c\/p\u003e","brand":"Yew","offers":[{"title":"LP","offer_id":15481504268351,"sku":"","price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/YEW009LP_CU.jpg?v=1571718643"},{"product_id":"little-skull-a-light-in-the-window-will-guide-us-safely-home","title":"LITTLE SKULL - A Light In The Window Will Guide Us Safely Home","description":"\u003cp\u003eA Light In The Window Will Guide Us Safely Home, the new and unique LP by Little Skull, is an album defined by places, journeys between them, and the traces we leave: Warbly guitars and a town hall in rural Waikato; Wheezing melodicas and a train through Tongariro; Tinny autoharps and a bus stop on the Canterbury coast; Scratching violins and mattresses on the floor in flats in Dunedin and Wellington; Squalling saws and the detritus of a life abandoned and rediscovered in Waitati -- These all jostle to be heard over the murk and cassette hiss whether they deserve to be or not. Insignificant instrumentation congregates on insignificant locations, leaving behind ghosts in a place of their own. We each choose our own light to follow in the hope it is the right one. Handmade paper-cut, fold-out sleeves; micro-edition of 200. - Planam.\u003c\/p\u003e","brand":"Planam","offers":[{"title":"LP","offer_id":16021282127935,"sku":"","price":26.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/PLANAM045LP_CU.jpg?v=1571718664"},{"product_id":"life-recorder-3-easy-vhs","title":"V\/A - Life Recorder: Vol 3","description":"\u003cp\u003eEdition of 35 numbered copies. \"Third VHS compilation of live recordings from around Michigan. 2 hours of footage dated 2014-2018 from: Psy Three, Cotton Museum, Maximum Cloud, Legendary Assholes, Metal Dungeon, Witches Of Malibu, Dog Lady Island, Apetechnology + Tarpit, To Live And Shave In L.A., Sioban, Exhumed Corpse, Aaron Dilloway, and Ol Beast. Xerox art\/labeled tapes in a hard case - dubbed in SP mode in 1:1 real time. NTSC only.\" - Easy Listening.\u003c\/p\u003e","brand":"Easy Listening","offers":[{"title":"VHS","offer_id":31867772371007,"sku":"","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/life_rec_3_cover.jpg?v=1582920047"},{"product_id":"nace-bill-graham-lambkin-the-dishwashers","title":"NACE, BILL \u0026 GRAHAM LAMBKIN - The Dishwashers","description":"\u003cp\u003e \"Bill Nace and Graham Lambkin first played together in Fall 2018, in Kentucky, behind plastic. In that performance, they sometimes played the same instrument at the same time. Time passed, then they recorded this album in Fall 2019, in London. I was told that an acoustic guitar, a cymbal and tapes were used in the recording and I have no reason to doubt that. There are also voices, birds, a room, the outside world...; a bow is used. Bill \u0026amp; Graham both deal in different kinds of tension \u0026amp; discomfort and while this album is both like \u0026amp; unlike what I've heard from either of them, it is somewhat remarkably laid-back. Though there are separate and distinct tracks, they flow into each other organically. Not without some jagged interruptions - in fact, many of the tracks *announce* themselves with a sudden cough, squeak or scrape - but the field recording aspects (passing cars, a siren, some banter) act as a leitmotif holding things together, adding a casual ambiance that *almost* invites a casual listen. But it is deceptive in that way. It is not a hermetic recording. As much as it doesn't exclude the sounds of the outside world, it also lies open to interpretation. Themes recur just enough to create a connective tissue that frames some of the more seemingly disparate elements. Brief fragments of conversation invite the mind to try to understand and create its own narrative; a pizzicato, modal folksong played on guitar, then played back on tape at the end of Side A has a reprise midway through Side B; hints of ancient music are bowed or chanted... This is not a tapestry without thread, but you've also got to bring some of your own.\" - Greg Kelley Somerville MA 2020. \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eEdition of 400, w\u003cspan\u003e \u003c\/span\u003eold style tip-on Stoughton jackets.\u003c\/p\u003e","brand":"Open Mouth","offers":[{"title":"LP","offer_id":32942446968895,"sku":"","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/Dishwashers_1400_300dpi.jpg?v=1598456389"},{"product_id":"minimal-technology-musica-para-videoinstalaciones-1991-1993","title":"MINIMAL TECHNOLOGY - Play - Musica Para Videoinstalaciones 1991 - 1993","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eEarly 90's Chilean \"Experimental, Avantgarde, Industrial\" group. Edition of 100 copies. Sleeve notes by Nestor Olhagaray.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e“\u003c\/span\u003e\u003cspan class=\"s2\" data-mce-fragment=\"1\"\u003eThis album contains the track \"Tell me WhaT Happen Today\" that was composed for the video installation that Minimal Technology mounted on the Faculty of Arts of the University of Chile in 1993.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s2\" data-mce-fragment=\"1\"\u003eThe other two tracks are part of the first publication of the band and were published by Kino Mitsouko's record label Dinn International in 1991, Tokyo, Japan.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eThe three tracks of this vinyl correspond to the original recordings in cassette tapes. It was first published thanks to the interest of Hueso Records in New York, NY.” - Minimal.\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMinimal Technology started in the early 90's in Santiago, Chile when three students ventured into designing sound pieces. After several months of studio recording, a Japanese curator and music publisher Kino Mitsouko took interest in the group. The band took a trip to Tokyo which was later viewed as an artistic experience for the group; MT made a special container-object, similar to mail art, in order to show its work.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe band had only two appearances on stage, one in the room Augustine Siré School of Arts University of Chile and one in the Faculty of Architecture in the same University. They were also interviewed on a live program at the disappeared Radio Umbral, and invited to publish an article of their work in the fanzine Marginal Music.\" - Bio.\u003c\/span\u003e\u003c\/p\u003e","brand":"Hueso","offers":[{"title":"LP","offer_id":37927942422717,"sku":"","price":38.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/a3920664507_10.jpg?v=1610991789"},{"product_id":"va-oz-echoes-diy-cassettes-and-archives-1980-1989-efficient-space-australia-lp","title":"V\/A - Oz Echoes: DIY Cassettes and Archives 1980-1989","description":"\u003cp\u003e\"Oz Echoes peels away another layer of Australia's '80s DIY hive mind. The Oz Waves (EFFICIENT 004LP, 2017) successor exposes a deeper circuit of micro-run cassettes, community radio archives and irrationally abandoned studio sessions, as Steele Bonus sequences a ten-track compendium of drone pop, psyche-electronics and agitated tape cut-ups. From the Sydney cassette network, The Horse He's Sick returns with an industrial car crash, alongside Wrong Kind of Stone Age's pagan cacophony and primal riddims. M Squared dynamo Patrick Gibson appears in both Height\/Dismay and Mr Knott, his respective studio-as-an-instrument collaborations with Dru Jones (Scattered Order) and ex-Slugfucker Gordon Renouf -- the former's worn out apparition hails from an instantly deleted 1981 7\", while Mr Knott entrust one of the compilation's five previously unreleased tracks. Matt Mawson represents Brisbane music media-printed matter collective ZIP, as Adelaide's Three D Radio grants access to their vaults of live-to-air recordings and aspiring demo submissions, rescuing the slap-happy punk-funk of The Frenzied Bricks and Jandy Rainbow's prodigious beginnings in Les Trois Etrangers and Aeroplane Footsteps. Synchronously in Melbourne, Ash Wednesday (Karen Marks, The Metronomes) leads Modern Jazz's improvised proto-techno and EBM pioneers Shanghai Au Go-Go home record their sardonic synth-wave. A cherry-picked cast of unusual suspects, Oz Echoes' unfamed artist and non-band narratives are detailed by track-by-track liner notes with rarely published archival visions and artwork from Video Synth, prompting further rabbit hole ventures into this golden era of creative risk-taking and instant action. Includes download code.\" - Efficient Space .\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/54j_laPMd2s\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/q7mDu6Cl35o\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/4b2NZ8ccwMg\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Efficient Space","offers":[{"title":"LP","offer_id":40146621366461,"sku":"","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/EFFICIENT018LP_CU.jpg?v=1625238930"},{"product_id":"parker-evan-collected-solos-otoroku-uk-4lp-box-cassette","title":"PARKER, EVAN - Collected Solos","description":"\"OTOROKU present a reissue of Evan Parker's legendary box set Collected Solos. Originally issued in 1989 and long ago sold out, Collected Solos brings Evan Parker's first four solo LPs issued on Incus -- Saxophone Solos (1976), The Snake Decides (1986), Monoceros (1978), and Six of One (1982) -- together, alongside a cassette featuring extra cuts from the sessions at FMP studios which didn't make it onto Saxophone Solos, and an accompanying booklet written by the late writer, Paul Haines. Housed in a specially made and screen-printed box and numbered in an edition of 250, the collection celebrates Evan Parker's remarkable commitment to a creative life and work. \"Years on we are still interested, fascinated and compelled to listen to this physical, spectacular and wholly original music at the heart of Evan's remarkable creative living. It is an inspiring example, study and celebration of commitment to creating (in) life.\" - Seymour Wright.","brand":"Otoroku","offers":[{"title":"4 LP \u0026 Cass Box","offer_id":40146628509885,"sku":"","price":160.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/ROKURE011LP_CU.jpg?v=1625239002"},{"product_id":"marchetti-lionel-la-grande-vallee-micro-climat-recollection-grm-austria-lp","title":"MARCHETTI, LIONEL - La grande vallee \/ Micro-climat","description":"\u003cp\u003e\"I wonder if my fascination for clouds (without being an obsession) may have risen at the end of the '80s as, whilst composing 'Micro-climat', I would regularly wander between the Vercors mountains and the high plateaus of the Monts du Forez discovering, through my eyes, body, breath, active observation and walk, that natural forms when constantly changing and yet swollen with a unity of matter (in this instance, water) open one up to a deep, fundamental breath and a clear field for the mind. The sky and its forces: our ally. A model for a natural music which, although fixed, as in musique concrète (a rule of the genre), moreover on a recording tape, will remain charged with such a poetic quality that (isn't it its role or rather its reality?) it will ensure a perpetual renewal for our senses, so as to reach another idea of the world, far more open and richer than what we could have imagined.\" --Lionel Marchetti, 2011. \"Lionel Marchetti is a major figure of the 'third generation' of concrète musicians, a term he values. Listening to these works, imbued with poetry and traversed by micro-narratives, one can indeed retrieve the original concrète spirit, the one that draws from the sonic world, with ears wide open, so as to extract a fertile, rich and multiple substance then shaped and conveyed towards a formal and musical abstraction. Lionel Marchetti has mastered this process, but his real distinctive feature is a truly unique talent for setting climates (as one sets traps) and keeping us on constant alert. The two pieces in this record perfectly illustrate the entrancing dimension of Lionel Marchetti's music, whose charm leads us, through each successive listening, to become voluntary captives so as to better liberate ourselves.\" --François Bonnet, Paris, 2020. \"La grande vallée\": Musical composition, design and sound production carried out at the INA grm Studios (Paris) in 1993\/95; Original audio recordings in the Drôme and the Mont Ventoux areas \"Micro-climat\" is the first movement of the Sirrus cycle (Micro-climat, Passerelle, Sirrus) composed in 1989\/90; Musical composition, sound design and production, audio recordings in 1989\/90 at the CFMI studios in Lyon (Lumière University, Lyon 2). Mastered by Giuseppe Ielasi; Cut by Andreas Kauffelt at Schnittstelle, Berlin, November 2020; Translations: Valérie Vivancos; Layout: Stephen O'Malley.\" - Recollection Grm.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/tRn_uKiL4OY\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Recollection GRM","offers":[{"title":"LP","offer_id":40146631098557,"sku":"","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/REGRM026LP_CU.jpg?v=1625239017"},{"product_id":"ron-anderson-fever-dream","title":"ANDERSON, RON - Fever Dream","description":"\u003cp\u003eSealed copies of this 1987 release, first customers will get the few copies with printed hype stickers. \"Electronic: Future Jazz, Synth-pop, Experimental\"\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"main_2FbVC\"\u003e\n\u003csection id=\"release-notes\" class=\"section_9nUx6 open_BZ6Zt\"\u003e\n\u003cdiv class=\"content_1TFzi\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul class=\"list_1HutQ\"\u003e\n\u003cli\u003e\n\u003cspan class=\"role_2ga14\"\u003eAlto Saxophone, Soprano Saxophone\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/250513-Ken-Clare\"\u003eKen Clare\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role_2ga14\"\u003eComposed By [All Music Composed], Producer [Produced By], Artwork\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/250512-Ron-Anderson\"\u003eRon Anderson\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role_2ga14\"\u003eGuitar [Guitars], Bass, Synthesizer [Synthesizers], Percussion, Drum Programming\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/250512-Ron-Anderson\"\u003eRon Anderson\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role_2ga14\"\u003eOboe, English Horn, Tenor Saxophone\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003ca class=\"link_1ctor link_15cpV\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/artist\/250511-Ed-Rollin\"\u003eEd Rollin\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"readmore uncropped\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"readmore uncropped\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"readmore uncropped\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\"Ron Anderson was born in Jersey City, New Jersey in 1959.  He is a self-taught rock composer who starting experimenting with new rock concepts, noise, free improvisation while in high school in the mid 1970’s. In 1980 he was one of the founding members of Rat At Rat R in Philadelphia. He moved to New York City’s Lower East Side in 1982. He started working in his home recording studio experimenting with tape editing, found sounds, noise, and improvisation. He combined these elements with composition and released his first LP entitled\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eFever Dream\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ein 1987.  Ron moved to Oakland, CA in 1989 and shortly thereafter formed The Molecules; they released a total of 6 CD’s.  He and The Molecules were introduced to the European music community at the Musique Action Festival in Nancy, France in 1993 and since then he has been a regular on the European festival and club circuit, as well as touring in Japan, Canada and the United States. After living in Geneva, Switzerland for one year, he moved back to New York City in 1999 where he formed PAK. He has collaborated with many musicians on numerous projects.  He appears on over 70 releases, most recently in 2018 PAK\" - Bestial. \u003c\/p\u003e\n\u003cp\u003eFrom LP cover hype sticker:\u003c\/p\u003e\n\u003cp\u003e\"Fever Dream is the first solo lp by Ron Anderson a former member of New York bands Rat At Rat R and Yellow Tang, composer of scores for National Public Radio and the Robert Small Dance Company.  \u003c\/p\u003e\n\u003cp\u003e\"The best pieces are splendidly eccentric and evocative. The title number is a languid oboe solo with accompaniment that sounds like sighing electronic bagpipes. (The Point) begins with a playful dialogue between percussion and bubbling electronic base, and ends with some richly textured middle eastern synth-guitar explorations.  Side two opens with the twisted honking funk of (Closed An Open Door), moved into a demented chanting chorus and fat, Zappa-like synthline, and ends with the watery base synth ambiance of (Rainwater), which borders on new age, but is ultimately too strange and mournful to fit into that category.\" -Bill Tillard, \u003cem\u003eOPTION\u003c\/em\u003e. \u003c\/p\u003e\n\u003cp\u003e\"Ron Anderson displays an innovative talent.  Occasionally Ron's guitar forays may resemble Steve Tibbetts, or the eccentric rock structures call to mind Fred Frith's recent recordings, but on the whole this is just exceptional music that should be judged on its own merits, full of experimentation and fresh ideas. Startling, challenging and rewarding.\" -Alan Freeman, \u003cem\u003eAudion. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/uFRBQc2ORdU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e","brand":"Tragic Mule","offers":[{"title":"LP","offer_id":40530106122429,"sku":"","price":22.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-365427-1113694044_jpg.jpg?v=1629818872"},{"product_id":"aube-voltanic-valley","title":"AUBE – Voltanic Valley","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"AUBE are 60 parts of limited release from Perverse Series in 1995 - Voltanic Valley will cassette relapse. \u003c\/span\u003e\u003cspan\u003eUsing only 1VCO as the material, the illusionary and best noise sound that emerges with precise mixing and effects will still allow listeners to discover new sensations 26 years after its release. \u003c\/span\u003e\u003cspan\u003eIt was digitized from a master tape and dubbed one by one on the legendary Nakamichi cassette deck with automatic recording head azimuth adjustment. \u003c\/span\u003e\u003cspan\u003eBased on the original artwork and photographs, the jacket with a double structure (color photographs and transparent sheets) has been reproduced and housed in sandpaper and wire.\" - \u003cmeta charset=\"utf-8\"\u003eAdvaita\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1753535103\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdition of 100 hand numbered copies. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ePackaged in double layer (color photograph and transparency) cover which is wrapped in sandpaper and tied shut with wire. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAll Composed Recorded And Designed By Akifumi Nakajima At Studio MECCA Kyoto Spring 1995 Using 1 Voltage Controlled Oscillator As Material.\u003c\/span\u003e\u003c\/p\u003e","brand":"Advaita","offers":[{"title":"Cass","offer_id":40753963794621,"sku":"","price":22.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-20250826-1631785382-3772_jpeg.jpg?v=1632499504"},{"product_id":"nace-bill-paul-flaherty-touchless","title":"NACE, BILL \u0026 PAUL FLAHERTY - Touchless","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded March 20, 2009 (from \"No, the Sun\" LP session). Edition of 150 w\/ cover art Paul Flaherty and silkscreened by Alan Sherry\/SIWA.\u003c\/span\u003e","brand":"Open Mouth","offers":[{"title":"Vinyl","offer_id":42111828164827,"sku":"","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-21033847-1637273388-5312_jpeg.jpg?v=1637948249"},{"product_id":"copy-of-cherry-don-om-shanti-om","title":"CHERRY, DON - Om Shanti Om","description":"Repressed. \"An amazing document of the life experiment that was the Organic Music Society. This super quality audio, recorded by RAI (the Italian public broadcasting company) in 1976 for television, documents a quartet concert focused on vocals compositions and improvisations. Here, Don Cherry and his family-community's musical belief emerges in its simplicity, with the desire to merge the knowledge and stimuli gained during numerous travels across the World in a single sound experience. Don's pocket-trumpet is melted with the beats of the great Brazilian percussionist Nana Vasconcelos, the Italian guitar of Gian Piero Pramaggiore, and the tanpura drone of Moki. A pure hippie aesthetic, like in an intimate ceremony, filters a magical encounter between Eastern and Western civilizations, offering different suggestions of sound mysticism: natural acoustics in which individual instruments and voices are part of a wider pan-tribal consciousness. A desert Western landscape marries Asian and Latin atmospheres. Indigenous contributions with berimbau explorations find fossil sounds of rattles and clap-hands invocations. Influences of Indian mantra singing are combined with eternal African voices or with folkish-Latin guitar rhythms, while flute and drums evoke distant dances. In the Organic Music everything becomes an act of devotion and love, an ecstatic dwell in the dimension of a sacred free-rejoice.\" - Black Sweat.","brand":"Black Sweat","offers":[{"title":"LP","offer_id":42195023626459,"sku":"","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/BS058LP_CU.jpg?v=1639671069"},{"product_id":"frenzied-bricks-the-the-frenzied-bricks-efficient-space-australia-7","title":"FRENZIED BRICKS, THE - The Frenzied Bricks","description":"\u003cp\u003e\"Crossing over to Adelaide, odd wave minor players The Frenzied Bricks completely bypassed the history books with indifference. This madcap union of school friends Chris Merchant and David McCarthy cut void-entering motorik and weirdo monologues in bedrooms and suburban rehearsal studios. Rumored to be an individual, they never bothered to disprove the gossip with live performance. They did however submit aspiring demos to community radio station 5MMM, where they were fortuitously stored for four decades. The 7\" marks the non-band's debut release, combining two should-be classics from the vault. \"(Can I) Bridge The Gap\" apathetically tunnels with Neu! Order energy, dual bass and McCarthy's laconic vocal delivery, while their only instrumental \"Entropy\" calls in guitarist and unofficial Brick Dave Warren to send the TR-808 into the stratosphere. Unknown until now, this is down under synth-wave at its finest. The Frenzied Bricks is pressed in an edition of 327 hand stamped white labels, wrapped in white ink printed colored card.\" - Efficient Space.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1358086103\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Efficient Space","offers":[{"title":"7\"","offer_id":42467347988699,"sku":"","price":18.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/EFFICIENT025EP_CU.jpg?v=1644688191"},{"product_id":"ambarchi-oren-live-hubris-black-truffle-australia-lp","title":"AMBARCHI, OREN - Live Hubris","description":"\u003cp\u003e\"Black Truffle announce Live Hubris, documenting the hypnotic and electrifying live performance of Oren Ambarchi's 2016 LP Hubris (EMEGO 227CD\/LP) by a fifteen-strong band at London's Café Oto. Over three days in May 2019, Oto toasted Oren Ambarchi at 50\/Black Truffle at 10 with Ambarchi and a large group of close friends and collaborators in a series of performances that interspersed existing projects with new collective endeavors, culminating with this: fourteen members of the extended Black Truffle family together on stage, joined by one special virtual guest, to translate the intricately studio-constructed layers of Hubris into a muscular live band workout. Operating with only the bare minimum of pre-gig preparation after the planned afternoon rehearsal had to be wrapped up prematurely due to noise complaints, the gargantuan group lurches into motion with a 21-minute rendition of \"Hubris Part 1\", powered by the pulsating electronics of Konrad Sprenger and no less than seven electric guitars spinning a web of intricately interlocking palm-muted polyrhythms. The layers of closely related but metrically distinct lines create ripples of shifting accents, flickering changes in emphasis that ricochet along the endless central pulse. Gradually building in density, this motorik continuum becomes the backdrop for the haunting tones of Eiko Ishibashi's processed flute and an extended feature from long-distance guest Jim O'Rourke on guitar synth. After the brief interlude of the second part, where Albert Marcoeur-esque guitar arpeggios accompany a halting attempt at phone conversation, the full ensemble gears up for the epic side-long rendition of \"Hubris Part 3\". Now joined by the astonishing triple drum line-up of Joe Talia, Will Guthrie and Andreas Werliin, the layered pulse of the opening piece becomes a burning funk-fusion groove. Beginning on a medium simmer, the ensemble initially sticks to its pulsating one-note mantra, over which Ambarchi unfurls a beautiful example of his signature shimmering Leslie-toned guitar harmonics, eventually joined by Ishibashi's flute and some brooding, distorted dissonance from Julia Reidy's guitar. Building steadily for the first nine minutes, the heat then rises dramatically with a first, gloriously loose chord change: with the all drummers now rolling and tumbling like a twice-cloned Jack DeJohnette circa 1970, Mats Gustafsson enters on baritone, his tortured roars and shrieks driving the band to peaks of insane intensity. Finally, the exhausted ensemble drops out, leaving only the jagged, skittering fuzz of Ambarchi's guitar, brought to an abrupt conclusion at the command of crys cole. Also features Johan Berthling, François J Bonnet, Francis Plagne, James Rushford, and Adam Scheflan. Hot pink vinyl with artwork by Lasse Marhaug; includes an extensive selection of live photos by Ivan Weiss and Fabio Lugaro.\" - Black Truffle.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1990140267\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Black Truffle","offers":[{"title":"LP","offer_id":42708515487963,"sku":"","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/BT083LP_CU.jpg?v=1649947392"},{"product_id":"v-3-no-one-speaks-my-language-here","title":"V-3 - No One Speaks My Language Here","description":"\u003cp\u003e\"As I was reviewing V3's cycle of works from early 1986 to the end of Roxanne Newman's' tenure in late 1991, I became increasingly flabbergasted at the band. At the time I just wasn't paying attention to the writing and production. I was focused on trying to keep the balance between our love of exploration and our focus on creating what I would call weirdo pop. In hind sight I see where I greatly underestimated our advance way of making music. What ended up on the 3 releases of that era was only the tip of the iceberg. Hopefully with this release a glimpse into the inner workings of that era can be evaluated. Basically V3 can be divided into two parts: with Roxanne and without Roxanne. After Rudy and I left the band Jim chose to slowly move away from V3 and focus more on his solo work. While Leland Cain and Sam Brown brilliantly held up the Flag of the old material, the creative experimentation and exploration was gone. Once Jimbo acquiesced to the need for sales he was faced with a choice. He had to either become an artistic renegade, or become the major label organ grinder's monkey tipping its hat for spare coin. Even though Jim and I could write pop till the cows came home that was not our strict passion. Roxanne on the other hand focused more on the substance and meaning of her occult training; which shined like refracted light through the prism of her love for Jim. I've always said that she never got credit for her achievement. Just listen to her guitar work on Prime Mister Keys or Forever Low Man. Keep in mind that she had no training in playing guitar at that point. Or, add to this her songwriting skill that can be seen in songs like The Mystic or I Heard It, It Calls Me and you'll soon grasp her highly refined skill-set. She had the whole package. She could play, write and sing. Plus, she was sexy eye candy for the boys. Hopefully this peek will provide fans and critics alike a re-evaluation of the early V3 phenomena. Truly, Rudy, Roxanne, me and Jim were a rare blend of artistic equals the world will be hard pressed to duplicate, let alone supersede.\" -Nudge Squidfish 2021.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\"Nudge Squidfish’s liner notes spell it out in perfect Squid fashion. This period of V-3 wasn't focusing exclusively on The J-Man. Please don't get me wrong Jim Shepard’s incendiary riffs and reptilian vocal dalliances swerve in and out of these recordslike a drunken Cubist painter taking revenge on post modern art, but this original line-up of V-3 had a secret-siren-weapon in fishnets and black leather named Roxanne Newman. Her Breathless New Wave vocals add not only another layer to thiscarnivorous band's sound, but there's no question that Jim and Roxanne were the Frankie \u0026amp; Albert of the late '80s musical menagerie in Columbus, Ohio. On these three new V-3 releases everything generates and is ultimately destroyed. From Rudy Crash 'n' Burn’s King Kong drumming to Squid's omnipresentbass lines engulfing you in their Baby Jane treachery and Bo Peep loneliness, the music holds you hostage on a Dog Day Afternoon in Hell. This is a band record. Roxanne and Squid wrote or co-wrote many of these songs taking us to other territories where fear bottoms out and hopelessness swallows you whole. You have no choice but to listen as V-3 drives you into a ditch and fucks you in your skullbank for good measure.\"\u003cbr\u003e-Charles Cicirella\u003c\/p\u003e","brand":"Bravecloud","offers":[{"title":"LP","offer_id":43426938814683,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/MDEtNTQ0OS5qcGVn.jpg?v=1664293173"},{"product_id":"copy-of-v-3-no-one-speaks-my-language-here","title":"V-3 - Hit Dead Center With My Disease","description":"\u003cp\u003e\"As I was reviewing V3's cycle of works from early 1986 to the end of Roxanne Newman's' tenure in late 1991, I became increasingly flabbergasted at the band. At the time I just wasn't paying attention to the writing and production. I was focused on trying to keep the balance between our love of exploration and our focus on creating what I would call weirdo pop. In hind sight I see where I greatly underestimated our advance way of making music. What ended up on the 3 releases of that era was only the tip of the iceberg. Hopefully with this release a glimpse into the inner workings of that era can be evaluated. Basically V3 can be divided into two parts: with Roxanne and without Roxanne. After Rudy and I left the band Jim chose to slowly move away from V3 and focus more on his solo work. While Leland Cain and Sam Brown brilliantly held up the Flag of the old material, the creative experimentation and exploration was gone. Once Jimbo acquiesced to the need for sales he was faced with a choice. He had to either become an artistic renegade, or become the major label organ grinder's monkey tipping its hat for spare coin. Even though Jim and I could write pop till the cows came home that was not our strict passion. Roxanne on the other hand focused more on the substance and meaning of her occult training; which shined like refracted light through the prism of her love for Jim. I've always said that she never got credit for her achievement. Just listen to her guitar work on Prime Mister Keys or Forever Low Man. Keep in mind that she had no training in playing guitar at that point. Or, add to this her songwriting skill that can be seen in songs like The Mystic or I Heard It, It Calls Me and you'll soon grasp her highly refined skill-set. She had the whole package. She could play, write and sing. Plus, she was sexy eye candy for the boys. Hopefully this peek will provide fans and critics alike a re-evaluation of the early V3 phenomena. Truly, Rudy, Roxanne, me and Jim were a rare blend of artistic equals the world will be hard pressed to duplicate, let alone supersede.\" -Nudge Squidfish 2021.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\"Nudge Squidfish’s liner notes spell it out in perfect Squid fashion. This period of V-3 wasn't focusing exclusively on The J-Man. Please don't get me wrong Jim Shepard’s incendiary riffs and reptilian vocal dalliances swerve in and out of these recordslike a drunken Cubist painter taking revenge on post modern art, but this original line-up of V-3 had a secret-siren-weapon in fishnets and black leather named Roxanne Newman. Her Breathless New Wave vocals add not only another layer to thiscarnivorous band's sound, but there's no question that Jim and Roxanne were the Frankie \u0026amp; Albert of the late '80s musical menagerie in Columbus, Ohio. On these three new V-3 releases everything generates and is ultimately destroyed. From Rudy Crash 'n' Burn’s King Kong drumming to Squid's omnipresentbass lines engulfing you in their Baby Jane treachery and Bo Peep loneliness, the music holds you hostage on a Dog Day Afternoon in Hell. This is a band record. Roxanne and Squid wrote or co-wrote many of these songs taking us to other territories where fear bottoms out and hopelessness swallows you whole. You have no choice but to listen as V-3 drives you into a ditch and fucks you in your skullbank for good measure.\" - Charles Cicirella.\u003c\/p\u003e","brand":"Bravecloud","offers":[{"title":"LP","offer_id":43427021029595,"sku":null,"price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/NTktMTI2OS5qcGVn.jpg?v=1664294168"},{"product_id":"copy-of-copy-of-v-3-hit-dead-center-with-my-disease","title":"V-3 - The Enemy Within","description":"\u003cp\u003e\"As I was reviewing V3's cycle of works from early 1986 to the end of Roxanne Newman's' tenure in late 1991, I became increasingly flabbergasted at the band. At the time I just wasn't paying attention to the writing and production. I was focused on trying to keep the balance between our love of exploration and our focus on creating what I would call weirdo pop. In hind sight I see where I greatly underestimated our advance way of making music. What ended up on the 3 releases of that era was only the tip of the iceberg. Hopefully with this release a glimpse into the inner workings of that era can be evaluated. Basically V3 can be divided into two parts: with Roxanne and without Roxanne. After Rudy and I left the band Jim chose to slowly move away from V3 and focus more on his solo work. While Leland Cain and Sam Brown brilliantly held up the Flag of the old material, the creative experimentation and exploration was gone. Once Jimbo acquiesced to the need for sales he was faced with a choice. He had to either become an artistic renegade, or become the major label organ grinder's monkey tipping its hat for spare coin. Even though Jim and I could write pop till the cows came home that was not our strict passion. Roxanne on the other hand focused more on the substance and meaning of her occult training; which shined like refracted light through the prism of her love for Jim. I've always said that she never got credit for her achievement. Just listen to her guitar work on Prime Mister Keys or Forever Low Man. Keep in mind that she had no training in playing guitar at that point. Or, add to this her songwriting skill that can be seen in songs like The Mystic or I Heard It, It Calls Me and you'll soon grasp her highly refined skill-set. She had the whole package. She could play, write and sing. Plus, she was sexy eye candy for the boys. Hopefully this peek will provide fans and critics alike a re-evaluation of the early V3 phenomena. Truly, Rudy, Roxanne, me and Jim were a rare blend of artistic equals the world will be hard pressed to duplicate, let alone supersede.\" -Nudge Squidfish 2021.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\"Nudge Squidfish’s liner notes spell it out in perfect Squid fashion. This period of V-3 wasn't focusing exclusively on The J-Man. Please don't get me wrong Jim Shepard’s incendiary riffs and reptilian vocal dalliances swerve in and out of these recordslike a drunken Cubist painter taking revenge on post modern art, but this original line-up of V-3 had a secret-siren-weapon in fishnets and black leather named Roxanne Newman. Her Breathless New Wave vocals add not only another layer to thiscarnivorous band's sound, but there's no question that Jim and Roxanne were the Frankie \u0026amp; Albert of the late '80s musical menagerie in Columbus, Ohio. On these three new V-3 releases everything generates and is ultimately destroyed. From Rudy Crash 'n' Burn’s King Kong drumming to Squid's omnipresentbass lines engulfing you in their Baby Jane treachery and Bo Peep loneliness, the music holds you hostage on a Dog Day Afternoon in Hell. This is a band record. Roxanne and Squid wrote or co-wrote many of these songs taking us to other territories where fear bottoms out and hopelessness swallows you whole. You have no choice but to listen as V-3 drives you into a ditch and fucks you in your skullbank for good measure.\"\u003cbr\u003e-Charles Cicirella\u003c\/p\u003e","brand":"Bravecloud","offers":[{"title":"LP","offer_id":43427027779803,"sku":null,"price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/MDctOTQ3MC5qcGVn.jpg?v=1664294278"},{"product_id":"v-a-danish-tape-amateurs-1959-1976","title":"V\/A - Ghost Riders","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Includes printed inner sleeves. A North American road trip of coming-of-age garage soul mapped by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eIvan Liechti\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eGhost Riders\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is Efficient Space's latest narrative compilation, hovering in a liminal emotional ravine between moonlight melancholy, teenage heartache, and unchecked, unrealized ambition. Across seventeen open hearted ballads recorded 1965-1974, the album collects and connects dots between British Invasion fanatics, child prodigies, the loners and the luckless, in a kind of trans-continental survey of those swept up in rock n' roll mania and buoyed by local newspaper ads promising fame and gold records. From the tangerine dreams of eight grade all-girl combo \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Mod 4\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e to the tri-state jukebox aspiring echoes of \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Tempters\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Yardleys\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e' poetic Farfisa vamp and lilting folk pop, and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Landlords\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e' weepy break up B-side blues, these are mostly one shots by dreamers whose experience was brief before being checked back to the reality of suburban normality and realistic career options. Hailing from the regional backwaters of Illinois, Arkansas, Nevada, Massachusetts, Ohio, Idaho, Texas, and beyond, the licensed artists were scouted by way of local fire departments, spiritualist fellowships and animal welfare centers, often barely a stone's throw from where their contributions were originally laid. A barely teenage \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDennis Harte\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e's \"Summer's Over\" perhaps best taps the collection's essence. A gut-wrenching lament of the passing of the season as if it was the last on earth. Flanked by players from \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Left Banke\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, Harte, a now-piano tuner to the stars, is from the minor segment that found longevity in showbiz. Likewise with Michigan icon \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLyn Nowicki\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e who cast her ghostly voice over \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBeatles\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e cover song chameleons \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Common People\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJerry McGee\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, The \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eVentures\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e member and conduit of \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDr. John\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e's \"Twilight Zone\". \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eGhost Riders\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e simmers with the scent of youthful summers, the pang of schoolyard romance, and the excitement (and disenchantment) of teenage naïveté, delivered via a deceptively simple and frequently wonky garage band set-up. The vision of record collector and graphic designer Ivan Liechti, these eternal psych-folk howlers are further crystallized by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eColin Young\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e's fastidious audio restoration, the original artwork of \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eElise Ganebin-de Bons\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and an aptly penned forward from \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eSonic Boom\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Also features \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDecompressed Impossibility\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Living End\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Newports\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Landlords\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Prisners Dream\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Fortels\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Bohemians\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eTresa Leigh\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eWM. Penn \u0026amp; The Quakers\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eCarroll\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eToe Head\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\" - Efficient Space.\u003c\/span\u003e\u003cbr\u003e","brand":"Efficient Space","offers":[{"title":"Double LP","offer_id":43458983952603,"sku":"","price":38.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/EFFICIENT022LP_CU.jpg?v=1664900829"},{"product_id":"incapacitants-feedback-of-n-m-s-urashima-italy-2lp","title":"INCAPACITANTS - Feedback of N.M.S.","description":"\"Reissue, originally released in 1991. Incapacitants are the best noise band to ever come out of Japan; the group was formed in 1981 in Osaka, as the solo project of Toshiji Mikawa, a member of the amazing noise group Hijokaidan. Mikawa later moved to Tokyo, where he joined with Fumio Kosakai (also an occasional member of Hijokaidan, as well as a former member of C.C.C.C.) to make Incapacitants a duo and they released its first album Feedback of N.M.S. on Alchemy Records CD in 1991. Sometimes it's the result of luck. In others it's due to years of rigorous work or through unlikely combinations of individual creative practices. In the case of Feedback of N.M.S., the first release to feature the collaborative duo of Mikawa and Kosakai, all three are in play. Comprising three tracks of visionary expression -- incorporating elements of junk metal, modular synthesis, hand-made noisy objects, and real-time instrumental and vocal improvisation -- it encounters each artist entering a new stage of their career, harnessing the challenges posed by the other as a means to drive toward new creative unknowns. Central to this is the pair's unique approach to structure and form, in addition to their chosen instruments and electronics. The first track \"Curse Of Ceauşescu\", played on two sides of the first vinyl is something incredible. A truly stunning, visionary expanse of texture and tonality -- pushing noise practice and the very notions of language into uncharted realms. The others two tracks that fill the sides of the second vinyl complete this masterpiece increasingly pushing into more constrained of electronics phenomena, site specific resonance, and complex harmonic interplay, that consistently rethink the terms of noise, infusing it with tension, dissonance, and a deeply emotive, human touch. An absolutely masterful piece of work, threaded with risk, ambition, raw immediacy, and precision. While astounding artists in their own right, deserving every bit of the accolades they've thus far received, Toshiji Mikawa and Fumio Kosakai seem capable of something profound together that has yet to have heard. Feedback of N.M.S. is everything you would hope to hear from an experimental endeavor and so much more. Includes six cards reproducing Takuya Sakaguchi's original drawings and adding an unreleased drawing and extensive notes in Japanese and English; edition of 299.\" - Urashima .","brand":"Urashima","offers":[{"title":"Double LP","offer_id":43517789470939,"sku":"","price":42.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/UMA163LP_CU_ecadedba-35cd-4a71-802e-c06b883fe59c.jpg?v=1672931639"},{"product_id":"higgins-dick-a-something-else-reader-ingram-publisher-services-book","title":"HIGGINS, DICK - A Something Else Reader","description":"\"A previously unpublished anthology of classic texts from Something Else Press, assembled in the 1970s by Dick Higgins, with works by John Cage, Al Hansen, Claes Oldenburg and many more  Conceived by poet, publisher, artist, composer and writer Dick Higgins (1938-98) in the early 1970s to celebrate Something Else Press -- the legendary publishing company he founded in 1963 to showcase Fluxus and other experimental artists -- this volume, which was never realized in Higgins' lifetime, collects an amazing array of 1960s avant-garde creativity. Something Else Press published some of the most radical art and literature of its time and provided a foundation and template for the artist's book medium, which has flourished internationally since the 1960s. The Reader features selections from rare and out-of-print Something Else classics such as Claes Oldenburg's Store Days; John Cage's Notations; Emmett Williams' An Anthology of Concrete Poetry; Richard Kostelanetz's Breakthrough Fictioneers anthology; Jackson Mac Low's pioneering poetry collection, Stanzas for Iris Lezak; Gertrude Stein's Matisse Picasso and Gertrude Stein; Bern Porter's I've Left; Wolf Vostell's Dé-coll\/age Happenings; Al Hansen's A Primer of Happenings \u0026amp; Time\/Space Art; and other pamphlets and artist projects for the page by Robert Filliou, Ian Hamilton Finlay, Alison Knowles, Nam June Paik, Philip Corner, Daniel Spoerri, André Thomkins and Richard Meltzer, among others. A critical checklist\/bibliography assembled by Hugh Fox and Higgins' introduction from 1973 completes the original manuscript.\" 369 pages. 6x9.25 inches.\" - Ingram Publisher Services.","brand":"Ingram Publisher Services","offers":[{"title":"Book","offer_id":43517790159067,"sku":"","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/9781737797920_CU_08388887-1f99-4eeb-ae8c-0d333fb89829.jpg?v=1671052439"},{"product_id":"art-of-primitive-sound-w-maioli-strumenti-musicali-della-preistoria-il-paleolitico-black-sweat-records-italy-cd","title":"ART OF PRIMITIVE SOUND (W. MAIOLI) - Strumenti Musicali Della Preistoria: Il Paleolitico","description":"\"Art Of Primitive Sound is a sensational journey to the origin of music. In his crucial research chapter on the Paleolithic, Walter Maioli between 1986 and 1991 investigates the soundscape of different geographical, climatic, and botanical environments, in which the mystery of the ancient human-nature relationship resides. What emerges is an expanded and unprecedented Paleorganology, with a range of acoustic and natural instruments from all over the world. Rubbing of fossils, animal artifacts, plant elements of all sorts, everything becomes sound and each object opens up forms of imaginary communication, psychic effect and unexplored languages. Whistles, flutes, leaf, and shell rattles, rhombuses, horns, bone pipes, slate slabs, bamboo arches, stones, vertebrae, seeds, stalagtites etc. How great can be the natural orchestra inherent in the spirit of forests, rivers, caves, seas, swamps or Amazon jungles? Thanks to an interdisciplinary partnership (Anthropology, Archaeology, Botany, Ethnomusicology) of collaborating friends, Maioli directs an opera of universal character inspired by the archaic essence of sound and infrasonic dimension.\" - Black Sweat Records .","brand":"Black Sweat","offers":[{"title":"CD","offer_id":43517790486747,"sku":"","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/BS073CD_CU_6410aa9e-6e86-4823-b845-999876300438.jpg?v=1672931661"},{"product_id":"climax-golden-twins-climax-golden-twins-fire-breathing-turtle-2lp","title":"CLIMAX GOLDEN TWINS - Climax Golden Twins","description":"\"The first new Climax Golden Twins record in many years. Founded in 1993 by Robert Millis and Jeffery Taylor, Climax Golden Twins is perhaps best known for the soundtrack to Session Nine (directed by Brad Anderson in 2001, original soundtrack on Milan International). CGT have released ambient recordings (Lovely on Anomalous Records), compilations of rare 78rpm shellac records (the Victrola Favorites book on Dust-to-Digital), field recording, collage, and musique concrète experiments (Dream Cut Short in the Mysterious Clouds on the Japanese Meme label), and instrumental rock, noise, and improv (5 Cents A Piece on Abduction Records and Imperial Household Orchestra on Scratch). Their new double-LP continues many of these threads and features contributions by friends from Seattle's vibrant music scene and beyond including Alan and Richard Bishop (Sun City Girls), Ko Ishikawa (master Japanese sho player), Greg Kelley (extended trumpet technique specialist), Porest (Sublime Frequencies' Mark Gergis), members of Kinski, Diminished Men, the A Frames, Dreamsalon, and more. The last official Climax Golden Twins release of new sounds was 2008's Journal of Popular Noise. In the years since, CGT composed the score to the film Chained (directed by Jennifer Chambers Lynch in 2012), united with Seattle's A Frames to record a few LPs as AFCGT (including one on Sub Pop), released further Victrola Favorites cassettes and CDs, and continued to perform live. In addition, Jeffery Taylor plays with the improv outfits Hound Dog Taylor's Hand and Spider Trio, while Robert Millis has released solo recordings, pursued installation and sound art projects, plays with Idol Ko Si and has worked extensively with the Sublime Frequencies record label (producing Indian Talking Machine and Paris to Calcutta: Men and Music on the Desert Road (SF 112CD) in addition to films and compilations of music from Korea, Thailand, Japan, Myanmar, and more).\" - Fire Breathing Turtle.","brand":"Fire Breathing Turtle","offers":[{"title":"Double LP","offer_id":43517792092379,"sku":"","price":43.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/FBT2022LP_CU.jpg?v=1666044908"},{"product_id":"art-of-primitive-sound-w-maioli-strumenti-musicali-della-preistoria-il-paleolitico-black-sweat-records-italy-lp","title":"ART OF PRIMITIVE SOUND (W. MAIOLI) - Strumenti Musicali Della Preistoria: Il Paleolitico","description":"\"Art Of Primitive Sound is a sensational journey to the origin of music. In his crucial research chapter on the Paleolithic, Walter Maioli between 1986 and 1991 investigates the soundscape of different geographical, climatic, and botanical environments, in which the mystery of the ancient human-nature relationship resides. What emerges is an expanded and unprecedented Paleorganology, with a range of acoustic and natural instruments from all over the world. Rubbing of fossils, animal artifacts, plant elements of all sorts, everything becomes sound and each object opens up forms of imaginary communication, psychic effect and unexplored languages. Whistles, flutes, leaf, and shell rattles, rhombuses, horns, bone pipes, slate slabs, bamboo arches, stones, vertebrae, seeds, stalagtites etc. How great can be the natural orchestra inherent in the spirit of forests, rivers, caves, seas, swamps or Amazon jungles? Thanks to an interdisciplinary partnership (Anthropology, Archaeology, Botany, Ethnomusicology) of collaborating friends, Maioli directs an opera of universal character inspired by the archaic essence of sound and infrasonic dimension.\" - Black Sweat Records .","brand":"Black Sweat","offers":[{"title":"LP","offer_id":43517792649435,"sku":"","price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/BS073LP_CU_db245c39-21a2-4039-b80d-0fd3e3313d57.jpg?v=1672931680"},{"product_id":"radigue-eliane-in-memoriam-ostinato-danse-des-dakinis-alga-marghen-italy-lp","title":"RADIGUE, ELIANE - In Memoriam-Ostinato \/ Danse des Dakinis","description":"\"Alga Marghen presents the last chapter from the Feedback Works documentation series, a brand-new LP including \"In Memoriam-Ostinato\" and \"Danse des Dakinis\", two previous unreleased tracks by Eliane Radigue. Among the works of fixed duration from the feedback period, \"In Memoriam-Ostinato\" is the link between \"Jouet Electronique\" (ALGA 029LP) and \"Opus 17\" (ALGA 045LP), and allows you to understand the evolution of her approach. \"In Memoriam-Ostinato\" is a game of mirroring symbols which glide into a non-measured, bent and elastic, temporality. Eliane Radigue's working method and her aesthetic direction are evident in this work from 1969: her very own unique temporal space of sonic experiences. Even though it bears the same name as the third part of \"Adnos III\", \"Danse des Dakinis\" is a peculiar work in Eliane's oeuvre. Conceived in a short time, with all kind of tapes from the composer's past work, it fluently shows a kaleidoscopic vision of Radigue's sensibility for sound. In 1998 she put together a curious self-portrait in sound. There is a feedback ostinato conceived around 1969 and which refers to \"In Memoriam-Ostinato\" and \"Opus 17\". All through \"Danse des Dakinis\" you plunge into the sound of a creek recorded at Mills College campus that brings you back to the field-recordings from the beginning of the 1960s, made on the coasts of the Mediterranean Sea. Such elements construct \"Elemental1\" (ALGA 029LP) as well. There are also some discreet interventions on the ARP 2500 synthesizer. It is indeed a peculiar work, which doesn't have the same features of her other compositions, especially at that time of her compositional path. There is an explanation for the composer producing this kind of sound material in 1998, and not limited to the sound waves of the ARP synthesizer. Invited to a workshop at Mills College in 1998, Eliane Radigue could not load herself down with her bulky instrument on such a trip. So, she left with just a few tapes taken from her own collection, drawn from different periods, and composed \"Danse des Dakinis\" with those old elements. There is tension in this composition, a certain wildness, an unpredictability of elements, those which are recognized as fundamental elements, which give structure to the universe. \"Dance des Dakinis\" is an intimate and wild symphony, alive and unpredictable, which is to be the next-to-last gesture of the composer before completely stopping her work with electronics.\" - Alga Marghen .","brand":"Alga Marghen","offers":[{"title":"LP","offer_id":43517793927387,"sku":"","price":32.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/NMN170LP_CU_03cff34f-d638-4b43-950f-6214b871c38c.jpg?v=1672931692"}],"url":"https:\/\/www.fusetronsound.com\/collections\/february-28-2023.oembed?page=8","provider":"fusetron","version":"1.0","type":"link"}