>
<

Thirtythree Thirtythree

HAINO, KEIJI & CHARLES HAYWARD - A Loss Permitted To Open Its Eyes For But Three Hours And There Glimpsed, Finally In Focus A Mystery That Begs Earnestly...

"Full title: A Loss Permitted To Open Its Eyes For But Three Hours And There Glimpsed, Finally In Focus A Mystery That Begs Earnestly, "Ask Me Nothing" Now, Once More The Problem Is Yours Alone. Experimental music pioneer Keiji Haino, one of the most mysterious and influential figures to emerge from the Japanese psychedelic underground, teams up with Charles Hayward, British drummer and founding member of This Heat and Camberwell Now, on a new live album released on ThirtyThree ThirtyThree. A Loss Permitted... comprises a live recording of the duo's improvised performance at the Copeland Gallery in London in July 2016, presented as part of ThirtyThree ThirtyThree's performance series Japan: London. The result is fascinating: a mix of air synths, distortions, improvised Japanese poetry and warped guitar sounds. Sedate harmonica and guitar sections give way to cosmic din or an equally unnerving silence, in a performance All About Jazz described as having "no sense of logic, only silence where the tension seemed to build, then finally release". It's not the first time Haino and Hayward have worked together -- Hayward's rare album Double Agent(s)(1998) documents their improvisational sparring live in Japan in 1998. Both are restless collaborators: Haino has played with Derek Bailey, Tony Conrad, Jim O'Rourke, Pan Sonic, and Stephen O'Malley, as well as in his own groups Fushitsusha, Nazoranai, and Nijiumu, among others; while Hayward's collaborators have included Fred Frith, Thurston Moore, and Laura Cannell. A Loss Permitted... sees these two visionary musicians revisit their partnership, creating a sound that is at turns contemplative and ferocious -- and always completely compelling." - Thirtythree Thirtythree.
  • Sale
  • Regular price $31.00


After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
I understand these terms