Latest in a very long line of guitar and drums duo releases from Bailey, encompassing sessions with Han Bennink, Jamie Muir, Andrea Centazzo, John Stevens, Cyro Baptista, Tony Oxley, Susie Ibarra, Eddie Prevost, and probably several more that have slipped my mind. This is his first record with Japanese powerhouse drummer Shoji Hano, recorded at Moat Studios in London in June 2000. Hano is best known outside of Japan for his brief tenure as drummer in speedfreak rock band High Rise. But he has had an even lengthier career as an improv drummer, with his own roster of groups (including the Polybreath Percussion Band, as documented on PSFD-92) and with the likes of Peter Brotzmann and William Parker. This session with Bailey was the realisation of a long-held dream for Hano, and he was fully psyched up for the date. Baileys playing is squarely in his recent style, centering around dry note clutches and some gorgeously controlled feedback swells. Hanos drumming here sacrifices his exemplary rock motion in favour of a more pulse orientated approach. He brings a weighty presence to his work on toms especially, the result of years of rigorous training in locating the spiritual through the physical. The results are pleasingly heavy, with a density of detail that repays high-volume playback. Four tracks, two of them just under the twenty minute mark, the other two hovering around five or six minutes. Each one named after a species of fish. Very fetching picture of a monkfish on the cover, too. - Alan Cummings.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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