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Trunk

BERK, ERNEST - Electronic Music For Two Ballets

"Extraordinary unreleased homemade electronics from the late 1960s made by a pioneering ballet dancer and musician. There are very few Ernest Berkrecordings. As a pioneering ballet dancer, instructor and electronic music artist he was surprisingly prolific. He made music for all sorts of uses -- he even made library music -- and of course this very album of his music for two of his ballets. Towards the end of his life Ernest Berk gifted his entire collection of works, tapes, documents, and all to the Historical Archive Of The City Of Cologne. Tragically, in 2009, a large part of the archive collapsed (due to the construction of an underground railway) destroying 90% of everything. Berk's tapes have tragically never been recovered. They are assumed lost forever. So these two recordings -- issued privately circa 1970 -- remain precious, to say the least. There were no masters, this new pressing was simply transferred from the original copy held by his family. Trunk have done their best to restore the sound. The original notes have also been reproduced, and from what Trunk can gather, this album may well have been pressed and given away as promotion for the Dance Theatre Commune. The original album came with a small piece of paper with a geometrical squiggle stuck on the front.

Ernest Berk was born in Cologne, Germany and came to England just before the war. He started a dance company in London and wanted a sound especially suited to his experimental dance style. This he found in electronic music. Berk felt that electronic music was able to express the feelings of contemporary society in a more potent and communicative way than conventional forms of music. This is not to say he disregarded traditional forms of music, rather, he blended the best elements of both, creating a new and exciting sound. Over the years he gained an international reputation as a composer of electronic music. His works have been heard in Berlin, Cologne, Florence, Edinburgh, United States, to name a few." - Trunk.
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  • Regular price $27.00


After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.



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