{"title":"july 29, 2024","description":"","products":[{"product_id":"enhet-fr-fri-musik-lt-oss-vada-genom-all-ngslan-tillsammans","title":"ENHET FOR FRI MUSIK - Låt Oss Vada Genom All Ängslan Tillsammans","description":"\u003cp\u003eRecorded in Gothenburg, winter 2014, by Dan Johansson (Sewer Election, Neutral, etc), Sofie Herner (Neutral), Gustaf Dicksson (Blod), and Hugo Randulv (Makthaverskan). Handmade jackets in varying colors. UNPLAYED SPARE COPY OF 2015 RELEASE. FIRST RELEASE FOR THE LABEL. \u003ciframe width=\"600\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/w6obZRB6DMo\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Forlag For Fri Musik","offers":[{"title":"LP","offer_id":52009106503,"sku":"18185-F_ɬ_RLAG F_ɬ_R FRI MUSIK","price":140.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/R-6954851-1430324395-2717.jpg?v=1721482491"},{"product_id":"v-a-revolutions-per-minute-the-art-record","title":"V\/A - Revolutions Per Minute (The Art Record)","description":"\u003cp\u003eSong Cycle Records present a reissue of Revolutions Per Minute (The Art Record), originally released in 1982. Revolutions Per Minute is a two-record album of twenty-one original sound works by artists represented at that time by the Ronald Feldman Fine Arts, Inc. in New York. Each gallery artist was asked to record or provide a three-to-five minute segment for Jeff Gordons Greene Street Recording Studio. No further directions were given, and the sound works are an amazing mix. List of the artists involved: Jud Fine, Eleanor Antin, Terry Fox, Margaret Harrison, Les Levine, Hannah Wilke, Douglas Davis, Vitaly Komar \u0026amp; Alexander Melamid, Helen Mayer Harrison \/ Newton Harrison, Vincenzo Agnetti, Chris Burden, Piotr Kowalski \u0026amp; William Burroughs, Ida Applebroog, Edwin Schlossberg, SITE, R. Buckminster Fuller, Thomas Shannon, Conrad Atkinson, David Smyth, Todd Siler, and Joseph Beuys. Comes on 180 gram vinyl; Gatefold sleeve. - Song Cycle.\u003c\/p\u003e","brand":"Song Cycle","offers":[{"title":"Double LP","offer_id":52013168839,"sku":"19870-SONG CYCLE","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/CY996LP_CU.jpg?v=1621441015"},{"product_id":"fox-terry-audioworks","title":"FOX, TERRY - Audioworks","description":"\u003cp\u003e\"Song Cycle Records present a reissue of Terry Foxs Audio Works, originally released in 1983. Terry Fox (1943, Seattle-2008, Cologne) was one of the leading pioneers of American body art and conceptual art. He became famous in the 70s with performances and installations, which took their point of origin in the transformative processes of materials, and in which he used his own body as a medium for exploring often extreme psychological and physical experiences. With his lifelong exploration of sound and space, Terry Fox was also one of the pioneers of contemporary sound art. Terry Fox belongs to those artists of the 60s and 70s who radically rejected traditional art forms and sought new forms of artistic expressions. In numerous installations, performances, and street events he directed attention to everyday phenomena and aspects of social existence. He researched unknown or little regarded aspects of energy in substances and materials, most especially sound and vibration. Since the 80s Terry Fox composed objects, language, acoustic, and process-oriented events into multilayered images in space and time. In his later years, quiet sounds at the limit of audibility became more and more prominent. This collection of Terry Foxs AudioWorks was published in 1983, during the time he lived in Florence, by Maurizio Nannucci in the Recorthings series of audio cassettes on the Exit \u0026amp; Exempla label. Recorthings is a record label linked to the activities of Zona non-profit art space (1974\/1985) and to the broadcasting program Zonaradio (1981\/1983).: - Song Cycle.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"600\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/k2cX4nIBoEo\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Song Cycle","offers":[{"title":"LP","offer_id":13354270359615,"sku":"21214-SONG CYCLE","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/CY983LP_CU.jpg?v=1621441836"},{"product_id":"luc-marianni-voyage-vers-lharmonie","title":"MARIANNI, LUC - Voyage Vers L'Harmonie","description":"\u003cp\u003e\u003cstrong\u003eOriginal unplayed copies of 1983 release.\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"Luc Marianni’s 3rd album - whose title translates to \u003c\/span\u003e\u003ci\u003eJourney Towards Harmony \u003c\/i\u003e\u003cspan\u003e- was first issued in 1983 on the experimental artist’s Parisian label, Upon Tyne, alongside his other output with Rock Critics and Jean-François Papin around that same era. Inside, Marianni plays synths, sequencers, tapes, mandolin, bouzouki and electronic drums accompanied by Jean-Marc Cougrand (electronic, church and barrel organs, glockenspiel, synths, vibes) and a host of other guests to realise a very slippery run down the rabbit hole that’s as liable to take in bagpipes and seagulls as bon tempi vibe-outs and varispeed psych rock madness.\" -Boomkat\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"French artist Luc Marianni has a past as a journalist and was a one time mber of the band Rock Critics. He launched a solo career in 1980, and released five albums in quick succession then, mostly exploring music with a basis in electronic oriented music. \" -Prog Archives\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/WeLPFXWBtbs\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Upon Tyne","offers":[{"title":"LP","offer_id":39757695942845,"sku":"","price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-802105-1444216994-7487_jpeg.jpg?v=1620751129"},{"product_id":"luc-marianni-video-screens-control","title":"MARIANNI, LUC - Video Screens Control","description":"\u003cp\u003e\u003cstrong\u003eOriginal unplayed copies of 1984 release.\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\"For the first time in decades the scarce remaining stock of ORIGINAL copies from his fourth solo vinyl sufaces. Check!!Probably the most breath taking album by Luc Marianni for techno aficionados, Video Screens Control is a journey inside a television, with it’s anchormen, sports and entertainment. The result is an outstanding collection of proto techno tracks, synth pop and leftfield music ! Luc who? Marianni? This reclusive french composer paved the underground music history with a handful of mind-blowing LPs but still managed to surprisingly fall under the radar. Most famous for his collaboration with Pataphonie's André Viaud and its leftfield experimental jazz antics (Nurse With Wound's list!), Luc Marianni released Souvenirs du Futur (also available while stock lasts) on Pataphonie's Fééri Music label, his first solo LP that pushed the envelope towards more electronic fields. Originally influenced by Michel Polnareff, Faust and Pink Floyd, he soon went far away, trying to make the guitar sound like anything but a guitar, which eventually led to electronics. Firmly stuck in the studio, Marianni never really performed live, which might have helped to surround him with mystery, even though he never ceased to give all he had to music, be it alone or with Jean-François Papin for his Rock Critics improv band (he actually was a rock critic and published many fanzines)\". -Rush Hour\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"French artist Luc Marianni has a past as a journalist and was a one time member of the band Rock Critics. He launched a solo career in 1980, and released five albums in quick succession then, mostly exploring music with a basis in electronic oriented music.\" -Prog Archives\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Delphes","offers":[{"title":"Double LP","offer_id":39757711966397,"sku":"","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-1246724-1593828445-2012_png.jpg?v=1620751477"},{"product_id":"luc-marianni-souvenirs-du-futur","title":"MARIANNI, LUC - Souvenirs Du Futur","description":"\u003cp\u003e\u003cstrong\u003eOriginal unplayed copies of 1980 release.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003eIssued by the band Pataphonie - whose own 1975 debut for the Pôle label is \u003cmeta charset=\"utf-8\"\u003esomething of a neglected classic - as the only other release on their Féeri Music imprint aside from their second album \"Le Matin Blanc,\" \"Souvenirs\" dazzles out of the gates with its backwards-masked synthesizer filigree, segueing into some fantastic zones of minimal-click percussion, tape-guitar manifestations, and some fine, edit-heavy assemblage that recalls both Jean Marc Foussat's seminal \"Abattage\" \u0026amp; the more open-ended \/ experimental passages of the early-mid Richard Pinhas \/ Alain Renaud oeuvre; elements of the razor-sharp metallic percussion \u0026amp; tape-guitar filigree remind me of Michael Sahl, Bruno Menny, \u0026amp; Klaus Röder's similar exploits, albeit coming from more of a psych-prog foundation.\" -Alphastate\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"French artist Luc Marianni has a past as a journalist and was a one time member of the band Rock Critics. He launched a solo career in 1980, and released five albums in quick succession then, mostly exploring music with a basis in electronic oriented music.\" -Prog Archives\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Lx3Pr6UHFsU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Féeri Music","offers":[{"title":"LP","offer_id":39757714161853,"sku":"","price":32.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-723558-1208123338_jpeg.jpg?v=1620751619"},{"product_id":"pygmy-unit-signals-from-earth","title":"PYGMY UNIT - Signals From Earth","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLimited 2024 repress. \u003c\/span\u003e\"\u003cspan data-mce-fragment=\"1\"\u003eReissue, originally released in 1974. Blending Native American references into a body of sonority that draws on free improvisation, experimental electronic music, and spiritual jazz, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003ePygmy Unit\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e's \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eSignals From Earth\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e -- originally self-released by the band in 1974 -- forges a singular and almost entirely unknown path, and stands almost entirely on its own in the history of west coast American jazz. First appearing on the San Francisco scene sometime during the early 1970s, almost nothing is known about the Pygmy Unit, a seven-piece band steered by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDarrel De Vore\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, who contributed flute, bass, percussion, piano, and vocals to the band's lone LP, first appeared with percussionist \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eTerry Wilson\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e within the psychedelic folk rock band, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Charlatans\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, who belonged to the legendary \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eFamily Dog\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e scene. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJim Pepper\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, a Native American tenor saxophonist known for being a member of the \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMal Waldron Quartet\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, played with \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eCharlie Haden\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDon Cherry\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and numerous others, and produced the cult favorite, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003ePepper's Pow Wow\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, for Embryo Records in 1971. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJohn Celona\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, who contributes parts on sax, synthesizer, and percussion, would later go on to be regarded as an electronic composer of some note. Of the remaining members, saxophonist \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eFrank Albright\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, bassoonist \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eRon Grunn\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and percussionist \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMarvin Kirkland\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, very little else is known. It seems this LP is more or less all they recorded. While undeniably jazz -- riding a remarkable line between avant-garde electronic music, spiritual jazz, and free improvisation -- the band was very much a product of the diverse creative ferment that developed in their hometown of San Francisco during the 1960s. Embodying the raw spirit of DIY (many of the instruments used in the recordings were made by DeVore himself, self-described as an \"itinerant flute-maker\") the ensemble channels references -- via passages of chanting and percussion, as well as conceptual underpinnings -- from Jim Pepper's Native American roots, intuiting them with the soulfulness of spiritual jazz, wild moments of avant-gardism centered around synths and electronic effects, and explosions of wild free improvisation. \"\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eDevelopment of new music is a continuous path that grows directionally according to psychoacoustical phenomena available for unification. This record is evidence of that development, containing 12 performance pieces, at 12 separate times in different acoustical spaces with various combinations of musicians and instrumentation. The music is shaped by signals, received and sent by life forms on this planet. It is unwritten, unrehearsed, utilizing new and traditional approaches to energy, motion, and form. Eventually, music develops as a natural extension of the environment in which it exists. It is the aim of the traditions... to signal the universe from the Earth\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\" Includes two booklets\/replicas of original DeVore's publications.\" - Holidays.\u003c\/span\u003e\u003c\/p\u003e","brand":"Holidays","offers":[{"title":"LP","offer_id":43925518942427,"sku":"","price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/HOL133LP_PROD.jpg?v=1722211673"},{"product_id":"kubisch-christina-fabrizio-plessi-two-and-two-1","title":"KUBISCH, CHRISTINA \u0026 FABRIZIO PLESSI - Two And Two","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e\"Song Cycle Records present a reissue of \u003c\/span\u003e\u003ci\u003eTwo And Two\u003c\/i\u003e\u003cspan\u003e, the outcome of the ambitious research developed by \u003c\/span\u003e\u003cb\u003eChristina Kubisch \u003c\/b\u003e\u003cspan\u003eand \u003c\/span\u003e\u003cb\u003eFabrizio Plessi\u003c\/b\u003e\u003cspan\u003e, originally released in 1976. \u003c\/span\u003e\u003ci\u003eTwo And Two\u003c\/i\u003e\u003cspan\u003e was a collaborative effort towards the merging of visual and sound elements into a new form of intermedia. Influenced by the aesthetics of Fluxus, the duo produced a highly complex and articulated performance, involving two camera operators and several video screens, as well as a variety of objects and unconventional instruments - such as an electric vibrator, a Swanee whistle, a ventilator, an electronic metronome, and a water jet on a steel drum. The result is structured into four parts, inspired by the natural elements, in which single instruments lose their different sonic characteristics, becoming inseparable parts of a unique visual\/acoustic process. Presented here on 180 gram vinyl.\" - Song Cycle.\u003c\/span\u003e\u003c\/p\u003e","brand":"Song Cycle","offers":[{"title":"LP","offer_id":43992309956827,"sku":null,"price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/CY988LP_CU.jpg?v=1678045912"},{"product_id":"maximum-joy-white-and-green-place","title":"MAXIMUM JOY - White and Green Place","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"Fully licensed and limited to 1000 copies. Reissued on vinyl for the first time, \u003c\/span\u003e\u003cb\u003eMaximum Joy\u003c\/b\u003e\u003cspan\u003e's \u003c\/span\u003e\u003ci\u003eWhite \u0026amp; Green Place (Extra-Terrestrial Mix)\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e12\" single -- with three bonus tracks -- originally released in 1982 on Y Records. Maximum Joy tunes to make you move! With new artwork and previously unpublished pictures of the band by \u003c\/span\u003e\u003cb\u003eDavid Corio\u003c\/b\u003e\u003cspan\u003e.\"\u003c\/span\u003e\u003c\/p\u003e","brand":"Lantern Rec.","offers":[{"title":"12\"","offer_id":44073685287131,"sku":"","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/maxjoy.jpg?v=1682449776"},{"product_id":"english-werner-dafeldecker-lawrence-tropic-of-capricorn","title":"ENGLISH\/WERNER DAFELDECKER, LAWRENCE - Tropic of Capricorn","description":"\"\u003cmeta charset=\"UTF-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eTropic of Capricorn\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is the second album by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLawrence English\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eWerner Dafeldecker\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Based on field recordings made by the prolific Room40 owner that were subtly but decisively altered with electroacoustic techniques through the German improv legend, these two long-form pieces blur the lines between acoustic ecology and aesthetic interventions, concrete local sound worlds and boundary-defying art. They put a focus on our relationship with nature as listeners as much as they call into question where nature ends and human perception begins. They are deeply confusing, disorienting perhaps, in the most beautiful ways. English recorded the material that form the basis of the duo's Hallow Ground debut on two different field trips. One led him from the Western coast to the Pilbara region in the North of the country called Australia, the other to the central desert into the lands of the Arrernte people. When recording the soundscapes, the artist put a focus on the residues of failed colonial aspirations. \"The buildings and objects that remain from the failed cattle pastures and other endeavors create uneasy sound worlds of their own,\" English says of the regions that are also places of extraction, especially the heavily mined Pilbara. \"There is a distant drone of industry in even the most remote of places; an unsettled sense of heavy breath on the land.\" He brought home a document of natural reclamation in time. The rich source material was then given to Dafeldecker. Spatializing the recordings with transducers applied to different surfaces such as wood, stretched animal skin, glass, or metal surfaces and also re-recording parts of the recordings, he created discrete events that were inserted into, or rather enmeshed with English's recordings. What \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eTropic of Capricorn\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e invites its listeners to listen beyond the preconceived notions of how nature is supposed to be represented in sound and to instead embrace the immediacy of the sensation.\" - Hallow Ground\u003c\/span\u003e","brand":"Hallow Ground","offers":[{"title":"LP","offer_id":44482004648155,"sku":"","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/image_822f9348-b0c6-454d-b23a-6f8d3325569f.jpg?v=1701180674"},{"product_id":"gate","title":"GATE - The Numbers","description":"\"\u003cspan data-mce-fragment=\"1\"\u003eIn the 1980s, Michael Morley helped to push the jangly New Zealand music scene towards rougher, more exploratory realms, as a member of Wreck Small Speakers on Expensive Stereos, The Weeds, and the almighty Dead C. His gnarled, distorted guitar tone and aggressively moan-based vocal style are both as distinctive as they are secretly beautiful. Morley has released dozens of solo recordings -- starting in the late 1980s as Gate, then more recently under his own name, and as the Righteous Yeah. He's also unafraid to tackle entirely new genres and sounds, and to move into interactive installation-based music as well. Birdman is beyond excited to present the first vinyl release of this archival Gate release.\" \"... I think it is classic Gate material. The idea of the palette is fascinating as I think I did approach it with a set of limited instrumentation and the desire to make something again that could sound like rock music. There is certainly a direct line from Wreck Small Speakers On Expensive Stereos, through the Dead C, and to Gate. I think I was also inspired by listening to [infamous and tragically short-lived early 1980s band] the Double Happys, and remembering their performances as a duo with the drum machine. There was such utter chaos and anarchy during their sets, with a desire to represent punk rock at its nascent truth, I wanted to see if it was possible to re-imagine that feeling. I was possibly also listening to the Stooges and MC5.\" - Michael Morley.\u003c\/span\u003e","brand":"Birdman","offers":[{"title":"LP","offer_id":45065195421915,"sku":"","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/BMR131LP_CU.jpg?v=1710776963"},{"product_id":"v-a-postcards-vol-1-d-i-y-and-indie-post-punk-from-usa-and-uk-1979-1984","title":"V\/A - Postcards Vol. 1: D.I.Y and Indie Post-Punk from USA and UK 1979-1984","description":"\"\u003cspan data-mce-fragment=\"1\"\u003ePost-punk (originally called new musick) is a broad musical genre that emerged in 1977 in the wake of punk rock. Post-punk musicians moved away from punk's traditional elements and raw simplicity, adopting instead a broader, more experimental approach that included a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and DIY ethos, but determined to break with rock clichés, artists experimented with styles such as funk, electronic music, jazz and dance music; dub and disco production techniques; and ideas from art and politics, including critical theory, modernist art, film and literature. These communities have produced independent record labels, visual art, multimedia performances and fanzines. These three compilations are by no means \"Best Of\" or collections of chart hits. They are compilations that endeavor (and they do a good job) to take a wide-ranging look at the UK and American post-punk scene in the years from 1978 to 1984, but here almost everything stops in 1981, giving space to bands and artists that almost always didn't make it beyond the 45rpm mark. A representation of the true \"Outside of Everything\" of the era. Features \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBlue Trapeze\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBound \u0026amp; Gagged\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eCardboards\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eChemicals Made From Dirt\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Adults\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eCollective Horizontal\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eColours\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eCommercials\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eCrash Action Winners\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDry Rib\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Czechs\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Different I's\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\" - Samizdat\u003c\/span\u003e","brand":"Samizdat","offers":[{"title":"LP","offer_id":45075243466971,"sku":"","price":26.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/image_56982e00-c52a-49ed-aa84-c0254f116bb6.jpg?v=1710943193"},{"product_id":"v-a-postcards-vol-2-d-i-y-and-indie-post-punk-from-great-britain-1978-1981","title":"V\/A - Postcards Vol. 2: D.I.Y and Indie Post-Punk from Great Britain 1978-1981","description":"\"\u003cspan data-mce-fragment=\"1\"\u003ePost-punk (originally called new musick) is a broad musical genre that emerged in 1977 in the wake of punk rock. Post-punk musicians moved away from punk's traditional elements and raw simplicity, adopting instead a broader, more experimental approach that included a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and DIY ethos, but determined to break with rock clichés, artists experimented with styles such as funk, electronic music, jazz and dance music; dub and disco production techniques; and ideas from art and politics, including critical theory, modernist art, film and literature. These communities have produced independent record labels, visual art, multimedia performances and fanzines. These three compilations are by no means \"Best Of\" or collections of chart hits. They are compilations that endeavor (and they do a good job) to take a wide-ranging look at the UK and American post-punk scene in the years from 1978 to 1984, but here almost everything stops in 1981, giving space to bands and artists that almost always didn't make it beyond the 45rpm mark. A representation of the true \"Outside of Everything\" of the era. Features \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAcid Drops\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAnorexia\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eArt Failure\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBloated Toads\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Bouncing Czechs\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Arnold\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eReacta\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Record Players\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eReptile Ranch\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eSchool Meals\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eStepping Talk\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eStolen Power\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eStrutz\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\" - Samizdat\u003c\/span\u003e","brand":"Samizdat","offers":[{"title":"LP","offer_id":45075260408027,"sku":"","price":26.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/image_1c0edfe5-f652-44dc-bde5-896db36cf9a2.jpg?v=1710943436"},{"product_id":"v-a-postcards-vol-3-d-i-y-and-indie-post-punk-from-england-1979-1981","title":"V\/A Postcards Vol. 3: D.I.Y and Indie Post-Punk from England 1979-1981","description":"\"\u003cspan style=\"font-size: 0.875rem;\"\u003ePost-punk (originally called new musick) is a broad musical genre that emerged in 1977 in the wake of punk rock. Post-punk musicians moved away from punk's traditional elements and raw simplicity, adopting instead a broader, more experimental approach that included a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and DIY ethos, but determined to break with rock clichés, artists experimented with styles such as funk, electronic music, jazz and dance music; dub and disco production techniques; and ideas from art and politics, including critical theory, modernist art, film and literature. These communities have produced independent record labels, visual art, multimedia performances and fanzines. These three compilations are by no means \"Best Of\" or collections of chart hits. They are compilations that endeavor (and they do a good job) to take a wide-ranging look at the UK and American post-punk scene in the years from 1978 to 1984, but here almost everything stops in 1981, giving space to bands and artists that almost always didn't make it beyond the 45rpm mark. A representation of the true \"Outside of Everything\" of the era. Features \u003c\/span\u003e\u003cb style=\"font-size: 0.875rem;\" data-mce-fragment=\"1\"\u003eTake It\u003c\/b\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e, \u003c\/span\u003e\u003cb style=\"font-size: 0.875rem;\" data-mce-fragment=\"1\"\u003eThe Sods\u003c\/b\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e, \u003c\/span\u003e\u003cb style=\"font-size: 0.875rem;\" data-mce-fragment=\"1\"\u003eTrance\u003c\/b\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e, \u003c\/span\u003e\u003cb style=\"font-size: 0.875rem;\" data-mce-fragment=\"1\"\u003eWalking Floors\u003c\/b\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e, \u003c\/span\u003e\u003cb style=\"font-size: 0.875rem;\" data-mce-fragment=\"1\"\u003eSchizoid\u003c\/b\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e, \u003c\/span\u003e\u003cb style=\"font-size: 0.875rem;\" data-mce-fragment=\"1\"\u003eX-Defektors\u003c\/b\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e, and \u003c\/span\u003e\u003cb style=\"font-size: 0.875rem;\" data-mce-fragment=\"1\"\u003eZeitgeist\u003c\/b\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e.\" - Samizdat\u003c\/span\u003e","brand":"Samizdat","offers":[{"title":"LP","offer_id":45075276234971,"sku":"","price":26.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/image_c2b2004b-bec5-4561-b7c8-cfc373755b4c.jpg?v=1710943559"},{"product_id":"v-a-biting-off-the-tongue-of-a-corpse","title":"V\/A - Biting Off The Tongue Of A Corpse","description":"\u003cp\u003eOriginal 1975 LP. Factory sealed.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\"American label set up in 1972 by the poet John Giorno. Mostly credited on releases as \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems records\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems tapes\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems video\u003c\/b\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe earliest releases were exclusively poetry collections of the \"Dial-A-Poets\" (John Giorno, William S Burroughs, Brion Gysin, Allen Ginsberg, John Cage etc.): \u003c\/span\u003e\u003ci\u003e\"In 1961 I was a young poet who hung out with young artists like Andy Warhol, Bob Rauschenberg and Jasper Johns, as well as with members of the Judson Dance Theatre. The use of modern mass media and technologies by these artists made me realize that poetry was 75 years behind painting and sculpture, dance and music. And I thought, if they can do it, why can't I do it for poetry. Why not try to connect with an audience using all the entertainments of ordinary life: television, the telephone, record albums, etc? It was the poet's job to invent new venues and make fresh contact with the audience. This inspiration gave rise to Giorno Poetry Systems\" - Giorno Poetry Systems\u003c\/i\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklist:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA1 – Gary Snyder: Anasazi \/ The Wild Mushroom \/ Avocado \/ One Should Not Speak To A Skilled Hunter \/ No Shoes, No Shirt, No Service 6:00\u003cbr data-mce-fragment=\"1\"\u003eA2 – John Giorno: Excerpt From Subduing Demons In America 7:08\u003cbr data-mce-fragment=\"1\"\u003eA3 – William S. Burroughs: A Top Level Conference Is In Progress 6:00\u003cbr data-mce-fragment=\"1\"\u003eA4 – Charles Olson: Maximus Of Gloucester (Only My Written Work) 1:15\u003cbr data-mce-fragment=\"1\"\u003eA5 – Ted Berrigan: Excerpts From Memorial Day 3:53\u003cbr data-mce-fragment=\"1\"\u003eA6 – Ed Sanders: The Struggle 4:50\u003cbr data-mce-fragment=\"1\"\u003eB1 – Edwin Denby: The Shoulder \/ The Subway \/ Over Manhattan Island \/ Disorder Mental Strikes Me \/ Suppose There's A Cranky Woman Inside Me 5:34\u003cbr data-mce-fragment=\"1\"\u003eB2 – Helen Adam: Cheerless Junkie Song 2:45\u003cbr data-mce-fragment=\"1\"\u003eB3 – Diane Di Prima: Ave 4:27\u003cbr data-mce-fragment=\"1\"\u003eB4 – John Wieners: In Public 0:55\u003cbr data-mce-fragment=\"1\"\u003eB5 – Robert Duncan: To Speak My Mind, We Convivial In What Is Ours 2:40\u003cbr data-mce-fragment=\"1\"\u003eB6 – John Cage: Mureau 4:06\u003cbr data-mce-fragment=\"1\"\u003eB7 – Denise Levertov: Life At War 3:15\u003cbr data-mce-fragment=\"1\"\u003eB8 – Frank O'Hara: Having A Coke With You From \"The Love Poems\" 2:03\u003cbr data-mce-fragment=\"1\"\u003eB9 – Kenneth Koch: Spring 1:33\u003cbr data-mce-fragment=\"1\"\u003eB10 – John Ashbery: A Blessing In Disguise 1:20\u003cbr data-mce-fragment=\"1\"\u003eB11 – Charles Stein: Seed Poem 1:44\u003c\/p\u003e","brand":"Giorno Poetry Systems","offers":[{"title":"LP","offer_id":45108858814683,"sku":"","price":50.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/image_68396e68-42b4-40cb-91aa-335ec99e0de2.jpg?v=1711466906"},{"product_id":"john-giorno-anne-waldman-s-t","title":"GIORNO, JOHN \u0026 ANNE WALDMAN  - S\/T","description":"\u003cp data-mce-fragment=\"1\"\u003eOriginal LP from 1977. Factory-sealed.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\"American label set up in 1972 by the poet John Giorno. Mostly credited on releases as \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems records\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems tapes\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems video\u003c\/b\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe earliest releases were exclusively poetry collections of the \"Dial-A-Poets\" (John Giorno, William S Burroughs, Brion Gysin, Allen Ginsberg, John Cage etc.): \u003c\/span\u003e\u003ci\u003e\"In 1961 I was a young poet who hung out with young artists like Andy Warhol, Bob Rauschenberg and Jasper Johns, as well as with members of the Judson Dance Theatre. The use of modern mass media and technologies by these artists made me realize that poetry was 75 years behind painting and sculpture, dance and music. And I thought, if they can do it, why can't I do it for poetry. Why not try to connect with an audience using all the entertainments of ordinary life: television, the telephone, record albums, etc? It was the poet's job to invent new venues and make fresh contact with the audience. This inspiration gave rise to Giorno Poetry Systems\" - Giorno Poetry Systems\u003c\/i\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"\u003cspan\u003eIt's 1977 and we're back at the birth of identity politics for those whose newly-manufactured identities needed shoring up a bit. John Giorno applies multi-tracking and echo-delay to banal statements in order to replicate the confused state of everyday consciousness...Anne Waldman is more ideological in her statements about being a woman.\"  - Die or DIY2. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklist:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA – John Giorno: Everyone Is A Complete Disappointment 26:15\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eB – John Giorno: Drinking The Blood Of Every Woman's Period 27:47\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eC – Anne Waldman: For The Voice Of Montserrat Caballe, Error, Sisters, Plutonium Poem, Billy Work Peyote, Sun The Blonde Out, Shaman Hisses You Slide Back Into The Night 25:10\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eD1 – Anne Waldman: Fast Speaking Woman 9:30\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eD2 – Anne Waldman: White Eyes 13:45\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eD3 – Anne Waldman: Musical Garden 3:45\u003c\/p\u003e","brand":"Giorno Poetry Systems","offers":[{"title":"LP","offer_id":45108887683291,"sku":null,"price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/image_4e192547-cb87-470d-8e93-3f9a0e7ceaed.jpg?v=1711467058"},{"product_id":"v-a-smack-my-crack-lp","title":"V\/A - Smack My Crack LP","description":"\u003cp data-mce-fragment=\"1\"\u003eOriginal LP from 1987. Factory-sealed.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\"American label set up in 1972 by the poet John Giorno. Mostly credited on releases as \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems records\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems tapes\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems video\u003c\/b\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe earliest releases were exclusively poetry collections of the \"Dial-A-Poets\" (John Giorno, William S Burroughs, Brion Gysin, Allen Ginsberg, John Cage etc.): \u003c\/span\u003e\u003ci\u003e\"In 1961 I was a young poet who hung out with young artists like Andy Warhol, Bob Rauschenberg and Jasper Johns, as well as with members of the Judson Dance Theatre. The use of modern mass media and technologies by these artists made me realize that poetry was 75 years behind painting and sculpture, dance and music. And I thought, if they can do it, why can't I do it for poetry. Why not try to connect with an audience using all the entertainments of ordinary life: television, the telephone, record albums, etc? It was the poet's job to invent new venues and make fresh contact with the audience. This inspiration gave rise to Giorno Poetry Systems\" - Giorno Poetry Systems\u003c\/i\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklist:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA1 – Butthole Surfers: Boiled Dove 4:30\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA2 – Einstürzende Neubauten: Adler Kommt Später 5:47\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA3 – Diamanda Galás: Solo Live In Amsterdam 2:29\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA4 – William S. Burroughs: Words Of Advice \/ Kim Like The Great Gatsby 4:48\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA5 – Swans: Anything For You (Hang Me) 4:50\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eB1 – John Giorno Band: Sucking Mud 5:50\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eB2 – Chad \u0026amp; Sudan: Cheap Energy 6:35\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eB3 – Tom Waits: The Pontiac 2:03\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eB4 – Chris Stein: Indra (For Brion Gysin) 3:06\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eB5 – Nick Cave: The Altra Virago Or The Vargus Barking Spider 5:40\u003c\/p\u003e","brand":"Giorno Poetry Systems","offers":[{"title":"LP","offer_id":45108913930459,"sku":null,"price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/image_793a3f96-dd97-44b7-b1a2-aa750e9f8c64.jpg?v=1711467181"},{"product_id":"v-a-disconnected-lp","title":"V\/A - Disconnected LP","description":"\u003cp\u003eOriginal 1974 LP. Factory-sealed.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\"American label set up in 1972 by the poet John Giorno. Mostly credited on releases as \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems records\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems tapes\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems video\u003c\/b\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe earliest releases were exclusively poetry collections of the \"Dial-A-Poets\" (John Giorno, William S Burroughs, Brion Gysin, Allen Ginsberg, John Cage etc.): \u003c\/span\u003e\u003ci\u003e\"In 1961 I was a young poet who hung out with young artists like Andy Warhol, Bob Rauschenberg and Jasper Johns, as well as with members of the Judson Dance Theatre. The use of modern mass media and technologies by these artists made me realize that poetry was 75 years behind painting and sculpture, dance and music. And I thought, if they can do it, why can't I do it for poetry. Why not try to connect with an audience using all the entertainments of ordinary life: television, the telephone, record albums, etc? It was the poet's job to invent new venues and make fresh contact with the audience. This inspiration gave rise to Giorno Poetry Systems\" - Giorno Poetry Systems\u003c\/i\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklist:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA1 – Allen Ginsberg: I'm A Victim Of Telephones 1:30\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA2 – Chogyam Trungpa Rinpoche: Cynical Letter, A Letter To Marpa, Sound Cycle (Aham) 7:05\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA3 – John Giorno: Suicide Sutra 7:17\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA4 – William S. Burroughs: What Washington, What Orders, From Exterminator 7:01\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA5 – Charles Plymell: 100 Flies On An Airplane Flying Around The World, From The Thrashing Of America 2:54\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA6 – Michael Brownstein: Monologue From The Top, From Brainstorms 1:46\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA7 – John Cage: Excerpt From Silence 1:55\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eB1 – Anne Waldman: Fast Speaking Woman 5:32\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eB2 – Diane Di Prima: Excerpt From Loba 2:18\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eB3 – Bernadette Mayer: Excerpt From Studying Hunger 3:31\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eB4 – Robert Creeley: The Name 1:14\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eB5 – Diane Wakoski: Exorcism 2:25\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eB6 – Lorenzo Thomas: High Heel Jesus 1:22\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eB7 – Gregory Corso: Marriage 7:20\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eB8 – Maureen Owen: Body Rush 0:52\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eB9 – Ed Sanders: Stand By My Side, Oh Lord 2:13\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eB10 – Charles Olson: The Ridge 2:42\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eC1 – Allen Ginsberg: Jimmy Bearman 4:04\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eC2 – Joe Brainard: Excerpt From More I Remember More 6:33\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eC3 – John Wieners: Excerpt From Memories In A Small Apartment 4:35\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eC4 – Gerard Malanga: A Last Poem (Tentative Title) 0:40\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eC5 – John Perreault: Nude Death 1:38\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eC6 – Jack Spicer: Excerpt From Billy The Kid 3:43\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eC7 – Jim Carroll: From The Busterball Diaries, Age 13, Spring 1965 3:43\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eC8 – Peter Orlovsky: All Around The Garden 4:32\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eD1 – Imamu Amiri Baraka: Our Nation Is Like Ourselves 4:42\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eD2 – Michael McClure: Lion Poem 2:08\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eD3 – Ed Dorn: Recollections Of Grande Apacharia 4:28\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eD4 – Frank Lima: The Hunter 1:35\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eD5 – Frank O'Hara: Adieu Norman, Bonjour To Joan And Jean Paul, From Lunch Poems 3:07\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eD6 – Bill Berkson: Stanky 0:16\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eD7 – Larry Fagin: A Play 0:18\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eD8 – Tom Clark: Little Aria 0:38\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eD9 – Paul Blackburn: The Once-Over, From Brooklyn Manhattan Trancit 1:13\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eD10 – Philip Whelan: If You're So Smart, Why Aren't You Rich 1:56\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eD11 – Ron Padgett: June 17, 1942 4:18\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eD12 – John Ashbery: The Tennis Court Oath 1:56\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eD13 – Clark Coolidge: Excerpt From Dews (8 Channel) 1:07\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eD14 – Charles Amirkhanian: Radii 2:05\u003c\/p\u003e","brand":"Giorno Poetry Systems","offers":[{"title":"LP","offer_id":45108951482587,"sku":null,"price":60.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/image_08eb09a2-6f80-47f6-917a-eebaeef4d51e.jpg?v=1711467423"},{"product_id":"v-a-life-is-a-killer","title":"V\/A - Life Is A Killer","description":"\u003cp data-mce-fragment=\"1\"\u003eOriginal 1982 LP. Factory-sealed.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\"American label set up in 1972 by the poet John Giorno. Mostly credited on releases as \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems records\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems tapes\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems video\u003c\/b\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe earliest releases were exclusively poetry collections of the \"Dial-A-Poets\" (John Giorno, William S Burroughs, Brion Gysin, Allen Ginsberg, John Cage etc.): \u003c\/span\u003e\u003ci\u003e\"In 1961 I was a young poet who hung out with young artists like Andy Warhol, Bob Rauschenberg and Jasper Johns, as well as with members of the Judson Dance Theatre. The use of modern mass media and technologies by these artists made me realize that poetry was 75 years behind painting and sculpture, dance and music. And I thought, if they can do it, why can't I do it for poetry. Why not try to connect with an audience using all the entertainments of ordinary life: television, the telephone, record albums, etc? It was the poet's job to invent new venues and make fresh contact with the audience. This inspiration gave rise to Giorno Poetry Systems\" - Giorno Poetry Systems\u003c\/i\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklist:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA1 – John Giorno: Everyone Says What They Do Is Right 5:11\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA2 – William S. Burroughs: The Mummy Piece 3:55\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA3 – Amiri Baraka: Wailers 4:45\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA4 – Jim Carroll: Just Visiting 6:30\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eB1 – Jayne Cortez: I See Chano Pozo 6:20\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eB2 – Ned Sublette: Cowboys Are Frequently Secretly 4:49\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eB3 – Brion Gysin: Junk 3:21\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eB4 – Rose Lesniak: She's So 4:35\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eB5 – Four Horsemen: The Dream Remain 2:35\u003c\/p\u003e","brand":"Giorno Poetry Systems","offers":[{"title":"LP","offer_id":45108981170395,"sku":null,"price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/image_18eef6ea-bc97-4ad6-b83d-95cb6585031e.jpg?v=1711467580"},{"product_id":"v-a-totally-corrupt","title":"V\/A - Totally Corrupt","description":"\u003cp data-mce-fragment=\"1\"\u003eOriginal 1976 LP. Factory-sealed.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\"American label set up in 1972 by the poet John Giorno. Mostly credited on releases as \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems records\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems tapes\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems video\u003c\/b\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe earliest releases were exclusively poetry collections of the \"Dial-A-Poets\" (John Giorno, William S Burroughs, Brion Gysin, Allen Ginsberg, John Cage etc.): \u003c\/span\u003e\u003ci\u003e\"In 1961 I was a young poet who hung out with young artists like Andy Warhol, Bob Rauschenberg and Jasper Johns, as well as with members of the Judson Dance Theatre. The use of modern mass media and technologies by these artists made me realize that poetry was 75 years behind painting and sculpture, dance and music. And I thought, if they can do it, why can't I do it for poetry. Why not try to connect with an audience using all the entertainments of ordinary life: television, the telephone, record albums, etc? It was the poet's job to invent new venues and make fresh contact with the audience. This inspiration gave rise to Giorno Poetry Systems\" - Giorno Poetry Systems\u003c\/i\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklist:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA1 – Charles Bukowski: Cloud Nine, I Live In A Neighborhood Of Murderers, Two Horse Collars 3:09\u003cbr data-mce-fragment=\"1\"\u003eA2 – Ed Dorn: Excerpts From \"Gunslinger, Book 4\" 3:48\u003cbr data-mce-fragment=\"1\"\u003eA3 – William S. Burroughs: When Did I Stop Wanting To Be President 7:07\u003cbr data-mce-fragment=\"1\"\u003eA4 – Sylvia Plath: Daddy 3:43\u003cbr data-mce-fragment=\"1\"\u003eA5 – John Giorno: Excerpts From \"Shit, Piss, Blood, Pus \u0026amp; Brains\" 8:03\u003cbr data-mce-fragment=\"1\"\u003eA6 – Michael McClure: Jaguar Sky : There's Cruelty In Every Jewel 0:44\u003cbr data-mce-fragment=\"1\"\u003eA7 – Michael Brownstein: Jet Set Melodrama 2:36\u003cbr data-mce-fragment=\"1\"\u003eA8 – Jackie Curtis: You Are My Lucky Star 2:18\u003cbr data-mce-fragment=\"1\"\u003eB1 – Ed Sanders: This Is The Age Of Investigation Poetry And Every Citizen Must Investigate 5:50\u003cbr data-mce-fragment=\"1\"\u003eB2 – Charles Bukowski: Christ, You'll Never Know, The Closing Of The Topless And Bottomless Bars 4:45\u003cbr data-mce-fragment=\"1\"\u003eB3 – Anne Waldman: Some Small Fires 4:06\u003cbr data-mce-fragment=\"1\"\u003eB4 – Imamu Amiri Baraka: Hard Facts: Rockefeller's Your Vice-President And Your Mama Don't Wear No Draws, A New Reality Is Better Than A New Movie 3:37\u003cbr data-mce-fragment=\"1\"\u003eB5 – Erica Huggins: For A Woman 0:59\u003cbr data-mce-fragment=\"1\"\u003eB6 – Ken Kesey: A Brief Discourse 5:04\u003cbr data-mce-fragment=\"1\"\u003eB7 – Jackson MacLow: Excerpt From \"Guru, Guru, Gate\" 2:05\u003cbr data-mce-fragment=\"1\"\u003eB8 – Charles Amirkhanian: Mushrooms (For John Cage) 4:58\u003cbr data-mce-fragment=\"1\"\u003eC1 – William Carlos Williams: The Yellow Flower (From Pictures From Brueghel And Other Poems) 3:02\u003cbr data-mce-fragment=\"1\"\u003eC2 – Allen Ginsberg: Please Master 4:40\u003cbr data-mce-fragment=\"1\"\u003eC3 – Imamu Amiri Baraka: Hard Facts: New York Is Everywhere Big 1:58\u003cbr data-mce-fragment=\"1\"\u003eC4 – Frank O'Hara: To The Film Industry In Crisis 3:50\u003cbr data-mce-fragment=\"1\"\u003eC5 – Taylor Mead: I Was In A Drugstore 3:33\u003cbr data-mce-fragment=\"1\"\u003eC6 – Jackie Curtis: The All-American Vampire Or How The Bee Sucks 3:36\u003cbr data-mce-fragment=\"1\"\u003eC7 – Jack Spicer: The Holy Grail: The Boof Of The Death Of Arthur 5:14\u003cbr data-mce-fragment=\"1\"\u003eC8 – John Cage: Song, Derived From The Joiurnal Of Henry David Thoreau 6:30\u003cbr data-mce-fragment=\"1\"\u003eD1 – Tom Weatherly: Mud Water Shango, Blues For Frank Swooton 1:42\u003cbr data-mce-fragment=\"1\"\u003eD2 – Joanne Kyger: In All This Everyday 3:31\u003cbr data-mce-fragment=\"1\"\u003eD3 – Charles Olson: Letter 27: Maximus To Gloucester 3:15\u003cbr data-mce-fragment=\"1\"\u003eD4 – W. S. Merwin: Fear 5:23\u003cbr data-mce-fragment=\"1\"\u003eD5 – Maureen Owen: When You're Down And Under 1:02\u003cbr data-mce-fragment=\"1\"\u003eD6 – Jerome Rothenberg: The Opening Of The Horse Song, Number Eleven, A Total Translation From The Navajo 2:10\u003cbr data-mce-fragment=\"1\"\u003eD7 – Ted Berrigan: Today In Ann Arbor 2:59\u003cbr data-mce-fragment=\"1\"\u003eD8 – Susan Howe: There Is No Good On Earth And Sin Is But A Name 1:00\u003cbr data-mce-fragment=\"1\"\u003eD9 – Rochelle Owens: Excerpt From \"The Joe Chronicles, Part 2\" 2:25\u003cbr data-mce-fragment=\"1\"\u003eD10 – Bill Knott: Corpse And Beans 0:30\u003cbr data-mce-fragment=\"1\"\u003eD11 – Tony Towle: New York Letters 1:25\u003cbr data-mce-fragment=\"1\"\u003eD12 – Bernard Heidsieck: Stratimelo 2:00\u003cbr data-mce-fragment=\"1\"\u003eD13 – Peter Orlovsky: Compost Piles 3:49\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Giorno Poetry Systems","offers":[{"title":"Double LP","offer_id":45109014003931,"sku":"","price":80.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/image_a76c9a0f-312e-40a5-96e2-4eaa92e6110e.jpg?v=1711467782"},{"product_id":"v-a-raspberry-pornographic-poem","title":"V\/A - Raspberry \/ Pornographic Poem","description":"\u003cp data-mce-fragment=\"1\"\u003eOriginal 1967 LP. Factory-sealed.\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\"American label set up in 1972 by the poet John Giorno. Mostly credited on releases as \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems records\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems tapes\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems video\u003c\/b\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe earliest releases were exclusively poetry collections of the \"Dial-A-Poets\" (John Giorno, William S Burroughs, Brion Gysin, Allen Ginsberg, John Cage etc.): \u003c\/span\u003e\u003ci\u003e\"In 1961 I was a young poet who hung out with young artists like Andy Warhol, Bob Rauschenberg and Jasper Johns, as well as with members of the Judson Dance Theatre. The use of modern mass media and technologies by these artists made me realize that poetry was 75 years behind painting and sculpture, dance and music. And I thought, if they can do it, why can't I do it for poetry. Why not try to connect with an audience using all the entertainments of ordinary life: television, the telephone, record albums, etc? It was the poet's job to invent new venues and make fresh contact with the audience. This inspiration gave rise to Giorno Poetry Systems\" - Giorno Poetry Systems\u003c\/i\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklist:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA – Raspberry 19:10\u003cbr data-mce-fragment=\"1\"\u003eFeaturing: Peter Schjeldahl, Robert Rauschenberg, Yvonne Rainer\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eB – Pornographic Poem 17:45\u003cbr data-mce-fragment=\"1\"\u003eFeaturing: Alan Sarret, Ann Ware, Bryce Marden*, Henry Geldzahler, John Perreault, Lee Crabtree, Michael McClanathan, Nina Thurman, Patti Oldenberg, Peter Schjeldahl, Robert Rauschenberg, Sarah Dalton, Tod Berrigan, Trisha Brown, Yvonne Raine\u003c\/p\u003e","brand":"Giorno Poetry Systems","offers":[{"title":"LP","offer_id":45109054603483,"sku":null,"price":300.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/image_0f7ef378-f984-4dc8-9654-17fd07b6829d.jpg?v=1711467996"},{"product_id":"v-a-sugar-alcohol-meat","title":"V\/A - Sugar, Alcohol, \u0026 Meat","description":"\u003cp data-mce-fragment=\"1\"\u003eOriginal 1980 LP. Factory-sealed.\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\"American label set up in 1972 by the poet John Giorno. Mostly credited on releases as \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems records\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems tapes\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems video\u003c\/b\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe earliest releases were exclusively poetry collections of the \"Dial-A-Poets\" (John Giorno, William S Burroughs, Brion Gysin, Allen Ginsberg, John Cage etc.): \u003c\/span\u003e\u003ci\u003e\"In 1961 I was a young poet who hung out with young artists like Andy Warhol, Bob Rauschenberg and Jasper Johns, as well as with members of the Judson Dance Theatre. The use of modern mass media and technologies by these artists made me realize that poetry was 75 years behind painting and sculpture, dance and music. And I thought, if they can do it, why can't I do it for poetry. Why not try to connect with an audience using all the entertainments of ordinary life: television, the telephone, record albums, etc? It was the poet's job to invent new venues and make fresh contact with the audience. This inspiration gave rise to Giorno Poetry Systems\" - Giorno Poetry Systems\u003c\/i\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklist:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSide One\u003cbr data-mce-fragment=\"1\"\u003e1. Peter Gordon – Excerpt from \"Extended Niceties\", performed by Peter Gordon \u0026amp; David Van Tieghem (ZBS Media, Fort Edward, New York, January 1979)\u003cbr data-mce-fragment=\"1\"\u003e2. John Giorno – I Resigned Myself To Being Here (ZBS Media, Fort Edward, New York, May 1980)\u003cbr data-mce-fragment=\"1\"\u003e3. John Cage – Alex \u0026amp; Gretchen Corazzo, The 6th Patriach Of Zen Buddhism, Once I Was Visiting My Aunt Marge, Dorothy Invited Me, One Of Suzuki's (The Saint Mark’s Church New Year’s Benefit, Entermedia Theater, New York, January 1, 1971)\u003cbr data-mce-fragment=\"1\"\u003e4. Tom Carey – Good Night Irene (The Saint Mark’s Church Fire Benefit at C.B.G.B.’s, New York, October 26, 1978)\u003cbr data-mce-fragment=\"1\"\u003e5. Andreí Vosnesensky – I Am Goya, Song of Moscow Ancient Church Bells (The Saint Mark’s Church Fire Benefit at C.B.G.B.’s, New York, October 28, 1978)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSide Two\u003cbr data-mce-fragment=\"1\"\u003e1. Miguel Pinero – New York City Hard Times Blues (The Nuyorican Poets Café 5th Anniversary at Poets At The Public, New York Shakespeare Festival, October 8, 1979)\u003cbr data-mce-fragment=\"1\"\u003e2. Miguel Algarin – Setenta Y Cinco Abriles (The Nuyorican Poets Café 5th Anniversary at Poets At The Public, New York Shakespeare Festival, October 8, 1979)\u003cbr data-mce-fragment=\"1\"\u003e3. Mitchell Kreigman – In The Bathtub (ZBS Media, Fort Edward, New York, July 1979)\u003cbr data-mce-fragment=\"1\"\u003e4. William S. Burroughs – From Nova Express: I was traveling with The Intolerable Kid on The Nova Lark (The Mudd Club, New York, April 4, 1979)\u003cbr data-mce-fragment=\"1\"\u003e5. William S. Burroughs Jr. – Translucent Boy, An Excellent Time, \u0026amp; For Neal Cassidy (The Jack Kerouac School for Disembodied Poetics, Naropa Institute, Boulder, Colorado, August 15, 1979)\u003cbr data-mce-fragment=\"1\"\u003e6. Charlie Morrow – Oh Yeh—Don't Die (New Wilderness Foundation, New York, March 1980)\u003cbr data-mce-fragment=\"1\"\u003e7. Ted Berrigan – To Jack Kerouac (The Saint Mark’s Church Fire Benefit at C.B.G.B.’s, New York, October 28, 1978)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSide Three\u003cbr data-mce-fragment=\"1\"\u003e1. Charlotte Carter – Six Months In Brooklyn (The Saint Mark’s Church New Year’s Benefit, Entermedia Theater, New York, January 1, 1979)\u003cbr data-mce-fragment=\"1\"\u003e2. Patti Smith – Parade (The Saint Mark’s Church New Year’s Benefit, New York, January 1, 1975)\u003cbr data-mce-fragment=\"1\"\u003e3. Cliff Fyman – Coffee (The Saint Mark’s Church New Year’s “No Reading”, Parish Hall, New York, January 1, 1980)\u003cbr data-mce-fragment=\"1\"\u003e4. Robin Messing – 3 Subway Poems from \"Temporary Worker\" (The Saint Mark’s Church New Year’s Benefit, Entermedia Theater, New York, January 1, 1979)\u003cbr data-mce-fragment=\"1\"\u003e5. Paul Violi – Whalefeathers (The Saint Mark’s Church New Year’s Benefit, Entermedia Theater, New York, January 1, 1979)\u003cbr data-mce-fragment=\"1\"\u003e6. Bob Holman – RAP IT UP (The Saint Mark’s Poetry Project Benefit, Town Hall, New York, April 19, 1980)\u003cbr data-mce-fragment=\"1\"\u003e7. Allen Ginsberg – C.I.A. Dope Calypso (The Saint Mark’s Church Fire Benefit at C.B.G.B.’s, New York, October 27, 1978)\u003cbr data-mce-fragment=\"1\"\u003e8. Anne Waldman – Lady Tactics (University of Texas at Austin, April 19, 1979)\u003cbr data-mce-fragment=\"1\"\u003e9. John Ashbery – Litany, excerpt from Part II, with Ann Lauterbach (ZBS Media, Fort Edward, New York, June 1979)\u003cbr data-mce-fragment=\"1\"\u003e10. Beth Anderson – I Can't Stand It (The Kitchen, New York, May 5, 1979)\u003cbr data-mce-fragment=\"1\"\u003e11. Rene Ricard – Rene Ricard Famous at 20 (The Saint Mark’s Church New Year’s Benefit at Entermedia Theater, New York, January 1, 1979)\u003cbr data-mce-fragment=\"1\"\u003e12. Barbara Barg – Chicks (The Saint Mark’s Poetry Project Benefit at Town Hall, New York, April 19, 1980)\u003cbr data-mce-fragment=\"1\"\u003e13. Ned Sublette – Nice Young Mormons (Steve Cellum, New York, April 13, 1980)\u003cbr data-mce-fragment=\"1\"\u003e14. Kathy Acker – I Was Walking Down The Street (One of the fairytales the whores of Montmartre tell each other to sleep after a hard night's work in \"The Adult Life of Toulouse Lautrec\") (The Saint Mark’s Church Fire Benefit at C.B.G.B.’s, New York, October 26, 1978)\u003cbr data-mce-fragment=\"1\"\u003e15. Eileen Myles – Lorna \u0026amp; Vicki (The Saint Mark’s Church New Year’s “No Reading”, Parish Hall, New York, January 1, 1980)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSide Four\u003cbr data-mce-fragment=\"1\"\u003e1. Barbara Barg – So Fine, With Chassler (The Saint Mark’s Church New Year’s “No Reading”, Parish Hall, New York, January 1, 1980)\u003cbr data-mce-fragment=\"1\"\u003e2. Didi Susan Dubelyew – Who Needs Exercise (The Saint Mark’s Church New Year’s “No Reading”, Parish Hall, New York, January 1, 1980)\u003cbr data-mce-fragment=\"1\"\u003e3. Rochelle Kraut – New Born Sleep (The Saint Mark’s Church New Year’s “No Reading”, Parish Hall, New York, January 1, 1980)\u003cbr data-mce-fragment=\"1\"\u003e4. Gary Snyder – What You Should Know To Be A Poet (University of Texas at Austin, April 19, 1979)\u003cbr data-mce-fragment=\"1\"\u003e5. Daniela Gioseffi – Eggs (ZBS Media, Fort Edward, New York, December 1977)\u003cbr data-mce-fragment=\"1\"\u003e6. Regina Beck – Message From Confucius (The Saint Mark’s Church New Year’s Benefit, Entermedia Theater, New York, January 1, 1979)\u003cbr data-mce-fragment=\"1\"\u003e7. Bernard Heidsieck – Canal Street, No 4. (Text 1973, registered 1976, Paris, France)\u003cbr data-mce-fragment=\"1\"\u003e8. Charles Bernstein – Wall As (The Saint Mark’s Church New Year’s “No Reading”, Parish Hall, New York, January 1, 1980)\u003cbr data-mce-fragment=\"1\"\u003e9. Steve McCaffery – Viking Log Part 2, with Ted Moses on sax (Toronto, Canada, January 18, 1979)\u003cbr data-mce-fragment=\"1\"\u003e10. Ron Padgett – Zzzzz (The Saint Mark’s Church New Year’s Benefit, Entermedia Theater, New York, January 1, 1979)\u003c\/p\u003e","brand":"Giorno Poetry Systems","offers":[{"title":"LP","offer_id":45109068333275,"sku":null,"price":70.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/image_f9fc458e-c3b6-43fa-b645-c6e4e35922cf.jpg?v=1711468121"},{"product_id":"burroughs-william-s-john-giorno-s-t","title":"BURROUGHS, WILLIAM S. \/ JOHN GIORNO - A D'Arc Press Selection","description":"\u003cp data-mce-fragment=\"1\"\u003eOriginal 1975 LP. Factory-sealed.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\"American label set up in 1972 by the poet John Giorno. Mostly credited on releases as \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems records\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems tapes\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems video\u003c\/b\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe earliest releases were exclusively poetry collections of the \"Dial-A-Poets\" (John Giorno, William S Burroughs, Brion Gysin, Allen Ginsberg, John Cage etc.): \u003c\/span\u003e\u003ci\u003e\"In 1961 I was a young poet who hung out with young artists like Andy Warhol, Bob Rauschenberg and Jasper Johns, as well as with members of the Judson Dance Theatre. The use of modern mass media and technologies by these artists made me realize that poetry was 75 years behind painting and sculpture, dance and music. And I thought, if they can do it, why can't I do it for poetry. Why not try to connect with an audience using all the entertainments of ordinary life: television, the telephone, record albums, etc? It was the poet's job to invent new venues and make fresh contact with the audience. This inspiration gave rise to Giorno Poetry Systems\" - \u003c\/i\u003eGiorno Poetry Systems\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"Since 1962, John Giorno has been disseminating his streetwise, pioneering poetry to audiences worldwide. He lifts his poems off the page, delivering them through rhythmic performances; paintings, prints, and installations; and in LPs, mixed with music. Among his most iconic works is his “Dial-A-Poem” project (begun 1968), in which a telephone number leads to short readings by a host of writers, artists, and activists, among them Allen Ginsburg and John Cage. Giorno forged his art in 1960s New York, and was associated with numerous important figures from that period, including Andy Warhol, the Beat writers, and avant-garde performers—who all influenced his generous, democratic work. Describing his relationship with his audience, he states: “I'm giving out energy, and I'm holding up a mirror to their minds. It's not me they're looking at—it's into their own minds. That's what a great poem is.” - John Giorno\/Artsy\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklist:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA1 – William S. Burroughs: From \"The Wild Boys\", The Chief Smiles (6:50)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA2 – William S. Burroughs: From \"The Wild Boys\", The Green Nun (3:32)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA3 – William S. Burroughs: From \"Ah Pook Is Here\" (12:00)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA4 – William S. Burroughs: From \"Cities Of The Red Night\" (10:00)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eB1 – William S. Burroughs: From \"Junkie\", 103rd Street Boys (7:29)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eB2 – William S. Burroughs: From \"Naked Lunch\" (20:28)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eB3 – William S. Burroughs: From \"Exterminator\", From Here To Eternity (3:40)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eC1 – John Giorno: Suicide Sutra (10:29)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eC2 – John Giorno: Eating Human Meat (18:57)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eD – John Giorno: Subduing Demons In America (30:51)\u003c\/p\u003e","brand":"Giorno Poetry Systems","offers":[{"title":"LP","offer_id":45109094285531,"sku":null,"price":70.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/image_b2858ca3-04b9-4c29-9c15-b7324872faea.jpg?v=1711468242"},{"product_id":"v-a-like-a-girl-i-want-you-to-keep-coming","title":"V\/A - Like A Girl, I Want You To Keep Coming","description":"\u003cp data-mce-fragment=\"1\"\u003eOriginal 1975 LP. Factory-sealed.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\"American label set up in 1972 by the poet John Giorno. Mostly credited on releases as \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems records\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems tapes\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems video\u003c\/b\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe earliest releases were exclusively poetry collections of the \"Dial-A-Poets\" (John Giorno, William S Burroughs, Brion Gysin, Allen Ginsberg, John Cage etc.): \u003c\/span\u003e\u003ci\u003e\"In 1961 I was a young poet who hung out with young artists like Andy Warhol, Bob Rauschenberg and Jasper Johns, as well as with members of the Judson Dance Theatre. The use of modern mass media and technologies by these artists made me realize that poetry was 75 years behind painting and sculpture, dance and music. And I thought, if they can do it, why can't I do it for poetry. Why not try to connect with an audience using all the entertainments of ordinary life: television, the telephone, record albums, etc? It was the poet's job to invent new venues and make fresh contact with the audience. This inspiration gave rise to Giorno Poetry Systems\" - Giorno Poetry Systems\u003c\/i\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSide One\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"ee-editor-small-text\" data-mce-fragment=\"1\"\u003e1. Debbie Harry – Invocation To Papa Legba (Electric Rosannoland Studios, New York, February 1989)\u003cbr data-mce-fragment=\"1\"\u003e2. New Order – Sister Ray (San Paulo, Brazil, December 1, 1988)\u003cbr data-mce-fragment=\"1\"\u003e3. William S. Burroughs – Just Say No To Drug Hysteria (excerpt); Dead Souls (Wichita Art Association Theater, Wichita, Kansas, April 10, 1987)\u003cbr data-mce-fragment=\"1\"\u003e4. David Byrne – Song For The Trees (or) I Know Sometimes The World Is Wrong (Totem Window, New York, 1987)\u003c\/p\u003e\n\u003cp class=\"ee-editor-small-text\" data-mce-fragment=\"1\"\u003eSide Two\u003cbr data-mce-fragment=\"1\"\u003e1. Live Skull – Tri-Power (B.C. Studios, New York, February 1989)\u003cbr data-mce-fragment=\"1\"\u003e2. Pre Metal Syndrome – Living On The Outside (Fucked Up World) (Electric Rosannoland Studios, New York, March 1989)\u003cbr data-mce-fragment=\"1\"\u003e3. Karen Finley – Party Animal (Harold Dessau Recording, New York, November 18, 1988)\u003cbr data-mce-fragment=\"1\"\u003e4. John Giorno Band – It's A Mistake To Think You're Special (Living Room Studios, New York, January 1986)\u003cbr data-mce-fragment=\"1\"\u003e5. Rollins Band – Hard (Wilhelmshaven, Germany, September 9, 1988\u003c\/p\u003e","brand":"Giorno Poetry Systems","offers":[{"title":"LP","offer_id":45109128331483,"sku":null,"price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/image_a69fdef3-72f7-417f-b230-b3c750224870.jpg?v=1711468412"},{"product_id":"v-a-the-dial-a-poem-poets-big-ego","title":"V\/A - The Dial-A-Poem Poets: Big Ego","description":"\u003cp data-mce-fragment=\"1\"\u003eOriginal 1978 LP. Factory-sealed.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\"American label set up in 1972 by the poet John Giorno. Mostly credited on releases as \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems records\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems tapes\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems video\u003c\/b\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe earliest releases were exclusively poetry collections of the \"Dial-A-Poets\" (John Giorno, William S Burroughs, Brion Gysin, Allen Ginsberg, John Cage etc.): \u003c\/span\u003e\u003ci\u003e\"In 1961 I was a young poet who hung out with young artists like Andy Warhol, Bob Rauschenberg and Jasper Johns, as well as with members of the Judson Dance Theatre. The use of modern mass media and technologies by these artists made me realize that poetry was 75 years behind painting and sculpture, dance and music. And I thought, if they can do it, why can't I do it for poetry. Why not try to connect with an audience using all the entertainments of ordinary life: television, the telephone, record albums, etc? It was the poet's job to invent new venues and make fresh contact with the audience. This inspiration gave rise to Giorno Poetry Systems\" - Giorno Poetry Systems\u003c\/i\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp class=\"ee-editor-small-text\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSide One\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e1. Patti Smith – The Histories of the Universe (St. Mark’s Church, New York, January 1, 1975)\u003cbr data-mce-fragment=\"1\"\u003e2. Philip Glass – A Secret Solo (Big Apple Studios, New York, April 29, 1977)\u003cbr data-mce-fragment=\"1\"\u003e3. John Giorno – Grasping at Emptiness (ZBS Media, Fort Edward, New York, June 9, 1978)\u003cbr data-mce-fragment=\"1\"\u003e4. Laurie Anderson – Three Expediences (ZBS Media, Fort Edward, New York, February 1978)\u003cbr data-mce-fragment=\"1\"\u003e5. Robert Wilson \u0026amp; Christopher Knowles – Excerpt from \"A Letter To Queen Victoria: The Sundance Kid Is Beautiful\" (St. Mark’s Church, New York, January 1, 1975)\u003c\/p\u003e\n\u003cp class=\"ee-editor-small-text\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSide Two\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e1. Meredith Monk – Biography from \"Education Of The Girlchild,\" 1972 (WBAI, New York, May 15, 1976)\u003cbr data-mce-fragment=\"1\"\u003e2. Michael Lally – Excerpt from \"All of the Above\" (St. Mark’s Church, New York, January 18, 1978)\u003cbr data-mce-fragment=\"1\"\u003e3. Robert Lowell – Excerpt from \"Ulysses \u0026amp; Circe\" (St. Mark’s Church, New York, February 23, 1977)\u003cbr data-mce-fragment=\"1\"\u003e4. Larry Wendt – How To Cook A Duck (San Jose, California, June 1976)\u003cbr data-mce-fragment=\"1\"\u003e5. Jackie Curtis – Have yourself a Merry Little Christmas (Town Hall, New York, November 9, 1976)\u003c\/p\u003e\n\u003cp class=\"ee-editor-small-text\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSide Three\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e1. Ed Sanders – “A Monologue” from The Fugs (The Fillmore East, New York, June 1, 1968)\u003cbr data-mce-fragment=\"1\"\u003e2. William S. Burroughs – Excerpt from \"Naked Lunch: The Laboratory Has Been Locked For Three Hours Solid\" (St. Mark’s Church, New York, April 9, 1977)\u003cbr data-mce-fragment=\"1\"\u003e3. Harris Schiff – 15 Years Passes; Dollar Bill (St. Mark’s Church, New York, May 18, 1977)\u003cbr data-mce-fragment=\"1\"\u003e4. Otis Brown – Boneless Chicken (St. Mark’s Church, New York, October 26, 1977)\u003cbr data-mce-fragment=\"1\"\u003e5. Joel Oppenheimer – Cities, This City (St. Mark’s Church, New York, October 6, 1976)\u003cbr data-mce-fragment=\"1\"\u003e6. The Fugs – “Saran Wrap” by Ed Sanders (New York, 1965)\u003cbr data-mce-fragment=\"1\"\u003e7. Claes Oldenburg – June Was; Panodramdra (Museum of Modern Art, New York, April 19, 1976)\u003cbr data-mce-fragment=\"1\"\u003e8. Denise Levertov – Woman Alone; Homage to Pavese (St. Mark’s Church, New York, April 20, 1977)\u003cbr data-mce-fragment=\"1\"\u003e9. Ted Greenwald – Friends (St. Mark’s Church, New York, April 27, 1977)\u003cbr data-mce-fragment=\"1\"\u003e10. Anthony J. Gnazzo – Hisnia \u0026amp; Hernia (Oakland, California, January 1975)\u003cbr data-mce-fragment=\"1\"\u003e11. Steve Tropp \u0026amp; Gloria Tropp – Snow White (WBAI, New York, December 1977)\u003cbr data-mce-fragment=\"1\"\u003e12. Jim Brodey – “Homeward Bound” with Colin Wolcott on sitar (St. Mark’s Church, New York, March 31, 1976)\u003cbr data-mce-fragment=\"1\"\u003e13. Robert Ashley – Interiors With Flash (Mills College, Oakland, California, May 14, 1978)\u003c\/p\u003e\n\u003cp class=\"ee-editor-small-text\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSide Four\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e1. Eileen Myles – Tuesday Brightness (St. Mark’s Church, New York, December 7, 1977)\u003cbr data-mce-fragment=\"1\"\u003e2. Helen Adam – Apartment on Twin Peaks (St. Mark’s Church, New York, January 5, 1977)\u003cbr data-mce-fragment=\"1\"\u003e3. Anne Waldman – Light \u0026amp; Shadow (Naropa Institute, Boulder, Colorado, July 30, 1974)\u003cbr data-mce-fragment=\"1\"\u003e4. Joe Johnson – Fly Ho (St. Mark’s Church, New York, January 29, 1977)\u003cbr data-mce-fragment=\"1\"\u003e5. Lorenzo Thomas – Wonders (St. Mark’s Church, New York, March 2, 1977)\u003cbr data-mce-fragment=\"1\"\u003e6. Ishmael Reed – Sky Diving (St. Mark’s Church, New York, January 29, 1977)\u003cbr data-mce-fragment=\"1\"\u003e7. Kenward Elmslie – The Woolworth Song (WBAI, New York, January 29, 1978)\u003cbr data-mce-fragment=\"1\"\u003e8. Mona DaVinci – Excerpt from \"The Sacred Wood Of Art: The Last Supper Of Mona DaVinci\" (Bloomfield, New Jersey and St. Mark’s Church, New York, October 9, 1974)\u003cbr data-mce-fragment=\"1\"\u003e9. Bernard Heidsieck – Canal Street No. 19 (Text 1973, registered 1976, Paris, France)\u003cbr data-mce-fragment=\"1\"\u003e10. Steve Hamilton – Promise (St. Mark’s Church, New York, December 22, 1976)\u003cbr data-mce-fragment=\"1\"\u003e11. Frank O'Hara – Poem; Poem (Eugene Brooks \u0026amp; Jerry Newman, New York, September 1963)\u003cbr data-mce-fragment=\"1\"\u003e12. Ron Padgett – No Title (St. Mark’s Church, New York, February 8, 1978)\u003c\/p\u003e\n\u003cp class=\"ee-editor-small-text\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Giorno Poetry Systems","offers":[{"title":"LP","offer_id":45109161656539,"sku":null,"price":50.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/image_ba23d3b2-f67b-40e9-ad1f-2d156eb425a6.jpg?v=1711468602"},{"product_id":"giorno-john-glenn-branca-who-you-staring-at","title":"GIORNO, JOHN \u0026 GLENN BRANCA - Who You Staring At?","description":"\u003cp data-mce-fragment=\"1\"\u003eOriginal 1982 LP. Factory-sealed.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\"American label set up in 1972 by the poet John Giorno. Mostly credited on releases as \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems records\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems tapes\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems video\u003c\/b\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe earliest releases were exclusively poetry collections of the \"Dial-A-Poets\" (John Giorno, William S Burroughs, Brion Gysin, Allen Ginsberg, John Cage etc.): \u003c\/span\u003e\u003ci\u003e\"In 1961 I was a young poet who hung out with young artists like Andy Warhol, Bob Rauschenberg and Jasper Johns, as well as with members of the Judson Dance Theatre. The use of modern mass media and technologies by these artists made me realize that poetry was 75 years behind painting and sculpture, dance and music. And I thought, if they can do it, why can't I do it for poetry. Why not try to connect with an audience using all the entertainments of ordinary life: television, the telephone, record albums, etc? It was the poet's job to invent new venues and make fresh contact with the audience. This inspiration gave rise to Giorno Poetry Systems\" - Giorno Poetry Systems\u003c\/i\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cbr\u003e\"John Giorno (born 1935) started his Giorno Poetry Systems record label in 1972 with a series of ‘Dial-A-Poets’ LPs (see also UbuWeb for more GPS), a project he initiated in 1968 with friends William S. Burroughs and Brion Gysin. Through GPS Giorno has championned a kind of DIY spoken word poetry embarking cut-ups, performance, rock guitar and electronic rhythms. If Burroughs foundness for tape recorder and tape splicing delights is well known, his relationship to rock appears a bit cynical and un-sincere. Giorno, on the other hand, was part of that Downtown scene where so many things had been happening since the 1960s – from Cage and Rauschenberg to No Wave frenzy. But chances are he envisionned rock music as a suitable medium for his poetry in the same way he used telephone to spread his poems. There’s pragmatism at work here. Some of the guests musicians on Glenn Branca‘s track appeared on his monumental ‘The Ascension’ LP on 99 Records published the year before (1981): Stephan Wischerth, David Rosenbloom, Ned Sublette and Lee Ranaldo. I more or less expected monolithic guitar walls, but this soundtrack to a dance performance is quite varied and structured into various moments, including sudden rhythm changes (at 8:15), quiet guitar feedback drones (at 11;30) alternating with fierce guitar parts, while drums are a prominent feature throughout. The whole track is very well conceived and entertaining from start to finish. The John Giorno side has 2 tracks of poetry reading along heavy beats. The poems are deliberately matter-of-fact and delivered in the typical Giorno high pitched voice. Nice slice of Downtown avant-whatever.\" - Continuo\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"ee-editor-small-text\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSide One\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e1. Glenn Branca – Music for the dance \"Bad Smells\" choreographed by Twyla Tharp (Radio City Music Hall Studio, New York, 1982)\u003c\/p\u003e\n\u003cp class=\"ee-editor-small-text\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSide Two\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e1. John Giorno – Stretching It Wider\u003cbr data-mce-fragment=\"1\"\u003e2. John Giorno – We Got Here Yesterday, We're Here Now, And I Can't Wait To Leave Tomorrow\u003c\/p\u003e\n\u003cp class=\"ee-editor-small-text\" data-mce-fragment=\"1\"\u003eRecorded at Skyline Studios, 39th Street Music Production, Song Shop, and 112 Greene Street Recording.\u003c\/p\u003e\n\u003cp class=\"ee-editor-small-text\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Giorno Poetry Systems","offers":[{"title":"LP","offer_id":45109191508187,"sku":"","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/image_1111b03b-b3b7-44ff-a287-da6d33178f9f.jpg?v=1711468723"},{"product_id":"v-a-the-nova-convention","title":"V\/A - The Nova Convention","description":"\u003cp data-mce-fragment=\"1\"\u003eOriginal 1979 LP. Factory-sealed.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\"American label set up in 1972 by the poet John Giorno. Mostly credited on releases as \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems records\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems tapes\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems video\u003c\/b\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe earliest releases were exclusively poetry collections of the \"Dial-A-Poets\" (John Giorno, William S Burroughs, Brion Gysin, Allen Ginsberg, John Cage etc.): \u003c\/span\u003e\u003ci\u003e\"In 1961 I was a young poet who hung out with young artists like Andy Warhol, Bob Rauschenberg and Jasper Johns, as well as with members of the Judson Dance Theatre. The use of modern mass media and technologies by these artists made me realize that poetry was 75 years behind painting and sculpture, dance and music. And I thought, if they can do it, why can't I do it for poetry. Why not try to connect with an audience using all the entertainments of ordinary life: television, the telephone, record albums, etc? It was the poet's job to invent new venues and make fresh contact with the audience. This inspiration gave rise to Giorno Poetry Systems\" - Giorno Poetry Systems\u003c\/i\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp class=\"ee-editor-small-text\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSide One\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e1. Terry Southern – Vignette of Idealistic Life in South Texas\u003cbr data-mce-fragment=\"1\"\u003e2. William S. Burroughs – Keynote commentary \u0026amp; Roosevelt After Inauguration\u003cbr data-mce-fragment=\"1\"\u003e3. John Giorno – Eating The Sky\u003cbr data-mce-fragment=\"1\"\u003e4. Patti Smith – Poem For Jim Morrison \u0026amp; Bumblebee\u003c\/p\u003e\n\u003cp class=\"ee-editor-small-text\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSide Two\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e1. William S. Burroughs – Benway\u003cbr data-mce-fragment=\"1\"\u003e2. Philip Glass – Building, excerpt from Einstein On The Beach by Robert Wilson \u0026amp; Philip Glass\u003cbr data-mce-fragment=\"1\"\u003e3. Brion Gysin – Kick That Habit, Junk Is No Good Baby, Somebody Special \u0026amp; Blue Baboon\u003cbr data-mce-fragment=\"1\"\u003e4. Frank Zappa – The Talking Asshole\u003cbr data-mce-fragment=\"1\"\u003e5. William S. Burroughs – From The Gay Gun: \"This Is Kim Carson,\" \"Just Like The Collapse Of Any Currency,\" \u0026amp; \"The Whole Tamale\"\u003c\/p\u003e\n\u003cp class=\"ee-editor-small-text\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSide Three\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e1. William S. Burroughs – What The Nova Convention Is About\u003cbr data-mce-fragment=\"1\"\u003e2. Ed Sanders – Hymn To Aphrodite from Sappho\u003cbr data-mce-fragment=\"1\"\u003e3. John Cage – Writing For The Second Time Through Finnegans Wake\u003cbr data-mce-fragment=\"1\"\u003e4. Anne Waldman – Plutonium Ode \u0026amp; Skin Meat Bones\u003c\/p\u003e\n\u003cp class=\"ee-editor-small-text\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSide Four\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e1. Laurie Anderson \u0026amp; Julia Heyward – Song from America On The Move\u003cbr data-mce-fragment=\"1\"\u003e2. Allen Ginsberg \u0026amp; Peter Orlovsky – Punk Rock, Old Pond; Feeding Them Raspberries To Grow, \u0026amp; Nurses Song\u003cbr data-mce-fragment=\"1\"\u003e3. William S. Burroughs, Brion Gysin, Timothy Leary, Les Levine \u0026amp; Robert Anton Wilson – Conversations\u003c\/p\u003e\n\u003cp class=\"ee-editor-small-text\" data-mce-fragment=\"1\"\u003eRecorded at Entermedia Theater, New York, December 1 \u0026amp; 2, 1978\u003c\/p\u003e\n\u003cp class=\"ee-editor-small-text\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Giorno Poetry Systems","offers":[{"title":"LP","offer_id":45109209530587,"sku":null,"price":50.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/image_686efef8-6bf5-4700-a3e9-825bf84d302a.jpg?v=1711468814"},{"product_id":"v-a-youre-a-hook-the-15-year-anniversary-of-dial-a-poem-1968-1983","title":"V\/A - You're A Hook: The 15 Year Anniversary of Dial-A-Poem (1968-1983)","description":"\u003cp data-mce-fragment=\"1\"\u003eOriginal 1983 LP. Factory-sealed.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\"American label set up in 1972 by the poet John Giorno. Mostly credited on releases as \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems records\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems tapes\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems video\u003c\/b\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe earliest releases were exclusively poetry collections of the \"Dial-A-Poets\" (John Giorno, William S Burroughs, Brion Gysin, Allen Ginsberg, John Cage etc.): \u003c\/span\u003e\u003ci\u003e\"In 1961 I was a young poet who hung out with young artists like Andy Warhol, Bob Rauschenberg and Jasper Johns, as well as with members of the Judson Dance Theatre. The use of modern mass media and technologies by these artists made me realize that poetry was 75 years behind painting and sculpture, dance and music. And I thought, if they can do it, why can't I do it for poetry. Why not try to connect with an audience using all the entertainments of ordinary life: television, the telephone, record albums, etc? It was the poet's job to invent new venues and make fresh contact with the audience. This inspiration gave rise to Giorno Poetry Systems\" - Giorno Poetry Systems\u003c\/i\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSide One\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e1. John Giorno – (Last Night) I Gambled with My Anger and Lost (Greene Street Recording, New York, August 1983)\u003cbr data-mce-fragment=\"1\"\u003e2. William S. Burroughs – “Old Man Bickford” from The Place of Dead Roads (Kabuki Theater, San Francisco, February 25, 1983)\u003cbr data-mce-fragment=\"1\"\u003e3. Laurie Anderson – Song from America on the Move (The Nova Convention, New York, April 29, 1977)\u003cbr data-mce-fragment=\"1\"\u003e4. Philip Glass – A Secret Solo (Big Apple Studios, New York, April 29, 1977)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSide Two\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e1. Lenny Kaye – No Jestering (The Place, Eugene, Oregon, May 9, 1978)\u003cbr data-mce-fragment=\"1\"\u003e2. Patti Smith – “7 Ways Of Going” from The Histories of the World (New York, January 1, 1975)\u003cbr data-mce-fragment=\"1\"\u003e3. Fire of Unknown Origin (The Nova Convention, New York, December 1978)\u003cbr data-mce-fragment=\"1\"\u003e4. Jim Carroll – From The Basketball Diaries (Giorno Poetry Systems, New York, March 30, 1969)\u003cbr data-mce-fragment=\"1\"\u003e5. Frank Zappa – The Talking Asshole (The Nova Convention, New York, December 2, 1978)\u003cbr data-mce-fragment=\"1\"\u003e6. Allen Ginsberg – Father Death Blues (ZBS Media, Fort Edward, New York, February 28-March 1, 1981, courtesy of Hammon Music Enterprises\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Giorno Poetry Systems","offers":[{"title":"LP","offer_id":45109257339099,"sku":null,"price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/image_740557ef-383e-4e03-a695-e99e5c60cdbe.jpg?v=1711469087"},{"product_id":"v-a-better-an-old-demon-than-a-new-god","title":"V\/A - Better An Old Demon Than A New God","description":"\u003cp data-mce-fragment=\"1\"\u003eOriginal 1984 LP. Factory-sealed.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\"American label set up in 1972 by the poet John Giorno. Mostly credited on releases as \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems records\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems tapes\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems video\u003c\/b\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe earliest releases were exclusively poetry collections of the \"Dial-A-Poets\" (John Giorno, William S Burroughs, Brion Gysin, Allen Ginsberg, John Cage etc.): \u003c\/span\u003e\u003ci\u003e\"In 1961 I was a young poet who hung out with young artists like Andy Warhol, Bob Rauschenberg and Jasper Johns, as well as with members of the Judson Dance Theatre. The use of modern mass media and technologies by these artists made me realize that poetry was 75 years behind painting and sculpture, dance and music. And I thought, if they can do it, why can't I do it for poetry. Why not try to connect with an audience using all the entertainments of ordinary life: television, the telephone, record albums, etc? It was the poet's job to invent new venues and make fresh contact with the audience. This inspiration gave rise to Giorno Poetry Systems\" - Giorno Poetry Systems\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"Better an Old Demon Than a New God\", under the direction of John Giorno, is a film by William S. Barroughs, one of the most famous beatnik writers of the 1950s, whose works include \"Junkie\", \"Naked Lunch\" and \"Soft Machine\". David Johansen, Psychic TV, Lydia Lunch, Meredith Monk, Jim Carroll, Anne Waldman, Richard Hell, and Arto Lindsay each contributed a song to this compilation album was released in 1984. The album is a mixture of various genres such as poetry reading, avant-garde, experimental, post-punk, new wave, etc., but the worldview is consistently built around the iconic William S. Barroughs.\"  - \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003eOrganic Music + Planet Baby\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSide One\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e1. David Johansen – Imaginatin' Cocktail (The Ranch, New York, 1983)\u003cbr data-mce-fragment=\"1\"\u003e2. John Giorno – Exiled in Domestic Life (Skyline Studios, New York, 1984)\u003cbr data-mce-fragment=\"1\"\u003e3. William S. Burroughs – Dinosaurs (Research Video, San Francisco, March 20, 1984)\u003cbr data-mce-fragment=\"1\"\u003e4. Psychic TV – Unclean (The Building Site, London, February 1984)\u003cbr data-mce-fragment=\"1\"\u003e5. Lydia Lunch – What It Is (Los Angeles, December 1983)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSide Two\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e1. Meredith Monk – Candy Bullets And Moon (Café Au Go Go, New York, July 1967)\u003cbr data-mce-fragment=\"1\"\u003e2. Jim Carroll – A Peculiar-Looking Girl (Elliot Lefko, Toronto, October 11, 1983)\u003cbr data-mce-fragment=\"1\"\u003e3. Anne Waldman – Uh-Oh Plutonium (A Step Above, New York, June 12, 1982; remixed June 18, 1984)\u003cbr data-mce-fragment=\"1\"\u003e4. Richard Hell – The Rev. Hell Gets Confused (New York, July 30, 1984)\u003cbr data-mce-fragment=\"1\"\u003e5. Arto Lindsay – Alisa (New York, March 1984)\u003c\/p\u003e","brand":"Giorno Poetry Systems","offers":[{"title":"LP","offer_id":45109274312923,"sku":null,"price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/image_e98aa791-6c7c-4d29-ac23-2c44d850e87a.jpg?v=1711469230"},{"product_id":"kaye-lenny-ive-got-a-right","title":"KAYE, LENNY - I've Got A Right","description":"\u003cp data-mce-fragment=\"1\"\u003eOriginal 1984 LP. Factory-sealed.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\"American label set up in 1972 by the poet John Giorno. Mostly credited on releases as \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems records\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems tapes\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems video\u003c\/b\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe earliest releases were exclusively poetry collections of the \"Dial-A-Poets\" (John Giorno, William S Burroughs, Brion Gysin, Allen Ginsberg, John Cage etc.): \u003c\/span\u003e\u003ci\u003e\"In 1961 I was a young poet who hung out with young artists like Andy Warhol, Bob Rauschenberg and Jasper Johns, as well as with members of the Judson Dance Theatre. The use of modern mass media and technologies by these artists made me realize that poetry was 75 years behind painting and sculpture, dance and music. And I thought, if they can do it, why can't I do it for poetry. Why not try to connect with an audience using all the entertainments of ordinary life: television, the telephone, record albums, etc? It was the poet's job to invent new venues and make fresh contact with the audience. This inspiration gave rise to Giorno Poetry Systems\" - Giorno Poetry Systems\u003c\/i\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp class=\"ee-editor-small-text\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSide One\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"ee-editor-small-text\" data-mce-fragment=\"1\"\u003e1. I've Got A Right (4:21)\u003cbr data-mce-fragment=\"1\"\u003e2. Luke the Drifter (3:28)\u003cbr data-mce-fragment=\"1\"\u003e3. Still Life (4:17)\u003cbr data-mce-fragment=\"1\"\u003e4. Tell-Tale Heart (3:46)\u003c\/p\u003e\n\u003cp class=\"ee-editor-small-text\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSide Two\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"ee-editor-small-text\" data-mce-fragment=\"1\"\u003e1. Jealousy (2:56)\u003cbr data-mce-fragment=\"1\"\u003e2. I Cry Mercy (3:49)\u003cbr data-mce-fragment=\"1\"\u003e3. Record Collector (3:30)\u003cbr data-mce-fragment=\"1\"\u003e4. As I Make Love (6:18)\u003cbr data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp class=\"ee-editor-small-text\" data-mce-fragment=\"1\"\u003eMixed by Craig Bishop;\u003cbr data-mce-fragment=\"1\"\u003e“Still Life” mixed by Rod Hui\u003c\/p\u003e\n\u003cp class=\"ee-editor-small-text\" data-mce-fragment=\"1\"\u003eMastering: Bill Kipper for Masterdisk\u003cbr data-mce-fragment=\"1\"\u003eBobby Bielecki, engineering consultant\u003c\/p\u003e\n\u003cp class=\"ee-editor-small-text\" data-mce-fragment=\"1\"\u003eCover photos: Donna Jackson\u003cbr data-mce-fragment=\"1\"\u003eDesign: George Delmerico\u003cbr data-mce-fragment=\"1\"\u003eSleeve illustration: Paul Gulacy\u003c\/p\u003e","brand":"Giorno Poetry Systems","offers":[{"title":"LP","offer_id":45109306982619,"sku":null,"price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/image_0a386fb3-6e2e-47f6-9899-ceb10fe0358d.jpg?v=1711469371"},{"product_id":"kaye-lenny-im-rock-hard-1982-1989","title":"JOHN GIORNO BAND, THE - I'm Rock Hard (1982 - 1989)","description":"\u003cp data-mce-fragment=\"1\"\u003eOriginal 2017 LP. Factory-sealed. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\"American label set up in 1972 by the poet John Giorno. Mostly credited on releases as \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems records\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems tapes\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems video\u003c\/b\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe earliest releases were exclusively poetry collections of the \"Dial-A-Poets\" (John Giorno, William S Burroughs, Brion Gysin, Allen Ginsberg, John Cage etc.): \u003c\/span\u003e\u003ci\u003e\"In 1961 I was a young poet who hung out with young artists like Andy Warhol, Bob Rauschenberg and Jasper Johns, as well as with members of the Judson Dance Theatre. The use of modern mass media and technologies by these artists made me realize that poetry was 75 years behind painting and sculpture, dance and music. And I thought, if they can do it, why can't I do it for poetry. Why not try to connect with an audience using all the entertainments of ordinary life: television, the telephone, record albums, etc? It was the poet's job to invent new venues and make fresh contact with the audience. This inspiration gave rise to Giorno Poetry Systems\" - Giorno Poetry Systems\u003c\/i\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cspan\u003e\"By the end of the 70s, Giorno had expanded his sound compositions into the world of music, live performance and created his own record label called “Giorno Poetry Systems Recordings” –- a platform where vinyl, video works, CD’s, tape compilations, radio broadcasting and telephones could be used as a tools to extend the boundary of poetry and literature. In 1981, when Giorno felt he had done every thing possible using the electronics available at the time, he took a hiatus from his “Sound Poems” and employed the genre of rock ‘n’ roll to form The John Giorno Band. Comprised of a rotating cast of talented musicians (Lenny Kaye on guitar, C. P. Roth on synthesizers, Paul Duggan on bass, David Donen on drums), the group was invited to perform at various punk rock venues and new wave clubs including the Pyramid, Danceteria, Mudd Club, Roxy, Irving Plaza, Palladium and CBGBs. Performing his poems in front of a crowd of night-time revellers, Giorno developed a new avenue to employ his poetic language – one that merged his spoken-word poetry slams into electrifying performances.\" - Vinyl Factory\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eNine tracks over 2 vinyl:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eScum \u0026amp; Slime (1985)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eStretching it Wider (1982)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLife is a Killer (1982)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSucking Mud (1986)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eExiled in Domestic Life (1983)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIt’s a mistake to think you’re special (1989)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eI gambled with my anger and lost (1983)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Strength of Pleasure (live) (1984)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eStretching it Wider (live) (1982)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 200, artist edition double LP. Hand signed foreword by John Giorno. \u003cspan data-mce-fragment=\"1\"\u003eIncludes a 20pp booklet containing exclusive images. Custom made gatefold sleeve. \u003c\/span\u003e\u003c\/p\u003e","brand":"Giorno Poetry Systems","offers":[{"title":"LP","offer_id":45109334048987,"sku":null,"price":225.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/image_16be9e1a-860d-4a90-a34c-d6ed17503568.jpg?v=1711469536"},{"product_id":"burroughs-william-s-laurie-anderson-john-giorno-youre-the-guy-i-want-to-share-my-money-with","title":"BURROUGHS, WILLIAM S. \/ LAURIE ANDERSON \/ JOHN GIORNO - You're the Guy I Want to Share My Money With","description":"\u003cp data-mce-fragment=\"1\"\u003eOriginal 1981 LP. Factory-sealed. \u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"American label set up in 1972 by the poet John Giorno. Mostly credited on releases as \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems records\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems tapes\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eGiorno Poetry Systems video\u003c\/b\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe earliest releases were exclusively poetry collections of the \"Dial-A-Poets\" (John Giorno, William S Burroughs, Brion Gysin, Allen Ginsberg, John Cage etc.): \u003c\/span\u003e\u003ci\u003e\"In 1961 I was a young poet who hung out with young artists like Andy Warhol, Bob Rauschenberg and Jasper Johns, as well as with members of the Judson Dance Theatre. The use of modern mass media and technologies by these artists made me realize that poetry was 75 years behind painting and sculpture, dance and music. And I thought, if they can do it, why can't I do it for poetry. Why not try to connect with an audience using all the entertainments of ordinary life: television, the telephone, record albums, etc? It was the poet's job to invent new venues and make fresh contact with the audience. This inspiration gave rise to Giorno Poetry Systems\" - Giorno Poetry Systems\u003c\/i\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"You're the Guy I Want to Share My Money With is a double album released in 1981. The album is a collaboration by Laurie Anderson, John Giorno and William S. Burroughs, recorded during their \"Red Night\" spoken word tour of 1981.[1] Released through Giorno Poetry Systems Institute, the album was funded in part by grants from the National Endowment for the Arts and the New York State Council on the Arts. Most of Anderson's material came from her performance piece, United States, and live versions of some tracks, such as \"It Was Up in the Mountains\", would also be included in her later 4-LP release, United States Live. This was Anderson's first substantial album release (previously she had only contributed a track or two), and she followed this in 1982 with her first full solo album, Big Science.\" - Wiki, t\u003cspan\u003ehe free encyclopedia\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklist:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA1 – Laurie Anderson: Dr. Miller 4:22\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA2 – Laurie Anderson: It Was Up In The Mountains 2:49\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA3 – Laurie Anderson: Drums 0:30\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA4 – Laurie Anderson: Closed Circuits 7:26\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA5 – Laurie Anderson: Born, Never Asked 4:30\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eB1 – John Giorno: I Don't Need It, I Don't Want It, And You Cheated Me Out Of It 18:37\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eB2 – John Giorno: Completely Attached To Delusion 7:52\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eC1 – William S. Burroughs: Introducing John Stanley Hart; He Entered The Bar With The Best Intentions 2:19\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eC2 – William S. Burroughs: Twilight's Last Gleamings 2:48\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eC3 – William S. Burroughs: My Protagonist Kim Carson 4:56\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eC4 – William S. Burroughs: The Do Rights 3:37\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eC5 – William S. Burroughs: Salt Chunk Mary; Like Mr. Hart, Kim Has A Dark Side To His Character 4:14\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eC6 – William S. Burroughs: Progressive Education 7:10\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eC7 – William S. Burroughs: The Wild Fruits 2:24\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eC8 – William S. Burroughs: The Unworthy Vessel 2:45\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eD1 – Laurie Anderson: For Electronic Dogs \/ Structuralist Film Making \/ Drums 4:52\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eD2 – William S. Burroughs: The Name Is Clem Snide \/ Mr. Hart Couldn't Hear The Word Death 5:04\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eD3 – John Giorno: Excerpt From Put Your Ear To Stone \u0026amp; Open Your Heart To The Sky 5:03\u003c\/p\u003e","brand":"Giorno Poetry Systems","offers":[{"title":"LP","offer_id":45109359673563,"sku":null,"price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/image_22a8b890-3ad0-4e0a-aea0-9cbf8cc8f444.jpg?v=1711469669"},{"product_id":"cukor-bila-smert-recordings-1990-1993","title":"CUKOR BILA SMERT' - Recordings 1990-1993","description":"\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe founders of \u003c\/span\u003e\u003cb\u003eCukor Bila Smert'\u003c\/b\u003e\u003cspan\u003e (Ukrainian: Цукор Біла Смерть, English: Sugar - White Death) band were \u003c\/span\u003e\u003cb\u003eSvitlana Okhrimenko\u003c\/b\u003e\u003cspan\u003e (a.k.a. \u003c\/span\u003e\u003cb\u003eSvitlana Nianio\u003c\/b\u003e\u003cspan\u003e), \u003c\/span\u003e\u003cb\u003eOleksandr Kohanovs'kyi\u003c\/b\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cb\u003eTamila Mazur\u003c\/b\u003e\u003cspan\u003e, who studied at the Reinhold Glier Kyiv Academy of Music in 1984-1988. In the summer of 1988, they got acquainted with \u003c\/span\u003e\u003cb\u003eEugene Taran\u003c\/b\u003e\u003cspan\u003e, a young guitarist and artist. He joined the band and also became the ideologist of Sugar - White Death. The musicians gathered at Kohanovs'kyi's house, where they spent their free time not only playing music but also listening to and discussing new records and thinking about the conception of their new project. For two years, the band recorded a few home-made albums, such as \u003c\/span\u003e\u003ci\u003eRhododendrons Coral Aspides\u003c\/i\u003e\u003cspan\u003e in 1988 (which is considered lost), where \u003c\/span\u003e\u003cb\u003eKostyantyn Dovzhenko\u003c\/b\u003e\u003cspan\u003e took part as a guitarist and sound engineer. The band also recorded another album -- \u003c\/span\u003e\u003ci\u003eLilies and Amaralises\u003c\/i\u003e\u003cspan\u003e, in 1989, which is also considered lost. In February 1990, a quartet came to the Scientists House Studio in Kyiv, where they had one studio session only, recorded by \u003c\/span\u003e\u003cb\u003eValerii Papchenko\u003c\/b\u003e\u003cspan\u003e. Later, this tape got to \u003c\/span\u003e\u003cb\u003eVlodek Nakonechnyj\u003c\/b\u003e\u003cspan\u003e, the founder of Koka Records, a young Polish label. In November 1990, Sugar - White Death played their last gig as a quartet in Kharkiv. They were invited by \u003c\/span\u003e\u003cb\u003eSergii Myasoyedov\u003c\/b\u003e\u003cspan\u003e, who curated the art association Nova Scena (The New Scene). The band played selected tracks from the albums \u003c\/span\u003e\u003ci\u003eThe New Sissies\u003c\/i\u003e\u003cspan\u003e and \u003c\/span\u003e\u003ci\u003eThe Shellfishes in Gold Wrappers\u003c\/i\u003e\u003cspan\u003e (the last one is also considered lost). In 1992, they were also invited by Sergii Myasoyedov for a studio session in Kharkiv, where due to the efforts of Oleksandr Vakulenko, Sugar recorded the new album called \u003c\/span\u003e\u003ci\u003eAll Secrets Of A Poem\u003c\/i\u003e\u003cspan\u003e. In the autumn of 1992, the musicians went to Poland, where \u003c\/span\u003e\u003cb\u003eVlodek Nakonechnyj\u003c\/b\u003e\u003cspan\u003e, who wanted Sugar to come to a \"real\" studio, organized their last recording session. Although the journey's beginning was unsuccessful (Eugene's guitar was taken away by a customs officer when crossing the border), the musicians worked fast during the session at the Arek Was studio at Marki on an eight-track reel-to-reel machine. \u003c\/span\u003e\u003cb\u003eBoleslav Blazhchyk\u003c\/b\u003e\u003cspan\u003e took part as a cellist, playing the parts created by Svitlana. The album was completed in three days -- the musicians spent two days recording and one-day mixing, mostly done by Eugene Taran. In 1993, this work was released as \u003c\/span\u003e\u003ci\u003eSelo\u003c\/i\u003e\u003cspan\u003e (\"The Village\") album on cassette tapes by Koka Records. Later, Sugar - White Death was disbanded.\" - Shukai.\u003c\/span\u003e\u003c\/p\u003e","brand":"Shukai","offers":[{"title":"Double LP","offer_id":45520941121755,"sku":"","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/SHUKAI019LP_CU.jpg?v=1715343667"},{"product_id":"cold-sun-dark-shadows-1","title":"COLD SUN - Dark Shadows","description":"\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVivid peyote-induced psychedelia from Texas sounding like an impossible meld between the \u003c\/span\u003e\u003cb\u003eElevators\u003c\/b\u003e\u003cspan\u003e and the \u003c\/span\u003e\u003cb\u003eVelvet Underground\u003c\/b\u003e\u003cspan\u003e but possessing a strongly unique disposition. Recorded in 1970 but never released at the time, featuring future members of \u003c\/span\u003e\u003cb\u003eRoky Erickson\u003c\/b\u003e\u003cspan\u003e's backing band \u003c\/span\u003e\u003cb\u003eBleib Alien\u003c\/b\u003e\u003cspan\u003e\/\u003c\/span\u003e\u003cb\u003eThe Aliens\u003c\/b\u003e\u003cspan\u003e. Formed in Austin in the late 1960s by visionary lyricist and autoharp player \u003c\/span\u003e\u003cb\u003eBilly Bill Miller\u003c\/b\u003e\u003cspan\u003e and his friend \u003c\/span\u003e\u003cb\u003eTom McGarrigle\u003c\/b\u003e\u003cspan\u003e on guitar, \u003c\/span\u003e\u003cb\u003eCold Sun\u003c\/b\u003e\u003cspan\u003e evolved from a band called \u003c\/span\u003e\u003cb\u003eCauldron\u003c\/b\u003e\u003cspan\u003e (later \u003c\/span\u003e\u003cb\u003eAmethyst\u003c\/b\u003e\u003cspan\u003e) which at one point featured drummer \u003c\/span\u003e\u003cb\u003eJohn Kearney\u003c\/b\u003e\u003cspan\u003e from Roky Erickson's first band \u003c\/span\u003e\u003cb\u003eThe Spades\u003c\/b\u003e\u003cspan\u003e. Miller, a proto-Goth figure always dressed in black, highly influenced by \u003c\/span\u003e\u003cb\u003eJoe Meek\u003c\/b\u003e\u003cspan\u003e and vintage sci-fi\/horror movies, started to experiment with weird noises out of his electrified autoharp, favoring the audio-oriented drug mescaline over the LSD associated with hippies. Amethyst jammed with musicians such as \u003c\/span\u003e\u003cb\u003eBenny Thurman\u003c\/b\u003e\u003cspan\u003e from the \u003c\/span\u003e\u003cb\u003e13th Floor Elevators\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eSteve Webb\u003c\/b\u003e\u003cspan\u003e from the \u003c\/span\u003e\u003cb\u003eLost And Found\u003c\/b\u003e\u003cspan\u003e. It was through Mike Waugh's friendship with Elevators drummer John Ike Walton that Billy Miller and the band hooked up with the local label\/studio Sonobeat, who expressed interest in recording an album with the intention to shop it to a major label: thus, the now-legendary Cold Sun album was born. The band, driven by Miller's strange electrified autoharp sounds plus the massive fuzz guitar of McGarrigle, dressed with feedback and futuristic lyrics, laid down several tracks in between rehearsals at Miller's house on Castle Hill (west Austin). Never released at the time, the Cold Sun album languished in oblivion and the musicians moved on to other things. It wasn't until 1990 that the Cold Sun album was finally released on vinyl by the Rockadelic label (in a tiny edition of 300 copies), followed by a new edition on German label World In Sound in 2008, now out of print. For this new edition, Guerssen tried to imagine how the Cold Sun album could have looked like if it had been actually released in 1970. It comes in a hard cardboard sleeve with vintage styled artwork by psychedelic illustrator \u003c\/span\u003e\u003cb\u003eCallum Rooney\u003c\/b\u003e\u003cspan\u003e. Sourced from the same audio master as the original \u003c\/span\u003e\u003ci\u003eRockadelic\u003c\/i\u003e\u003cspan\u003e LP, the sound has been vastly improved thanks to the meticulous and careful restoration\/remastering by audiophile engineer \u003c\/span\u003e\u003cb\u003eEzra Lesser\u003c\/b\u003e\u003cspan\u003e, who has also penned the definitive story of Cold Sun for the liner notes.\" - Guerssen\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Guerssen","offers":[{"title":"LP","offer_id":45803795349723,"sku":"","price":33.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/GUESS236LP_CU.jpg?v=1719932645"},{"product_id":"gimenez-pablo-a-1987-1991","title":"GIMENEZ, PABLO A.- 1987-1991","description":"\u003cp\u003e\u003cspan\u003e\"4 x high-bias cassette tapes in 4 way vacuum-formed case with risography printed artwork + fanzine extracted from original newspapers. Only 100 copies available. \u003c\/span\u003e\u003cspan\u003eIncludes unlimited streaming of \u003c\/span\u003e\u003cem\u003e1987-1991\u003c\/em\u003e\u003cspan\u003e via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePablo A. Giménez (Zaragoza, Spain, 1955 - 2013) remains one of the great undiscovered Spanish composers. In the early 1970s he formed part of the group Estudio de Música Electrónica together with Luis Fatás, M. Medalón and Luis Colomer, through which they sought to approach music from other disciplines. Influenced by concrete music or composers such as Stockhausen, they also tried to bring an intellectual dimension to their work by making use of references from the new French critique or the manifesto of the composer Carles Santos.\u003cbr\u003e\u003cbr\u003eLater, with the aim of clarifying his ideas outside of music, Giménez spent two years in Paris studying philosophy, sociology and literature, approaching professors such as Deleuze, Foucault and Lacan, who were decisive for the later intellectual development of his work. On his return to Spain he decided to settle in Logroño in the heart of a hippie community where he formed part of the group Casablanca. Founded in 1977, the band was composed by more than seven members and generally leaned more towards progressive rock, but with numerous influences ranging from salsa to jazz, along with the work of composers such as La Monte Young or Pierre Schaeffer and groups like Gong or\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eHawkwind.\u003cbr\u003e\u003cbr\u003eAfter the dissolution of the band and a period in which he decide to distance himself from making music, Pablo A. Giménez regained interest when he was invited to compose the soundtrack for an amateur film. As a result of this episode, having already delved into theoretical issues such as structural anthropology and made use of resources such as the automatisms of the surrealists, his interest in sound creation returned. With magnetic tape as a support, his first works are characterised by the use of simple elements and cheap machines, with the exception of the saxophone. An approach which was certainly closer to a lack of means rather than to a specific sound aesthetic decision.\u003cbr\u003e\u003cbr\u003eThis release reunites Pablo A. Gimenez’s first four albums, originally published between 1987 and 1991 on Javier Cinca’s label, Sindicato de Trabajos Imaginarios (S.T.I) in Zaragoza, Spain. They contain various forms of home-made electroacoustic compositions, that draw inspiration from traditions such musique concrete or free jazz.\u003cbr\u003e\u003cbr\u003eThe original tapes have been digitized and remastered at Tezett-platte studio. Besides a hiss reduction, none of the audios have been edited and are thus presented as how the author recorded them originally. The edition contains 4 x C90 cassette tapes presented on a 4 way case, accompanied with an insert containing original photocopies of a newspaper interview to the artist from which most of the previous information is sourced, along with archival material. All the artwork comes from the original tapes and has been repurposed for this edition.\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\" - Ediciones Fontenebro.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eFeatured albums on this edition:\u003cbr\u003e\u003cbr\u003e- Pablo A. Gimenez - The Work in Progress\u003cbr\u003e\u003cbr\u003e- Pablo A. Gimenez - El Coloso\u003cbr\u003e\u003cbr\u003e- Pablo A.Gimenez - Á bout de souffle\u003cbr\u003e\u003cbr\u003e- Pablo A. Gimenez - Stimmung 1987 - Umwertung 1991\u003cbr\u003e\u003cbr\u003eMost information on the artist has been sourced either from conversations with Javier Cinca or from Javier Losilla’s interview to Pablo A. Giménez in 1998 titled El regreso musical de Pablo Giménez of which a reproduction can be found on the inserts of this release (in Spanish).\u003cbr\u003e\u003cbr\u003eLimited to 100 copies.\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cbr\u003e\u003cbr\u003eSound and music: Pablo A. Gimenez .\u003cbr\u003eMastering and digitization: Gabriel Castillo - Tezett-platte estudio.\u003cbr\u003eDigitization support: Pablo Yief.\u003cbr\u003eDirection and production: Juan Vacas \u0026amp; Pablo Mirón.\u003cbr\u003eProduced in 2023 and released by Ediciones Fontenebro in 2024.\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/O3wexykgvwE?si=JI_YTMygbxPnQ7gn\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Ediciones Fontenebro","offers":[{"title":"4 Cass Box Set","offer_id":45857449017563,"sku":"","price":64.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/a4131000574_10.jpg?v=1723477412"},{"product_id":"garcia-manuel-mota-margarida-domestic-scene","title":"GARCIA \u0026 MANUEL MOTA, MARGARIDA -  Domestic Scene","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e\"Bassist \u003c\/span\u003eMargarida Garcia and guitarist Manuel Mota are two of the best-known string wielders from Lisbon's active improvising community. Both players work the edges of sound and form in ways that don't fit neatly into any genre category, while creating exciting sonic landscapes that appeal equally to fans of avant-garde rock, free jazz and experimental music. They have worked together frequently in a variety of formats -- duo, quartet, etc. -- but Margarida is the only one Feeding Tube has issued work by previously -- 2022's superb \u003ci\u003eGood Night\u003c\/i\u003e CD (FTR 716CD). That album was a wonderfully abstract collection of bass-generated sounds hovering in the mist, illuminated from within like the rotating lights of a swamp-bound UFO. \u003ci\u003eDomestic Scene\u003c\/i\u003e displays some of those same qualities, but the four tracks provide equal space to allow Mota's electric guitar to play around with autonomous musical ideas on a parallel track. It often feels as though there is deep communication going on between the players, but there is also a sense of this activity occurring in a sort of dream time, and possibly in languages that appear similar without being the same at all. Regardless, the music here is beautiful and engaging in a way that only true Intermedia art (in the classic Fluxus\u003cspan\u003e sense) can be. It refuses to exist within boundaries, forcing us to ponder its conceptual basis at the same time we dig the way it sounds. The fundamentally transitional nature of the music adds a layer of intellectual discord that otherwise wouldn't exist. And we as listeners can either engage with the questions it raises or choose to just enjoy it as sound art. Either way, it's a damn fine spin. So dig in, baby.\" - \u003c\/span\u003eByron Coley, 2024\u003c\/p\u003e\n\u003c!----\u003e","brand":"Feeding Tube","offers":[{"title":"LP","offer_id":45841149460699,"sku":"","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/FTR762LP_PROD.jpg?v=1720970221"},{"product_id":"maggot-brain-maggot-brain-17-jun-jul-aug-2024","title":"MAGGOT BRAIN - Maggot Brain #17 (Jun\/Jul\/Aug 2024)","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\"\u003ci\u003eMaggot Brain\u003c\/i\u003e is a full-color, quarterly magazine edited by noted Detroit scribe Mike McGonigal: 100+ pages packed with phenomenal content -- art, music, literature, unpublished archival material, and more -- with a simple promise to only exist on the printed page. On The Cover: Unpublished Joe Dilworth photo of My Bloody Valentine, from sessions for their \u003ci\u003eIsn't Anything\u003c\/i\u003e record. My Bloody Valentine: Revelatory, unpublished interview excerpts from hours of tapes with Kevin Shields by editor Mike McGonigal conducted for his 33⅓ book on \u003ci\u003eLoveless\u003c\/i\u003e. Inside: A great interview with Joe Dilworth by Mike Galinsky and pages of his photos of London's underground music scenes in the 1980s and '90s, including unseen images of MBV. Will Oldham: Great, lengthy conversation with his collaborator and longtime friend Nathan Salsburg, on the occasion of their record of Lungfish covers. Harvey Milk: Epic, well-illustrated oral history of the pioneering '90s Athens, GA-based doom\/ heavy-rock\/ experimental\/otherwise unclassifiable and influential band. \u003ci\u003eJustin Green\u003c\/i\u003e: New scans of the underground cartoonist's music comics, many originally published in Tower's \u003ci\u003ePulse\u003c\/i\u003e magazine. 18 full pages, with text by comics historian John Kelly.\" - Maggot Brain.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Maggot Brain","offers":[{"title":"Mag","offer_id":45841157882075,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/MAGGOT017_CU.jpg?v=1720970957"},{"product_id":"new-blockaders-grinder-without-organs-the-theatrical-panopticon-the-the-stage-as-antiworld","title":"NEW BLOCKADERS\/GRINDER-WITHOUT-ORGANS\/THE THEATRICAL PANOPTICON, THE -  The Stage As Antiworld","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e\"This double CD set includes an extended collaboration between \u003c\/span\u003eThe New Blockaders and Grinder-Without-Organs\u003cspan\u003e, and two live recordings of anti-theatre premiered at Cafe OTO (London, UK) and Audio Foundation (Auckland, NZ). The set also includes a link to access a bonus film and extra, printable material. CD1 features \u003c\/span\u003e\u003ci\u003eEin Glücklicherer Zufall: Genau Zu Lang\u003c\/i\u003e\u003cspan\u003e, an hour-long part studio\/part live collaboration between seminal anti-music stalwarts The New Blockaders, and purveyors of the absurd Grinder-Without-Organs. \u003c\/span\u003e\u003ci\u003eEin Glücklicherer Zufall\u003c\/i\u003e\u003cspan\u003e shows a different side to TNB's trademark obliterating noise offensives with a more collaged, musique concrète approach. CD2 opens with G-W-O Live at Cafe OTO. The set concludes with \u003c\/span\u003e\u003ci\u003eThe Theatrical Panopticon\u003c\/i\u003e\u003cspan\u003e, \"A stage play performed in a void infected with accidental somniloquies.\" Fans of noise music will need no introduction to the work of TNB. \u003c\/span\u003eRon Lessard, of legendary US Noise label RRRecords, once stated, \"I'd give the nod to TNB as being the first truly devoted Noise artists.\" TNB served as a major influence on legendary noise pioneers such as Merzbow and their influence on the current crop of popular crossover noise artists such as Wolf Eyes is immeasurable. Double CD comes in a six-panel matt digipak with eight-page booklet featuring TNB and G-W-O artworks.\" - Cold Spring Records.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Cold Spring","offers":[{"title":"2CD","offer_id":45841151000795,"sku":"","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/CSR337CD_CU.jpg?v=1720971396"},{"product_id":"sun-araw-cetacean-sensation","title":"SUN ARAW -  Cetacean Sensation","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e\"The long running vessel for \u003c\/span\u003eCameron Stallones' psychedelic excursions, Sun Araw, returns to Discrepant after 2023's split with Tarzana via Keroxen sister label. Without much precedent in his own -- already wide-ranging -- back-catalog, \u003ci\u003eCetacean Sensation\u003c\/i\u003ediscards the dubby vibes, psych-rock sunburnt jams, tropical visions, or stalking sensibilities of such classic efforts as \u003ci\u003eOn Patrol\u003c\/i\u003e or \u003ci\u003eAncient Romans\u003c\/i\u003e\u003cspan\u003e towards a deeply focused and vivid solitary approach, while still retaining this Sun Araw blissed out escapist feeling. Composed of hydrophone recordings of whales and dolphins sourced during a summer in Galicia, \u003c\/span\u003e\u003ci\u003eCetacean Sensation\u003c\/i\u003e\u003cspan\u003e paints an impressionistic and sensory floating canvas that expertly escapes both academic-like documentarian purposes and any new-age spa vibrations one could associate with such subject matter. Processing those raw recordings into alluring collages that flow gracefully between moments of clear eco-location and submerged impressions of wildlife social dynamics. By the third track -- \"Dance of the Minke\"-- listeners are introduced to this ringing MIDI tone that evokes a CD-ROM era of mystic educational programs and click-and-deploy strategies that still feel very much like an unfulfilled future, conjured again by \"Spider Crab Elegy's\" sparse keyboard pads and sound effects that give way to this properly elegiac tentative melody. \"The Spider Crab Point\" ends the album on a more uneasy vibe, with synth tones pointing towards no particular direction, confounding and strangely inviting at the same time. As sensations often do. Music written and produced by Cameron Stallones using hydrophones and digital synthesis. Recorded in 2019 in Galicia, ES Mastering by\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003eRashad Becker\u003cspan\u003e.\" - Discrepant.\u003c\/span\u003e\u003c\/p\u003e","brand":"Discrepant","offers":[{"title":"LP","offer_id":45841153425627,"sku":"","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/CREP103LP_CU.jpg?v=1720971897"},{"product_id":"higgins-patrick-versus","title":"HIGGINS, PATRICK -  Versus","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\"Patrick Higgins\u003cspan\u003e is an American composer, guitarist, and producer from New York City, known for his work in experimental and contemporary classical music. Higgins plays guitar and composes in the band \u003c\/span\u003e\u003cb\u003eZs\u003c\/b\u003e\u003cspan\u003e, described by \u003c\/span\u003eThe\u003cb\u003e \u003c\/b\u003eNew York Times\u003cspan\u003e as \"one of the strongest avant-garde bands in New York.\" Higgins has received attention for bridging traditions including baroque chamber music, contemporary noise, electronics and 20th century minimalism. His work has been performed in over 25 countries internationally, and he has composed works for some of the world's leading ensembles, ranging from chamber orchestra works, percussion cycles, and string quartets to smaller ensembles and soloists. He has scored works for television, museum exhibitions, and films both short-form and feature-length. Since 2013, he has operated Future-Past Studios, a recording studio in upstate NY. He recently had a solo exhibition of artworks and sheet music, as well as two world premiers, at The Clark Museum in MA, USA. In 2019, he was a curator and headliner of the Le Guess Who festival in Holland.\" - Other People. \u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Other People","offers":[{"title":"2LP","offer_id":45841156505819,"sku":"","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/OP077LP_CU.jpg?v=1720972189"},{"product_id":"normil-hawaiians-empires-into-sand","title":"NORMIL HAWAIIANS -  Empires into Sand","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003ci\u003e\"Empires into Sand\u003c\/i\u003e\u003cspan\u003e is the first album of new material from\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003eNormil Hawaiians in 40 years. The group first refined their sound during the early '80s, hitting on a pastoral experimentalism that drew on ambient drone, motorik impulse and post-punk pep. \u003ci\u003eEmpires into Sand\u003c\/i\u003e came together in the familiar manner of their original three albums, with improvisation and nuance informing the blueprint of the tracks. It was with the official release of this last record \u003ci\u003eReturn of the Ranters\u003c\/i\u003e\u003cspan\u003e (originally recorded in 1984\/85, but then unconsciously shelved) in 2015 by Upset The Rhythm that led to the group reconnecting with the intention of playing music together again. The quaint weirdness of folk song, the humanity of communal practice and the group's ecological mindedness have all found a place in Normil Hawaiians' current sound world. 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Noel best coins the group's wish for the album: \"We wanted to create an album that acknowledges our history and also reflects who we are today. We remained true to ourselves and we wanted to make something beautiful without removing the edges.\" \u003ci\u003eEmpires into Sand\u003c\/i\u003e certainly does that, it's an echo from the past, an echo from the future. Featuring Rodney Relax.\" - Upset the Rhythm. \u003c\/p\u003e\n\u003c!----\u003e","brand":"Upset The Rhythm","offers":[{"title":"CD","offer_id":45841160175835,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/UTR163CD_CU.jpg?v=1720972534"},{"product_id":"normil-hawaiians-empires-into-sand-copy","title":"NORMIL HAWAIIANS -  Empires into Sand","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003ci\u003e\"Empires into Sand\u003c\/i\u003e\u003cspan\u003e is the first album of new material from\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003eNormil Hawaiians in 40 years. 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Noel best coins the group's wish for the album: \"We wanted to create an album that acknowledges our history and also reflects who we are today. We remained true to ourselves and we wanted to make something beautiful without removing the edges.\" \u003ci\u003eEmpires into Sand\u003c\/i\u003e certainly does that, it's an echo from the past, an echo from the future. Featuring Rodney Relax.\" - Upset the Rhythm. \u003c\/p\u003e\n\u003c!----\u003e","brand":"Upset The Rhythm","offers":[{"title":"LP","offer_id":45841160863963,"sku":null,"price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/UTR163CD_CU.jpg?v=1720972534"},{"product_id":"parker-cooper-moore-hamid-drake-william-heart-trio-1","title":"PARKER, COOPER-MOORE, HAMID DRAKE, WILLIAM - Heart Trio","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003ci\u003e\"Heart Trio\u003c\/i\u003e\u003cspan\u003e features three lifelong-devoted fellow travelers on the path of healing through sound. World-renowned and revered bassist-composer-leader \u003c\/span\u003e\u003cb\u003eWilliam Parker\u003c\/b\u003e\u003cspan\u003e has performed and recorded extensively with both Cooper\u003c\/span\u003e\u003cb\u003e-Moore\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eHamid Drake\u003c\/b\u003e\u003cspan\u003e over the past 30+ years. And, the three of them have been core since 2012 in Parker's reborn \u003c\/span\u003e\u003cb\u003eIn Order To Survive\u003c\/b\u003e\u003cspan\u003e quartet. \u003c\/span\u003e\u003ci\u003eHeart Trio\u003c\/i\u003e\u003cspan\u003e is, remarkably then, their debut as a trio on record. William here plays doson ngoni, dudek, and flutes of bamboo, cedar and walnut. Cooper-Moore on his hand-crafted ashimba and harp; Hamid Drake on frame drum and drum kit. All of this music was collectively composed at the time of its creation. \u003c\/span\u003e\u003ci\u003eHeart Trio\u003c\/i\u003e\u003cspan\u003e creates balancing music in a world which day to day is more evidently filled with the exponential effect of increasingly grotesque inequity, a world where wars continue to be started and maintained by men adept at manipulation and a thorough disregard for the sanctity of life. \u003c\/span\u003e\u003ci\u003eHeart Trio\u003c\/i\u003e\u003cspan\u003ecreates organic music played on organic materials in a world of exponentially accelerating 'technologies' whose primary stock-in-trade is to transform listeners into more readily exploitable data sets. Yes, \u003c\/span\u003e\u003ci\u003eHeart Trio\u003c\/i\u003e\u003cspan\u003e creates balancing music, antithetical to destruction. Music to draw sustenance from. Some measure of fortitude, at least, for compassionate souls in the elevating struggle against increasingly inextricable imposed realities that parse a human being's value solely on what they are able to consume. This is music for sunrise and sunset. Daily music. Healing, centering, mantra, heart music. From William's notes included with the release: 'The theory behind this music is the music itself. Empty and fill the heart and soul with sound, letting it dance. Without pretense. We are trying to get to a flow -- Earth, sky, and flowing water sounds that jump out of the painting.\" - Aum Fidelity. \u003c\/span\u003e\u003c\/p\u003e","brand":"Aum Fidelity","offers":[{"title":"CD","offer_id":45841165877467,"sku":"","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/AUM118CD_CU_389f504e-f6ef-4410-acc8-1803c3096ce0.jpg?v=1720972987"},{"product_id":"parker-ellen-christi-william-cereal-music-1","title":"PARKER \u0026 ELLEN CHRISTI, WILLIAM - Cereal Music","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003ci\u003eCereal Music\u003c\/i\u003e\u003cspan\u003e is bassist-composer-leader-poet \u003c\/span\u003e\u003cb\u003eWilliam Parker\u003c\/b\u003e\u003cspan\u003e's first spoken word album -- observations from a profound life devoted to the path of finding truth in beauty and speaking truth to power. Parker's words are further illuminated by deeply sensitive sound design created by a likewise devoted artist on the same path, producer and singer \u003c\/span\u003e\u003cb\u003eEllen Christi\u003c\/b\u003e\u003cspan\u003e. William Parker's music -- in its vast scope and range of form -- has been an elemental nutrient of countless listeners lives for nigh on five decades. William's words -- whether published on page or spoken from the stage -- are part of that music. They speak on the beauty of life itself, amplifying the light of life ever-present, even in exceptionally difficult circumstance. As his first artistic expression, Parker began writing as a young person growing up in the South Bronx projects, presenting an alternate perception of often bleak surroundings and living conditions in the neighborhood. This early awareness that there was another way of being in the world, has suffused his development into a singularly generous artist and human being. Ellen Christi's singing brings that same affirmation in the beauty of life. She and Parker's previous work together, \u003c\/span\u003e\u003ci\u003eThe Majesty of Jah\u003c\/i\u003e\u003cspan\u003e, is a tremendous feature for her voice. That album also includes the track, 'Baldwin,' with \u003c\/span\u003e\u003cb\u003eJames Baldwin\u003c\/b\u003e\u003cspan\u003e's ever-powerful words and voice resonating even more profoundly within the sonic architecture created around them by Christi. When Ellen got in touch to say that she had begun work on a similar album-length project, centered on William's spoken texts, Aum Fidelity immediately asked that she please send the pieces as she finished them. The cover painting and additional paintings on \u003c\/span\u003e\u003ci\u003eCereal Music\u003c\/i\u003e\u003cspan\u003e are by William Parker.\" - Aum Fidelity.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Aum Fidelity","offers":[{"title":"CD","offer_id":45841177477339,"sku":"","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/AUM119CD_CU.jpg?v=1720973299"},{"product_id":"wire-the-486-august-2024","title":"WIRE, THE - #486 August 2024","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\"On the cover: David Lynch \u0026amp; Chrystabell. Since performing on the soundtrack to 2006's \u003ci\u003eInland Empire\u003c\/i\u003e, Texas-born Chrysta Bell Zucht, aka Chrystabell, has had an enduring creative partnership with film director David Lynch. But after countless in-studio and on-screen collaborations, the new album \u003ci\u003eCellophane Memories\u003c\/i\u003e, out soon via Sacred Bones, will be their first fully co-credited album. In a wide-ranging exclusive interview, the duo talk to The Wire about cinema, music and more. By Britt Brown. Inside the issue: The sound world of David Lynch. Expanding on the issue's cover feature, Wire writers contribute a series of essays on the sonic and audio components of director David Lynch's idiosyncratic worldview. Topics range from fandom and karaoke, the sonic semiotics of wind and the influence of \u003ci\u003eTwin Peaks\u003c\/i\u003e on rave music to reinterpretations of songs from the Lynchian repertoire by artists like Onoand Backxwash. Invisible Jukebox: Dhangsha. The composer and educator formerly known as Dr Das of Asian Dub Foundation takes on The Wire's mystery listening challenge. Tested by Daryl Worthington. Plus one page profiles of Copper Sounds, Miaux, and Feeo \u0026amp; Caius Williams, and regular sections and columns including Epiphanies, Unlimited Editions, Global Ear, and The Inner Sleeve.\" - The Wire. \u003c\/p\u003e","brand":"The Wire","offers":[{"title":"Mag","offer_id":45841204084955,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/WIRE486_CU.jpg?v=1720973575"},{"product_id":"somm-081lp-snake-eye-the-journey","title":"SNAKE EYE - The Journey","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e\"Heavy-progressive sounds with long tracks and stunning lead guitar by this British band (post-\u003c\/span\u003eRed Dirt). This is the first ever vinyl release of their unissued at the time album recorded between 1971 and 1973 at some of London's best studios and sounding like a killer cross between King Crimson and Wishbone Ash. Snake Eye started life in 1970 as Red Dirt, the band famous for their collectable \u003ci\u003eFontana\u003c\/i\u003e album. After playing several dates in London Red Dirt was picked up by Peter F. Amott and Ivan Mant who, at the time, worked with the John Sherry Agency and Miles Copeland. Miles Copeland chose the name \"Snake Eye\" for the new line up, featuring Ron Haleson lead guitar. Snake Eye played with many of the top artists at the time such as Free, Marc Bolan, The Kinks, or Status Quo and they were described by Manfred Mann as being \"one of the best bands\" he had seen. Originally conceived as concept album, \u003ci\u003eThe Journey\u003c\/i\u003e was started in 1971 and finished in 1973 but never released at the time. Vintage styled artwork in hard cardboard sleeve. Remastered sound. Includes insert with liner notes and photos.\" - Sommoor.\u003c\/p\u003e","brand":"Sommor","offers":[{"title":"LP","offer_id":45841227907291,"sku":"","price":34.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/SOMM081LP_CU.jpg?v=1720973988"},{"product_id":"current-93-the-long-shadow-falls","title":"CURRENT 93 - The Long Shadow Falls","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003ci\u003e\"The Long Shadow Falls\u003c\/i\u003e is Current 93's first-ever CD box-set, and is as beautiful as the moon! This gorgeous, elaborate, boxset consists of 7CDs, plus a 7\" single, and a beautiful 48-page art-book. \u003ci\u003eThe Long Shadow Falls\u003c\/i\u003e collects the 41 unknown and redreamt mixes that C93 created for two (long-ago sold-out) lathe-cut 12\" releases, respectively titled \u003ci\u003eThe Long Shadow Falls\u003c\/i\u003e and \u003ci\u003eWhy Can't We All Just Walk Away?\u003c\/i\u003e, which were both issued in editions of just 39 copies, cut by The Bricoleur at Bladud Flies!, which came with hand-painted covers by David Tibet, and with original artwork by him inserted into each copy. It also adds two final mixes of \"The Long Shadow Falls\" that were not released on vinyl. The box-set cover, booklet, CD covers, and 7\" single all carry images from David Tibet's \u003ci\u003eChannelled Hallucinatory Shadowed Found Fotograph\u003c\/i\u003e series. For these photographs of ghosts, C93 spelled: David Tibet, Andrew Liles, and ChoirBoyHigh.\" - Dirter Promotions. \u003c\/p\u003e\n\u003c!----\u003e","brand":"Dirter Promotions","offers":[{"title":"7CD Box","offer_id":45841252843739,"sku":"","price":68.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/DPRMBX167-box-72-dpi.jpg?v=1722195432"},{"product_id":"splintered-between-scylla-and-charybdis","title":"SPLINTERED - Between Scylla and Charybdis","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e\"For a number of years now,\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003eSplintered\u003cspan\u003e have played a sporadic selection of live shows in London, Krakow and Wroclaw. Due to the fact the original members found themselves both still getting on well together and being able to tap into the chemistry that was there until the group ground to a halt in 1997, the idea of recording new material was never far away. As such, between 2021 and 2024 Splintered began working on new material and managed to finish a few songs that are now presented on the first album since the 1996 collaboration with Germany's musique concrete artist,\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003eRLW. Bringing together several new songs of a lengthy, hypnotic and atmospheric nature, \u003ci\u003eBetween Scylla and Charybdis\u003c\/i\u003e sees the original lineup joined by Stuart Carter (Theme, The Fields of Hay, Heroin, etc.) and deploying the same combination of rock instrumentation, electronics, location recordings, loops and mostly submerged vocals they were always known for. Spanning almost an hour, \u003ci\u003eBetween Scylla and Charybdis\u003c\/i\u003e is an often-intense reflection of the stormy times it was recorded in and marks the sixth album the group have produced since they began in 1990. Splintered are: Paul Wright, James Machin, Paul Dudeney, Richard Johnson, Steve Pittis, and Stuart Carter.\" - Fourth Dimension.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Fourth Dimension","offers":[{"title":"CD","offer_id":45841254514907,"sku":"","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/FD152CD_CU.jpg?v=1720974675"},{"product_id":"harmer-jeremy-idiosyncratics-and-swallows-wings","title":"HARMER, JEREMY - Idiosyncratics and Swallows Wings","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\"Mega rare UK private album (99 copies originally pressed in 1969) by singer\/songwriter Jeremy Harmer, featuring David Costa of psych-folk band TREES on guitar. Melancholic, introspective psych-folk with chamber\/baroque feel. Jeremy Harmer started singing and playing at school and university, where his circle of friends included aspiring folk musicians like Nick Drake and pre-Trees David Costa. Jeremy has a long history as a singer\/songwriter and performer, along with his work in the field of English language teaching. \u003ci\u003eIdiosyncratics and Swallows' Wings\u003c\/i\u003e was recorded one night in 1968 at the studios of Anglia Television, Norwich, while Jeremy was at the University of East Anglia. Along with Jeremy singing and playing guitar, the album features a mini-chamber ensemble of flute, viola, bass and drums with orchestral arrangements written by John Trevitt from the School of Fine Arts. Jeremy's friend David Costa (prior to forming the psych-folk band Trees) played guitar on several tracks and co-wrote \"Tuesday P.M.\" Original artwork in hard cardboard sleeve. First ever vinyl reissue. Insert with liner notes and photos, plus download card.\" - Sommor.\u003c\/p\u003e","brand":"Sommor","offers":[{"title":"LP","offer_id":45841259200731,"sku":"","price":34.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/SOMM088LP_CU.jpg?v=1720975000"},{"product_id":"creation-rebel-lows-highs","title":"CREATION REBEL - Lows \u0026 Highs","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e\"2024 repress; reissue, originally released in 1982. Officially the latest album released by the British super group, \u003c\/span\u003e\u003ci\u003eLows \u0026amp; Highs\u003c\/i\u003e\u003cspan\u003e is the triumphant epilogue to these fascinating adventure in rhythm. Featuring vocals from \u003c\/span\u003e\u003cb\u003eCrucial Tony\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eLizard Logan\u003c\/b\u003e\u003cspan\u003e this is probably the most straight-ahead reggae album in their whole discography. Producer \u003c\/span\u003e\u003cb\u003eAdrian Sherwood\u003c\/b\u003e\u003cspan\u003e is in charge behind the desk while \u003c\/span\u003e\u003cb\u003eStyle Scott\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eEskimo Fox\u003c\/b\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cb\u003eDonald Campbell\u003c\/b\u003e\u003cspan\u003e bring all their potential efforts on the drums. \u003c\/span\u003e\u003cb\u003eDeadly Headley\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eDave \"Flash\" Wright\u003c\/b\u003e\u003cspan\u003e are the top horn section here. The album features the bonus track \"Read And Learn\" from 1982 single \u003c\/span\u003e\u003ci\u003eLove I Can Feel\u003c\/i\u003e\u003cspan\u003e. A must have for any English dub worshipper. Fully remastered and licensed. 180 gram vinyl.\" - Lantern Rec.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Lantern Rec.","offers":[{"title":"LP","offer_id":45841264574683,"sku":"","price":37.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/LANR010LP_CU.jpg?v=1720975798"}],"url":"https:\/\/www.fusetronsound.com\/collections\/july-24-2024.oembed?page=2","provider":"fusetron","version":"1.0","type":"link"}