"Compiled by Ken Hollings, Clear Your Screens is a series of battle re-enactments from Manchester's least celebrated post-punk group Biting Tongues. Their tritone tribalism, mixed with intense language flow and layers of tape concrète, was perhaps a bit too much for the early 1980s when they released records with New Hormones, Factory, and Beggars Banquet. Always an astonishing experience live, the classic early line-up returned to the stage near the start of the 21st century with the musical and performance experience accumulated over another twenty years working apart. Applying modern digital mixing techniques ten years later to these live recordings reveals the rare blood chemistry of a team of specialists who have only grown more passionate over time. Surely a worthy part the 20th century musical canon even if they have handed in their homework late. All songs written by Hollings, Graham Massey, Colin Seddon, Eddie Sherwood, and Howard Walmsley. Tapes remixed and produced by Graham Massey. Limited edition of 250. Mastered by Stephan Mathieu.
Biting Tongues were: Ken Hollings - celebrated author, academic and broadcaster #exorcist #cut_up_oracle; Graham Massey - electronic music pioneer, 808 State, music producer and broadcaster #pre_and_post_guitar_landscapes #weird_woodwind #shit_trumpet; Colin Seddon - band leader and music educator #biblical_bass lines #lord_of_the_trichord; Howard Walmsley - film director/producer #muscular_beef_sax #transistor_organ_fist; Eddie Sherwood - music educator and band leader #reverse-wired-bespoke_voodoo_drumming." - The Wormhole .
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.