"On her sixth album, the French electroacoustic composer Bérangère Maximin explores the idea of a kaleidoscopic world -- a sonic aggregation of living creatures, plants, minerals, nature, and buildings, using various sound objects, small percussions, synths, electric guitar, voice, and electronics. Working out of her private studio since 2008, Bérangère Maximin has developed her own approach to sound art and electronic music, composing dense, immersive pieces with immediate impact. On five albums -- released to critical acclaim on Tzadik, Sub Rosa, Crammed Discs, and Craig Leon's Atlas Realisations label -- she has revealed a taste for mixing disparate sounds together with a sense of detail, effusive, lyrical playings with the digital material and tight nuanced writing. Bérangère Maximin's music engages the listener in consideration of space and textures, the sound ambivalence and its independence from its original source being at the center of her work. During her career, the French composer has obtained commissions and residencies in National Music Research Centres such as Paris's Ina-GRM, Stockholm's EMS and received a grant from the "Villa Medicis Hors Les Murs" program in New York City (Cultures France). She has performed in notable festivals, venues and concert halls from Paris's Présences Electronique festival, London's Hayward gallery, NYC's Roulette, Hamburg's Elbphilharmonie's e-Phil series to major international festivals in Eastern Europe. Beside her solo performances, she also regularly shares the stage in duo with Fred Frith. Land of Waves: three words evoking territories of plains and curves connected with each other by canals, footpaths, tunnels. The four parts of the album lead the listener into a hybrid land where the jungle meets the city -- a succession of reliefs, surfaces, textures, layers create a large mosaic as if on a concrete wall which seems solid and definitive but is in fact penetrable, alterable. For Land of Waves, Bérangère Maximin took inspiration from recordings she did in various city parks, abandoned properties and limits with the suburbs during her travels in Europe, the diversity of sources, the variations of events and the contrasts between day and night they offered, and reinterpreted them in the studio. 180 gram vinyl, double LP; includes download code." - Karlrecords .
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.