VON SCHLIPPENBACH QUARTET, ALEXANDER - Three Nails Left
"Corbett Vs. Dempsey present a reissue of Alexander von Schlippenbach Trio's Three Nails Left, originally released in 1975. One of the all-time great records of improvised music from Europe. Period. Blisteringly hot. Uncompromisingly inventive. Staggeringly beautiful. And insanely rare. Originally issued in the mid '70s on FMP, at its core Three Nails Left features the legendary Schlippenbach Trio -- British saxophonist Evan Parker, and German percussionist Paul Lovens joining the German pianist -- the triangle squared by the addition of German bassist Peter Kowald. Just the first track, an incredible 20-plus minute burner called "Range," is worth the price of admission -- as punk rock as free music gets, it shows Parker's spectacular capabilities at high-octane blowing. Kowald adds a chewy, molasses bottom to the group, offsetting Lovens' flinty metal, stick and skin and Schlippenbach's hyper-focused intensity. This flammable configuration performed and recorded together as a regular unit in the period, making another FMP LP, The Hidden Peak (1977), and a recording later released on CD by Atavistic's Unheard Music Series. One side was reissued on a limited-edition FMP box set, together with part of The Hidden Peak, but it's never been available intact on CD. Three Nails Left is a stone cold classic of creative music. Remastered from original tapes, packaged with the original cover design by Lovens." - Corbett Vs. Dempsey.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.