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Hozac

WHIRLYWIRLD - Complete Recordings 1978-80

""Whirlywirld was an Australian post-punk band led by Ian 'Ollie' Olsen (Reals, Young Charlatans), and the first of his musical collaborations with drummer John Murphy (News). The band formed Whirlywirld in 1978 with their stated priority from the outset, to go electronic, determined as they were to take flight from the sonic limitations of the conventional, guitar-based rock format. A pioneer of synthesizer punk, the band came across with something of the experimentation of Suicide, Throbbing Gristle or Cabaret Voltaire, and also with the more song-oriented sound of Joy Division. Along with The Primitive Calculators they were supporters of the Melbourne 'Little Band' scene. Whirlywirld was completed by two keyboardists, who got credited with 'electronics', Andrew Duffield and Simon Smith (Olsen, by this point, had abandoned guitar in favor of 'electronics') together with guitarist Dean Richards. The band made their live debut at The Crystal Ballroom in 1979, by which time Duffield left to join The Models and had been replaced by Philip Jackson. Whirlywirld would go on to play only fourteen performances in their entire career. Gradually, in accordance with a change in direction, Richards, Jackson and Smith departed, with Richards going on to front a couple of cult combos, Equal Local and Hot Half Hour. Arnie Hanna came in on guitar and Greg Sun on bass. During this period Murphy played an array of percussion devices, natural, electronic or otherwise and Olsen even played saxophone as well as keyboards, The first incarnation of the band released a self-titled 7" EP in 1979 including the tracks 'Window To The World'/'Moto' on one side and 'Signals' on the other side. The second incarnation of the band recorded a number of tracks at York Street Studios in December, 1979. Four of these tracks came out on a 12" EP, again titled 'Whirlywirld' in February 1980. In 1980 the band released an untitled 12" mini album as well as a 7" single, all through Missing Link Records. In 1986 an album titled 'The Complete Studio Works' was also released through Missing Link Records. After the band split, Olsen and Murphy went on to form firstly The Beast Apparel, and then Hugo Klang, which performed a handful of gigs in England, and recorded a single, 'Beat Up On The Old Shack', released in Australia on Prince Melon Records. Olsen and Murphy then went on to form Orchestra of Skin and Bone, before their musical partnership ended with Olsen going to form NO in the late 1980's. Hanna and Murphy later played with Olsen and Michael Hutchence in the band Max Q. A version of one of Whirlywirld's songs, 'Win or Lose', was re-recorded by Olsen in 1986 for inclusion in the film Dogs In Space. Hutchence sang the early Whirlywirld song, 'Rooms for the Memory' on the soundtrack, being a hit on the mainstream Australian charts as a single in 1987. The remixed version of 'Win or Lose' was also released as a single by Olsen."" - Hozac Records.
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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