INFINITE SOUND - Contemporary African-Amerikan Music
"Aguirre Records present a reissue of Infinite Sound's Contemporary African-Amerikan Music. This is conscious free jazz featuring Roland P. Young, originally released in 1975 on the eclectic 1750 Arch records. "'1750 Arch was a beautiful Spanish-style hacienda,'recalls Young. 'It had a recording studio in the basement and the salon was a performance.' Young played solo gigs there and also in duo with cellist Chris Chaffe. He remembers it as a particularly 'transcendent' setting for concerts by this trio, with singer Aisha Kahlil and bassist Glenn Howell. 'What appeared to be 'experimental' was reaching for sounds and emotions that were unfamiliar. We performed at rallies in support of various causes; our ultimate goal was a blending of cultures.' In 1968, Young was working as a DJ at KSAN, an underground rock station in San Francisco. 'Glenn used to call me when I was on air to comment about the music I was playing; he was a musician and I invited him to come talk about music, then decided to play. The pair met Kahlil at one of their concerts. 'A mutual friend introduced her and told us she was a good vocalist, loved our music and wanted to sing with us. We invited her to a rehearsal and soon after invited her to join the group. Infinite Sound came together easily; we had a shared intuition, and created a lot of music. Each of us would bring ideas to rehearsals and we would work on them. We talked about how to present our material and how compositions would flow; we were also conscious of how we dressed for performances, how we moved on stage, how we interacted with each other and the audience. On occasion we would invite dancers to perform with us, friends of Aisha.'Contemporary African-Amerikan Music preserves a fascinating glimpse of the trio in action. Their compositions embrace mobile forms, with Howell's buoyant bass taking a role around which Young's horns and Kahlil's voice move. Rhythms dissolve into textures, and melodic shapes soften or flare into exuberant bursts of tonal color. The music's mood swings unpredictably from flamboyance to introspection. Moments of musical allusiveness mutate into passages of wild inventiveness. Tantalizingly, this was this trio's only release. Times have changed, yet increasingly in recent years creative artists have come to accept the need to erase musical boundaries and erode the constraints of aesthetic categorization." - Julian Cowley. Edition of 500.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.