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Fantome Phonographique

LINDBLAD, RUNE - Death Of The Moon & Other Early Works

"Rune Lindblad was born in Gothenburg, Sweden in 1923 and began composing music in 1953. This was a time when composers in Germany and France were feuding over the merits of electronic music made by pure wave oscillators versus Musique concrète, which used the tape recorder as its main instrument. Lindblad, however did not see these genres as mutually exclusive. In fact, Lindblad extended his work to incorporate other mediums along with his approach to music. Deeply involved with woodcuts and painting, Lindblad was already experimenting with using damaged 16mm film in his Optica 1 as early as 1959. Not surprisingly, since Lindblad represented no institutionalized school of thought, his experiments went unnoticed for many years with the exception of his demonstration of Musique concrète in a concert at Folkets Hus in 1957 where the audience demanded their money back and the critics called his concert "pure torture". Until a retrospective published by Radium in 1989 there were only two recordings of Rune Lindblad's compositions; one was the single side of a 7" record released in 1957, the other a full length album published in 1975. Both of these recordings were poorly distributed and remain fairly unknown. Lindblad taught at Gothenburg University; among his students were Rolf Enstrom, Ake Parmerud, and Ulf Billing. The music on Death Of The Moon & Other Early Works has lain dormant for almost 35 years. It was recorded at a time when Lindblad was forced to borrow equipment from the University in Gothenburg in the evening and have it returned by sunrise the next morning. These compositions are essentially tape music, where individual performances are fed back and forth between tape recorders in a style represented by the technical limitations during this time period." - Fantome Phonographique.
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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