"Bureau B presents a reissue of Richard Pinhas's Chronolyse, originally released in 1978. Pinhas is one of the most important French electronic space-rock musicians. Following five albums with Heldon, his band, he released solo records from 1977 on. His transition to solo material gave the guitarist and synthesist an opportunity to work on material that was a little lighter and less constrained. Chronolyse was his second solo album. Following the previous year's Rhizosphere (BB 279CD/LP, 2018), 1978's Chronolyse was actually the first to be completed having been recorded two years prior. On four of its five tracks, Rhizosphere presents just the 25-year-old Pinhas and his synth alone together, a melding of man and machine that gradually becomes an expansive, outward-bound journey. Pinhas's simple approach spawned a galaxy of diverse sounds and ideas. Each track on Rhizosphere inhabits its own mini-universe sonically and emotionally. The range of moods traversed is stunning. Dedicated "to all S.F. freaks", Chronolyse takes its name from a work by the science fiction writer Michel Jeury. The individual track titles, as any sci-fi fan will clock, are inspired by the classic Frank Herbert novel Dune (1965). This led some listeners to assume that Chronolyse was some kind of scrupulous concept album based around Herbert's invented universe of interstellar feudal houses and giant sandworms. That's not quite accurate. While Pinhas remains a proud sci-fi freak, he's quick to distance the album's titles from the music contained therein. "I always name the titles of the tracks and albums when everything is finished," he says. "So there is no relationship between them and what is inside." The younger Pinhas had been inspired by guitar heroes such as Hendrix and Clapton. It was King Crimson's Robert Fripp who had prime impact on Heldon's mix of spiralling space-rock guitar and analog electronics. Indeed, Pinhas once said the three most important figures in the history of modern music were Richard Wagner, Béla Bartók, and Robert Fripp. At the time of Chronolyse's gestation, Pinhas had been listening to a lot of classical music. Bach, Scarlatti, and Wagner were key. So, too were the new wave of American minimalist composers, Philip Glass in particular. The final record of Heldon's 1974 to 1979 run of LPs would appear the year after Chronolyse; thereafter Pinhas would concentrate on projects under his own name. This vital release bridges the gap between these two phases of Pinhas' remarkable career." - Bureau B.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.