"Breath-Takingis the result of one ofAkio Suzuki's rare visits to England. Suzuki's music proceeds from meditation and transforms quotidian objects (a stone flute, small stones, a 'silent toy') into fragile means of communication.David Toopmakes a very compatible sound-mate. Here he uses an assortment of flutes and whistles, along with a whistling pot and 'organic materials' (a vague enough description to allow the listener to imagine at will). Upon first listen, one may think of two serious men making childlike music, but the level of contemplation found in this single, 37-minute piece dispels this first impression. The performance is not particularly striking, even from the point of view of such a quiet form of improvisation, but it is obvious that the music doesn't intend to strike or compel. It is born out of such simplicity that it simply exists; it is there, discreetly inhabiting one's listening space, and its sole presence is a marvel. One finds an interesting level of interaction between the artists and inventive, creative sound-making at play."--François Couture, All Music Guide.
"Personnel: Akio Suzuki - kikkukikiriki, stone flute, small stones, pan pipe, ireba, silent toy; David Toop - flutes, bone whistle, dog whistles, stones, whistling pot, organic materials, feedback device. Recorded in London, 2003 by Akinori Yamasaki." - Confront Recordings.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.