{"title":"june 28, 2022","description":"","products":[{"product_id":"terrestrial-tones-blasted","title":"TERRESTRIAL TONES - Blasted","description":"\u003cp\u003eTerrestrial Tones is the home recorded project of roommates Dave Portner\\r\\n(Avey Tare of Animal Collective) and Eric Copeland of Black Dice, published\\r\\nby an emerging label in the underground noise scene, Psych-o-Path records. Blasted, their debut record combines a creepy parade of burlesque musicalia with the\\r\\nunderwater travels of a submarine 20,000 leagues under the sea. Deep almost\\r\\nunrecognizable vocals hidden in layers of sub-bass warbles are reminiscent\\r\\nof work on the Charhizma Label, particularly Christof Kurzmann and his\\r\\ncollaborations with Dafeldecker and dieb13.\\r\\nLikewise there are nods to the diverse almost pop-twitch of Dat Politics and\\r\\nthe polyrhythmic patterns of the Basic Channel\/Chain Reaction projects. It_جø¬_??s\\r\\na dance music record (microtonal future extremely abstract dance) for people\\r\\nwho like to wiggle to shoes tumbling in washing machines with monkey cymbals\\r\\nand puppet shows.\\r\\nIt is serious yet unpretentious, even whimsical, and will appeal to fans of\\r\\nexperimental electronics, IDM, Throbbing Gristle and related, the drones and squeals of Black Dice and the\\r\\nnouveau pop psychedelia of Animal Collective. - Psych-o-Path. 2004 release.\u003c\/p\u003e","brand":"Psych-o-Path","offers":[{"title":"LP","offer_id":51860482567,"sku":"1394-PSYCH-O-PATH","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-1117994-1426374312-8577_jpeg.jpg?v=1571717270"},{"product_id":"mukai-chie-solo-improvisations","title":"MUKAI, CHIE - Solo Improvisations","description":"\u003cp\u003e\"CD reissue of Chie Mukais second solo album originally released on LP in 2000. Three tracks recorded at Kid Ailack Art Hall in Tokyo in the late 90s. Just over 40 minutes of solo improvisations featuring the beautiful deep drone of the er-hu (a traditional bowed Chinese instrument) augmented by voice, kengali, rings and cymbals. Mukai is an important (and underdocumented) figure in the Japanese underground whose work goes back to her time as a student under Takahisa Kosugi in the late 70s which resulted in her participation in the legendary East Bionic Symphonia\" album. Since then she has continued to work with her own Ché-SHIZU outfit and appear on recordings with artists such as Maher Shalal Hash Baz, Rinji Fukuoka (Overhang Party), Seiichi Yamamoto (Boredoms) and Masayoshi Urabe. This CD is housed in a screenprinted gatefold chipboard sleeve and is released in an edition of 600.\" - Siwa.\u003c\/p\u003e","brand":"Siwa","offers":[{"title":"CD","offer_id":51872597511,"sku":"5287-SIWA","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-998930-1182453829_jpeg.jpg?v=1571717519"},{"product_id":"bianchi-maurizio-mectpyo-box","title":"BIANCHI, MAURIZIO - Mectpyo Box","description":"\u003cp\u003e \"Exclusive presentation of the complete M.B. \/ Maurizio Bianchi recordings from the early 1980s originally issued on LP. Starting from Sterile Records Symphony for a Genocide to Broken Flags The Plain Truth, passing through DYS Mectpyo Bakterium and all the records privately issued by M.B. on his Mectpyo Sound. A slipcase with 10 CDs reproducing the 10 LPs issued between 1981 and 1984, plus all the tracks by M.B. from international LP compilations and a large selection of tracks from international K7 compilations. Each CD reproduces the original artwork and layout, with a new numbered inlay card. Also included is an 84-page booklet with original artworks and collages, M.B. playlists, interviews and reviews, as well as essays by M.B. on S.P.K., Whitehouse and Come, T.G., Monte Cazazza, Metabolists, Conrad Schnitzler and excerpts from the Dictionary of the Ultra-Glaciality.\" - Mectpyo. including the following CDs: Symphony for a Genocide (1981); Menses (1981); Neuro Habitat \/ Moerter Unter Uns (1982); Regel (1982); Mectpyo Bakterium (1981); Das Testament (1982); Endometrio (1980-81); Carcinosi (1979\/1982); The Plain Truth (1983); Armaghedon (1984).\u003c\/p\u003e","brand":"Mectpyo Sound","offers":[{"title":"10 CD Box Set","offer_id":51898432199,"sku":"7451-MECTPYO SOUND","price":190.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-2416952-1321185265_jpeg.jpg?v=1571717665"},{"product_id":"fille-qui-mousse-trixie-stapleton-291","title":"FILLE QUI MOUSSE - Trixie Stapleton 291","description":"\u003cp\u003e1st time ever readily available on vinyl - the rarest entry on the legendary Nurse With Wound list? Ltd. ed. of 300. \"Fille Qui Mousse (\"Girl With Froth\"??) is one the most mythical albums to be released(?) from France. Recorded in 1972, it was issued in 73 (evidently only as a test pressing in an edition of maybe 50) by the legendary Futura label. Often referred to as the French Faust, FQMs album mixed collage, psychedelic rock, surreal poetry, and organically tapped noise purity with the absolute best of experimental 70s rock-and-beyond. One of the essential reissues of the 70s rock underground.\" - Bichon. \"Straight off, we plunge into that Faust structure...riffing with a psychedelic bent, hints of Gong too...we move into bizarrely constructed patterns of percussive sound and chopped-up rock music, and just as a musical focus takes shape it disappears. A poem, recited by a girl, over an urban landscape populated by numerous barking dogs then gives way to an intensely strange mangled web of sound thats almost brain numbing. And, yet more in the way of strangeness is a piano based piece that recalls some of Roger Doyles early experiments. The only actual song has the most bizarre lyrics (in English) and is followed by an excursion in distorted and processed guitar. Next is where the folk music comes in, but even with gypsy violin FQMs interpretation of folk is strange and twisted. Finally, we return to the psychedelic jamming that opened the album, but with a jazzier edge, ending the album perfectly.\" - Audion. \u003c\/p\u003e","brand":"Bichon","offers":[{"title":"LP","offer_id":51929393351,"sku":"10773-BICHON","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/cover_545681632011_r.jpg?v=1651086521"},{"product_id":"alcorn-susan-evening-tales","title":"ALCORN, SUSAN - Evening Tales","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e A few unearthed copies of this 2016 LP. Handpainted\/screened\/assembled jackets \"Mystra is beyond excited to be putting out the Susan Alcorn Evening Tales lp(!) We strongly doubt there ever will be a record in history that is anything like it...how could there!) A friend of ours was telling us a story recently about the first moon orbit...his eyes were wide...and he talked slowly...did you know... that when the first astronauts circled behind the moon.... they started hearing super crazy noises?? piercing sounds and strange reverb style effects and stuff... all coming from the planet Saturn(!) So cool...most have scared those astronauts(!) Its interesting...how no one seems to talk about this phenomenon...sounds emitted from a not too distant planet...there are so many mysteries still...(!)The beautiful music made by Susan Alcorn is one of them. Unique, amazing, and mysterious are just a few of the terms associated with her recordings...Why she is not better known\/talked about is just part of the big mystery. Some in the know folks love her for sure...like us...but still(!) Maybe she REALLY IS too good for this world...Maybe she should play for the folks on Saturn instead...(?) And YES.. maybe there IS a similar quality to her sound...something a bit Saturn-like..with a outer space quality (A different Saturn than Sun-Ra? or maybe not...?) - Mystra.\u003c\/p\u003e","brand":"Mystra","offers":[{"title":"LP","offer_id":52009163271,"sku":"","price":32.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/image.heic?v=1665320805"},{"product_id":"christiansen-henning-musik-hessayistik","title":"CHRISTIANSEN, HENNING - Musik Hessayistik","description":"\u003cp\u003e\"Henning Christiansen (Copenhagen, 1932 - Isle of M_ɬ_n, 2008) was a Danish composer and an active member of the Fluxus movement. He studied at the Royal Conservatory of Music in Copenhagen and at the more liberal Ex-School (Eks-Skolen), embracing its radical approach in study and creation of art and developing into his own musical thinking. In 1962, he attended the George Maciunass International Festspiele Neuster Musik in Wiesbaden, where he probably experienced an epiphany that caused a significant shift in his artistic practice and musical composition. Musik Essayistik is the combined reissue of twin releases Fluxid (1983) and Fluxyl (1984) - two of the most obscure and enigmatic records in Christiansens discography - previously issued separately by Borgen Records in Denmark. Four minimal pieces exploring the clash between instrumental composition-improvisation and pre-recorded real sounds. Embossed green ear on front cover; Edition of 300.\" - Holidays.\u003c\/p\u003e","brand":"Holidays","offers":[{"title":"Double LP","offer_id":52015021703,"sku":"19123-HOLIDAYS","price":48.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/NC04MjI2LmpwZWc.jpg?v=1651085873"},{"product_id":"liberman-jeffery-synergy","title":"LIBERMAN, JEFFERY - Synergy","description":"\u003cp\u003e\"Out-Sider present the first vinyl reissue of Jeffery Libermans Synergy, originally released in 1978. Chicago born Jeff Liberman was a guitar player in the best tradition of 70s guitar Gods like Hendrix, Trower, Clapton or Zappa. His music is the perfect mix between virtuosity and feeling, with a gift for brilliant songwriting. Between 1975 and 1978, Liberman self-released three albums on his own Librah label which were some of the first private pressings to gain recognition amongst psych collectors in the 80s. For his third album, released in 1978, guitar wizard Jeff Liberman incorporated his heavy guitar psych style some cool cosmic funk, soul-jazz and A.O.R. influences. Superb musicianship, psych\/prog-rock flashes, acid guitar soloing, soulful vocals, occasional synths and analog keyboards, flowing rhythm section. It features the Balearic classic \"Transformation\" (compiled by Psychemagik) plus other choice cuts. Remastered sound; Includes an insert with liner notes by Klemen Breznikar (Its Psychedelic Baby); Includes a digital download.\" - Out-Sider.\u003c\/p\u003e","brand":"Out-Sider","offers":[{"title":"LP","offer_id":52023427271,"sku":"18972-OUT-SIDER","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-1667587-1235661576_jpeg.jpg?v=1571718455"},{"product_id":"bitter-funeral-beer-band-with-don-cherry-live-in-frankfurt-82","title":"BITTER FUNERAL BEER BAND WITH DON CHERRY - Live In Frankfurt 82","description":"\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFirst of all, \u003c\/span\u003e\u003cb\u003eBengt Berger\u003c\/b\u003e\u003cspan\u003e -- a pioneer of the Swedish underground of the '70s and historical member of bands such as \u003c\/span\u003e\u003cb\u003eArchimedes Badkar\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eArbete Och Fritid\u003c\/b\u003e\u003cspan\u003e -- is a versatile drummer-percussionist and well-educated ethnomusicologist with several research sojourns in India and Ghana. Deeply influenced by Hindustani, Carnatic, and West Africa music, he founded the \u003c\/span\u003e\u003cb\u003eBitter Funeral Beer Band\u003c\/b\u003e\u003cspan\u003e in 1980, an ensemble of 12 elements, basing his ideas on the traditional funeral music of the people of LoBirifor, in the northern region of Ghana. The sound material reinterprets the spirit of the funeral ritual, when the dance and its songs become a moment of catharsis, releasing a sense of joy in the trance for the liberation from pain. The marriage between this Afro-polyrhythmic roots, with the spiritual jazz of the eternal \u003c\/span\u003e\u003cb\u003eDon Cherry\u003c\/b\u003e\u003cspan\u003e, and the Ondian sarod of \u003c\/span\u003e\u003cb\u003eK. Sridhar\u003c\/b\u003e\u003cspan\u003e, it is in the direction to a pan-internationalism of profound spirituality, which blends different geographical traditions in a single contemplative gaze. It is the convergence towards a music without boundaries, where every instrumental voice shines and is well fermented and integrated.- Black Sweat.\u003c\/span\u003e","brand":"Black Sweat","offers":[{"title":"LP","offer_id":13056290750527,"sku":"","price":26.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/BS040LP_CU.jpg?v=1571718519"},{"product_id":"behrman-david-music-with-memory","title":"BEHRMAN, DAVID - Music With Memory","description":"\u003cp\u003e\"Alga Marghen introduce Music With Memory, a new record LP by David Behrman focused on his 70s work with new small, inexpensive devices then known as microcomputers\" equipped with \"memory\" to be used in live performances and installations. Side A presents \"Interspecies Smalltalk\" with Takehisa Kosugi (violin) and David Behrman (electronics). A wild intertwining of two worlds of resonance, structure, and tonality, decades ahead of its time. Commissioned by John Cage and Merce Cunningham as music for the 1984 Cunningham Company dance titled \"Pictures\", it was made to be performed by Takehisa Kosugi playing violin in his uniquely personal style. Side B includes \"Circling Six\", an earlier version of a more extended piece titled \"Leapday Night\". \"Circling Six\" had six looping synthesizer phrases which could be played along with by the acoustic instrumentalist, on this recording by Werner Durand on saxophone. \"Interspecies Smalltalk\" and \"Circling Six\" were pieces for instrumental performers and a small computer-controlled music system that Behrman assembled during the 1980s. The electronic gear consisted of pitch sensors (\"ears\" with which it listened to the performing musicians), various music synthesizers (some homemade), a video display, and a personal computer. The pieces were made with computer programs governing interaction between performers and the electronics. The software created situations rather than set pieces. The performers had options rather than instructions, and the exploration of each situation as it unfolded was up to them. Also on side B is a short track titled \"All Thumbs\" for two electrified mbiras (African instruments of ancient origin also known as thumb pianos, kalimbas, or zanzas). This piece grew out of a collaborative sound and video installation that George Lewis and David Behrman made for the opening of the Paris science museum La Villette in the spring of 1986. The metal tines of the mbiras were linked to sensors and to a computer music system. In this concert version, played together with Fast Forward, the piece was in several sections. All the sounds in \"All Thumbs\" were electronically generated. Includes liner notes by David Behrman and photos of the performances, as well as original programs of the Music With Memory Festival. Edition of 400.\" - Alga Marghen.\u003c\/p\u003e","brand":"Alga Marghen","offers":[{"title":"LP","offer_id":13354241720383,"sku":"20557-ALGA MARGHEN","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/NMN152LP_PROD.jpg?v=1627421706"},{"product_id":"graves-milford-babi","title":"GRAVES, MILFORD - Babi","description":"\"Corbett Vs. Dempsey presents a reissue of Milford Graves's Bäbi, originally issued in 1977 on Graves's own IPS label. This is the first reissue of one of the most legendary albums in the history of free music. Recorded live in concert in 1976, when Graves' trio with saxophonists Arthur Doyle and Hugh Glover was at the height of its powers, Bäbi is a testament to the absolutely unique approach the drummer had established for himself. He had reconfigured the drum kit, removing the second heads on all the drums and replacing the snare with two toms, which allowed him a much more nuanced sense of indirectness in his multi-directional adventures in time. The track \"Ba\" remains one of the most astonishing feats of percussion alchemy ever waxed, as funky as ten slap bassists and as free as an exploding grenade. Doyle and Glover are incendiary, too, inspired by Graves to new and shocking heights of achievement, their hoarse cries and whistling split-tones carried to thrilling plateaus on the energy of Graves' hands and feet. The original tapes for the session have been lost, so the reissue was lovingly remastered from virgin vinyl, itself now worth a mint. In 2017, Graves discovered a previously unknown tape in his archives featuring the same trio at its inception, in home recordings made seven years earlier, in 1969. Graves pummels a huge gong while Glover plays an instrument that, after sounding like none ever known, turns out to be bass clarinet. Extreme music recorded up close and very hot, it is among the most searing sessions never heard, until now. Rounding out the two-CD package are three previously unpublished photos by Gérard Rouy, and the original LP cover design by Graves himself.\" - Corbett vs. Dempsey.","brand":"Corbett Vs. Dempsey","offers":[{"title":"Double CD","offer_id":13794334703679,"sku":"","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/CVSD052CD_CU.jpg?v=1571718576"},{"product_id":"serf-vic-the-villains-rok-y-roll","title":"VIC SERF \u0026 THE VILLAINS - Rock Y Roll","description":"\"War Extension announces the vinyl re-issue of Rok Y Roll by Vic Serf \u0026amp; The Villains, originally released by It's War Boys on cassette in 1982. Musicians on the album comprised Vic Serf (alias of Jim \"Amos\" Welton), Cathy Spermwrecker, Rita Chulo, and Larry O'Houlihan, along with guest appearances from Ron Dealo, Lepke B., and Sara Fancy. The recording is situated in a particularly fervent and inventive period of 1980s independent and experimental music-making, in which musicians moved freely between such bands as Milk From Cheltenham, Tesco Bombers, and Raincoats, and record labels such as Rough Trade, Y Records, and Barcelona's UMYU. This album, however, was more part of a rampant recording program by Welton in which he released, with help from many collaborators, an irrepressible number of bands and their albums, such as by the Just Measurers, Milk From Cheltenham, and Amos and Sara, as well as Vic Serf \u0026amp; The Villains. Rok Y Roll imagines an alien race based on a planet far away who have received radio signals beamed from earth in the '50s: rock and roll music. They assume that these signals are the language of the earth people and, inspired to communicate, concoct a suitable reply. Unfortunately, their culture has no concept of music or song and, as a consequence, their replies are somewhat skewed; Rok Y Roll is the result. The music, recorded mostly on lo-fi tape machines, and borrowed four-track cassette machines, found its locus in the various squats and derelict mansions that defined a now long-ago London. Important to this was the ever-present involvement of non-musicians and the untutored approaches and altered techniques they employed. Rejecting the wannabe naked careerism of 80's pop, the scene around It's War Boys's aim was, as Susan B. Smoothe said, \"nothing less than to turn the whole rotting wriggling carapace of music on its back and carefully prod each segment with a perceptually sharpened stick.\" The question remains, was Rok Y Roll a mining of past forms of inverted science fiction, in which chronologically displaced music functioned as an alien artifact? Or, was it an all-out attack on popular musical forms? Primarily, Rok Y Roll could be read as a celebration of utter naffness. Vic Serf and his collaborators asked the question, \"How atrocious could a music and the idea behind it be? What would result?\" Here you have the answer! Edition of 300. - War Extension.","brand":"War Extension","offers":[{"title":"LP","offer_id":13794660810815,"sku":"","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/GBP006LP_CU.jpg?v=1571718577"},{"product_id":"davachi-sarah-ariel-kalma-intemporel","title":"DAVACHI, SARAH \u0026 ARIEL KALMA - Intemporel","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"description\"\u003e\"On \u003ci\u003eIntemporel\u003c\/i\u003e, Sarah Davachi and Ariel Kalma blend their strong individual personalities in a single trip on the edge of time. Their \u003ci\u003ekosmiche\u003c\/i\u003e music is pure, magnificent, and elegant, an intergalactic hypnosis that seems to tell of distant times, a millenary vortex of a lost era. In the first phase of departure, the mysterious song of the sax winds in archaic echoes, supported by the electronic inlays of the Arp Odyssey synth. Flowing between space rumbles and astral progressions, one sights high celestial bodies. When the infinite drones of the tampura start, one takes part in the night ceremonial, surrounded by deep harmonium and the Tibetan bell chimes. This music releases a sort of mythological warmth, secret codes of a lost purity, which lets one dwell in the labyrinths of a pyramid or in the sacred space of a cosmic pagoda.\" - Black Sweat.\u003c\/div\u003e","brand":"Black Sweat","offers":[{"title":"LP","offer_id":15106512846911,"sku":"","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/BS052LP_CU.jpg?v=1571718629"},{"product_id":"ceely-robert-instrumental-and-electronic-music","title":"CEELY, ROBERT - Instrumental and Electronic Music","description":"\u003cp\u003eOriginal copies of this 1975 release. \"Over the course of 38 years composer\/ educator Robert Ceely (1930-2015) was on the faculty at the New England Conservatory where he established and directed the school's Electronic Music Studio in the early 70s, as well teaching composition. He also issued experimental works during the era when electronic\/instrumental works were making their way into college record libraries. He likely could have issued thru Opus One or released further work thru CRI, but opted to self-publish on his own BEEP label (named after his own studio). To get an idea of his studies and friendships check out his bio \u003ca href=\"http:\/\/www.ceelymusic.com\/Biography.htm\"\u003ehere\u003c\/a\u003e.\" - Virtual. **Note that these are sealed but in storage for over 30 years, so some copies may have slight dish warpage\/ won't affect play. \u003c\/p\u003e","brand":"Beep","offers":[{"title":"LP","offer_id":15198940790847,"sku":"","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/unnamed_1.jpg?v=1571718629"},{"product_id":"controlled-death-ritualistic-mutilation-in-the-bloody-darkness-urashima-italy-double-lp","title":"CONTROLLED DEATH - Ritualistic Mutilation in the Bloody Darkness","description":"\"Controlled Death is the dark side project by the Japanese noise legend Maso Yamazaki, aka Masonna. In April 2018 he decided to make a shudder debut with first album Symphony For The Black Murder (UMA 125CD) then followed at the beginning of 2019 from second work in an astonishing black wooden box that included Journey Through A Dead Body on vinyl and Deathwish Tapes 1-3 on CD and double-tape (UMA 130LP). Now there's yet another mind-boggling work on double-LP recorded during 2019, Ritualistic Mutilation in the Bloody Darkness. Wild and amazing, this one is absolutely essential for any fan of synth and dark ambient music. Cracked minimal electronic sound by Korg MS-20, unclear and disturbing voice with the influence of primitive black metal and dark ritual in this new double-album which developed a moisturized doom world while wearing a raw material texture. While listening to the records, each long track does meander their way slowly through proceedings with silent pauses, but they nonetheless generate a respectably dense assemblage of sounds. The smell of death is soaked in every groove produced by the four vinyl sides. The activities of Controlled Death are like archaic revival to the music experience before Masonna. You can also find the pathology image of the early industrial period and the shadows of Vienna activism such as Hermann Nitsch as well as loose bits of seminal black metal. The existence and art that pierces through conspicuous consciousness and dives to areas of unconsciousness due to death and pleasure. 140 gram vinyl; deluxe gatefold sleeve with impressive photography (of a cave church with the remains of the people who were massacred by the Saracens in 999 A.D. during the invasion of southern Italy) by Aldo Volpe. Edition of 299.\" - Urashima .","brand":"Urashima","offers":[{"title":"Double LP","offer_id":31694116356159,"sku":"","price":41.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/UMA135LP_CU_6c1f2b48-35c3-4d75-9c40-57f783fef063.jpg?v=1584646131"},{"product_id":"morgannate-retributionreparation-outernational-soundsuklp","title":"MORGAN, NATE - Retribution, Reparation","description":"\"Outernational Sounds present a reissue of Nate Morgan's Retribution, Reparation, originally released on Nimbus West Records in 1984. A core member of the circle around Horace Tapscott, pianist Nate Morgan was a key member of the Pan Afrikan People's Arkestra, known as The Ark. Here is the second of his two LPs for Nimbus West. His first, Journey Into Nigritia (OTR 008LP) had been a declaration of arrival laced with energies drawn from Cecil Taylor and Coltrane. One year later, in 1984, with nods to Herbie Hancock (\"One Finger Snap\") and Ellington (\"Come Sunday\"), Retribution, Reparation was a confident statement of purpose. Politically charged with pan-Africanist Black nationalism, and titled with uncompromising directness, the album focusses the sound world of the Ark into a surging, restless masterpiece of spiritualized modal jazz. Danny Cortez on trumpet and Jesse Sharps on saxophones comprise an explosive frontline. Fritz Wise and Ark regular Joel Ector hold down the rhythm section. Morgan's forceful, Tyner-like chords and virtuosic solos bind the music together. From the poised drama of the opening dedication to Tapscott's U.G.M.A.A. organization, through the propulsive militancy of the title track, \"Retribution, Reparation\" spreads the word: \"Advance to Victory, Let Nigritia Be Free!\" Fully licensed from Nimbus West founder Tom Albach.\" - Outernational Sounds .","brand":"Outernational Sounds","offers":[{"title":"LP","offer_id":31799530815551,"sku":"","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/OTR011LP_CU.jpg?v=1581703051"},{"product_id":"lee-okkyung-yeo-neun-shelter-press-france-lp","title":"LEE, OKKYUNG - Yeo-Neun","description":"\u003cp\u003e\"Springing from body of work spanning decades, defined by a rigorously singular and adventurous approach to sound, cellist, composer, and improvisor, Okkyung Lee, returns with Yeo-Neun. Her first outing with Shelter Press, and arguably her most ground-breaking and unexpected album to date. A vital force in the contemporary global landscape of experimental music, Okkyung Lee is widely regarded for her solo and collaborative improvisations and compositions, weaving a continuously evolving network of sonority and event, notable for its profound depth of instrumental sensitivity, exacting intellect, and visceral emotiveness. Yeo-Neun, recorded by Yeo-Neun Quartet -- an experimental chamber music ensemble founded in 2106 and led by Lee on cello, featuring harpist Maeve Gilchrist, pianist Jacob Sacks, and bassist Eivynd Opsvik -- represents the culmination of one of longest and most intimate arcs in her remarkable career. A radical departure from much of the experimental language for which she has become widely known, it is equally a fearless return. Yeo-Neun loosely translates to the gesture of an opening in Korean, presenting a window into the poetic multiplicity that rests at the album's core. Balanced at the outer reaches of Lee's radically forward-thinking creative process, its ten discrete works are born of the ambient displacement of musician's life; intimate melodic constructions and deconstructions that traces their roots across the last 30 years, from her early days spent away from home studying the cello in Seoul and Boston, to her subsequent move to New York and the nomadism of a near endless routine of tours. At its foundation, lay glimpses of a once melancholic teen, traces of the sentimentality and sensitivity (감성 \/ Gahmsung) that underpins the Korean popular music of Lee's youth, and an artist for whom the notions of time, place, and home have become increasingly complex. Elegantly binding modern classical composition and freely improvised music with the emotive drama of Korean traditional music and popular ballads, the expanse of Yeo-Neun pushes toward the palpably unknown, as radical for what it is and does, as it for its approachability. Meandering melodies, from the deceptively simple to the tonally and structurally complex, slowly evolve and fall from view, the harp, piano, and bass forming an airy, liminal non-place, through which Lee's cello and unplaceable memories freely drift. Printed inner and outer sleeve with artwork by American photographer Ron Jude. Mastered and cut by Rashad Becker.\" - Shelter Press.\u003c\/p\u003e","brand":"Shelter Press","offers":[{"title":"LP","offer_id":32560421830719,"sku":"","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/SHELTER115LP_CU_fc3961dc-c9e0-4b12-a768-cc7ca06f7428.jpg?v=1655331164"},{"product_id":"graves-don-pullen-milford-the-complete-yale-concert-1966-corbett-vs-dempsey-cd","title":"GRAVES \u0026 DON PULLEN, MILFORD - The Complete Yale Concert, 1966","description":"\"For a performance at Yale University in New Haven, Connecticut, in spring of 1966, percussionist Milford Graves invited pianist Don Pullen to play duets. The two musicians had worked together in a band fronted by saxophonist and clarinetist Giusseppi Logan, with whom they had recorded two LPs in 1965 for ESP-Disk'. Graves was already a daunting presence in free music. One step at a time, he was busy transforming the role of drumming in jazz, introducing a new way of dealing with unmetered time and accomplishing this task with technique that was almost inconceivable. His experience playing timbales in Latin bands had been formative, suggesting that the snare could be used as accent rather than beat-keeper, but by the mid '60s he'd worked up a holistic approach to sound and energy that was the most radical of his improvising percussion contemporaries. And with a simpatico accomplice like Pullen, who would go on to have an illustrious career with Charles Mingus, co-fronting a band with George Adams, and as a soloist and bandleader. This early setting finds Pullen is at his most hard-hitting, and his piano concept as heard here lays to rest dubious claims of Cecil Taylorism. Inspired by their performance, Graves and Pullen issued an LP, In Concert at Yale University, Vol. 1 on their own Self-Reliance Program imprint (1966). The vinyl is impossibly rare, especially its first copies, which sported hand-painted covers by the musicians. A second volume titled Nommo (1967) was subsequently issued, and it too is a highly prized platter. None of this music has ever been available digitally. The tapes were lost, so in putting this production together -- in the works for ten years -- virgin copies of the LPs were used. One CD includes the two complete LPs together with original cover designs, a gallery of hand-painted LPs, and a photo of Graves and Pullen selling them at a Nation of Islam convention. An insert modeled after the original one presents an interview with Graves about the production of the records. This is beyond the holy grail of free music. It is as vital and challenging today as it was more than five decades ago. Corbett Vs. Dempsey is honored to have collaborated with Milford Graves on this historic reissue. Personnel: Milford Graves - drums and percussion; Don Pullen - piano.\" - Corbett Vs. Dempsey.","brand":"Corbett Vs. Dempsey","offers":[{"title":"CD","offer_id":32886772531263,"sku":"","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/CVSD075CD_CU_ccd64fdb-e778-4c6f-b82e-df812c52e9c7.jpg?v=1597330923"},{"product_id":"atrax-morgue-exterminate-urashima-italy","title":"ATRAX MORGUE - Exterminate","description":"\"Exterminate, the most impressive and sinister album by Atrax Morgue first way -- it is just the thirteenth work in his name, during his first three years of artistic production, returns to torture the eardrums and brains of who comes across with his industrial, claustrophobic and distressing nightmares at least as much as the \"annual reports\" signed by the loving Throbbing Gristle. It was recorded straight off on a hot July night in 1995. The cassette released the same year by Slaughter Productions contains three tracks based on typical analog drones. A three-phase escalation of alienating noisy madness, made of battered analog synthesizers and occasional incursions of revolting and decaying screams, which in no way allows you to see even the lightest light, in total surrounding darkness. New mastering in 2020 by Andrea Marutti. 140 gram vinyl with inside-out printing sleeve; edition of 199.\" - Urashima .","brand":"Urashima","offers":[{"title":"LP","offer_id":33001802301503,"sku":"","price":27.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/UMA140LP_CU.jpg?v=1599675700"},{"product_id":"electroputas-zotte-spirit-in-on-out","title":"ELECTROPUTAS - Zotte Spirit (In\/On\/Out)","description":"\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e\"Is it the deepest abyss in NY underground? This avant-garde reminiscent of the chaos of the NEW YORK NO WAVE movement is by Lary Seven, Joe Frivaldi from Hungary, Jaiko Suzuki \u0026amp; Akio Mokuno\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e from Japan, and Patrick Holmes. Limited 200 12-inch singles of \"ELECTROPUTAS,\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e” a unit of magical\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e mood with mad editing on psychedelic band performance!\" - Los Apson.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/_WuCx2WndwU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Bellyup","offers":[{"title":"12\"","offer_id":37580465995965,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/97810322_o1.png?v=1754677264"},{"product_id":"electroputas-attune-detune-for-tune","title":"ELECTROPUTAS - Attune\/Detune\/For-Tune","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e\"Is it the deepest abyss in NY underground? This avant-garde reminiscent of the chaos of the NEW YORK NO WAVE movement is by Lary Seven, Joe Frivaldi from Hungary, Jaiko Suzuki \u0026amp; Akio Mokuno\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e from Japan, and Patrick Holmes. Limited 200 12-inch singles of \"ELECTROPUTAS,\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e” a unit of magical\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e mood with mad editing on psychedelic band performance!\" - Los Apson.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/AithzuXG6XE\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Bellyup","offers":[{"title":"12\"","offer_id":37580488507581,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/Ww.png?v=1754677230"},{"product_id":"lary-7-washing-machines-at-the-funny-farm","title":"LARY 7 - Washing Machines at the Funny Farm","description":"\u003cp\u003e\"First release on Bellyup Productions. Lary 7, \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ea legendary person who was involved in the release production of ELECTROPUTAS\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e,\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e continues activities in the deepest part of the NY underground scene. \u003cem\u003eWashing Machines at the Funny Farm \u003c\/em\u003eis a\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e mysterious experimental EP consisting of side A, titled Drone Side, and Side B, Spin Side.\" - Los Arson Records\u003c\/span\u003e\u003c\/p\u003e","brand":"Bellyup","offers":[{"title":"7\"","offer_id":37580529107133,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/WM.jpg?v=1605906917"},{"product_id":"00-action-group-numero-1","title":"00 ACTION GROUP - Numero 1","description":"\"'Numero 1' is the latest extension of form-panic out of New York City. A called-up dialogue taken apart and reservoir-ing members of The Utter Nots, Electroputas, Grey Daturas, et slippery all. As innominate reptiles of sincere and elusive resistance. 00AG - a union of SOS glam and barren poetics - malfunctioning and decrepit gear.\n\u003cp data-mce-fragment=\"1\"\u003eNo batteries - fuck you 00AG - whatever you want together. \u003cbr data-mce-fragment=\"1\"\u003eParis Dakar Paris\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis Reality Delay edition of 'Numero 1' comes as a double cassette packaged in hand-decorated VHS boxes, each unique collaged. Limited to 25 copies. Includes DL Code.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/qL-kkruVM7A\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr data-mce-fragment=\"1\"\u003eReality Delay is a DIY label releasing NYC made music in small hand made editions, and is affiliated with Abasement, the monthly experimental music club that operated between 2015-2020 in the basement of Manhattan's Max Fish.\" - Reality Delay.\u003c\/p\u003e","brand":"Reality Delay","offers":[{"title":"Double Cass Box Set","offer_id":37982624710845,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/00ActionGroupCover.jpg?v=1611683825"},{"product_id":"parker-william-mayan-space-station-aum-fidelity-lp","title":"PARKER, WILLIAM - Mayan Space Station","description":"\u003cp\u003eIncludes download code. \"Following the release of the Migration of Silence Intoand Out of The Tone World: Volumes 1-10 10CD Box and his first book-length biography, Universal Tonality: The Life and Music of William Parker earlier this year, composer, multi-instrumentalist, poet, griot, improviser and community leader William Parker presents a pair of brand-new studio trio albums which bountifully expound on his vision. One of the most iconic and enduring music leaders to emerge in the world over the last half century, William Parker continues to raise the bar higher. Mayan Space Station is his first electric guitar trio album, and features Ava Mendoza -- electric guitar, William Parker -- bass, and Gerald Cleaver -- drums. Cosmic multi-hued blues, perfect for space and time travel. The unparalleled rhythmic firmament created by Parker \u0026amp; Cleaver is matched by Mendoza in full flight. All of the promise imagined by a trio recording of these musicians with compositions by Parker is delivered to the fullest. William Parker first worked with Ava Mendoza on a project entitled Thunder and Flowers for his July 2019 residency at The Stone in NYC. Her prodigious talents have illuminated many projects and recordings as both leader and collaborator over the past decade. As is abundantly clear here, she is committed to bringing expressivity, energy and a wide sonic range to the music. Gerald Cleaver is an exceptionally gifted poet of drum sound who can play in the deepest of pockets and manifest all manner of sound to perfectly fit contours within the most open of forms. Cleaver \u0026amp; Parker have worked closely on numerous projects, notably within the nonpareil full-improvising trio, Farmers By Nature, together with Craig Taborn. William Parker is in vibrant grandmaster blossom here on double bass -- in both pizzicato \u0026amp; bow-as-prism modes. Regarding the album title, Parker offers: 'Mayan Space Station is a conduit for peace and inspiration. It is an oasis where sound and silence navigators stop for sustenance to replenish their imaginations. It is a reality that important to the myth structure of the Tone World chronicle. In a way, musicians, and definitely these particular musicians, belong to the blood line of sonic travelers who, as Sun Ra described it, 'travel the space ways.' Re-inventing the process, allowing music to flow through their instruments.'\" - Aum Fidelity.\u003c\/p\u003e","brand":"Aum Fidelity","offers":[{"title":"LP","offer_id":40734974148797,"sku":"","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/AUM115LP_CU.jpg?v=1632271921"},{"product_id":"copy-of-cherry-don-om-shanti-om","title":"CHERRY, DON - Om Shanti Om","description":"Repressed. \"An amazing document of the life experiment that was the Organic Music Society. This super quality audio, recorded by RAI (the Italian public broadcasting company) in 1976 for television, documents a quartet concert focused on vocals compositions and improvisations. Here, Don Cherry and his family-community's musical belief emerges in its simplicity, with the desire to merge the knowledge and stimuli gained during numerous travels across the World in a single sound experience. Don's pocket-trumpet is melted with the beats of the great Brazilian percussionist Nana Vasconcelos, the Italian guitar of Gian Piero Pramaggiore, and the tanpura drone of Moki. A pure hippie aesthetic, like in an intimate ceremony, filters a magical encounter between Eastern and Western civilizations, offering different suggestions of sound mysticism: natural acoustics in which individual instruments and voices are part of a wider pan-tribal consciousness. A desert Western landscape marries Asian and Latin atmospheres. Indigenous contributions with berimbau explorations find fossil sounds of rattles and clap-hands invocations. Influences of Indian mantra singing are combined with eternal African voices or with folkish-Latin guitar rhythms, while flute and drums evoke distant dances. In the Organic Music everything becomes an act of devotion and love, an ecstatic dwell in the dimension of a sacred free-rejoice.\" - Black Sweat.","brand":"Black Sweat","offers":[{"title":"LP","offer_id":42195023626459,"sku":"","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/BS058LP_CU.jpg?v=1639671069"},{"product_id":"violent-onsen-geisha-shocks-shocks-shocks","title":"VIOLENT ONSEN GEISHA - Shocks! Shocks! Shocks!","description":"\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrashima present a first time vinyl reissue of \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eViolent Onsen Geisha\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e's \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eShocks! Shocks! Shocks!\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, originally released on legendary Vanilla Records in 1989. The Tokyo-based Japanese experimental musician \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMasaya Nakahara\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e known as Violent Onsen Geisha has been dazzling listeners with his entirely singular approach to sound since 1989. Harnessing his unique natural approach to mixier by combining techno, pop samples and hip-hop, as well as his sister's karaoke singing or his parent quarreling, screams and glass or ceramic bowls broken, he incredibly built a body of work in recorded contexts that has almost no parallel, producing arrangements where all the style and the sonic atmosphere meet in a happy junk room and elaborating his delirious patchwork studio from magneto-phone tapes. His amazing cut-up proved interesting to major band such as \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eSonic Youth\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBeck\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, who invited him on a US tour in 1995. At the height of his music career as Violent Onsen Geisha in 1998, Nakahara published \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eMari \u0026amp; Fifi No Gyakusatsu Songu Bukku (Mari \u0026amp; Fifi's Massacre Songbook)\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e and made his debut as a novelist. In 2001, he received the 14th Yukio Mishima Award for \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eArayuru Basho Ni Hanataba Ga\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (\"Bouquets of Flowers Everywhere\"), and became increasingly active as a writer and movie critic. Despite the density of its structures, that combine the most disparate musical genres with deafening shouts and crashes, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eShock! Shock! Shock!\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e feels like a breath of fresh air, fearlessly skirting the line between creative rigor and focused interplay and a playful irreverence in ways that leave you wondering where the hell you are. A truly thrilling exchange of collages, vacillating between kitsch, the austere, and boundary pushing structures, all played against and pushed onto the next level by Nakahara incredible talent. Unflinchingly beautiful and creatively challenging, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eShock! Shock! Shock!\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e completely defies genre and definition, rising as a wonderful reminder of what noise music is all about. A justly radical zone of creative patchwork sound. \"For someone who has no musical talent like me, the only thing that I could naturally create was noise.\" --Masaya Nakahara. Mastered by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAndrea Marutti\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Edition of 299.\" - Urashima.\u003c\/span\u003e","brand":"Urashima","offers":[{"title":"LP","offer_id":42262404923611,"sku":"","price":29.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/UMA156LP_CU.jpg?v=1641495000"},{"product_id":"heratius-gwendolyne-les-boniments","title":"HERATIUS - Gwendolyne \/ Les Boniments","description":"\"A hidden gem from the notorious Nurse With Wound list! This double-LP features Heratius' studio album Les Boniments (1979) -- never before released on vinyl -- and the first ever vinyl reissue of Gwendolyne (1978). Heratius could be described as like a mix of Etron Fou Leloublan and Faust (in acoustic mode that is), with hints of Albert Marcoeur, Red Noise, in a music that is full of invention with typically French eccentric touches. The Heratius album Gwendolyne was also much touted by Chris Cutler (of Henry Cow fame) at the time as the 'French Faust'. \" - Staubgold.","brand":"Staubgold","offers":[{"title":"Double LP","offer_id":42425516916955,"sku":"","price":32.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/STAUB164LP_CU.jpg?v=1643724986"},{"product_id":"fontaine-areski-brigitte-theatre-musical-2-monster-melodies-france-lp","title":"FONTAINE\/ARESKI, BRIGITTE - Theatre Musical 2","description":"\"Monster Mélodies presents the second in a two-part unpublished recording of a concert by Brigitte Fontaine and Areski Belkacem at studio 102 of the Maison de la Radio dating May 21st, 1973. Areski Belkacem and Brigitte Fontaine, major artists of the French counterculture, were often be censored or deliberately ignored by the media due to their libertarian positions. Obtaining success at a late stage, it was not until the album Kékéland in 2001 and Rue Saint Louis en l'Ile in 2004, for Brigitte Fontaine to earn gold records. At the turn of Brigitte Fontaine's career, when breaking away from the Jacques Canetti team she made new encounters. After collaboration with Jacques Higelin, she meets Areski Belkacem. She then met Pierre Barouh who supported the Fontaine\/Areski duo, by producing a handful of cult albums on his label, Saravah. As well as meeting Jean Karakos, boss of the BYG label. They became the first musicians in France blending free jazz with their own musical production in recording with the Art Ensemble of Chicago. Their free music accompanies the free inventive and provocative poetry of Brigitte Fontaine. Theater remains the first passion of Brigitte, who began to perform on stage at the age of twelve in a play by Marivaux before continuing with classical repertoires Audiberti, Molière, Giono, Vian, Genet. Constantly active, Areski and Fontaine went on the most improbable tours scouring small provincial theaters, playing in prisons and psychiatric hospitals, losing themselves in confidential and financially catastrophic tours, including in Canada and in Algeria in 1970 only ten years after the conflict. The record Concert Théâtral was recorded in 1973. A year which was a turning point in the career of the duo, the two artists decided to perform on stage without musicians to accompany them and in a stripped-down staging. The songs here are all filled with the inventive and offbeat poetry of Brigitte Fontaine, accompanied by atypical music created by Areski, they appear on their various albums published between 1971 and 1973 but are here interpreted in their simpler expression, on stage, without the help of other musicians, the duo accompanying themselves on guitar, percussion, and accordion. A recital taking as much of the singing as of the theater, or happening such as the two artists produced between 1973 and 1979, in a unique way and of which it remains here the only testimony. The recording of this concert at studio 102 of the Maison de la Radio dating May 21st 1973, had been broadcasted on \"France Culture\" on November 2nd 1973 but remained unpublished until now. Edition of 1000 on color vinyl (numbered).\" - Monster Melodies .","brand":"Monster Melodies","offers":[{"title":"LP","offer_id":42660772905179,"sku":"","price":38.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/MMLP018LP_CU_ae996e7a-4785-4f64-94b0-9519355e263d.jpg?v=1654010261"},{"product_id":"carambolage-carambolage-tapete-records-germany-lp","title":"CARAMBOLAGE - Carambolage","description":"\"Carambolage never set out to be a \"girl band\" but they were one of the first German new wave bands whose members were all female. The punk alliance comprising Britta Neander, Elfie-Esther Steitz and Angie Olbrich emerged organically from the environs of Ton Steine Scherben, friends united by a common interest in musical experimentation. Britta's passion for the drums ignited in 1974 in Fresenhagen, North Frisia, where she played percussion for Ton Steine Scherben. R.P.S. Lanrue's little sister Elfie-Esther was an obvious candidate. Angie, a child from the streets who joined the commune in 1972, completed the line-up. Carambolage surfed on their very own \"North Frisian Wave\" -- an epithet dreamed up for their distinctive sound. Shortly before her death in 2004, Britta was interviewed by music journalist Tine Plesch and described how the \"girls gang\" gave them the freedom to experiment and come up with \"these really funny, filthy lyrics\". There is a childish, subversive charm to the songs, emboldened by the realization that \"we could fool around as much as we wanted.\" Their sound was not the only aspect of the group which resulted from experimental tinkering. Keen to have their own space, away from a male-dominated environment, they used cardboard and carpets to build their own practice room inside an old grain silo.\n\nWith the first demo tapes in circulation, Burkhardt \"Zensor\" Seiler organized a gig for Carambolage in the hip Kreuzberg club SO36. At a time when anything that could be labelled \"Neuen Deutschen Welle\" (German New Wave) was stamped accordingly, the trio played by their own rules. The eponymous debut album Carambolage, produced by Rio Reiser and R.P.S. Lanrue in the summer of 1980 and released on the Scherben label David Volksmund Produktion, could not be constrained by NDW marketing concepts. Instead, the disc was defined by its \"colossal, inventive sound\" which fed on Elfie's curiously autodidactic \"Fantasiegriffen\" guitar style and her \"Fresenhagen sparrow\" voice, counter-balanced by Angie's organ and inimitable basslines and energized by Britta's relentless drumming. Backed by quirky organ and ragged drums, Elfie spits her lyrics with emphatic simplicity. Once her words are in your head, they stay there. Tracks like \"Die Farbe war Mord\" hint at a sense of feminist awareness. Carambolage may not have coined the phrase, but \"lipstick feminism\" became a thing, consciously playing with feminine clichés and hammering them home in performative fashion, rather than boxing them off. Towards the end of the record, vocals and sound are transcended in the monotone shimmer of \"22 rue Chenoise\".\" - Tapete Records .","brand":"Tapete","offers":[{"title":"LP","offer_id":42708522533083,"sku":"","price":29.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/TR498LP_CU.jpg?v=1649947447"},{"product_id":"monopoly-childs-nightlife-band-the-aqueducts-of-channel-island","title":"MONOPOLY CHILD'S NIGHTLIFE BAND - The Aqueducts of Channel Island","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"In an interview for The Wire magazine back in January 2012, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eSpencer Clark\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e claimed that one of the most important \"lessons\" learned while performing with \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Skaters\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e was \"stay true to your imagination\". Taking this life motto at heart, Clark's world today is still a place of wonder and myth, conveyed through a myriad of aliases and invocations like \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eVodka Soap\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eFourth World Magazine\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, or \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eTyphonian Highlife\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Always the wide-eyed mystic and searcher of the netherworld, Clark surfaces again on Discrepant sister label Pacific City Discs, straight from the Canary Islands with this not quite but somewhat reissue under his celebrated and celebratory \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMonopoly Child Star Searchers\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e alias. Combining visions from two long, long sold out and hardly traceable releases on Clark's own Pacific City label, pressed for the first time ever in wax with a new master by Dubplates \u0026amp; Mastering -- as it should -- \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003ePrince of Parrot Shooters\/The Aqueducts of Channel Island\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e stands as a vital piece in an ever changing and deeply personal mandala-like oeuvre. A hypnotic and appropriately lo-fi flux of bouncy hand percussion loops, nature calls, and celestial synth harmonies that weave themselves into trance inducing rituals. Levitating fever-dream recordings from imaginary topographies, or perhaps a gateway to fortean alternate realities just lurking around the corner. Stay true to your imagination indeed.\" - Pacific City. \u003c\/span\u003e","brand":"Pacific City","offers":[{"title":"LP","offer_id":42768507044059,"sku":"","price":29.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/PCD003LP_PROD.jpg?v=1651085037"},{"product_id":"masonna-frequency-l-s-d","title":"MASONNA - Frequency L.S.D.","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Originally released on CD in 1998, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eFrequency L.S.D.\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is now presented on vinyl for the first time. Features 14 ear-wrenching, extreme Japanese noise tracks from \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMaso Yamazaki\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eControlled Death\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e). \"\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eFrequency L.S.D.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis the best Masonna CD ever, and one of the top five noise albums of all time\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e\" --\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMatt Kaufmann\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, Exile Osaka. \"The cult icon of Japanoise once again makes another proverbial anti-statement with his uniquely harsh blend of screams, feedback, and constantly changing blasts, rumbles and blips of sonic destruction... The main attraction of this release to new and old fans alike is the use of '60s psychedelia in the warped textures of sound laid out in each track. Instead of being treated to a barrage of uncontrolled, harsh, and maddening noise, we are treated to lengthy explorations into the joys of warped synthesizer repetition and digitally altered radio frequency loops... the best noise release put out by any artist and, after just one listen, it's not hard to hear why\" \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eChronicles Of Chaos\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Personnel: \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMaso Yamazaki\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e - voice, microphone, EXPJ Ringmodulater, Colorsound pedals, '60s fuzz noise canister; Spectral Audio Analogsynth, Sherman Filterbank, delay. 180 gram vinyl; edition of 400.\" - Cold Spring. \u003c\/span\u003e","brand":"Cold Spring","offers":[{"title":"LP","offer_id":42768512221403,"sku":"","price":31.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/CSR297LP_PROD.jpg?v=1651085411"},{"product_id":"oneohtrix-point-never-returnal-1","title":"ONEOHTRIX POINT NEVER - Returnal","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Special mirrored silver foil gatefold cover with banderole. Pressed on crystal clear vinyl; one time pressing. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eReturnal\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is the fourth album from \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDaniel Lopatin\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e's \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eOneohtrix Point Never\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e project, after \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eBetrayed In The Octagon\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (Deception Island, 2007), \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eZones Without People\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (Arbor, 2009) and \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eRussian Mind\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (No Fun, 2009). All three albums being superbly compiled on the \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eRifts\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e double CD set (No Fun, 2009). It sees Lopatin fine-tune his craft for the creation of deep atmospheres and textures even further. Starting off with the mind-blowing triptych of \"Nil Admiari\"\/\"Describing Bodies\"\/\"Stress Waves,\" which fires off into a noise\/rhythm excess before entering a zone of relative calm, building to the melancholy of the final part. This sets the tone perfectly for the album's title track, a stunning, out-of-this-world ballad featuring Lopatin's near-desperate vocal delivery, ending what could be seen as one of his most chilling and thought-provoking sides to-date. The atmosphere is slightly lifted as the darkened sun comes up over the ruins on \"Pelham Island Road\" and \"Where Does Time Go,\" with the album closing with edgy broken beats and the fourth-world possible landscapes of \"Preyouandi,\" which fades into the distance with echoes of the \"Returnal\" chorus closing the loop. What's burnt into memory here is Lopatin's love affair with the long, slow path back home... the cycle... the hypnotic sector... the ghost in the machine... and whether people are making dance music or hip-hop or space head-music or metal, the ouroboros is present in every sector -- as it was in \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBach\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e's study, and in the elephant songs of the Ituri forests. Instrumentation: Akai AX-60, Roland Juno-60, Roland MSQ-700, Korg Electribe ES-1, Voice. Recorded using a personal computer. Mastered by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJames Plotkin\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Tape-op \u0026amp; additional engineering by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAl Carlson\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Design by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eStephen O'Malley\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\" - Editions Mego. \u003c\/span\u003e","brand":"Editions Mego","offers":[{"title":"LP","offer_id":42768517923035,"sku":"","price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/EMEGO104LTDLP_PROD.jpg?v=1651085931"},{"product_id":"palestine-simone-forti-charlemagne-meditative-sound-environments","title":"PALESTINE \u0026 SIMONE FORTI, CHARLEMAGNE - Meditative Sound Environments","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Alga Marghen presents the second and final chapter in documenting \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eCharlemagne Palestine\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eSimone Forti\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e seminal collaborations. The \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eMeditative Sound Environments\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e LP is more centered around electronic music and also includes a unique two-voice work based on Simone's chanting, the magically suspended \"Simone Tape\". All the tracks of this new LP present only previously unreleased recordings. Charlemagne Palestine met Simone Forti through \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDr. Richard Alpert\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, a professor at Columbia University who went to India to study with a Hindu guru and he himself became a guru afterwards called \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBaba Ram Dass\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Coming back to US he brought \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003ePandit Pran Nath\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e with him. It was a time when everybody was experimenting. All came with a lot of orientalism because people were into timelessness, meditation, and being stoned. It was in that atmosphere that Charlemagne met Simone because she also knew Pran Nath. Around that time Palestine moved from NY to California to work with electronic music at the newly invented school California Institute of the Arts. Simone was also living in LA and even though she was not officially connected to CalArts she knew many of the artists who were teaching there. In summer 1970 Simone Forti was invited by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAllan Kaprow\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (one of the Deans of CalArts) to do an evening of dance at the Pasadena Art Museum and for this performance she asked Charlemagne Palestine to try developing a new kind of work together. It immediately clicked. In January 1971 in Pasadena they did their first \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eIlluminations\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e. All of a sudden, they were doing a new kind of jamming together. Everybody in the audience loved it because it was so dreamy and they found amazing how a man and a woman can act in that strange, very dreamlike oriental way as in trance, together. Other artists were mostly doing very structural works while with \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eIlluminations\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e it was totally like they were on magic drugs. These performances had certain fixed elements... the piano or some electronics like in \"Meditative Sound Environment\", the title track of this LP. It turned out they liked red lights so they started to always do it in red light. Also, they liked to do it in a resonant spaces. It became more an approach than a piece, because there were never two \"Illuminations\" that were alike. The aspect of Charlemagne's music that most inspired Simone Forti's imagination was his melodies. Sometimes their texture of repetitions and evolving variations were so close that the term melody doesn't seem to apply. Liner notes by Charlemagne Palestine and Simone Forti. Edition of 365.\" - Alga Marghen.\u003c\/span\u003e","brand":"Alga Marghen","offers":[{"title":"LP","offer_id":42791691256027,"sku":"","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/VOCSON161LP_PROD.jpg?v=1651681912"},{"product_id":"meyers-rick-obstacle-79-memory-is-current","title":"MEYERS, RICK - Obstacle #79: Memory Is Current","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"Obstacle #79: MEMORY IS CURRENT offers a sequence of works for player piano, a device which captured Rick Myers’ imagination in 2017. Divining a method from mathematical measurements and intuitive drawing systems, Myers obstructed piano rolls using adhesive tape. Performed in this altered state on a player piano in the hallway of Easthampton Machine and Tool in Easthampton, Massachusetts, the music embedded in the rolls was extricated from its history and given fresh life. Restriction forged a pathway to expanse. Here are the enchanting results.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe workings of the machine are evident throughout, wistfully recalling music box fantasias, even as the tumbling notes confound expectations. The meticulously constructed scenarios invariably run amok, and in between chaos and melody, frustration and freedom, an impossible helix fashions its own celestial music. The sounds grumble against one another, summoning subterranean promises and unearthing unexpected delights.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAs the tracks run into one another, Myers interposes spoken dispatches, detailing aspects of the story behind the record. Like the sounds of the piano, they transcend mere reportage. Increasingly obscured over the course of the two sides, these ghostly interjections are part of the sonic fabric, enhancing both the narrative and acousmatic aspects of the project.  \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRick Myers is an artist whose decades-long career has studiously disregarded the confines of medium – there are books, drawings, sculptures, installations, exhibitions, videos, performances, design projects, texts, and combinations thereof. Sound, as evidenced by his recent focus on recorded material, is but another potent arrow in his quiver. Plus, it’s nothing new – he cut his teeth as a DJ.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis record is an interior travelogue shot through with ecstatic truth. In furthering the process of obstruction by which the player piano makes its music possible, Myers is, in his own words, looking to “cast and dislodge time.” Like God or Loss or Love, Time is one of the bedeviling bottomless wells from which the most affecting art springs. This is the real thing.     \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRick Myers is not in search of lost time, he is attempting to lose it, and in so doing to chart the inevitable trajectory of that loss, of its apparent disappearance, its peculiar habit of hiding in plain sight.\" - Matt Krefting.\u003c\/p\u003e","brand":"Open Mouth","offers":[{"title":"LP","offer_id":42791713669339,"sku":"","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/O79-Sleeve_screen_ref_not_for_print-FRONT.jpg?v=1651682291"},{"product_id":"head-jowe-swell-maps-1972-1980","title":"HEAD, JOWE - Swell Maps 1972-1980","description":"\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFirst-ever official biography of \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eSwell Maps\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eSwell Maps 1972-1980\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e penned by band member and co-founder \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJowe Head\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Swell Maps were formed in Jowe's home town of Solihull, England with various school friends in 1972.The group, also featuring the late \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eNikki Sudden\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and Nikki's brother, the late \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eEpic Soundtracks\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, along with \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003ePhones Sportsman\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJohn Cockrill\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eRichard Earl\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e emerged in the late 1970s, and are now known as legendary pioneers of what is now referred to as \"alternative rock\" or \"post-punk\" with their blend of punk rock mixed with experimental and psychedelic sounds. Together they released four 7\" singles, the first in 1977 on their own Rather Records and two critically acclaimed albums in a brief but dramatic career, that led to them topping the UK independent charts, and influencing bands such as \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eSonic Youth\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eNirvana\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBlur\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. After Swell Maps broke up in 1980, Jowe joined the \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eTelevision Personalities\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Ten years with the TVPs saw Jowe making more influential records, touring Europe regularly, and playing in Japan and the USA. Today he still regularly releases recordings, solo and with multiple groups, and is the steward of the Swell Maps legacy. In this 155-page biography of the band, Jowe takes us to each members' formative years and reveals what made them experiment with challenging music and eventually come together to form Swell Maps. Through his own recollections and utilizing interviews with former members, he explores the early days of the band, and details stories that bring the reader into the inner workings of the band as they traveled through the late '70s cultural scene in Europe. The last section of the book updates the whereabouts of all the key players. The book includes dozens of full-color images of band memorabilia from the author's personal collection, including photos, posters, flyers, artwork, original lyrics, and more. Contains 7\" with six exclusive never-before-released tracks culled from the band and solo member archives. Packed with full color photos and images of posters, flyers, album art, and other assorted band ephemera. Detailed appendix contains a discography, notes on selected songs, concert dates, and set lists among other items. Full-color 152-page hardcover book, approximately 297mm x 210mm; edition of 1000.\" - Sounds On Paper.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe first Swell Maps single I bought still to this day gives me a soul scorched buzz'n'rush... The Swell Maps had a lot to do with my upbringing\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\" --\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eThurston Moore\u003c\/b\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eJowe Head spent time in two of the UK's coolest underground bands: Swell Maps and Television Personalities... a lovably skewed indie-pop tunesmith\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\" --Time Out New York\u003c\/span\u003e","brand":"Sounds On Paper","offers":[{"title":"Hardcover Book\/7\"","offer_id":42894433517787,"sku":"","price":34.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/SWELL001BK_CU.jpg?v=1653662194"},{"product_id":"marker-and-joe-mcphee-mcphee-marker-corbett-vs-dempsey-12","title":"MARKER AND JOE MCPHEE - McPhee Marker","description":"\"Chicago-based saxophonist and clarinetist Ken Vandermark was invited to arrange a set of '70s music for a concert in 2019, and among the pieces he chose were tracks by funk legends Parliament and post-punk iconoclasts DNA. On this 12-inch 45rpm EP, Vandermark's band Marker presents a unique take on \"Night of the Thumpasorus Peoples\", drawn from Parliament's 1975 LP Mothership Connection, and DNA's \"Egomaniac's Kiss\", which first appeared on the classic 1978 Brian Eno-produced collection No New York. Together with the entire Marker lineup, featuring Vandermark on reeds, Andrew Clinkman and Steve Marquette on electric guitars, Macie Stewart on keyboards, and Phil Sudderberg on drums, on this one-of-a-kind affair Marker invited Poughkeespie (New York) icon Joe McPhee to be the proverbial fly in the ointment. Applying the most unhinged version of his tenor saxophone stylings to the deep groove of George Clinton and out-James-Chancing the no wave thump of Arto Lindsay, Ikue Mori, and Robin Crutchfield, this rare disco-single-format free music release is one for your record player's auto-changer -- just hit repeat! Featuring design and artwork by Michael Dyer\/Remake, uncompromisingly recorded by Alex Inglizian at Corbett vs. Dempsey's Chicago gallery, as direct to you as humanly possible.\" - Corbett Vs. Dempsey.","brand":"Corbett Vs. Dempsey","offers":[{"title":"12\"","offer_id":42914991177947,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/CVSDS004EP_CU.jpg?v=1654010186"},{"product_id":"sun-ra-arkestra-live-at-babylon-in-and-out-records-2lp","title":"SUN RA ARKESTRA - Live At Babylon","description":"\u003cp\u003e\"Forever alterable, young again \u0026amp; freshly strengthened, the Sun Ra Arkestra under the direction of Marshall Allen presents itself on Live at the Babylon the 14-piece Centennial Dream Arkestra at Istanbul's Babylon music club. It is a landing to the spot on the hundredth birthday of its founder, Jack-of-all-trades Sun Ra, kicking off the jubilee tour 2014, which led the band around the globe. The ensemble sparks with a briskness that is testimony to the timelessness and infinity of the mission. The jubilee-concert at the Babylon is an illustration of to the enthusiasm of the brothers Mehmet and Ahmet Uluğ. The tenacious Sun Ra fans indeed made it happen, to bring the Sun Ra Arkestra to Istanbul for the very first time on April 1990.  Marshall Allen, Knoel Scott and Elson Nascimento are the eyewitnesses within the Arkestra, who extend the grand moment of Istanbul into this truly amazing recording. Attracted by rhythm layers which reach into each other, the listener gets into the musical cosmos in a quite gentle way, as if sleepwalking. The pieces build upon each other and grow into each other. Microton-sequences oscillate across the entire interplay of compositions, they emerge and dive, change perpetually, as if the tones were alchemical ingredients of a lively and ever more self-generating primeval soup. The merit goes to Marshall Allen, who is tirelessly evaluating and interpreting the immeasurable treasure of the tone-documents Sun Ra left behind.  These recordings stem from the never-ending rehearsals in Sun Ra's headquarter, and their musical treasure has never before been unveiled in front of an audience, and also never before been recorded with decent quality. Being reconstructed from the original, compositions such as 'Ra #2' and 'Carefree #2' experience a splendid resurrection, be it in the live concert or on the recording Live at the Babylon.  It is a sensation. It is Sun Ra rediscovered.\" - In And Out Records.\u003c\/p\u003e","brand":"In And Out","offers":[{"title":"Double LP","offer_id":42914991243483,"sku":"","price":47.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/IOR771221LP_CU.jpg?v=1654010188"},{"product_id":"durutti-column-sunlight-to-blue-blue-to-blackness-durutti-uk-2lp","title":"DURUTTI COLUMN - Sunlight To Blue... Blue To Blackness","description":"\"Sunlight To Blue... Blue To Blackness -- This was one of the more upbeat title suggestions for the very bare, back to basics, reflective album from The Durutti Column. Originally released in June 2008, Sunlight To Blue... was a conscious response to the previous two polished and \"studio-based\" releases. Here he created some sparse, simply beautiful \"sketches\" as he once called them, more reminiscent of his work from the early eighties. Many of the pieces are instrumentals played on his Juan Montero flamenco guitar, and he returns to \"Without Mercy\" for the last track \"Grief\" whilst reinventing \"Never Known\" from LC. This album also saw the debut of the then talented young pianist and singer, Poppy Morgan, who co-wrote the melancholy \"Ananda\" as a duet with what Vini Reilly dryly called \"intrusive guitar\". For the uninitiated, Vini was the first artist signed to Manchester's influential Factory Records, co-wrote and played on Morrissey's first solo album Viva Hate, and was heavily featured in the Manchester music culture film, 24 Hour Party People. Vini Reilly has recorded under the name The Durutti Column since 1978 and has a rich portfolio of work, releasing over twenty albums in this time. Ever critical of Vini's voice, but ever a fierce champion of his talent, the late Tony Wilson would surely appreciate this return of The Durutti Column. Remastered. Gatefold sleeve; 180 gram vinyl; disc 1 - yellow to blue and disc 2 - blue to black vinyl.\" - Durutti .","brand":"Durutti","offers":[{"title":"Double LP","offer_id":42914991309019,"sku":"","price":43.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/LOTTA005LP_CU.jpg?v=1654010189"},{"product_id":"jericho-de-dreit-nien-aguirre-records-belgium-2lp","title":"JERICHO - De Dreit Nien","description":"\"The Jericho project is fully in line with the approach of the La Nòvia collective from which it originates, a hub for like-minded musicians reinventing regional folk repertoires, marrying traditional French song with minimalism via the use of drone. Jericho is just one of many available permutations of La Nòvia members, with the line-up including Yann Gourdon, Clément Gauthier, Jacques Puech, and Antoine Cognet -- you could say it's La Nòvia's flagship, or super-group. There are no dramatic stylistic shifts here, this is a story of gradual evolution within parameters that Jericho, and La Nòvia, have set for themselves. That also applies to their interpretation of individual songs, which are largely traditional.  They can build from almost nothing to reach a furious, near-hallucinatory pitch, underpinned by Gourdon and driven higher by Cognet's banjo and Gauthier and Puech's cabrettes (Auvergnat bagpipes). Gauthier and Puech also sing in unison but drift marginally in and out of time with each other, creating a natural delay effect. Many of the songs slide into each other in long sequences, adding to the sense of disorientation; the one which runs from \"Revenant Des Noces\" to \"Trois Mariniers\" takes in both eerie, keening balladry and wild dances. When Jericho hit their stride at these moments -- see also, especially, the glorious \"Planh De la Madalena\" --they leave you feeling like you're spinning forever, encircled by whirling bodies caught up in dancing mania. Double album in gatefold sleeve with artwork by Elodie Ortega. In co-production with La Nòvia. Edition of 500.\" - Aguirre Records .","brand":"Aguirre","offers":[{"title":"Double LP","offer_id":42914991341787,"sku":"","price":38.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/ZORN076LP_CU.jpg?v=1654010191"},{"product_id":"spectres-spectres-iii-ghosts-in-the-machine-shelter-press-france-book","title":"SPECTRES - Spectres III Ghosts in the Machine","description":"\"The expression \"ghost in the machine\" emerged within a particular context, namely as a critique of Cartesian dualism's separation of soul and body, and thus served to revive a certain mechanistic materialism. In simple terms, this critique denies the existence of an independent soul (the \"ghost\") contained in a corporeal organism (the \"machine\"). It asserts, on the contrary, that the \"soul\" is just a manifestation of the body -- that ultimately, they are one and the same. The artificial always brings with it the fantasy of emancipation and autonomy, and a break with a supposedly natural order of things. In a certain respect, the domain of musical creation constitutes a kind of front line, at once a terrain of exploration for possible applications of AI and a domain that boasts an already substantial history of the integration of machines and their calculative power into creative processes. From algorithmic composition to methods of resynthesis, from logical approaches to the creation of cybernetic systems, from the birth of computer music to neural networks, for more than half a century now music has been in continual dialogue with the binary universe of electron flows and the increasingly complex systems that control them. Each of the texts included here, in its own way, reveals a different facet of the strange prism formed by this alliance. Each projects its own particular spectrum -- or spectre; each reveals a ghost, evokes an apparition that is a composite of ideas, electricity, and operations. This book, then, does not set out to cut the Gordian knot constituted by the question of the possible mutations and becomings of binary logic, and in particular its most recent avatar, AI. On the contrary, it seeks to shed a diverse light upon the many possible ways of coming to grips with it today, and upon the dreams, promises, and doubts raised by these becomings, whether actualized in the creation of codes and programs to assemble sounds or infusing a whole compositional project. Above all, though, what is at stake here is to discover how these developments resonate together, and how this resonance manifests itself through all these approaches, all these reflections, all these modes of creation and of living. For the artificial, the artefact, is always the extro-human brainchild of a human, all too human dream. Authors: Keith Fullerton Whitman, Émilie Gillet, Steve Goodman, Florian Hecker, James Hoff, Roland Kayn, Ada Lovelace, Robin Mackay, Bill Orcutt, Matthias Puech, Akira Rabelais, Lucy Railton, Jean-Claude Risset, Sébastien Roux, Peter Zinovieff.\" - Shelter Press .","brand":"Shelter Press","offers":[{"title":"Book","offer_id":42914991407323,"sku":"","price":22.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/SPECTRES003BK_CU.jpg?v=1654010193"},{"product_id":"dora-jackie-mcdowell-delphine-the-dream-of-change-feeding-tube-records-cassette","title":"DORA \u0026 JACKIE MCDOWELL, DELPHINE - The Dream of Change","description":"\"The initial collaborative seed for The Dream of Change was planted back in 2016 when Delphine Dora invited Jackie McDowell to release some of her solo work on her now-defunct micro-label, Wild Silence. This invitation resulted in McDowell's masterfully crafted drone-folk song cycle, \"New Blood Medicine\". Fast forward two years to when Dora was immersed in the process of recording, L'inattingible, her most ambitious and highly orchestrated full-length, and she once again reached out to McDowell to provide some vocal arrangements for a few pieces on the album. Given their affinity for wide-reaching folk songcraft and avant composition, along with their shared interests in poetry, literature, nature, and inner inquiry, Dora and McDowell constellated with each other organically. This gave way to a two-year creative collaboration, the fruition of which is now an album called The Dream of Change. The music spans from 2019 to 2021, and the vision was to make some kind of utopian pieces that fit together in honest, expressive layers that make resonance in contrast with the gloominess of this sad period we've all encountered. The Dream of Change is co-released by Feeding Tube Records and Round Bale Recordings.\" - Feeding Tube Records.","brand":"Feeding Tube","offers":[{"title":"Cass","offer_id":42914991440091,"sku":"","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/FTR386CS_CU.jpg?v=1654010195"},{"product_id":"serra-francesco-guest-room-i-dischi-di-angelica-italy-cd","title":"SERRA, FRANCESCO - Guest Room","description":"\"Francesco Serra is an Italian guitarist and sound explorer. His music research focuses on performance practices aimed at expanding the timbre qualities of the electric guitar, as well as the evocative potential of sound in relationship with space and image. In 2012, at the time of his first album, Serra was often compared with musicians such as John Fahey, Loren Connors, and Alan Licht, while this new work entitled Guest Room appears more as a \"reductionist\", abstract journey comparable in its rigor to the work of Alvin Lucier or Phill Niblock. Starting from a minimal electroacoustic setup (electric guitar, two amplifiers, three snare-drums, a loop machine), this work is the result of his residency at the Angelica | Centro di Ricerca Musicale -- Teatro San Leonardo in Bologna during the 2021 lockdown. A work born out of the intent to catch the acoustic identity of this peculiar space (the theater is a former church, originally part of a convent). Seven microphones positioned under the vault recorded the sound enriched by the refraction on the surrounding surfaces. In the span of a month, it was possible to fully document the signs of a physical presence without leaving out any of the accidental acoustic events that took place during the performance. Entirely performed in real time and without overdubbing, Guest Room is a work of austere fascination, which confirms Francesco Serra as a musician-researcher of both rigorous poetics, and charming identity.\" - I Dischi Di Angelica .","brand":"I Dischi Di Angelica","offers":[{"title":"CD","offer_id":42914991472859,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/ANGELICA048CD_CU.jpg?v=1654010197"},{"product_id":"vermeulen-valery-mikromedas-ads-cft-001-ash-international-uk-cd","title":"VERMEULEN, VALERY - Mikromedas AdS\/CFT 001","description":"\"Mikromedas AdS\/CFT 001 is the concept-driven, new electronic album from Dr. Valery Vermeulen featuring music produced using data from one of the most enigmatic, exotic objects in space: black holes. With this album, Vermeulen augments electronic music, art and science in previously unexplored ways. Black holes were first theoretically discovered and proposed in 1916 by German physicist and astronomer Karl Schwarzchild. Their possible existence resulted from an exact solution Schwarzchild had found of Einstein's theory of General Relativity published a year earlier. Being a long-contested concept, the existence of the first black hole, Cygnus X, was confirmed in 1971. Four decades later, in February 2016, science made another huge leap as the first merger of two black holes was observed by the LIGO -- VIRGO telescope. This discovery announced a new exciting era in observational astronomy based on gravitational wave detection. Using the latest technology, Mikromedas AdS\/CFT 001 connects these fascinating scientific evolutions to the realm of electronic music. Having worked on previous astrophysics related musical projects, Vermeulen had the first idea for the album in 2016. It was not until 2018 that these conceptual ideas became a reality when Concertgebouw Brugge (BE) commissioned a new musical piece and live show for their Cosmos Festival. This work ultimately resulted in the album Mikromedas AdS\/CFT 001. The six-track album is produced using data streams generated by various simulation models of astrophysical black holes and observational data of regions in space with extreme gravitational fields. Data used for the realization of Mikromedas AdS\/CFT 001 includes gravitational wave data, data generated by black branes (i.e. higher dimensional generalizations of black holes), neutron star data, data from white dwarfs and trajectory data of elementary particles near black holes. As a mathematician and artist, Vermeulen effectively designed and programmed new innovative data sonification, i.e. the means to translate data into sound and music, systems and techniques. These were used to transform black hole data and their associated mathematical models into engaging, moving and multidimensional sound experiences. Mikromedas is a data-driven audio\/visual project in which compositions are produced using data from space, deep space, and astrophysical simulation models. Limited edition compact disc in extended ecopak.\" - Ash International .","brand":"Ash International","offers":[{"title":"CD","offer_id":42914991505627,"sku":"","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/ASH141CD_CU.jpg?v=1654010198"},{"product_id":"ihvh-the-agnostic-ash-international-uk-cd","title":"IHVH - The Agnostic","description":"\"IHVH are a duo composed of Touch artists Mark Van Hoen of Locust fame, and violinist Zachary Paul. This album is an electro-acoustic excursion of sorts into the often-obscure worlds of mystical religions of our times. 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Two of the pieces \"Black Angels\" and \"Sister Ferdinande (Kolkata)\" were recorded at film sound maestro Charlie Campagne's studio -- and feature him on double bass as well as Katt Newlon of LA's Sonic Open Orchestra on cello.\" - Ash International .","brand":"Ash International","offers":[{"title":"CD","offer_id":42914991538395,"sku":"","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/ASH142CD_CU.jpg?v=1654010199"},{"product_id":"cage-john-radio-music-performed-by-faust-band-of-pain-dirter-promotions-uk-cd","title":"CAGE, JOHN - Radio Music (Performed By Faust\/Band Of Pain)","description":"\"Jean-Hervé, Zappi, and Steve Pittis recorded their interpretations of Radio Music independently in 2007 and 2010. They all felt it important to keep to the score as much as possible, given the obvious ambiguities of having to adapt it from John Cage's original 1956 score. 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For this reason, it is presented on the sleeve as a \"penalty track\" in anticipation of the inevitable criticism it will encourage.\" - Dirter Promotions .","brand":"Dirter Promotions","offers":[{"title":"CD","offer_id":42914991571163,"sku":"","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/DPROM079CD_CU.jpg?v=1654010201"},{"product_id":"sanderson-philip-passionate-particles-klanggalerie-austria-cd","title":"SANDERSON, PHILIP - Passionate Particles","description":"\u003cp\u003e\"Passionate Particles is an hour-long compilation of tracks by Philip Sanderson (Snatch Tapes\/Storm Bugs) drawn from LP, CD, MC, and DL releases made between 2000 and 2020. Storm Bugs were initially active between 1978 and 1982 and reformed in 2001. Sanderson had experimented with tape recorders whilst still at school, after moving to London in 1978 he began to get out of hours access to the electronic music studio at Goldsmiths College and also purchased a Revox reel-to-reel tape recorder setting up a DIY home studio. It was using these facilities that Sanderson recorded much of the Storm Bugs output from 1978 to 1980 with Ball designing the artwork for the releases. This new album contains a mix of both instrumentals and songs the CD is in the spirit of 'a young person's guide to' the eclectic range of approaches taken by Sanderson. Reviews in the Wire magazine of the instrumental tracks have described them as being akin to 'a boiling vat of electronic music that occasionally sounds like the work of a mad scientist', whilst the songs have a 'flavour of what Kevin Ayers might cook up if he were alive and forced to work with the Residents'.\" - Klanggalerie .\u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD","offer_id":42914991603931,"sku":"","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/GG378CD_CU.jpg?v=1654010202"},{"product_id":"der-blutharsch-and-the-infinite-church-of-the-leading-hand-dream-your-life-away-klanggalerie-austria-cd","title":"DER BLUTHARSCH AND THE INFINITE CHURCH OF THE LEADING HAND - Dream Your Life Away","description":"\u003cp\u003e\"Der Blutharsch and the Infinite Church of the Leading Hand came into existence in 2011. Prior to that, mastermind Albin Julius had worked under the name Der Blutharsch, which in itself was his follow-up project to The Moon lay hidden beneath a Cloud. While The Moon lay hidden was part of the then-strong neofolk scene, Der Blutharsch started as a Martial Industrial project, showing similarities to Laibach or Autopsia. It gradually changed into a more rock-oriented group, and in 2011 the extra name was added to emphasize the new musical direction. Since then, DBATICOTLH have released several studio albums and several collaborations, amongst others with Aluk Todolo, Wolvennest, Skullflower, Fuckhead or White Hills. In 2021, the group are a psychedelic rock band with some electronic influences. In October of that year, Der Blutharsch played a double bill with Italian group Ain Soph in Vienna. This album is a recording of that show.\" - Klanggalerie .\u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD","offer_id":42914991636699,"sku":"","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/GG399CD_CU.jpg?v=1654010204"},{"product_id":"hastings-of-malawi-vibrant-stapler-obscures-characteristic-growth-klanggalerie-austria-cd","title":"HASTINGS OF MALAWI - Vibrant Stapler Obscures Characteristic Growth","description":"\u003cp\u003e\"A classic masterpiece from 1981, never re-released on CD before. Originally 1000 copies pressed on orange\/red vinyl. 120 copies were sold through Rough Trade and Virgin Records. 800 copies were bought and later destroyed by the United Dairies label, making this record even more rare. Hastings of Malawi were Heman Pathak, David Hodes and John Grieve. They recorded the album in one night in 1981 with no plan and no idea of what they were doing. 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All three had been involved in the recording of the first Nurse with Wound album Chance Meeting On A Dissecting Table Of A Sewing Machine And An Umbrella and had contributed metal scrapings, piano, effects, clarinet and guitar during the session.\" - Klanggalerie .\u003c\/p\u003e","brand":"Klanggalerie","offers":[{"title":"CD","offer_id":42914991669467,"sku":"","price":21.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/GG405CD_CU.jpg?v=1654010205"},{"product_id":"various-affidavits-jonbenet-in-valhalla-hospital-productions-cd","title":"VARIOUS AFFIDAVITS - Jonbenet In Valhalla","description":"\"Feel the ambience of a Viking raid? Sense the despair of the task force? 13 exclusive tracks for those who support the underground. Featuring: Vatican Shadow, Old Tower, Dust Belt, Linekraft, Controlled Death, Lussuria, SD.KFZ, Rogue State, Star, D.P.I, Sediment, Prurient. 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KID 606 called it \"one of the greatest thing Merzbow has ever done.\" - Important Records.","brand":"Important","offers":[{"title":"CD","offer_id":42914991735003,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/IMPREC004CD_CU.jpg?v=1654010208"},{"product_id":"merzbow-material-action-2-n-a-m-important-records-cd","title":"MERZBOW - Material Action 2 (N-A-M)","description":"\"First time on CD for this classic Merzbow duo album from 1983. Material Action is a favorite among early Merzbow free-music, junk-noise workouts. Psychedelic improvised instrumental energy abounds on this essential early recording that is PURE MERZ. Masami Akita plays tapes, percussion, electro-acoustic noise, organ. 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