Very limited 2012 release of recordings from 2003-10. Xeroxed covers in jewel cases.\r\n"Nobu Kasahara is perhaps better known as Wataru Kasahara, a visual artist whose point of organ, scatological and obsessive work inhabits the same putrefaction as Dernier Cri or the material art of Andy Bolus. As Embudagonn 108, Kasahara has expelled a curious catalog of sounds - shortwave, room event, organ malfunction.... Embudagonn 108 confuses, infuriates and incites the listener towards action.... Kasaharas work features the same arch nihilism on display in Violent Onsen Geisha...." - Vitrine. \r\n
\r\n"I listen to various music. I am not so interested in a lot of stylized drone music and the harsh noises. These sounds are agreeable. I keep away ease. I want to stimulate the sense by uncomfortable. I am not basically interested in drone music and the harsh noises though there is exceptions such as Hermann Nitsch and I.Dumitrescu. These are music that pierces, is moved to karma, and purifies it and is repeated. However, I like music that the uniqueness of the brain of the person who makes the sound can be looked and know. They think that they fight unconsciously against karma by the peculiar brain. Selten Gehorte Musik. Caroliner Rainbow. Psycodrama. Suckdog. Costes. Sarenco. Wolf Vostell. Wild Man Fischer. J.S. Bach. Colette Magny. The Ritualistic School Of Errors. Hovlakin. Zurich 1916. They are making the work that demonstrates the primitive magic of music though music is dismantled. And, they are a one and only people not to flatter nobody. Their music gives me courage." - Wataru Kasahara (VICE interview).
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.