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Forced Exposure

LAUGHNER, PETER - Cinderella Backstreet/White Light White Heat

Peter Laughner (August 22, 1952 -جø¬-?? June 22, 1977) was an American guitarist, songwriter and singer.A native of Cleveland, Ohio, Laughner remains a rather little known figure; nonetheless, Richie Unterberger described him as probably the single biggest catalyst in the birth of Clevelands alternative rock scene in the mid-70s."He led a variety of groups (including Mr. Charlie, Cinderella Backstreet, Peter & The Wolves, The Blue Drivers and Friction) but his most enduring contributions were to Rocket From The Tombs and the early work of Pere Ubu. In addition to all this, he wrote for Creem magazine.Laughner was a voracious rock fan and writer, and was heavily influenced by Lester Bangss writings. Like Bangs, Laughner worshipped Lou Reed, but also drew inspiration from folk and blues figures such as Robert Johnson and Woody Guthrie. He was a unique, visceral lead guitarist, influenced by Richard Thompson, and was briefly considered as a replacement for Richard Lloyd in Television , a band whom he championed from their earliest days.Laughner had severe drug and alcohol abuse problems that led to his death by acute pancreatitis in 1977 at the age of 24. Rumors to the effect that Laughner was despondent, even suicidal, at the time of his death have been contradicted by Laughners last known message, written and mailed to Cleveland singer Ruby Port on the evening prior to his death. This letter revealed his intent to move to a retreat in the Ohio countryside, where he could write new music as well as rest and regain his health. Bangs wrote a eulogy for him. Laughners only known entrance into a recording studio was for the Pere Ubu single sessions, though he left behind countless lo-fi live, rehearsal, and demo recordings. In 1994, Tim/Kerr label released Take the Guitar Player for a Ride, a 15 track compilation drawn from these tapes. This compilation has since gone out of print." - Wikipedia. "70s genius preserved." - FE. First side solo 1975, the flip live, full band, in 73. Original copies of this 1987 release.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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