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Inner Landscapes

LEMAIRE, DANIELLE - Traces in Waste

2013 release, edition of 100.

-¢‚Ǩ-ìLayered varieted songs, some influenced by indonesian gamelan and chinese opera and ninety-seventees new age. Some life recordings. ...Dreamy, outspinning, passionate, dead honoust, layered songs.-¢‚Ǩ¬ù - Danielle Lemaire.

-¢‚Ǩ-ìAlready inside music and art for many years now, I do happen to know Danielle Lemaire pretty well, so she tells me about a lot of her activities. From all the musicians reviewed in the weeklies, there are very few I see on a regular basis, but Miss Lemaire is one. I do know she is in part of Indonesian background and that music and drawing are her main activities. In music, since that is what we are dealing with in Vital Weekly, Lemaire uses voice, small keyboards, percussion and it all has a very personal character. The songs she sings are small and intimate, not always being in tune. That gives her music a slightly outsider like character, but believe me: she is hardly an outsider, and someone who knows what she is doing. On this new release it seems that world music (for the lack of a better word) seems to have an important place. Gamelan like percussive sounds, the Vietnamese music from a sampling project earlier this year and influences from Chinese opera. Although I quite enjoy this, I must be honest: I particularly like the instrumental pieces, such as the largely instrumental Bricks From The Balcony, or the wordless Set Me Free, the long ambient piece of Licht!, or the nasty harmonium of Schaduwtrein. When its all the more obvious singing and playing keyboards, its something Im not that interested in. But as said, this is all highly subjective and highly personal. Not just this reviewers opinion, but also the way Lemaire approaches her music. That is something one either likes very much or not at all. I walk a thin line between that; difficult, but the more experimental pieces proof its possible. Great looking digipack actually, very professionally made!-¢‚Ǩ¬ù - Vital Weekly.
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