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Feeding Tube

LLOYD PACK, THE - On Holiday with...

"The Lloyd Pack is a project the prolific Dan Melchior has taken in a variety of directions. The band has been composed of various people, sometimes it's large, sometimes it's small, and the music's nature has always been unpredictable. On Holiday, recorded at various places and assembled in Raleigh, NC, is one of the Pack's small format efforts. For most of the music the only players are Mr. Melchior and vocalist Russell Walker (of the Pheromoans, among other bands). They are sometimes joined by Dan's not-infrequent collaborator, Anthony Allman, and on one track by the late Letha Rodman Melchior (once the drummer of Ecstatic Peace combo, Cell). And unlike the Pack's last LP, 2015's faux-Afrique A Tribute (Amish), the music here is generally low-key art-rock with somewhat raw characteristics. Of course, trying to cage Melchior's music with mere words is always problematic. Even his most garage-y antics always have a whiff of sophistication lurking somewhere, and his most dastardly high-art moves always seem to have absurdist grooves built into them somewhere. For On Holiday, The Lloyd Pack uses audio clips of what I assume to be the late Kentish actor after whom it named (Roger Lloyd-Pack), but these introductions often lead into dangerously riff-heavy cul-de-sacs where Walker lays down casual lyrics, while Melchior spins music that usually begins in utter simplicity and ends up running head first into a wall of blubber. Not really sure how he does it, but Dan has mad alchemical chops. And it just kinda works out. In a way On Holiday with... is one of the most generously balanced records Melchior has ever done. It often hovers in a sweet spot somewhere between pop and dunt and art, like Rod Stewart's riding a bucking boar in zero gravity. Or something. Regardless, you won't want to miss the spectacle. And in a way, it's the perfect entree to the wide wild world of Daniel Melchior. Welcome, friend." - Byron Coley, 2019. Edition of 250.
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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