2019 repress. 2001 release. "Three works for pure waves and instruments from Alvin Lucier. Lucier has pioneered in many areas of music composition and performance, including the notation of performers' physical gestures, the use of brain waves in live performance, the generation of visual imagery by sound in vibrating media, and the evocation of room acoustics for musical purposes. His recent works include a series of sound installations and works for solo instruments, chamber ensembles, and orchestra in which, by means of close tunings with pure tones, sound waves are caused to spin through space." - Lovely Music.
Personnel: Marilyn Nonken - piano on Music for Piano with Slow Sweep Pure Wave Oscillators; Ryuko Mizutani - koto on "On the carpet of leaves illuminated by the moon"; Joseph Kubera - piano on Still Lives.
"I count Alvin Lucier's Still Lives among the most beautiful recordings I've ever heard. Like Janácek, Lucier's art stands alone despite the air of detached cool it shares with Lovely Music's catalog. Lucier's deceptively simple aesthetic is in fact delightfully complex in the manner in which it reveals horizons. In this release, the composer has purely acoustic sounds (single piano tones, less often chords, and briefly, koto) interacting with electronically created, similarly uncomplicated sounds. The magic -- and I choose that word carefully -- occurs in the mingling. Lucier takes his time, and so should the listener. I can think of little music better suited to the recording medium. The disc's eponym, in eight parts, serves as a showpiece for the varieties of soul-touching experience Lucier's seemingly perfunctory systems permit. The composer's good notes tell the story. Particular congratulations to Tom Hamilton (a fine composer in his own right) for a wonderfully intimate sound." - Mike Silverton, "Golden Ear Awards 2002", The Absolute Sound (Mike Silverton is the editor of LaFolia.com).
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.