"This is the fifth full-length release from West Philly-based solo artist Tara Burke aka Fursaxa, her second for the All Tomorrows Parties label. Boasting a fan base with the likes of Bardo Pond, Acid Mothers Temple and Thurston Moore who released a record by her on his Ecstatic Peace! imprint two years ago, Burke is now one of the epicentres and key collaborators of the North American free-folk movement, along with such luminaries as Jack Rose, Charalambides, Ben Chasny and the Jewelled Antler Collective. With her hypnotic, echo-y churchbell chanting, Burke possesses a power-filled vocal sound that harkens back not only to those other polar queens of disaffected freakout psychedelia Nico and Barbara Manning, but she is also akin to and inspired by Hildegard von Bingen, the 12th-century Benedictine mystical abbess. With the low drone of chord organ and farfisa, detuned ringing guitar, and endlessly looped, multiply-tracked vocals applied with heaps of delay, Fursaxa sounds like a tripped-out medievalist perched upon a poppy petal. Alone in the Dark Wood, recorded half in Pennsylvania, half in Finland, evokes pale moonlight and deep shadows, where tree limbs bend to form cathedral arches over a procession of mystics. Disembodied female voices rise like sacral fire-smoke amongst the strum of mandolin, balalaika, and the pipers call of bells and flute-whistle. At some turns mournful and stark, at others a celebratory invocation, Alone in the Dark Wood displays Burkes alchemical knack for turning folk into lo-fi, and then into sheer psych and back again, but more importantly, her music is pure humming narcosis." - ATP
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.