"Phonopoetics is the first ever survey of seminal Hungarian artist Katalin Ladik's sonic efforts. A thing of beauty, drawing from the period between 1968 and 1993, its two stunning sides shatter the lines between performance, the spoken word, fine art, and experimental music, offering the terms to rethink how each is understood. Born in 1942, Katalin Ladik has lived a wild and multifaceted creative life -- beginning primarily as a poet of the written word, expanding into experimental theatre during the mid-1970s, and ultimately becoming an artist whose practice also incorporates sound and visual poetry, performance art, experimental music, audio plays, happenings, mail art, collage, and photography, built around visual and vocal expression, as well as movement and gesture. Phonopoetics, Alga Marghen's remarkably diverse survey of Ladik's audio work, is a refracting lens into this dense and dynamic world -- a totem which belongs to a sprawling puzzle of highly nuanced personal, social, political, and existential themes, springing from the feminist and gender neutral concerns of Eastern Europe during the 1960s and '70s. The totality of Ladik's practice, particularly as it unfolds across the two sides of Phonopoetics, can be understood as a radical rethinking of the potential, manifestation, and application of poetry, as well as the fundamentals of vocalization. Delving toward the very origins of consciously created sound -- spoken or otherwise, her efforts unseat the divisions placed between literary, musical, theatrical, and visual disciplines, joining them through the fundamental need and right to express. With the excepting of two works, "Shaman Song / Sámánének" (1968), and "Ufo-Nopoetica" (1976-1993), the featured body of work was created between 1974 and 1979, a prolific period which also witnessed her working within the Novi Sad Theatre and Radio Novi Sad. Primal and poetic, with shamanic overtones and therapeutic mechanisms of liberation, capturing the image of an almost entirely unheard history within the field of feminist expression developed by pioneering figures like Simone Forti and Joan La Barbara. In the words of visionary sound poet Henri Chopin, Ladik is "a great, magical voice." Alga Marghen's issue of Phonopoetics places this little heard, and profoundly important artist into the center of your consciousness where she will no doubt remain. A vital entry in the field of sound art, historic Eastern European experimental practice, and sound poetry. Introduction by Henri Chopin. Edition of 300." - Alga Marghen
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.