"Southend-on-Sea experimental outfit Liberez deliver Way Through Vulnerability, the end result of a year-and-a-half long recording process, an amorphous new line up, and advanced studies in sound collage. On Way Through Vulnerability new members Reay, Saunders, and Ugarteburu channel the projects previous outings on Alter and Night School by conveying the same firm grounding in rhythm, though this time via flamenco time signatures and eerie, repetitive clapping. At times sounding indebted to the "tribal ambient" of decades gone by, at times sounding fresh in their approach ("Here Is The Proof" is of note) the trio manage to export motifs from Italian avant-garde circles, UK industrial, and post-rock all at the same time. The sound design on "Derelict Intentions" makes heavy use of background ambience and bleak, world-weary minimalism to lull us into a false sense of calm before harsh and unexpected blurts of noise break the equilibrium. In doing so they swiftly side-step any preconceptions of "easy listening" and opt instead to drag us deeper down into their own dark waters. At times we almost seem to delve into lost theatre soundtrack territory; fragmented neo-classical elements dance with punchy drum machines ("Cara En La Foto Pt II") and things draw to a close with the end credit worthy swansong of the album's title track. The group repeatedly utilize Basque country language, Hungarian dialect, and ancient Russian to lend their compositions a cross-cultural underpinning and eschew any clear geographic origin, a decision which all but adds to the perplexities of their unique brand of electro-acoustic purgatory." - Alter.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.