Bureau B

DIN A TESTBILD - Programm 6

Few bands of the German post punk/new wave era can lay claim to cult" status, but Din A Testbild most certainly can. Formed in 1978 by Mark Eins and Gudrun Gut, the combo played a significant role in defining the avant-garde music of Berlin and were among the pioneers of electro-clash, long before the genre even existed. In the year they started out, Din A Testbild played at the opening of the legendary Berlin underground club S.O. 36 and in 1980 they appeared at Hamburgs first "In Die Zukunft" (trans. "Into The Future") festival, organized by Alfred Hilsberg. "Abfall/Garbage," their first single, is emblematic of the entire West Berlin music scene from 1978-1982. The group also participated in the seminal "Geniale Dilletanten" event at the Tempodrom in Berlin (1981). Their contribution to German underground cinema and the art scene cannot be captured in a few simple words. Such is the measure of the cult and legend of Din A Testbild. Exactly 30 years after the release of their debut LP Programm 1 on Klaus Schulzes IC record label, the Berliners have picked up the thread of their album series with Programm 6 in 2010. Mark Eins is joined by long-term members Nutty Norman and Ralf Zimmermann, as well as Axel Brand, plus guest musicians Gerrit Meijer, the legendary Berlin guitarist of the band PVC and vocalist Bettina Schoch. Din A Testbild aim straight for the dancefloor on Programm 6: driving bass lines, hypnotic grooves, dark harmonies, mechanical sounds, expressive shouts. All given an extra-special flair through the sporadic intervention of industrial instrumentation such as Meijers metal-machine guitar or Nutty Normans chaoscillator and, on occasion, even through Schochs rousing vocals. The album plays without a pause -- Din A Testbild weave an intense, danceable, electronic, expressive aural collage. "Digital Sound Art" is the name the band give to their "acoustic backdrop for the third millennium," a concept which should not hide the fact that analog instruments are very much at play here, with trash guitar to the fore. Mark Eins has this to say about his music: "Its not a question of melodic arcs, but of acoustic perception and entertainment on the highest plane. Its about the challenge, not the standard. Self-discovery, not self-affirmation in a modern, intelligent world. Fun and enjoyment for body and soul, without esoteric pretensions. Art is entertainment is pop." -Bureau B

  • Sale
  • Regular price $18.00

After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
I understand these terms