By the end of the 1970s, a new generation of musicians who brought together ancestral and forefront, became visible in Lima as they searched for native sounds and the new tools of technology. Amongst them, we find Arturo Ruiz Del Pozo, composer who studied with Edgar Valcárcel. After studying at the National Conservatory in Lima he traveled to London in 1976 to register himself at the Royal College of Music where he took a masters degree in electronic composition. Ruiz Del Pozo had left Lima with a bag full of Peruvian native instruments with the idea of utilizing them in his future compositions. In London he was taught by Lawrence Casserly, one the prominent figures of Britains electro acoustic composition; a musician who was fascinated by the interaction of instruments and electronic media way back from the times of his fundamental audiovisual experimentation group Hydra. Ruiz del Pozo utilized a series of concrete music resources learnt from Casserly. Based on sounds that came from native instruments and diverse manipulations to which these sounds were subject of, he obtained textures and sonorities, which, at the same time they invoked rituals, they opened a new field of experimentation; a collage of sounds of Andean reminiscence, echoes and abstractions, which will entrance you an unprecedented sound universe. These recordings were named Native Compositions (Composiciones Nativas) and they were released in a cassette tape format in 1984 by the author himself. More than 30 years later Buh Records rescued these recordings to inaugurate its Essential Sounds (Sonidos Esenciales) collection, dedicated to publishing strange and fascinating artifacts of Peruvian experimental music of this period, in a CD edition (2015), which was quickly sold out. Now the label presents its first release on vinyl. - Buh.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.