>
<

Bottrop Boy

STARVING WEIRDOS - Summon With Electronic Sorcery

This is the soundtrack of your favourite nightmare. The aural cinema delivered by the Starving Weirdos is best experienced with ones eyes closed. A dark psychedelic joyride on the inside of ones eyelids. Instead of the obvious, hypnotically safe vision or bouncing orangey sunspots, entire films are projected onto the eyeball. Think desolate valleys, sweaty engine rooms and dark alleyways. The four trips committed to record by this Californian band taunt every accepted boundary. The black magic summoned by the Weirdos guitars, saxophones, electronics and smothered voices culminate in a Lynchian cinematic exorcism in four parts.\r\nListening to the ominous opening piece Summon one finds oneself lost in a sudden sandstorm. Enveloped by whirling sand and surrounded by howling coyotes, the only escape is a dilapidated ghost town. With its wailing guitars and scraping percussion this music is best described as desert folk. Listen to In Transit which sounds like the unnerving siren song of the grimy urban jungle. The listener becomes inescapably entangled in the low mist of ghostly phantom guitars and vocal reverb. \r\nThe core of this collective consists of Brian Pyle and Merrick McKinlay from Humboldt County, CA. Having produced a large number of limited CD-r releases since 1998, Summon with Electronic Sorcery neatly manages to summarise their work to date. This album has grown into a powerful statement. The menacing and angst-ridden industrial undercurrent permeates the Weirdos hardcore improvisations, while excursions into free folk humanise and cushion their impact. Put on your head phones and hold on tight to your chair. This album marks the sonic raid of plunder by this hungry pack of mad wolves.\r\nSummon with Electronic Sorcery is packed in the beautiful envelope packaging, designed and handprinted by Jason Dodge & Christine Roland, a one-off pressing of 250 copies. - Bottrop Boy.

  • Sale
  • Regular price $13.00


After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
I understand these terms