""Imagination: that was the feeling and the starting point of the debut album Jurgen De Blonde recorded under the moniker Kohn in 1998. Surrounded by an old sampler, an analogue synthesizer, a cheap sequencer, acoustic and electric guitar, bass and an electret microphone he modulated and crafted his own personal parallel universe in his bedroom in Gent. A world where the sound of a skipping cd mutates in a shoegaze vibe, hunted mosquitoes are locked in a psycho-acoustic melancholy or ringing phone songs slides into a brutal grime beat echoing the beginning days of Belgian electronic body music. 21 years on this debut is remastered and released for the first time on vinyl. Recommended if you like early Autechre, Oval, vintage electronics, shoegazing beat, instrumental Death Grips, demented industrial, nostalgia futurica, derailed post rock or excellent music in general . . . This person who is 'Kohn' seems to have no interest in seeing the tiny blizzards and blue-phosphorescent stars that pop out of his own chemicals. The whole thing is for us to dissect and admire, I feel certain that Kohn is already onto something new. Probably something so much further out it only exists in the ether." --excerpt of the included liner notes by Brecht "Razen" Ameel
"The goal was to make music that was rhythmic but without obvious percussion and drum sounds, to sample anything and hear what was possible or how it would inspire me. No effects, I didn't want to use any effects like reverb or delay, except as part of the sound. I wanted the sound to be dry and direct. No washes of reverb or sounds drowning in echo. This was not supposed to be an ambient record. Only the last two tracks were allowed an exception to this. Sounds belong to the room they're played in. I didn't want them to be in a space before leaving the speakers. Electronic sounds have no original acoustic space nor are they enhanced by a resonant body before they enter the air through a loudspeaker. I wanted the electronic sounds to be raw in that aspect, no polish or fake space. This, the sound of bedroom production." --excerpt of the included liner notes by Jurgen De Blonde" - Cortizona .
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.