"Bureau B issues Solarize's compilation Nachtwerk (1991-1998). Since 1981 Wilfried Franzen and Thomas Grötz have been developing their own version of experimental pop music, which oscillates between song structures, noise, and psychedelic trance. Bass and keyboards form the instrumental substructure of the duo's compositions, which are enriched with guitars, violin, piano, electronic percussions, and samples. After self-publishing various cassettes and cds, Nachtwerk (1991-1998) is their first official release, presenting selected pieces from the years 1991 to 1998. The two school friends started their musical collaboration in Papenburg in northwestern Germany. A self-empowerment related to punk and post-punk served as a catalyst and encouraged them to develop their own musical cosmos. "We did not seek for a solid stylistic concept. Occasionally we used various genres and musical trends as inspiration. The typical result was not easily identifiable as new wave, trance, intelligent dance music, Krautrock, and so on." A special approach to music, characterized by a non-musical perspective i.e. the visual arts, has played an important role. This is almost inevitably a result of their subsidiary activities, working and articulating as visual artists and art historians. Their creations made of sound emerged during their multi-day retreats were almost never played again afterwards. "Everything that we got our hands on served as an instrument, no matter whether we were able to play it or not, as long as it matched our musical visions. The outcome was documented with simple tape recorders and later with four-track devices." In this way, Solarize produced more than 250 songs and instrumentals over a period of almost 20 years. Nachtwerk (1991-1998)brings together everything that makes up the unspecified stylistic, yet consistent approach of Solarize: bright and sunny melodies, creaky violin and e-bow trips, seriously fiddled compositions, polyrhythmic dense ambient landscapes, teaspoon-samples with interview sections, and dramatic piano excursions." - Bureau B.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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