"The inquisitive minds behind Pre-Cert Home Entertainment and Finders Keepers combine to bring you the results of some of their most subaqueous vinyl, tape and film excavations yet for this brand-new label: Dead-Cert. Taking the combined obsessions of all its collaborators and applying it to an intensive research model investigating vintage outsider music, sound sculpture, spoken word, ethnological documents, Art-Trash, early computer music, Neotantrik music, tape manipulation, non-pop and vinyl voyeurism, the label aims to investigate and recontextualize previously un-heard recordings from sources that transcend and eclipse the limitations of the record-collecting trend and the commercial music industry. All scheduled recordings are pressed on vinyl LPs mastered in accordance with the original creators instructions and cut at the most relevant volume and playing speed, duplicated in modest quantities and housed in a variety of bespoke or homemade packaging, faithful to the original pressings. The first archival release on the label is a new pressing of an original vinyl run of around 50 copies only made in 1970 for an art gallery exhibition in Brussels documenting a sound sculpture collaboration between hard material artist Harold Paris and fledgling electronic composer Susan (Suzanne) Ciani. This original limited gift/art-artifact is officially the rarest tangible recording of Cianis music, who is now recognized in the press as "The Delia Derbyshire Of The Atari Generation" on account of her groundbreaking developments in the commercial evolution of synthesizer music as one of a small number of female composers in the field. Paris created an original Mylar cover for the album, which is now an almost impossible-to-find collectors item. Ciani produced this, her first album, at radio station KPFA in Berkeley, CA, where she was given access to the tape machines from midnight until 6 AM, gratis. She owns only one copy of this work in its original vinyl form. Vinyl cut at Dubplates & Mastering and made in an edition of 1,000 copies only, housed in individually screen-printed silver foil sleeves faithful to the original pressing." -Dead-Cert.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
