..In 1957, (De Maria) graduated from the University of California at Berkeley, where he earned his M.F.A. in painting two years later. De Maria and his friend, the avant-garde composer La Monte Young, participated in Happenings and theatrical productions (including very early Fluxus events) in the San Francisco area.\r\nIn 1960, De Maria moved to New York; here he wrote essays on art, which were published in 1963 in Youngs An Anthology", and took part in Happenings and multimedia presentations. In 1961, he made his first wooden box sculptures. De Maria and Robert Whitman opened the Great Jones Street gallery in New York in 1963; the same year, De Marias first solo show of sculpture was presented there. This year, he worked as a drummer for the rock group The Velvet Underground. He continued to work in wood, began his "invisible drawings," and composed music. With the support of collector Robert C. Scull, De Maria started making pieces in metal in 1965. \r\nDe Maria emerged as a leader of the Earthworks movement in 1968 when he filled the Galerie Heiner Friedrich in Munich with dirt. This year, he also made his The Mile Long Drawing in the Desert in the Mojave Desert for Walls in the Desert, a project, originally conceived in 1962, which is to consist of two parallel mile-long walls. In 1968, he also participated in Documenta in Kassel. A major exhibition of De Marias sculpture was held at the Kunstmuseum Basel in 1972. Earthworks and serial geometric sculpture continue to occupy De Maria in the 1970s: his Three Continent Project was completed in 1972 and the Lightning Field in New Mexico was finished in 1977. That same year, De Maria recreated his Earth Room at the Heiner Friedrich Gallery in New York. The artist lives in New York." -Guggenheim.
\r\nSelf released CD (with almost no distribution) featuring De Marias tribal drumming mixed with field recordings (as the title implies). The two pieces, Cricket Music and Ocean Music, were originally recorded in 1964 and 1968 (evidently with some help from Tony Conrad). Restocked yet again... Very highly recommended!
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.