"Dog W/A Bone, the recording label established by the Paula Cooper Gallery, is pleased to announce the CD release of Graffiti Composition by American visual artist and composer Christian Marclay. In 1996, Marclay plastered more than 5,000 posters of blank sheet music in public places throughout Berlin during a month-long sound festival. The posters functioned as an open invitation to the public to scribble musical notes, or any other type of graffiti. Marclay photographed the graffitied sheets, selected 150 from the group, and compiled them into a portfolio intended to be interpreted and performed by musicians. Graffiti Composition is the live recording of a one-time performance at the Museum of Modern Art, New York in 2006. Led by Elliott Sharp, it features five world-renowned guitar players: Melvin Gibbs, Mary Halvorson, Lee Ranaldo, Vernon Reid, and Elliot Sharp. The release of Graffiti Composition coincides with the opening of Christian Marclay: Festival at the Whitney Museum of Art, a groundbreaking exhibition highlighting the interplay between the visible, audible and performance that is the hallmark of Marclay's work. The show will focus on the artist's graphic scores: art works with visual cues to be interpreted by musicians in performance. The exhibition will feature select musicians' daily live performances of Marclay's scores and runs from July 1st through September 26th, 2010." -
Dog W/A Bone.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.