"The legendary Father Yod was a wealthy man, with a rich inner life, a family of disciples that loved him, many, many women and seemingly unlimited power. So why at the height of his success, did he choose to spend his time playing rock and roll? Having a band in residency at Father House provided him and all his children with another path to travel in their never-ending search for experience and wisdom. Taking time out from their busy schedule as Fathers students and spiritual seekers in the Source Family, Sunflower, Octavius, Pythias and Djin took instruments in hand and, at a mere gesture from Father, turned up the amps and began tapping into the cosmos. First, they recorded themselves. The energy was good. Equipped by Father with instruments and effects pedals to ensure that they could create music that came from the spheres, their sounds provided spiritual growth to everyone in the Source Family. After a time, Father became the lead singer, as a way to record wisdom in a modern, youth-oriented way, Djin tells us. And YaHoWha 13 was born with Sunflower, Octavius and Djin. The music was recorded at a studio in the Father House on a TEAC 4-track reel-to-reel machine and was released on the Source Family's Higher Key Records label. In a couple short years, nine LPs were created, to be sold at the Source Restaurant and at YaHoWha 13 shows. Much sought-after items today, theyve all been reissued. Even more exciting is the material that wasnt released - enough music to fill over sixty albums, all of them mind-blowers. Skimmed from the riches in Isis Aquarians vaults (by Dave Nuss of the No-Neck Blues Band), the nine tracks on Magnificence in the Memory run the gamut of YaHoWha 13s rainbow of styles, from the whispered funk of Camp of the Gypsies to the screaming and stomping of, well, Camp of the Gypsies. Storming through moments with abandon, Father and his Sons never repeated themselves, committing everything they did to tape in a single take. The capacity of their riffs and grooves to sound like German prog bands of the same era, psychedelic rock bands of several years previous or the as-yet-uncreated avant sounds from the indie rock movement a decade away is testament to their ability to tap the source of human inspiration. Adds Octavius, These cuts will always be a source of inspiration. The songs on Magnificence in the Memory were chosen to provide a non-stop exciting listening experience for Source fans and neophytes alike - and as Sunflower has stated, Fathers music is our legacy and represents the voice of the times". -Drag City
