SUZUKI, HARUYUKI - Experimental Music of Japan Vol. 2: Electronic Works Vol. 1
This is the second release in Edition Omega Points Experimental Music of Japan series, featuring the work of Tokyo composer Haruyuki Suzuki (b. 1962). This CD includes four of Suzukis electronic works -- the oldest piece, Concret II," was composed in 1985, and is an experiment in sound and noise. The triptych "Go And Back" series composed in 1996, are like versions of the same screenprinting, but made in different colors. While the MIDI data that comprises the structure of the pieces is the same, the varying sound materials used to augment the versions are different. Influenced by Luc Ferrari, Suzuki began composing electronic music using CD-J players in 2005, and "Circuit II," composed in 2006, uses two CD-J players. "Bustling For Luc," composed in 2007 was also inspired by Ferrari, and heavily influenced by the work of American experimental musicians, most particularly James Tenney. The only sounds used here are systematically transformed tidbits of environmental sound recordings of the busy quarters of Tokyo. Haruyuki Suzuki is a mostly self-taught composer. He helped establish the composers group Tempus Novum in 1991, along with, among others, Hiroyuki Yamamoto, Yoshifumi Tanaka and Hiroshi Yokoshima. He has collaborated with visual and film artists, and has organized lectures and concerts by James Tenney (2001) and Luc Ferrari (2002/2003). Housed in a specially-designed cardboard paper gatefold sleeve, with newly-written liner notes in Japanese & English by Haruyuki Suzuki himself. Limited edition of 300 copies." -Editions Omega Point
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
