{"title":"label (F)","description":"","products":[{"product_id":"wolf-eyes-black-dice-wolf-eyes-black-dice","title":"WOLF EYES \u0026 BLACK DICE - Wolf Eyes \u0026 Black Dice","description":"\u003cp\u003eThe first young shorty that ever made my preteen heart sweat at night was Brandy Salem. So fine. The stage was set for some serious 8-year-old dating action but I got snaked by this lame dude named Shawn Murphy who won Brandys eye by shuffling baseball cards faster \u0026amp; being a little crazier on his four-wheel green machine. It killed me ... all summer I tried to get faster on the cards \u0026amp; upstage everyone on the street big wheel scene, but alas, no Salem. She moved to Iowa, still think of her when that Im in love with the sea\" song comes on. Fucking Shawn....\\r\\nFast forward 21 years ... in the game of pure electronic hard-core insanity, Wolf Eyes hear rumors of this RI band of PCP chair-throwing HC yahoos who hold the crown on violence \u0026amp; sonic terror. Fuck that. We thought we were the end of the well in electronic napalm. This Black Dice band wanted to play in Detroit ... no one will do it. Fear of violence\/death threats\/general horror left them with no gig. \"Why would I wanna book a band who is gonna beat up my friends?\" was the local consensus. So BD get a Monday gig at Club Olson\/my basement in quiet Ferndale, home to a handful of whacked out electronic misfit gigs. Neighbors of the crib being left side= young couple \/ right side = quiet lesbian couple with child. My cell rings nonstop days before the gig with crazed young HC fiends asking if the gig is true. I start to get nervous, then I hear they need like 30,000 watts for their gig. What the?\\r\\nGig day\/come home from my office job \u0026amp; the Dice dudes are waiting for me. These are the horrible terror junkies who stab people when they play? All I see is smiles, loafers, Bjorn playing with a kid, and starry-eyed-vacant-brain Danny. Weird. Then they load in; mounds of amplifiers, mounds. The whole basement looking like Iron Maiden was gonna play. Wolf Eyes jams, we think it is intense, whatever. Then they play ... starting with solo recorder and then \/ WHOA \/the most violent, insane, Hiroshima tidal roar of basement sonic terror EVER. EVER. We never heard or witnessed anything so massive. We have seen the Merzbows, the Skin Crimes, the Gravitars, Youth In Asia, whatever.. This was in a totally different sound universe where the air is filled with concrete. It was louder in the street than it was in the basement black hole of sound. Imagine Black Dice playing in your fucking basement on a Monday night! Jesus. No neighbor complaints. Changed our view on sound\/terror\/attack. This was our challenge; meet this Dice volume unholiness on the same sonic field before Shawn Murphy \u0026amp; his Outlaw band does it better. Dudes were so cool two of them even slept in the basement. Awesome.\\r\\nSo we became best friends. Nate called me at work the next morning \u0026amp; said \"we are gonna do a record together\" I laughed ... that would rule...\\r\\nSo fast forward another two years. Here is it is. Recorded at a subterranean Chinatown studio in two days. Tons of jacked EQ, no space, cases of brew, clouds of smoke, Guinness record for most times \"Dude\" was said. We met on equal ground here. Total respect\/the record really sounds like the shadow of each band. It was a blast. Play it on 16 rpm in a closet and jam along with the bones of an enemy. Me, it would be playing the remains of that rat fucker Shawn Murphy, dude couldnt shake shit at this horrible eerie black pond sound.\" - John Olson, Wolf Eyes, October 2003. Different recordings than the American Tapes CDRs. Recorded Oct 2001.\u003c\/p\u003e","brand":"Fusetron","offers":[{"title":"LP","offer_id":51849235399,"sku":"16-FUSETRON","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-252467-1107905089_jpg.jpg?v=1571717170"},{"product_id":"youngs-richard-171-used-train-tickets","title":"YOUNGS, RICHARD - 171 Used Train Tickets","description":"\u003cp\u003e\"The Old Angel, Nottingham, 1990. It was the A-Bands third live show and we were calling ourselves Advent for the evening in honour of a local record shop who - judging by their filing system - thought they were stocking an album entitled Richard Youngs by Advent rather than Advent by Richard Youngs. For reasons that escape me now, Id hoarded 171 used train tickets. It felt like a cool idea to read them out. So I did. Not in the privacy of my own home, but to an audience. They seemed to enjoy it. As soon as Id finished, the A-Band struck up and a good time was had by all. - Richard Youngs. Artwork by Madeleine Hynes. Limited edition of 330 Copies. One Side 10\" w\/ Laser-Etched B-Side.\u003c\/p\u003e","brand":"Fusetron","offers":[{"title":"10\"","offer_id":51849738311,"sku":"77-FUSETRON","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-303166-1302145585_jpeg.jpg?v=1571717171"},{"product_id":"bosetti-alessandro-giuseppe-ielasi-renato-rinaldi-oreledigneur","title":"BOSETTI, ALESSANDRO\/GIUSEPPE IELASI\/RENATO RINALDI - Oreledigneur","description":"\u003cp\u003eOreledigneur is a new project by Giuseppe Ielasi, Renato Rinaldi and Alessandro Bosetti, focused on improvisation using various sound sources, from home-built small electric devices to found or natural materials\/objects. In this case, the pieces are taken from different, but always very informal, sessions recorded directly to Dat with a stereo condenser microphone. No editing or processing. Side 1 (2 pieces, 19min.) Ielasi\/Rinaldi duo, recorded in Ritas kitchen, July 17th 1999. Contact microphones, little electric devices, modified cd players through tiny car speakers, small objects. Side 2 (4 pieces, 19 min.) The first piece is a Bosetti\/Rinaldi duo, recorded near the Tagliamento river (open air), August 1999. A long metal pipe with a microphone inside, played with stones and wood. The remaining music was recorded by the trio in Alessandros kitchen, October 1999, with piano strings and household objects. In Friuli (in the north-east of Italy) Oreledigneur means hares ears\". This release is co-produced by Fringes (Italy) and Fusetron, and comes in an edition of 300 copies. Direct Metal Mastering, quality pressing, cardboard covers with printed handmade paper\"-Fringes. Last few copies of this 1999 release.\u003c\/p\u003e","brand":"Fusetron","offers":[{"title":"LP","offer_id":51850169159,"sku":"142-FUSETRON","price":16.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-1243226-1300365766_jpeg.jpg?v=1571717172"},{"product_id":"random-number-straight-out-of-mangolia-its-time-honey-raver","title":"RANDOM NUMBER\/STRAIGHT OUT OF MANGOLIA - Its Time Honey\/Raver","description":"","brand":"Fencing Flatworm","offers":[{"title":"7\"","offer_id":51850224775,"sku":"161-FENCING FLATWORM","price":4.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-244828-1346589784-7576_jpeg.jpg?v=1571717173"},{"product_id":"sounds-of-american-doomsday-cults-vol-14","title":"SOUNDS OF AMERICAN DOOMSDAY CULTS - Vol. 14","description":"\u003cp\u003eCurrently in the twilight of its life as an American cult, the Church Universal and Triumphant has been an ecumenical marvel in its ability to bridge most faiths and mythologies, all the while acquiring a substantial fortune from the sale of books, trinkets, and constantly updated cassettes for dictations\" from the churchs spiritual leaders Elizabeth Claire Prophet. Packaged as a parody of the releases from Smithsonian\/Folkways, this document of Prophets dictations offers insight more into the Churchs antagonism toward mainstream society than to her claims to be the messenger for the \"Ascended Masters\": Christ, Buddha, Hercules, Guinevere, Shiva, Pope John XXIII and K-17 (the code name for the head of the Cosmic Secret Service - the spiritual afterlife is in need of policing too). As bizarre as CUTs doctrines are, the dictations as terrifyingly good examples of mind control at work: ultra-conservative politics thinly veiled as prophecy, filled with stereotypical denunciations of rock music. Yet throughout these recordings, Prophet and her acolytes belt forth piercing, glossalaliac vocalizations, coming over like a cross between a Southern auctioneer and La Monte Young. To the battered souls who had hoped for inner peace or transcendence from CUT, these intonations were obviously meant to be received as the spiritualist \"proof\" of Prophets power. But I bet the breakdancer among them didnt reckon with their activity being denounced as a \"perverted movement of the body.\" -Jim Haynes, The Wire. Limited to 300 copies.\u003c\/p\u003e","brand":"Faithways International","offers":[{"title":"LP","offer_id":51851634631,"sku":"200-FAITHWAYS INTERNATIONAL","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/fusetron_default_a38a1c0f-8c1b-427e-a5a1-3f82f98f22fe.png?v=1571717190"},{"product_id":"sounds-of-japanese-doomsday-cults-s-t","title":"SOUNDS OF JAPANESE DOOMSDAY CULTS - s\/t","description":"\u003cp\u003eThis reissue of The Sounds of Japanese Doomsday Cults marks the first bona fide public availability in the West of Lord Deaths Counting Song\" and \"Sonshis March,\" performed by Shoko Asahara, leader of Japanese religious cult Aum Shinri Kyo and convicted murderer of twenty-five people, including eleven who died in the sarin nerve-gas attack in the Tokyo subway system in March of 1995-a terrifying incident that put more than five thousand people in the hospital and shocked the world with its televised images of choking \\r\\nand vomiting rush-hour riders staggering out of subway exits. Originally released by Australian label Mighty I AM Presence in the late 90s in three editions of 25 copies each (on polyurethane lathe-cut 8-inch records), these early, outrageously expensive copies caused their share of controversy and were unofficially banned in Japan. Several traditionally fearless Japanese collectors returned the records unplayed (for fear that its mere presence in their houses could get them in trouble). One collectors wife reportedly left him and filed for divorce, no questions asked, after finding a copy on his shelves. With the terror of the tragic gas attack fresh in the Japanese publics minds, packages containing Aum music mailed from Banjawarn Station in Western Australia-where the cult had previously acquired mining-exploration licenses so they could conduct legal searches for uranium deposits-were enough for one Japanese importer to contact the police, which resulted in a visit to the Mighty I AM Presence offices by a delegation comprised of local Australian constabulary, customs officials, and two Japanese newspaper reporters, all of whom made it clear not to send any more copies of the record to Japan. When examined and compared to commercially available recordings, the musical aspirations of mass murderers and cult leaders (see, for example, Charles Manson and David Koresh, respectively) often seem first and foremost wildly out of step with the times, but also naive, simplistic and eerily innocent. \"Lord Deaths Counting Song\" and \"Sonshis March\" follow this model; they are reminiscent of some wispy, New-Age karaoke, maybe with a nod to the music bed for a nightmarishly feel-good airline commercial. The pretty, easy-to-grasp jingles that edu-tainers such as Mr. Rogers deploy on pre-school children sound like a Wagner opera in comparison. Anyone who is not appalled by this music outright will find its creepiness mysteriously compelling. Music by Shoko Asahara, leader of Aum Shinri Kyo.\" - Faithways International.\\r\\n\"unbelievable... its too dangerous to release it here in Japan even at this 2002. not joke stuff...\" - hitomi (beast 666).\u003c\/p\u003e","brand":"Faithways International","offers":[{"title":"7\"","offer_id":51851645063,"sku":"201-FAITHWAYS INTERNATIONAL","price":8.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/fusetron_default_dcbee0a3-c6aa-42ed-9f83-58f7744ab84a.png?v=1571717190"},{"product_id":"supreme-dicks-working-mans-dick-archival-recordings-198789","title":"SUPREME DICKS - Working Mans Dick - Archival Recordings 1987-89","description":"\u003cp\u003eOne of many excellent records by this truly odd and underappreciated NY\/MA\/CA acid folk\/casuality collective. 1994 release.\u003c\/p\u003e","brand":"Freek","offers":[{"title":"CD","offer_id":51851737479,"sku":"220-FREEK","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/fusetron_default_7966549d-703d-4cc9-ab5a-91b6d32f90dd.png?v=1571717191"},{"product_id":"total-tanzmusik","title":"TOTAL - Tanzmusik","description":"","brand":"Freek","offers":[{"title":"CD","offer_id":51851905031,"sku":"242-FREEK","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-372253-1376557373-8700_jpeg.jpg?v=1571717192"},{"product_id":"valentine-matt-space-chanteys","title":"VALENTINE, MATT - Space Chanteys","description":"\u003cp\u003e\"Matt Valentine creates, has created, and will continue to create from inside of a continuum that unspools from a source that is also so distant as to be invisible. Mysterious Translucence is not just the name of his shoe. Space Chanteys is really the first honest solo album that Matt Valentine has created. There have been others that are somewhat like it, or are related to it, in shape, or in style, but they are not it. This alone is it. It is Space Chanteys. Recorded live, back in October 100, the ensemble here has run through all of Matts pockets on many occasions. Some were\/are part of the Tower Recordings collective. Others are associated with the MVEE Medicine Show. Each of them has fingered keys and touched lint that has deep and private resonance in the Valentinian flow. They take a deep collective breath here and release it slowly, like a sigh trapped in the highest tower of Greasers Palace. And its a gasser. Those enlightened people who are aware of his recordings, have a tendency to think of Matts music as part of the American volk tradition. And, indeed, a portion of it does reside there. But as with so many of the interesting inventions inside out-culture currency, the soul of this volk music emerged from synchretic collisions between psychedelic rock and avant garde jazz and country blues and trance-drone-minimalism as well as a primitive form of volk-proper. The material on Space Chanteys is beautiful in its fracture. Its fissures phosphoresce in the darkness w\/ an unearthly radiance: glow-in-the-dark teeth set into the gums of eternity\". -Byron Coley. Also includes PG Six, Dean Roberts, Samara Lubelski (Hall Of Fame), Erika Elder and Tim Barnes. Edition of 650 copies on 220 gram vinyl.\u003c\/p\u003e","brand":"Fringes","offers":[{"title":"LP","offer_id":51853772295,"sku":"260-FRINGES","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-919071-1172779732_jpeg.jpg?v=1571717192"},{"product_id":"youngs-richard-new-angloid-sound","title":"YOUNGS, RICHARD - New Angloid Sound","description":"\u003cp\u003eA ltd. split release between FE and Richards label No Fans Records. Records were pressed in the US; Richard block printed the covers by hand. This is breathtakingly intimate all-solo studio recording of classical guitar, voice and kazoo. - FE.\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"LP","offer_id":51853925063,"sku":"303-FORCED EXPOSURE","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-325834-1226849745_jpeg.jpg?v=1571717193"},{"product_id":"v-a-breaking-the-plastic-hymen-vinyl-virgins-lofi-whores-vol-1","title":"V\/A - Breaking The Plastic Hymen, Vinyl Virgins \u0026 Lo-Fi Whores. 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Hot shit!\"- Eddie Flowers\u003c\/p\u003e","brand":"Fusetron","offers":[{"title":"LP","offer_id":51853983623,"sku":"","price":6.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-593427-1140611599_jpeg.jpg?v=1571717194"},{"product_id":"dislocation-coyotes-call","title":"DISLOCATION - Coyotes Call","description":"\u003cp\u003e\"Way-above-average improv from Japan. Electric strings (guitars?), saxophones, electronics, and samples move with unexpected ease frommeditative passages to intense blow-outs to free scatter. Sax player Yoshinori Yanagawa plays with the same sort of depth and passion as Albert Ayler--no fakin, no academic rendering. But hes only part of a much larger whole. The wash of precision rumble and sound-tweaking that surrounds everything creates chaos from an intensely ordered technology. Strange (not weird\"), exciting music.\"-Eddie Flowers. \"An intensely intriguing IIIrd album from this Japanese guitar\/sax\/electronics trio, ostensibly in four parts; parts 01. \u0026amp; 04. being short nursery soundscapes, the curtain rise \u0026amp; fall for the mammoth central volcanic continent which is itself shattered into a flies-eye multitude of alternately blasting, then conversational fragments. Yoshinori Yanagawas saxophones veer between Brotzmanesque screams and the deep bowel-rumble of a severe high-colonic impaction (especially when played at 33.3rpm - later, at 45, things resumed a more distinctly saxophonic tone). Electronics dominate most of the tectonic mood swinging going on; Toyohiro Okazaki (\u0026amp; guest sample wrangler Syohei Iwasaki) comes on like some demonic incarnation of Ron Grainers BBC Radiophonic Workshop. Fujio Kimuras \"electric strings\" are so convincingly grafted on to electronics wall that they together describe a single, enclosed chunk of improvised airspace, which houses the fluttering horn. Coyotes Call is at times an intense and demanding listen, exploring a kind of electronoise-jazz (sans drums) landmass only hitherto trod by hardy souls (Borbeto\/Voice Crack collabs being the obvious precedent). Definitely worthy of much further investigation.\" -Tim Cornelius; Opprobrium.  Dislocation also had two CDs on PSF.\u003c\/p\u003e","brand":"Fusetron","offers":[{"title":"LP","offer_id":51853991111,"sku":"330-FUSETRON","price":6.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-322080-1328120957_jpeg.jpg?v=1571717194"},{"product_id":"doramaar-terra-incognita","title":"DORAMAAR - Terra Incognita","description":"\u003cp\u003e\"Fine free-rock garage-drone from New Zealanders Kim Pieters, Adria Morgan, and Sara Stephenson. Guitars feedback strum clang--drums pound freely--an occasional melody blossoms and quickly wilts--a few other sounds are employed. This music is noisy in its imprecision, but not really noise.\" Its full of focused energy and grace, feels good, a nice play to visit.\"-Eddie Flowers. \u003c\/p\u003e","brand":"Fusetron","offers":[{"title":"LP","offer_id":51854008519,"sku":"331-FUSETRON","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-665384-1381775690-4354_jpeg.jpg?v=1571717194"},{"product_id":"fine-milo-frequency-etchings-ongoing-celebrations-of-insignificance","title":"FINE, MILO - Frequency Etchings (Ongoing Celebrations of Insignificance)","description":"\u003cp\u003e\"An improvised (and unintentional) rejoinder to such compositions as Rainier Riehns Chants De Maldoror, Cages Cartridge Music and Variations 2 (as realized by David Tudor) and other raw, random electronic music from the late 60s\/early 70s. - Milo Fine. Solo clarinet\/electronics set recorded live Nov 20,1998 at Roadrunner Records in Minneapolis and presented here in its entirety. This is Milos 19th document following the release of the triple CD Surges\/Suspensions Comme Toujours. In the last few years hes been fairly active; a video release on Incus (as the Guttercleaners with partner Susan Sperl), an Ensemble CD on Emanem and participation in 2003s Freedom In The City festival in London where he collaborated with Hugh Davies, Derek Bailey and others. This LP is a numbered edition of 330 with high quality RTI pressing and full color paste-on sleeves.\"\u003c\/p\u003e","brand":"Fusetron","offers":[{"title":"LP","offer_id":51854010183,"sku":"333-FUSETRON","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-103561-1141125276_jpeg.jpg?v=1571717194"},{"product_id":"fine-milo-free-jazz-ensemble-another-outbreak-of-iconoclasm-two-eggs-slightly-beaten","title":"FINE, MILO FREE JAZZ ENSEMBLE - Another Outbreak Of Iconoclasm (Two Eggs Slightly Beaten)","description":"","brand":"Fusetron","offers":[{"title":"LP","offer_id":51854011335,"sku":"334-FUSETRON","price":6.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-1614663-1309569486_jpeg.jpg?v=1571717194"},{"product_id":"kgroup-omit-storage","title":"K-GROUP\/OMIT - Storage","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eReduced price due to slightly dinged corners\/storage wear. \"Not a split release by these two New Zealand artists, but a collaboration, carrying on from their 1997 single on Colorful Clouds for Acoustics. The weapons of choice are analogue synthesizers and the approach is slowly unfolding drones and drifting veils of sound that part and close across the listeners third ear like storms on the surface of Jupiter. K-Group is Paul Toohey, previously of noted NZ geological drone ensemble Surface of the Earth, who also has a solo album under this name on Corpus Hermeticum. Omit is Clinton Williams, who has also recorded for that notorious NZ un-easy listening label, as well as extensively on his own Deep Skin imprint. During 2000 and 2001, having failed to bring down the global economy with their now-forgotten Y2K scam [remember Y2K? - I thought not], this pair of Hidden Masters turned their efforts towards late-night kitchen jam sessions during their holiday moments. In these each would fire up an antiquated analogue synth and the resulting aural collisions would be recorded on a handy hard drive, then tweaked, inverted, eqd and edited to produce the immaculate slabs of sound contained within the tiny grooves of this ludicrously out-dated analogue sound-reproducing format.These seven tracks simulate the calm of the newly sedated patient about to undergo a surgical procedure, just as he or she is starting to slip into unconsciousness. You can listen, but just when you think youre hearing something, you realise that 12 hours have gone by and you have a new and inexplicable scar on some unlikely part of your anatomy. Too late you realise that the sound you can hear at the very edge of audition is not this recording, but the sound of forty metal robotic insects starting to eat their way out through your still-sedated navel. Waking with a start in time to flip the album over on your turntable, you notice that subsonic frequencies have begun to rearrange the contents of your mantlepiece into a veritable Morris Dance of inanimate objects, when you thought the audio had not yet begun to play back. A vestigial bass throb starts up in the back of your cranium, as very slow-moving if not actually stationary spacecraft begin to land in the garden. Three days later they are still hovering as the seventh and final track of thr album begins to play, and infinitesimally subtle stereo effects start panning in impossible permutations audible only between your shoulder blades.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eApparent suspension of time, delirious interludes, interference with the basic laws of physics, all of these effects are possible results of listening to the beautifully poised, finely polished and unutterably beautiful sounds contained in this simultaneously forbidding and inviting artifact. If, like me, these are all the things you look for in a sound recording, then look no further. If its merely music you require, then I suggest you meddle not in the affairs of your betters and proceed directly to the nearest chain CD store and stock up big time. -Bruce Russell [Noise Legend], Lyttelton, NZ, May 2002.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\"Heres a piece of wax that came out back in 2002, and its a title that we thought was long discontinued by Fusetron. But, luckily, somehow, a handful of copies still exist, and if youre keen on the stun-drone \/ brain-zonk electronics currently blasted by the EMERALDS axis, you NEED to investigate everything that Omit has ever released. Our words from way back when... Both K-Group and Omit have been longtime aQuarius favorites from the New Zealand experimental noise scene; but unfortunately, theyve been pretty quiet in their respective outputs during the past couple of years. K-Group is the solo project for Paul Toohey, who has also worked in the (defunct?) Surface Of The Earth, both of which centered around low-frequency tectonic drones coaxed from abused amplifiers. Clinton Williams has taken up the Omit moniker for his creepy, tape loop compositions loaded with bleak sci-fi \/ psychotic imagery. This collaboration between Williams and Toohey is actually their second, if you count a 7\" which came out ages ago. In running Williams battery of analog synths through Tooheys cabinets, theyve constructed an eerie album of deep rumblings that are on par with anything that Coleclough, Koner, or Troum have managed to release. As the K-Group \/ Omit drones ripple with a gritty amplifier buzz often lacking in the driftwork of those aforementioned artists, \"Storage\" pulses with a subterranean heaviness, pushing this closer towards the Earth \/ SUNNO))) terrain. A really wonderful album!!!\" - Aquarius.\u003c\/span\u003e\u003c\/p\u003e","brand":"Fusetron","offers":[{"title":"LP","offer_id":51854013959,"sku":"335-FUSETRON","price":8.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-344192-1266815951_jpeg.jpg?v=1571717194"},{"product_id":"licht-alan-shiraishi-tamio-open-for-kevin-drumm","title":"LICHT, ALAN \u0026 SHIRAISHI TAMIO - Open For Kevin Drumm","description":"","brand":"Freedom From","offers":[{"title":"Cass","offer_id":51854036935,"sku":"351-FREEDOM FROM","price":5.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-2234304-1386944268-1402_jpeg.jpg?v=1571717195"},{"product_id":"les-rallizes-denudes-fucked-up-and-naked-vol-2","title":"LES RALLIZES DENUDES - Fucked Up And Naked, Vol. 2","description":"\u003cp\u003eMore scorched live sessions from these Japanese legends. This double LP is culled from various live soundboard tapes spanning 1969 to 1981 (different material than the Live 77 which was the first Fucked Up And Naked release) - not much more info than that. Very worthwhile. Full color paste on jackets. \"mostly live material from 80 and 81, plus one much earlier track (Smokin Cigarette Blues) lifted from the officially released 67-69 Studio et Live disk.\"\u003c\/p\u003e","brand":"Fucked Up And Naked","offers":[{"title":"Double LP","offer_id":51854044999,"sku":"355-FUCKED UP AND NAKED","price":38.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-1055335-1631611215-3069_jpeg.jpg?v=1636915339"},{"product_id":"late-the-thomas-gordon-ep","title":"LATE - The Thomas Gordon EP","description":"\u003cp\u003e\u003cspan\u003eLimited to 40 copies. US (Freedom From...) \u0026amp; New Zealand (20city) co-release\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2200271258\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Freedom From\/20 City","offers":[{"title":"Lathe Cut 8\"","offer_id":51854067847,"sku":"362-FREEDOM FROM\/20 CITY","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/R-6508232-1681062909-5213.jpg?v=1775410658"},{"product_id":"labelle-brandon-automatic-radio","title":"LABELLE, BRANDON - Automatic Radio","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\"This new Cd by Brandon Labelle includes three new compositions:\u003cspan class=\"Apple-converted-space\"\u003e \"\u003c\/span\u003eSpeaking in Tongues\": Conflating \"human speech\" with \"animal speech\"--a mimicry that draws the tongue outside \"idiolectical\" usage (to speak as a good boy should)--language and the body become part of the same mechanism of conveying a message; though in turn, this conflation emphasizes the schism that ruptures this process--the tension inherent in \"speaking as a body (sensuality)\" and \"speaking as an individual (social behavior)\".\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\"Multitude-Solitude\": This work was commissioned by Kunstradio and was produced during a 3-daystay in Vienna in August 2000. In response to the invitation to make a work for radio I decided to produce all the sound-materials while in Vienna, drawing upon a direct relationship to the city and my experience there. This process consisted of primarily two activities: firstly, amplifying pre-recorded sounds of \"crowds\" from various events and functions in public spaces in Vienna, and re-recording them--in essence, overlaying public spaces and public crowds on top of each other and highlighting the \"multiplicity\" of overheard voices, and through this, how language becomes abstracted when it is situated against public space; secondly, taking a series of walks around Vienna with contact microphones taped to the bottoms of my shoes. What resulted from these walks was a kind of sonic residue of the meeting between body and space, between private experience and public environment, underscoring how as an individual one is always part of a greater situation.\" \"Pillow Talking\"(in collaboration with l. chasse): This work was produced as a parallel performance to a concert by John Hudak at 7hz, San Francisco, September 2000. The parallel performance occurred through recording Hudaks own performance by placing contact microphones on a glass floor from a mezzanine within the performance space. In addition, a second contact microphone was mounted on a metal cooking funnel which I then placed inside my mouth. In essence, the final work is a combination of Hudaks performance and the subsequent \"translation\" of it as recorded through the microphones. This \"translation\" is in turn mediated through the architectural structure of the performance space, the metal funnel and through the cavity of my mouth. Edition of 500 copies in oversized cardoboard folder, with a color photo by Renato Rinaldi. Includes the text \"Automatic Radio\" by Brandon Labelle.\" - Fringes.\u003c\/span\u003e\u003c\/p\u003e","brand":"Fringes","offers":[{"title":"CD","offer_id":51854068295,"sku":"363-FRINGES","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-993055-1181762135_jpeg.jpg?v=1571717195"},{"product_id":"kousokuya-ray-night-19911992-live","title":"KOUSOKUYA - Ray Night 1991-1992 Live","description":"\u003cp\u003e\"First ever CD by this legendary and ultra-obscure Japanese psychedelic rock group. Kousokuya are from Tokyo, have donated some spectacular tracks to the first two volumes of the Tokyo Flashback compilation series on the PSF label, and self-released an extremely ltd. LP in 1991. The band has been around for quite some time; I originally was under the impression they formed around 1984, but was recently informed that an edition featuring Nanjo and Narita from High Rise existed going back to the late 70s!?. Either way, theyve always been pretty lo-profile, but this CD at least shines a bit of light on their extended, heavy guitar sound. An early press release for the bands describes them well: The band name Kousokuya means a ray night. Since 1984 they have been playing their own high volume heavy driven avant-garde psychedelic music. Kaneko, he always plays guitar with full of feedback. One of the outstanding guitar players in the underground scene. No one can play guitar like him. Mick, she plays bass and is also main vocalist. She sings like an angle flying from the other side of the this world. Takahashi, he plays drums and percussion. He had previously played many other free formed rock music.\" 69 minutes of expansive psychedelic nirvana.\" - FE.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/iRRQTNi16Hs\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"CD","offer_id":51854086599,"sku":"370-FORCED EXPOSURE","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-1027951-1196259372_jpeg.jpg?v=1571717195"},{"product_id":"kkylp-fke02","title":"KKYLP - fke-02","description":"\u003cp\u003eRecent, out-of-nowhere (2007) Bill Orcutt (Harry Pussy) project. Less than 80 of these were pressed (NOT a lathe cut).\u003c\/p\u003e","brand":"FKE","offers":[{"title":"7\"","offer_id":51854098823,"sku":"372-FKE","price":5.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/fusetron_default_9b8967a9-510d-45f3-aa8d-3188fb03e8f0.png?v=1571717195"},{"product_id":"fursaxa-the-cult-from-moon-mountain","title":"FURSAXA - The Cult From Moon Mountain","description":"\u003cp\u003eRecent (and first time listed here) cdr release from Tara Burke. Five of the six tracks on this cd (all recorded live) are from late March \/ early April 2002 with the last track recorded in April 2003 (also live). Really great recordings and fantastic performances by Tara with four of the six tracks featuring Tara solo. The other two tracks include the Michael Gibbons on guitar and one of these tracks also has John Gibbons playing drums.\u003c\/p\u003e","brand":"Fursaxa","offers":[{"title":"CDR","offer_id":51854215111,"sku":"408-FURSAXA","price":11.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-557572-1237130553_jpeg.jpg?v=1571717197"},{"product_id":"forced-exposure-18","title":"FORCED EXPOSURE - #18","description":"\u003cp\u003eMost recent issue (from 1993). The largest ever, at 148 pages, and is perfect bound. It features a full color self-portrait painting by New Zealands Chris Knox on the cover (of the Tall Dwarfs, etc.) Inside is the longest, most detailed interview ever published with Knox, which pretty much covers the entire history of rock-music related culture. Other features include: an interview w\/ Boyd Rice, long novel excerpt by Richard Meltzer on San Diego peep shows, fiction by Charlie Goucher Jr. (of the Sun City Girls), fiction by Scott Mulrane, and a very extensive review section (of records, books, videos, etc). - FE.\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Mag","offer_id":51854223303,"sku":"412-FORCED EXPOSURE","price":8.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/FE18_PROD.jpg?v=1586897139"},{"product_id":"forced-exposure-17","title":"FORCED EXPOSURE - #17","description":"\u003cp\u003e1991 issue. MX-80, Eugene Chadbourne, Alexandro Jodorowsky, Richard Meltzer, Rudy Rucker, Steve Albini, Chris D., TONS of reviews, etc.\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Mag","offer_id":51854223943,"sku":"413-FORCED EXPOSURE","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/FE17_PROD.jpg?v=1586897011"},{"product_id":"campbell-neil-richard-youngs-simon-wickhamsmith-stewart-walden-durian-durian","title":"CAMPBELL, NEIL\/RICHARD YOUNGS \/SIMON WICKHAM-SMITH\/STEWART WALDEN - Durian Durian","description":"\u003cp\u003eClassic 1992 release in  Poon Village silkscreened jackets. \"Somewhat of a follow up to Ceaucescu, with two \"members\" of the free improv UK collective A Band added. Four \"sides\" of random input guitar, ring modulation, percussion, tapes, tones, silences, drone, moan (\u0026amp; much more) are compressed down to 2 sides, resulting in some pretty beautifully disorienting listening.\" - FE.\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"LP","offer_id":51854545671,"sku":"470-FORCED EXPOSURE","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-338609-1285272276_jpeg.jpg?v=1571717199"},{"product_id":"campbell-neil-rob-hayler-in-luck","title":"CAMPBELL, NEIL \u0026 ROB HAYLER - In Luck","description":"\u003cp\u003elong awaited duo album from venerated vibracathedral member and the name behind midwich, the finest in yorkshire nothing music. imagine neil and rob listening to a lot of minimal techno, nailing that groove then using it to spiral out into blissed psychedelic pastoral. got it? well, its just like that. - Fencing Flatworm.\u003c\/p\u003e","brand":"Fencing Flatworm","offers":[{"title":"CDR","offer_id":51854551303,"sku":"471-FENCING FLATWORM","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-667557-1166142378_jpeg.jpg?v=1571717199"},{"product_id":"campbell-neil-itinerant-string-section","title":"CAMPBELL, NEIL - Itinerant String Section","description":"","brand":"Freedom From","offers":[{"title":"CDR","offer_id":51854553031,"sku":"474-FREEDOM FROM","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-344953-1099698676_jpg.jpg?v=1571717199"},{"product_id":"campbell-neil-excerpt-from-the-neverending-bowed-metal-song","title":"CAMPBELL, NEIL - Excerpt From The Never-Ending Bowed Metal Song","description":"","brand":"Fencing Flatworm","offers":[{"title":"CDR","offer_id":51854561415,"sku":"476-FENCING FLATWORM","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-739944-1153867796_jpeg.jpg?v=1571717199"},{"product_id":"mars-live-at-irving-plaza","title":"MARS - Live at Irving Plaza","description":"\u003cp\u003eThe second volume of live Mars recordings from Feeding Tube. This one was recorded at the bands penultimate show, August 4, 1978, with spectral help from Rudolph Grey on the side-long take of NN End.\" The quartet is at the full height of their power here, manipulating the language of tongue explosions both instrumentally and vocally. Recorded by Brian Eno, the sound is an advance from the galacto-fidelity of the Artists Space LP, and the performance is a staggering example of Mars in their final phase. This is a stunning example of the No Wave impulse in its most experimental and personal guise. The package also includes a download card for both Mars FTR LPs, as well as a 20-page booklet, \"Mars As We Know It,\" which is an oral history of the band assembled by Byron Coley and Thurston Moore from interviews conducted for their No Wave: Post-Punk. Underground. New York. 1976-1980. book. Issued in an edition of 500 copies, Live at Irving Plaza is a beautiful souvenir of a woefully under-documented band.\" -Feeding Tube.\u003c\/p\u003e","brand":"Feeding Tube","offers":[{"title":"LP","offer_id":51855429063,"sku":"13240-FEEDING TUBE","price":28.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-3556876-1335744814_jpeg.jpg?v=1571717217"},{"product_id":"sightings-or-what","title":"SIGHTINGS - Or What","description":"\u003cp\u003ePicture: Members of Mars and the Screamers drive a truck over Gary Glitter, run his corpse over 17 times and cake the gelatinous gook Residue on the master tape of this rock and roll masterpiece. - Brian Turner (Music Director, WFMU).\u003c\/p\u003e","brand":"Freedom From","offers":[{"title":"7\"","offer_id":51855737799,"sku":"640-FREEDOM FROM","price":4.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-826065-1440399586-7982_jpeg.jpg?v=1571717220"},{"product_id":"lgm-45-junior","title":"LGM - 45 Junior","description":"\u003cp\u003e2002, edition of 250. electronics, nice b\/w sleeve The Feedback label (along with sublabel HYENA) release limited edition synth\/minimal electronics\/homemade new wave.\u003c\/p\u003e","brand":"Feedback","offers":[{"title":"7\"","offer_id":51855962503,"sku":"709-FEEDBACK","price":6.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-471430-1434134125-7965_jpeg.jpg?v=1571717222"},{"product_id":"kompleta-ministar","title":"KOMPLETA - Ministar","description":"\u003cp\u003e2001, edition 0f 150. low fi electronics. The Feedback label (along with sublabel HYENA) release limited edition synth\/minimal electronics\/homemade new wave.\u003c\/p\u003e","brand":"Feedback","offers":[{"title":"10\"","offer_id":51855979591,"sku":"711-FEEDBACK","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-299683-1248465741_jpeg.jpg?v=1571717222"},{"product_id":"minx-zimmerman-dance-music-2000","title":"MINX\/ZIMMERMAN - Dance Music 2000","description":"\u003cp\u003e2001, edition of 200 copies, electronics 80s in a comic style sleeve. The Feedback label (along with sublabel HYENA) release limited edition synth\/minimal electronics\/homemade new wave.\u003c\/p\u003e","brand":"Feedback","offers":[{"title":"7\"","offer_id":51855979783,"sku":"712-FEEDBACK","price":7.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/fusetron_default_91dbf1ff-5ac7-4fe8-bc24-7666dcd3c4f1.png?v=1571717222"},{"product_id":"jehova-meltdown-long-boring-while","title":"JEHOVA MELTDOWN - Long Boring While","description":"\u003cp\u003e\"1997, edition of 500. low fi guitar, Think of Nico. The Feedback label (along with sublabel HYENA) release limited edition synth\/minimal electronics\/homemade new wave.\"\u003c\/p\u003e","brand":"Feedback","offers":[{"title":"7\"","offer_id":51855985671,"sku":"713-FEEDBACK","price":4.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-471429-1362686198-6407_png.jpg?v=1571717222"},{"product_id":"1-3-octave-band-tarakohe-ritual-of-gravity","title":"1\/3 OCTAVE BAND - Tarakohe\/Ritual Of Gravity","description":"\u003cp\u003e\"If youve ever heard of New Zealand musician Bill Wood, chances are that it was related to his work with Campbell Kneales Birchville Cat Motel. But Bill has his own line of space rock\/guitar drone\/massive atmopsherics as well, and he records them as 1\/3 Octave Band. Woods music is new to my ears but its highly impressive. He takes a very maxist approach to drones, filling the pulses of his endless frontiers with shifting arrays of instrumental intrigue and ominously pulsing lights. A great thing, and on that thick Czech vinyl that weighs about a pound. What more could you want? - Byron Coley, WIRE. Edition of 250.\u003c\/p\u003e","brand":"Fusetron","offers":[{"title":"7\"","offer_id":51856015239,"sku":"","price":6.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-538033-1367413729-6128_jpeg.jpg?v=1571717223"},{"product_id":"institut-fr-feinmotorik-negemergenz","title":"INSTITUT FÜR FEINMOTORIK - Negemergenz","description":"\u003cp\u003e\"Swiss-German sound researchers with an interesting, very effective approach to turntable manipulation: Using six to eight record players simultaneously, they play only the run-out grooves or labels of the records, plus generate tones using rubber bands, adhesive tape, and tooth brushes to tweak the phono cartridges and repeating lock-grooved records. The resulting sounds range from ultraminimal blipsnhiss to solid grooves not too far from Krautrock- Eddie Flowers. ..(LP) from the German masters of a new genre: \"runoff groove\". That is, electronic music created from the snap-crackle- pop of old LP runoff grooves, tonearm feedback, et cetera. Minimal tones that slowly build into rhythmic order. Their previously self-released (and now long gone) 12\" \u0026amp; 10\" wowed me with a brilliant focus on the tiny \"unwanted\" byproducts of the vinyl medium. Synchronic with Pole, Porter Ricks, Oval, et al., but with an even more experimental feel than previously believed possible. A 100% necessary release\" - Jace Krause (HotF\/Lost In Translation). Found a few more copies of this 1999 release. Slight storage wear on the jackets. Highly recommended!\u003c\/p\u003e","brand":"Fusetron","offers":[{"title":"LP","offer_id":51856186823,"sku":"780-FUSETRON","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-64708-1141125221_jpeg.jpg?v=1571717224"},{"product_id":"shiraishi-tamio-sean-meehan-in-the-city","title":"SHIRAISHI, TAMIO \u0026 SEAN MEEHAN - In The City","description":"\u003cp\u003e\"each summer tamio shiraishi \u0026amp; sean meehan pair up for a series of outdoor concerts in new york city always in a different location, the concerts explore unwatched and unconsidered sites of the city. (this LP) is the first release of this summer tradition. 12 vinyl with a b-sided etching by knickerbocker.\" - sean meehan.Recorded underneath the West Side Highway at 59th Street, NYC, by Geoff Dugan, 21 july 2001.SEAN MEEHAN - \"Current performances generally find Meehan playing only the snare drum in a manner that sheds conventional usage and reconstructs the conception andfunction of the instrument.\"Meehan has collaborated withSachiko M, Mamoru Fujieda, Michihiro Sato, Edwin Torres, Muigel Algarin, Greg Kelley, Ami Yoshida, Taku Sugimoto, Toshimaru Nakamura, Tetzui Akiyama, Kiyoharu Kuwayama and many others. Additionally he has performed throughout North and South America, Asia and Eastern Europe.TAMIO SHIRAISHI - Shiraishi has been performing since the late 1970s, including playing drums and synthesizer in an early incarnation of Fushitsusha. His first released recordings, consisting of solo sax with broken drum machine, were included on the 1981 Aiyoku Jinmin Juji Gekijo compilation on Pinakotheca (who also released the first Keiji Haino LP). Hes currently living in NYC and occasionally collaborates with the No Neck Blues Band.GEOFF DUGAN - \"Geoff Dugan has been performing, recording, and producing sonic environments since 1983. Recent projects include a binaural psychogeography recording and performance: \"aberto\/fechyado parque serralves\" at the Serralves Foundation in Oporto and an audio psychogeographical report from New York performed at the 2002 Zeppelin Festival of Sound Art in Barcelona. Geoff runs the recording label GD Stereo that has released a series of compilation compact discs organized around psychogeography and the theory of the dérive among the various (the artists): The Architecture of the Incidental (1999) and Psychogeographical Dip (1997). Solo projects include Play in random or shuffle mode. (GD Stereo, 2001), Surface Tension (Open Circuit, 2000) and the Stomach Ache Records release Technical Comfort Formalistic Style Features (7\" vinyl - 1994). Geoff is also an architect and lives in NYC.\"\u003c\/p\u003e","brand":"Fusetron","offers":[{"title":"One-Sided LP","offer_id":51856279815,"sku":"846-FUSETRON","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-538794-1335563871_jpeg.jpg?v=1571717225"},{"product_id":"foole-dredd-in-quest-of-tense","title":"FOOLE, DREDD - In Quest Of Tense","description":"\u003cp\u003eDredd Foole is the name used to designate the music of Boston-area vocal\/guitar artist Dan Ireton. He used to lead a band under the name Dredd Foole \u0026amp; the Din, recording two great, mostly neglected albums in the 80s for labels known as Homestead and PVC. It was commonly known that his band was one of the only Boston bands worth seeing post-Mission of Burma (who backed him up actually, as the original Din, on his debut single in 1982). Those records were fine for the time, but they hardly captured the full intensity-scope of the 1st-gen post-VU\/Stooges blare of that band in their prime. In the late 80s Dan wisely abandoned the rock band format and has sporadically been performing a series of breathtaking shows in the otherwise ready-to-be-nuked-today local club scene\" ever since. Sometimes solo acoustic, sometimes with percussion, electric slide guitar or violin accompaniment, he sings with one of the most electrifying post-Tim Buckley vocal chords ever heard, and his concept of multiphonic non-traditional folk music with apocalyptic come-down power-appeal has finally been documented with this long overdue release. A masterpiece of personal trance-sound-vision \u0026amp; legitimate psychedelic space-whisper revelations, at your command.\" - FE. 1994 release in a stunning C.O.N. Artists designed\/assembled silkscreened, fold out sleeve.\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"CD","offer_id":51856786567,"sku":"1039-FORCED EXPOSURE","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-1051293-1188231771_jpeg.jpg?v=1571717248"},{"product_id":"excepter-vacation-forget-me","title":"EXCEPTER - Vacation\/\"Forget Me\"","description":"\u003cp\u003e\"Even though it would be wrong not to consider these protest songs against  the back porch policies of certain undisclosed and secure locations, we shouldn_¢??t let THEM come between us. EXCEPTER says, Yeah, well play\" ... freestyle, the crawl, the butterfly, the breast, the rest. \"How long will you stay?\" Just as expressions and intuitions reflect the oceans \\r\\nunleashed, there is no desert island, dig, just the big, bare teeth of \\r\\nEXCEPTER there, smiling beneath. \"You forgot something?\" To survive the coming weather, you are going to need to know a sailor, a captain, an engineer, a figurehead, as well as a pirate, so SHOW ... A continuous \\r\\nstream of music split into two sides. _Ç Performed and mixed live to stereo. \\r\\nSS EXCEPTER:\"Were only a world away.\" - Excepter. \"For the second time in a row now, one of Brooklyns grandest experimental entourages have presented us with a sonic totem whose jaunty and bright packaging belie an almost certain palpable sense of unease. This new twelve-inch is entitled \"Vacation\", and here Excepter have perhaps crafted a treatise on nothing less than the uncomfortable aspects of having to leave oneshome. \\r\\nOr they may well have been channeling the soundtrack to a particularly bizarre road trip I once went on involving an Indian burial ground, a cross eyed woman Xeroxing chain letters at a supermarket, and an extremely sadistic alligator farm outside of Hot Springs, Arkansas where I witnessed a stuffed Fiji Merman. Unease indeed. But of course, like on any worthy and good vacation, once youve become used to new unsettling sensations like foot blisters and sunburn you realize how sublime the landscape is. And sublimity is what Excepter trades in spades. \\r\\nSide-one positions the moment where you have trouble getting your bearings, trouble putting your surroundings into perspective. The rhythms are all displaced, their center of gravity slackened by synths squiggling all willy-nilly looking for something to latch onto. Side-two, \"Forget Me,\" is where everything comes into focus -- like a photograph that you can spend some time with to chart your inner progress. This track could be Excepters pop moment, their breezy road trip down the Autobahn (and here the Kraut reference is especially apt). Pistons fired, these beats are allowed to lope carefree into the coming summers new season of discontent. 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And then as I was receiving those aural secretions of an ultra physical automaton from the seventh uppermost world, I woke up due to a butterfly itching in my ear. There I was all covered with sweat, heart beating furiously, yet the ear was empty. It took a long time to be able to sleep after that night. Heed my words dear friends; that butterfly preserved to the ears of ours which werent there is Alkuhärkä. - Ralf Normaali. Highly recommended!\u003c\/p\u003e","brand":"Fonal","offers":[{"title":"CD","offer_id":51860076679,"sku":"1257-FONAL","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/fusetron_default_c9a88f3e-190c-4561-8b1a-fdf3df041b93.png?v=1571717255"},{"product_id":"von-hausswolff-cm-a-lecture-on-disturbances-in-architecture","title":"VON HAUSSWOLFF, C.M. - A Lecture on Disturbances in Architecture","description":"\u003cp\u003eR. 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