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Future Audio Graphics

BLOOD WEDDING, TIMOTHY MORTON, MARLO PASCUAL - A Survey of Locked Modes

"A Survery of Locked Modes is a collaboration between Blood Wedding (Chuck Johnson and Danishta Rivero), critical theorist Timothy Morton and visual artist Marlo Pascual. Blood Wedding has described these recordings as sonifying what Morton defines as the hyperobject, objects and forms so massively distributed in time and space that they transcend categories and localization. For Morton, nature is no arbitrary or anthropomorphic signifier and artistic representations of the environment should offer sites for opening ideas about nature to new possibilities. Blood Wedding’s recording evokes the hyperobject in a number of ways: in its slowly evolving minimalism; its use of just intonation and the harmonic series; and its “locking in” of pure intervals that provide subtle beating and pulses. But the recordings also suggest contrapuntal and phantom sounds that emerge from near misses in the execution of the pure interval and these sounds owe as much to the performance space as to the human ear. Similarly, within Pascual’s work, objects and images appear to seek potential corollaries in unusual juxtapositions of the organic and the inorganic, the living and the non-living, the two-dimensional and the sculptural. Rather than seeing these forms as binaries, however, Pascual concretizes what Blood Wedding amplifies in their sound, the suggestion that there may be another form behind or within the image/noise. For Blood Wedding, this assumes the form of a distressed shape emerging from over-amplified circuits feeding back, devouring the sound in space, and taking life in the physics of electricity, in resonance, and acoustics that point to another level that’s just on the edge of becoming. “Something is already happening. Listen. A thing is already here. There is a crescendo. It keeps going. Intimacy coming closer and closer. There is a danger. This music might be alive—an animist impulse stirs in me, since it’s good for my DNA if I assume that a thing moving towards me is alive. But it moves forward so slowly, like a planet. I have every chance to get out of its way. But I am already caught in its gravitational field. I don’t want to get out of its way. I am susceptible to the onset of this virus.” excerpt from My Dead Push Up the Grass, Silently Turning to Dust, Timothy Morton, Rice University " - Future Audio Graphics.
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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