"Time Machine is a reissue of a 2017 cassette, and represents the first vinyl issued by Wendy Eisenberg, a peripatetic improviser and composer currently based in Amherst. We first heard of Wendy when she was playing with a blasted quartet called Birthing Hips, whose NNA cassette was an instant classic. Since then she's begun a solo career that branches off in a lot of directions simultaneously. She has an album of post-form noise-metal (in trio with Trevor Dunn and Ches Smith) due soon on John Zorn's Tzadik label. She has an LP of acoustic guitar improvs coming up on Steve Lowenthal's VDSQ imprint. And then there's Time Machine -- a gloriously intimate suite of bedroom pop miniatures that makes us suspect she can do about anything she sets her mind to. The music on Time Machine is arranged sparingly and sung with real warmth. Although everyone thinks I'm nuts for mentioning it, I am reminded in spots of the Space Lady's outsider take on keyboard pop. But there are also large parts of this record that put me in mind of Elisa Ambrogio's solo work as well as the singing she does with 200 Years, meaning there's a sense of inherent wildness being reined in a bit, all for the sake of the songs. Time Machine is a wonderfully flowing album. Small parts of the instrumentation hint at the stranger vistas Ms. Eisenberg's music can explore, reminding us that this is but one of her guises. But it's a damn good one, and we're very happy she let us help document it." - Byron Coley.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.