"Matt 'MB' Jones has long been kicking back and forth between the Valley and Asia. His recordings with Jee Jee Band have reflected this duality. And this new 'solo' album, recorded mostly in his original backyard with a cast of local hottentots (Conrad Capistran, Tim Sheldon, John Moloney, etc.) continues this vibe, while changing it in many subtle ways. The K-Pop readymades of the Jee Jee Band's Glass Fish LP (EM 1138CD/LP) have continued to drift out of Matt's repertoire. This remodeling began on Jee Jee's Holy Yolk LP (FTR 304, 2017), and by this point the hints are still there if you know where to look for them, but they no longer jump out at you. Matt's basic constructions are still often electronic pop at their base, but the details that get piled on top of that now require a wide closet of costumery. From the multi-tracked vocal glistens of '$200,000 Ticket to Space' (with neo-gamelanic tone highlighting) through to the jaw-harp-riven dolor of 'Going Swimming in the Morning,' the only real common thread the mood of dislocation Jones bakes into many of his lyrics. It's never easy keeping one foot in reality (so-called) while extending your other foot into the vacuum of space, but it's forward trajectory Matt seems to have managed. Perhaps this is why he and Mike Watt have struck up a friendship (the two recently cut a lathe 7"). Just as Watt attempts to codify his personal history, while the statis of the world constantly slides past him on his endless tours, Jones seems bent on writing twin histories of his peregrinations -- one with each hand, while everything spins around his head. It's an epic quest. And one to which you should pay sweet attention." - Byron Coley.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.