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Fusetron

K-GROUP/OMIT - Storage

"Not a split release by these two New Zealand artists, but a collaboration, carrying on from their 1997 single on Colorful Clouds for Acoustics. The weapons of choice are analogue synthesizers and the approach is slowly unfolding drones and drifting veils of sound that part and close across the listeners third ear like storms on the surface of Jupiter.\r\n K-Group is Paul Toohey, previously of noted NZ geological drone ensemble Surface of the Earth, who also has a solo album under this name on Corpus Hermeticum. Omit is Clinton Williams, who has also recorded for that notorious NZ un-easy listening label, as well as extensively on his own Deep Skin imprint. During 2000 and 2001, having failed to bring down the global economy with their now-forgotten Y2K scam [remember Y2K? - I thought not], this pair of Hidden Masters turned their efforts towards late-night kitchen jam sessions during their holiday moments. In these each would fire up an antiquated analogue synth and the resulting aural collisions would be recorded on a handy hard drive, then tweaked, inverted, eqd and edited to produce the immaculate slabs of sound contained within the tiny grooves of this ludicrously out-dated analogue sound-reproducing format.\r\nThese seven tracks simulate the calm of the newly sedated patient about to undergo a surgical procedure, just as he or she is starting to slip into unconsciousness. You can listen, but just when you think youre hearing something, you realise that 12 hours have gone by and you have a new and inexplicable scar on some unlikely part of your anatomy. Too late you realise that the sound you can hear at the very edge of audition is not this recording, but the sound of forty metal robotic insects starting to eat their way out through your still-sedated navel. Waking with a start in time to flip the album over on your turntable, you notice that subsonic frequencies have begun to rearrange the contents of your mantlepiece into a veritable Morris Dance of inanimate objects, when you thought the audio had not yet begun to play back. A vestigial bass throb starts up in the back of your cranium, as very slow-moving if not actually stationary spacecraft begin to land in the garden. Three days later they are still hovering as the seventh and final track of thr album begins to play, and infinitesimally subtle stereo effects start panning in impossible permutations audible only between your shoulder blades. \r\n Apparent suspension of time, delirious interludes, interference with the basic laws of physics, all of these effects are possible results of listening to the beautifully poised, finely polished and unutterably beautiful sounds contained in this simultaneously forbidding and inviting artifact. If, like me, these are all the things you look for in a sound recording, then look no further. If its merely music you require, then I suggest you meddle not in the affairs of your betters and proceed directly to the nearest chain CD store and stock up big time. -Bruce Russell [Noise Legend], Lyttelton, NZ, May 2002.\r\n

\r\n"Heres a piece of wax that came out back in 2002, and its a \r\ntitle that we thought was long discontinued by Fusetron. But, luckily, \r\nsomehow, a handful of copies still exist, and if youre keen on the \r\nstun-drone / brain-zonk electronics currently blasted by the EMERALDS \r\naxis, you NEED to investigate everything that Omit has ever released. \r\nOur words from way back when...\r\n Both K-Group and Omit have been longtime aQuarius favorites from \r\nthe New Zealand experimental noise scene; but unfortunately, theyve \r\nbeen pretty quiet in their respective outputs during the past couple \r\nof years. K-Group is the solo project for Paul Toohey, who has also \r\nworked in the (defunct?) Surface Of The Earth, both of which centered \r\naround low-frequency tectonic drones coaxed from abused amplifiers. \r\nClinton Williams has taken up the Omit moniker for his creepy, tape \r\nloop compositions loaded with bleak sci-fi / psychotic imagery. This \r\ncollaboration between Williams and Toohey is actually their second, if \r\nyou count a 7" which came out ages ago. In running Williams battery \r\nof analog synths through Tooheys cabinets, theyve constructed an \r\neerie album of deep rumblings that are on par with anything that \r\nColeclough, Koner, or Troum have managed to release. As the K-Group / \r\nOmit drones ripple with a gritty amplifier buzz often lacking in the \r\ndriftwork of those aforementioned artists, "Storage" pulses with a \r\nsubterranean heaviness, pushing this closer towards the Earth / \r\nSUNNO))) terrain. A really wonderful album!!!" - Aquarius.
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.



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